Camel meat has been consumed for centuries, with early records dating back to ancient Persian banquets. It is still prominent in cuisines from certain regions, including Saudi Arabia, Morocco, and other parts of West and Northeast Africa and West Asia. Camel meat is also a growing feature in Australian cuisine. This quote from the opening of the book explains that Camel meat has been a staple for many countries and ethnicities for millennia. As they do not have a heard of Alberta grass-fed beef in the back 40 to draw from, Camel is one of their main proteins. As the title states, in How to Cook a Camel, Rick Forde says, "I have always said I could cook anything. Just show me where the stove is until I ran across this feast. "I wanted to bring to the Western world the assimilation between eating moose meat and eating camel meat-not so different, both huge beasts, albeit in different parts of the world. "I asked someone, 'Would you have a problem with a cookbook titled "How to Cook a Moose"?' They replied, 'Of course not. I have a moose in my freezer. I wonder what Camel tastes like.' I said, 'Try the tagine.' "The other hundred delicious recipes are a few originals scattered with recipes I have ripped out of magazines in the dentist office or seen on TV and quickly wrote down on a scrap paper and a few popular nostalgic recipes, even some from my elementary school (Stuart Wood Elementary) cookbook. We put together with the recipes, written exactly how they were submitted. "I published this book for the new family and the old family. The recipes are easy enough for kids to get into and start cooking with reckless abandon. Enjoy!
The Amazing Tom Mix The Most Famous Cowboy of the Movies Tom Mix was a town marshal and cowboy in the Oklahoma Territory, a rodeo champion and a wild west show performer. With his devil-may-care attitude, quick wit and penchant for doing breath-taking stunts on his wonder horse, Tony, Tom Mix went on to become the #1 movie cowboy of silent films, earning millions of dollars at a time when movie tickets cost pennies. While he basked in this incredible acclaim, Tom Mix lived in fear that his deep, dark secrets would be discovered and his career and his cherished heroic image would be destroyed. Celebrated author Richard D. Jensen has spent more than 30 years researching the life of Tom Mix, the man hailed as "the idol of every American boy." With incredible detail, much of it gained from hundreds of original letters, records, documents and eyewitness accounts, The Amazing Tom Mix cuts through 100 years of public relations mythology, tall tales and outright lies to bring the true and inspiring story of a man whose Saturday matinee cowboy image would become the standard for all of the movie cowboys who rode the silver screen after him. "Here is Tom Mix as he really was...a captivating biography ... brilliant ... delightful ... It is a splendid book." -Richard S. Wheeler, five-time Spur Award winning author of Trouble In Tombstone. "... the most complete biography of Mix's life of trials, tribulations and victories." -John Duncklee, author of Bull By The Tale.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This is the first full length account of the life and ideas of Mary Douglas, the British social anthropologist whose publications span the second half of the twentieth century. Richard Fardon covers Douglas' family background, and the pervasive influence of her catholic faith on her writings before providing an analysis of two of her most influential works; Purity and Danger (1966) and Natural Symbols (1970). The final section deals with Douglas' more controversial writings in the fields of economics, consumption, religion and risk analysis in contemporary societies. Throughout, Fardon highlights the centrality of Douglas' role in the history of anthropology and the discipline's struggle to achieve relevance to contemporary, western societies.
Telling as much a social, educational, and cultural story as institutional history, this detailed account chronicles the ideological patterns, internal and countrywide conflicts, and student experiences at the University of Melbourne from 1850 to 1939. The daily life of staff, professors, and students are recounted during times of turmoil and peace in Australia, including the depression of the 1890s and World War I. The account offers a window into the pedagogical conflicts and research achievements of one of Australia's oldest continuing educational institutions.
When Richard Dobson toured the border county of Herefordshire in 2005, following in the footsteps of Victorian artist Henry Thornhill Timmins, he recorded the experience in his subsequent book In My Own Time. Join him in his latest tour as he describes, in their words, what earlier writers discovered as they travelled through the Welsh Marches, even before the word 'tourism' was first used.
Substantially revised and updated, this book highlights how Hollywood has transformed itself to attain ever global clout and reach and the material factors underlining Hollywood's apparent artistic success. Takes into consideration recent events affecting Hollywood such as 9/11, US foreign policy and developments in consumer technology.
Fighting sports may seem at odds with Christian tradition, yet modern ministries have embraced them as a means for evangelism and social outreach. While news media often sensationalize fighting sports, churches see them as a way to appeal to male congregants, presenting a peace-loving yet tough model of discipleship. From martial arts programs at suburban churches to urban boxing ministries geared towards at-risk youth, this book examines the substantial history of church sponsored training in combat sports, and presents arguments by Christian ethicists about their compatibility with church teachings and settings. Interviews with boxing and martial arts ministry leaders describe their programs and the relationship between fight sports and faith.
