This book chronicles the overwhelming importance of the military archer in the late medieval period. The longbow played a central role in the English victory at the battles of Crecy and Agincourt. Completely undermining the supremacy of heavy cavalry, the longbow forced a wholesale reassessment of battlefield tactics. Richard Wadge explains what made England's longbow archers so devastating, detailing the process by which their formidable armament was manufactured and the conditions that produced men capable of continually drawing a bow under a tension of 100 pounds. Uniquely, Wadge looks at the economics behind the supply of longbows to the English army and the social history of the military archer. Crucially, what were the advantages of joining the first professional standing army in England since the days of the Roman conquest? Was it the pay, the booty, or the glory? With its painstaking analysis of contemporary records, Arrowstorm paints a vivid portrait of the life of a professional soldier in the war which forged the English national consciousness.
In the dramatic period leading to the American Revolution, no event did more to foment patriotic sentiment among colonists than the armed occupation of Boston by British soldiers. As If an Enemy's Country is Richard Archer's gripping narrative of those critical months between October 1, 1768 and the winter of 1770 when Boston was an occupied town. Bringing colonial Boston to life, Archer moves between the governor's mansion and cobble-stoned back-alleys as he traces the origins of the colonists' conflict with Britain. He reveals the maneuvering of colonial political leaders such as Governor Francis Bernard, Lieutenant Governor Thomas Hutchinson, and James Otis Jr. as they responded to London's new policies, and he evokes the outrage many Bostonians felt toward Parliament and its local representatives. Equally important, Archer captures the popular mobilization under the leadership of John Hancock and Samuel Adams that met the oppressive imperial measures--most notably the Sugar Act and the Stamp Act--with demonstrations, Liberty Trees, violence, and non-importation agreements. When the British government responded with the decision to garrison Boston with troops, it was a deeply felt affront to the local population. Almost immediately, tempers flared and violent conflicts broke out. Archer's tale culminates in the swirling tragedy of the Boston Massacre and its aftermath, including the trial of the British troops involved--and sets the stage for what was to follow.
Originally published in 1979, this was the first biography of Jonathan Potts, a prominent Pennsylvania Quaker and physician who served in the Continental army during the Revolutionary War. It was also the first study to be published since 1931 of the role of medical doctors in the northern campaigns. No detailed memoir by an army physician or surgeon has survived to document the conditions they faced. The military career of Dr. Potts, reconstructed here from source materials, including first-hand accounts by Potts and his contemporaries provides considerable information to fill this historical gap.
[Leppert's] originality is immensely encouraging to those of us who are convinced that musicology is undergoing a paradigmatic change."—Derek B. Scott, author of The Singing Bourgeois "A wonderfully stimulating book. . . . Will be of great importance to musicologists and students of culture generally."—Ruth Solie, editor of Musicology and Difference
Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies.
Imagining women readers reassesses the cultural significance of women’s reading in the period 1789–1820. From the turbulent years following the French Revolution to the fiction of Jane Austen, this book charts the rise of a self-regulating reader, who possesses both moral and cultural authority. Rather than an unproductive leisure activity, for the writers discussed in this study the act of reading is crucial to imagining forms of female participation in national life. The book thus offers a unique perspective on the relationship between reading, education and the construction of femininity, shedding new light on the work of some of the most celebrated women writers of the period. It will appeal to students and scholars interested in the history and representation of reading, and in women’s writing of this period more generally.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Christopher Marlowe has provoked some of the most radical criticism of recent years. There is an elective affinity, it seems, between this pre-modern dramatist and the post-modern critics whose best work has been inspired by his plays. The reason suggested by this collection of essays is that Marlowe shares the post-modern preoccupation with the language of power - and the power of language itself. As Richard Wilson shows in his introduction, it is no accident that the founding essays of New Historicism were on Marlowe; nor that current Queer Theorists focus so much on his images of gender and homosexuality. Marlowe staged both the birth of the modern author and the origin of modern sexual desire, and it is this unique conjunction that makes his drama a key to contemporary debates about the state and the self: from pornography to gays in the military. Gay Studies, Cultural Materialism, New Historicism and Reader Response Criticism are all represented in this selection, which the introduction places in the light not only of theorists like Althusser, Bataille and Bakhtin, but also of artists and writers such as Jean Genet and Robert Mapplethorpe. Many of the essays take off from Marlowe's extreme dramatisations of arson, cruelty and aggression, suggesting why it is that the thinker who has been most convincingly applied to his theatre is the philosopher of punishment and pain, Michel Foucault. Others explore the exclusiveness of this all-male universe, and reveal why it remains so offensive and impenetrable to feminism. For what they all make disturbingly clear is Marlowe's violent, untamed difference from the clichés and correctness of normative society.
