His drug store on Broadway and Poplar was between two blocks and two universes away from mainstream Macon. He ran it like a carnival, pushing a juke box on to the sidewalk in order to sell his Valentine Day's candy. A half century later, Charles Jones is the ringmaster of a corporation that runs hotels and develops real estate throughout Middle Georgia. Charles Jones: A Biography is the poignant story of a country boy who lost his identity and was challenged to build a reputation for his new one. It is also the story of a quiet leader whose community is still enjoying the efforts of his energy and vision. Even with his success, Jones is hardly a household name. He built Macon's first motel. He brought the Indians home. He soothed race relations. He attracted world class industry to the region. He worked hard to bring his community a medical school and to improve its local college campus. These things he did in an unorthodox style that shoots from the hip and takes few prisoners.. More than the story of a single person, this is the contemporary history of a community and a primer for aspiring leaders who want to understand the thinking of a man who values giving and believes money is not as important as the work that earns it.
This popular title combines breadth of coverage with readability and sets out the principal points of criminal law in a systematic and thorough way. This edition includes the most recent legislative and case law developments.
This popular title combines breadth of coverage with readability and sets out the principal points of criminal law in a systematic and thorough way. This edition includes the most recent legislative and case law developments.
This sixth edition provides an essential introduction to the major theoretical approaches in counselling and psychotherapy today. Comprehensive and accessible, it now includes two brand new chapters on Mindfulness and Positive Therapy, as well as additional content on ethics, on new developments in each approach, including the latest research and updated references. Following a clearly-defined structure, each chapter describes the origin of the therapeutic approach, a biography of its originator, its theory and practice, discusses case material and further developments, and suggests further reading. Each chapter also contains review and personal questions. Richard Nelson-Jones′ authoritative and practical textbook is the ideal companion for students on introductory courses and those embarking on professional training.
Art book on a famous self taught folk artist from the southern US, who uses a chain saw to make critter sculptures, and paints dramatic animal paintings
A genealogy of Cecil Virgil Cook, Jr (1913-1970) and a history of the ancestry of Cecil Cook, extending backward some four hundred years, through various family lines and surnames. The principal surnames covered include (but are not limited to) COOK, FARMER, DORLAND, GOODE, FLOOD, BONDURANT, JONES, KEINADT (KAINADT, KOINER, KOYNER, COINERT AND COINER), DILLER, DORRIS, IRELAND, FELLOWS, SLAGLE, GRADELESS (GRAYLESS GRAYLEY), VAN ARSDALEN, MOORE, COTTON, CHENEY, CARMEAN (CREMEEN), CHEATHAM, HAWKINS, CROCKETT (CROSKETAGNE), DE SAIX, VAN METER (VAN METEREN), BODINE, DUBOIS, RENTFRO. The individuals represented by these surnames are placed in their context, with attention paid to events in which they played a part (the settlement of the earliest colonies, Indian Wars, the American Revolutionay War and Civil War, slavery and Reconstruction). Connections are also traced in Europe, primarily in England and France, in the 15th and 16th centuries.
From the primates to the ancient world all the way to Hollywood, "You're Too Kind" presents a primer on flattery--where it originated, its development through the ages, and its myriad uses in contemporary culture.
The Rough Guide to Kenya is the ultimate guide to East Africa's best-known destination. Features include: a full-colour section introducing Kenya's highlights; practical advice on getting the most out of Kenya, from the well-known safari parks to the little known reserves, and the highlands, lakes and deserts to downtown Nairobi and the Indian Ocean; detailed reviews of accommodation and eating options to suit every taste and budget, including luxury lodges and local restaurants; candid coverage of Kenya's history, politics, culture and environment; and maps and plans for every region.
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
A compassionate physician sets sail in a stormy sea of small town politics, striving to help his patients and the community while battling city hall with a sharp wit and stubborn determination. This writing is the true account of Dr. Martin Jones' last days of medical practice as a general practitioner in Granite Falls, a small community located in the foothills of western North Carolina.
The Chattahoochee is a prototypical American river-from its headwaters in the Blue Ridge Mountains to where it flows into Apalachicola Bay, one of the most productive estuaries in North America. This entertaining, fact-filled guide covers the Chattahoochee's entire 500 mile course and 8,000 square mile watershed. The guide divides the river into ten sections, each of which includes a brief natural history and information on: camping, hiking, fishing, boating, and other recreational pursuits bodies of water that feed into the river cities and towns with river frontage manmade structures such as bridges, dams, and historic ruins environmental threats and preservation efforts Entertaining sidebars throughout highlight the people, history, culture, wildlife, and geography of the entire river valley. Understand the "Hooch," say those dedicated to its conservation, and you will know more about all of our country's waterways. This guide is the place to begin.
This dissertation examines the early philosophical receptions to the work of Jacques Derrida, structuring the receptions in the form of an archive. The monograph is composed of three main sections: The Non-Locus of the Archive, The Derrida Archive, and Conclusion: The Margins of Philosophy. The Non-Locus of the Archive examines three ways of conceptualizing the archive: the archaeological or Foucauldian concept as a reaction to the traditional history of ideas, the traditional archive model Foucault attempts to replace, and a deconstructive model which is the first stage in critiquing this traditional/archaeological binary opposition. The Functions of the Derrida Archive are briefly introduced, and the whole issue of the philosophical receptions is related to Derrida's comments on "Colleges and Philosophy" and the essay "The Principle of Reason." The Derrida Archive is divided into Critical and Supporting Receptions. This is an analysis of the Functions that the monograph finds working
You must accompany Indy Jones on his desperate mission to find the crystal Eye, that has the power to change the future. You are pursued by ruthless villains, your lives are constantly in danger. You must decide the moves to make every dangerous step of the way.
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
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