The music hall ...had no place for reticence; it was downright, it shouted, it made noise, it enjoyed itself and made the people enjoy themselves as well.' W.J. MACQUEEN POPEMusic Hall lies at the root of all modern popular entertainment. With stars such as Marie Lloyd, Harry Lauder and Dan Leno, it reached its glorious, brassy height between 1890 and the First World War. In the first book on this subject for many years, Richard Anthony Baker whisks us off on a colourful and nostalgic tour of the rise and fall of British music hall.At the beginning of the nineteenth century people sang traditional songs in taverns for entertainment. This was so popular that rooms started to be added to inns for shows to be staged, and, before long, songs were being specially composed and purpose-built theatres were springing up everywhere. Britain's working class had, for the first time, its own form of public entertainment and its own breed of stars. The colour and vitality attracted serious writers and artists, as well as the future Edward VII, and music hall became simultaneously the haunt of the working classes and the avant-garde.Including stories of a clergyman who wrote music-hall sketches, a hall in Glasgow where luckless entertainers were pulled off stage by a long hooked pole, and Cockney dictionaries that helped Americans understand touring British performers, this book is a hugely engaging slice of social history, rich in humour, tragedy and bathos.As featured on BBC Radio Lincolnshire and in the Sunderland Echo.
Introducing Romans, a kind of introduction-ahead-of-time to Richard Longenecker's forthcoming commentary on Romans, is a major achievement in its own right, the fruit of at least fifty years of scholarship on the apostle Paul and on Romans in particular. It can stand alone as an indispensable handbook for anyone venturing to write a commentary of one's own or for anyone who wants to teach or understand that classic letter. Above all, Longenecker succeeds admirably in putting the many issues surrounding Romans in the broadest possible historical context, encompassing not just recent fashions but the legacy of centuries. Seasoned scholars and beginning students alike have every reason to be grateful. J. Ramsey Michaels, Missouri State University.
Spanning nine decades and showcasing the most memorable songs, dazzling dancing, and brightest stars ever to grace the silver screen, Must-See Musicals is the guide to the greatest musicals of all time from the most trusted authority on film: Turner Classic Movies. Movie musicals have been a part of pop culture since films began to talk, over nine decades ago. From The Jazz Singer in 1927 all the way to La La Land in modern times, musicals have sung and danced over a vast amount of territory, thrilling audiences the entire time. More than any other type of entertainment, musicals transport us to marvelous places: a Technicolor land over the rainbow in The Wizard of Oz; a romantic ballroom where, in Top Hat, Fred Astaire and Ginger Rogers dance cheek to cheek; a London theater where the Beatles perform before hysterical crowds in A Hard Day's Night; even to a seemingly alternate reality where eager throngs still throw rice as they watch The Rocky Horror Picture Show. These titles, and many more, show us that a great musical film is a timeless joy. Covering fifty of the best spanning the dawn of sound to the high-def present, Turner Classic Movies: Must-See Musicals -- written by renowned musical historian Richard Barrios-is filled with lush illustrations as well as enlightening commentary and entertaining "backstage" stories about every one of these unforgettable films.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
This important work, originally published in 1963, examines the social bases, strategies and structures of Nigerian political parties during the final phase of British colonial rule. As Professor Sklar explains in a new introduction for this edition, the defining characteristics of political parties today have been shaped by the intellectual origins of the independence era parties. This seminal volume is an essential tool for understanding the political and social reality of contemporary Nigeria.
Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available. Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is exceptional, however, in the scope and variety of its contents—prayers and conjurations, rituals of sympathetic magic, procedures involving astral magic, a catalogue of spirits, lengthy ceremonies for consecrating a book of magic, and other materials. With more detail on particular experiments than the famous thirteenth-century Picatrix and more variety than the Thesaurus Necromantiae ascribed to Roger Bacon, the manual is one of the most interesting and important manuscripts of medieval magic that has yet come to light.
Osmer provides a strong understanding of the teaching office which is a part of Reformation heritage. He discusses why the teaching office is important in mainline churches.