A dramatist whose own works were repeatedly censored early in his career and who later stood in succession to become the court censor himself, Ben Jonson embodies the contradictions and complexities of theater censorship in the early Stuart period. Focusing on Jonson's writings and the political vicissitudes of his career, Richard Burt offers a provocative reinterpretation of Jacobean and Caroline theater censorship and theatrical culture. Informed by the writings of Foucault and Bourdieu, Licensed by Authority historicizes censorship, arguing that it was less a matter of denying dramatists liberty of speech than a network of productive strategies for legitimating and delegitimating specific discursive practices. Burt draws on a rich body of archival and literary evidence, including plays by Shakespeare and by Jonson's Caroline contemporaries, in order to demonstrate that censorship was nurtured and sustained not only by a culturally diverse Stuart court but also by the playwrights themselves, along with theatrical entrepreneurs, printers, poets, and critics.
After more than two decades of unprecedented political, social, and religious upheaval, revolutionary thought and activity in Britain continued to thrive even after the restoration of the monarchy in 1660. This highly original study, which draws on the reports of both police and informers, follows the "radical underground" in England from the eve of the Restoration to the collapse of the northern rebellion in 1663. In a tale that winds its way across England and into Scotland, Ireland, the Netherlands, and Switzerland, Greaves examines how radicals remained united in their common animosity to monarchy, prelacy, taxes, and popery. Although ultimately unsuccessful, their conspiracies and rebellions nonetheless fueled the drive for the repression of Nonconformists, prompted the state to cultivate an elaborate network of informers, and heightened the concern for domestic security.
The history of the Dominicans in the British Isles is a rich and fascinating one. Eight centuries have passed since the Friars Preachers landed on England's shores. Yet no book charting the history of the English Province has appeared for close on a hundred years. Richard Finn now sets right this neglect. He guides the reader engagingly and authoritatively through the medieval, early modern and contemporary periods: from the arrival of the first Black Friars – and the Province's 1221 foundation by Gilbert de Fresnay – to Dominican missions to the Caribbean and Southern Africa and seismic changes in church and society after Vatican II. He discusses the Province's medieval resilience and sudden Reformation collapse; attempts in the 1650s to restore it; its Babylonian Exile in the Low Countries; its virtual disappearance in the nineteenth century; and its unlikely modern revival. This is an essential work for medievalists, theologians and historians alike.
Emily Brown and Colin Archer, together with their parents, share employment on the farms of Lord Heny Tweed., a wealthy land owner. This is a story of two teenagers sharing common interests in community life who explore the ethical and moral conduct of adults. Through a combination of shared adventures, the two create situations that require the intervention of adult friends and family members to resolve conflicts with Lord Tweed, thereby placing everyone in untenable positions. This is a story of teenagers sharing common interests in community life and who gain appreciation for the richness of life as they grow in understanding what it means to be Friends.
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here. Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views. A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery. Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew. Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, René Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.
Those in the throes of grief may find this work a comforting companion. It reassures the readers that they are not alone, and provides guidance to process bereavement and to reassure that life, though different, can be fulfilling again. The book is written to support those mourning for a vast range of reasons and relationships, and includes helpful information for those close to mourners who seek to be supportive. Chapters discuss the language surrounding grief, strategies for moving forward, methods of decompression and acceptance, and how other cultures view and mourn the death of their loved ones.
Return of the Stargods reveals how the ancient alien gods of old will soon return to establish a New World Order of satanism. The book also takes the reader though the Bible showing a vast amount of scriptures that the churches ignore or will not deal with. Scriptures reveal that there is a fifth column that lives among us that are working against God's children in establishing a New World Order as an ultimate goal. They are the ones among us that are waiting for their father to return to them as the beast who will crush all opposition to his rule. But this will not take place until the Rapture of the church takes place first. The Bible is also very clear that a government of fallen angels now runs this earth. They run all aspects of our matrix reality and remain hidden behind a shadow government. There are strong indications in scripture that here is also royalty of non-humans called the Reptilians and Nephilim that rule over us. They are the ones that have come from hell to transform themselves into rulers of this world. The Return of the Stargods makes a good case for all this strangeness by using scripture and not just opinions and hearsay. This book is very deep and not meant for shallow Christians that believe in Church doctrine and not Bible doctrine. This book is a must for those Christians that want a deeper understaning of endtimes and spiritual warfare. It will teach you how to see all the people around us for what they really are so that we can best protect ourselves from these predators. Return of the Stargods is an introduction to the reality that lies outside the box. If you are a discerning Christian who regards scripture as the final authority and not church, then this book is a must read!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.