When war broke out in 1939 over 20,000 Irishmen were serving in the Royal Navy, Army and Royal Air Force with the greatest proportion in the Army. During the war this rose to over 120,000, suggesting that about 100,000 enlisted during the war. Nine earned the Victoria Cross; three members of the Royal Navy, including a Fleet Air Arm pilot, four soldiers, including a member of the Australian forces, and two RAF pilots. The author looks at the seven Irish regiments in campaigns across the globe, at Irish soldiers across the Army, at Irish sailors from the Battle of the River Plate to the final actions against Japan, and at Irish airmen from the first bombing raids of the war to the closing days of war. Included are outstanding personalities such as the Chavasse brothers, who earned three DSOs, three DSCs and two MiDs, Bala Bredin, Corran Purden, Brendan 'Paddy' Finucane, Blair Mayne and Roy Farran, the latter pair highly-decorated SAS officers. There are also Irish generals, such as Paddy Warren who died while commanding 5th Indian Division in Burma and Frederick Loftus Tottenham, who commanded 81st (West African) Division, not to mention giants such as Alexander, Auchinleck, Montgomery and McCreery. Irish women are not forgotten in the book which also takes a brief look at the Irish in other Allied forces, including a most unusual volunteer for the US Navy whose application to serve had to be approved by President Roosevelt. He was William Patrick Hitler, a nephew of Germany's führer.
Singin' in the Rain, The Sound of Music, Camelot--love them or love to hate them, movie musicals have been a major part of all our lives. They're so glitzy and catchy that it seems impossible that they could have ever gone any other way. But the ease in which they unfold on the screen is deceptive. Dorothy's dream of finding a land "Somewhere Over the Rainbow" was nearly cut, and even a film as great as The Band Wagon was, at the time, a major flop. In Dangerous Rhythm: Why Movie Musicals Matter, award winning historian Richard Barrios explores movie musicals from those first hits, The Jazz Singer and Broadway Melody, to present-day Oscar winners Chicago and Les Misérables. History, film analysis, and a touch of backstage gossip combine to make Dangerous Rhythm a compelling look at musicals and the powerful, complex bond they forge with their audiences. Going behind the scenes, Barrios uncovers the rocky relationship between Broadway and Hollywood, the unpublicized off-camera struggles of directors, stars, and producers, and all the various ways by which some films became our most indelible cultural touchstones -- and others ended up as train wrecks. Not content to leave any format untouched, Barrios examines animated musicals and popular music with insight and enthusiasm. Cartoons have been intimately connected with musicals since Steamboat Willie. Disney's short Silly Symphonies grew into the instant classic Snow White, which paved the way for that modern masterpiece, South Park: Bigger, Longer, & Uncut. Without movie musicals, Barrios argues, MTV would have never existed. On the flip side, without MTV we might have been spared Evita. Informed, energetic, and humorous, Dangerous Rhythm is both an impressive piece of scholarship and a joy to read.
A complete reference resource for students of employment law. Well established as the most regularly updated casebook on the market, it offers a wide range of case law and statutes along with plenty of non-statutory material, providing students with a thorough grounding in the subject.
The Greek family of words characterizing the doctrine of "justification by faith" (as it is known in English) is most prominent in the writings of the Apostle Paul. It was this doctrine that lay at the heart of the sixteenth-century Reformation; Martin Luther and his followers considered it to be at the very center of the gospel. Protestants came to understand "justification" differently from the Catholic Church they had left. Instead of the Catholic "realist" view, in which God makes a sinner righteous, they came to a "forensic" understanding, by which God, as judge, declares a sinner righteous. During the nineteenth century a third, "relational" view began to emerge: it viewed "justification" as God's gift of a right relationship to a sinner. This monograph examines Paul's concept from three perspectives: the New Testament data; the way the doctrine has developed historically; and how the doctrine has been expressed in English translations of the Scriptures. The author concludes that it is the relational view that most accurately depicts Paul's concept of "justification.
Exposure to stressful life experiences can disrupt key regulatory systems in the body and contribute to a variety of negative health outcomes. This authoritative text takes a biopsychosocial approach to understanding the role of stress in alcohol use disorder, posttraumatic stress disorder, depression, cardiovascular disease, type 2 diabetes, cancer, and other chronic diseases. It presents cutting-edge knowledge about how stressors are conceptualized and measured; connections to disease processes; systemic racism as a significant, ongoing stressor for people of color; and factors that promote resilience. For each of the disorders discussed, proven and promising stress-targeted clinical interventions are reviewed. Student-friendly features include an end-of-book glossary and an extensive bibliography to facilitate in-depth study of selected topics of interest.
Decorative plasterwork was created by skilled craftsmen, and for over four hundred years it has been an essential part of the interior decoration of the British country house. In this detailed and comprehensive study, Geoffrey Beard has created a book that will delight the eye and inform the interested reader. For those who have sometimes been puzzled by the complexities of plaster decoration it will be a most useful work of reference on a fascinating art form, about which no book has been published for nearly fifty years. After discussing the part that patrons played in commissioning and financing these beautiful decorations, a useful chapter is devoted to materials and methods of work and here the author describes the ingredients of good plaster; he has studied the work of present-day English plasterers and Swiss stucco-restorers in order to establish precisely how the materials of plaster and stucco were composed and used.
Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.
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