The canon of postwar American fiction has changed over the past few decades to include far more writers of color. It would appear that we are making progress—recovering marginalized voices and including those who were for far too long ignored. However, is this celebratory narrative borne out in the data? Richard Jean So draws on big data, literary history, and close readings to offer an unprecedented analysis of racial inequality in American publishing that reveals the persistence of an extreme bias toward white authors. In fact, a defining feature of the publishing industry is its vast whiteness, which has denied nonwhite authors, especially black writers, the coveted resources of publishing, reviews, prizes, and sales, with profound effects on the language, form, and content of the postwar novel. Rather than seeing the postwar period as the era of multiculturalism, So argues that we should understand it as the invention of a new form of racial inequality—one that continues to shape the arts and literature today. Interweaving data analysis of large-scale patterns with a consideration of Toni Morrison’s career as an editor at Random House and readings of individual works by Octavia Butler, Henry Dumas, Amy Tan, and others, So develops a form of criticism that brings together qualitative and quantitative approaches to the study of literature. A vital and provocative work for American literary studies, critical race studies, and the digital humanities, Redlining Culture shows the importance of data and computational methods for understanding and challenging racial inequality.
In the turbulent years after World War I, a transpacific community of American and Chinese writers and artists emerged to forge new ideas regarding aesthetics, democracy, internationalism, and the political possibilities of art. Breaking with preconceived notions of an "exotic" East, the Americans found in China and in the works of Chinese intellectuals inspiration for leftist and civil rights movements. Chinese writers and intellectuals looked to the American tradition of political democracy to inform an emerging Chinese liberalism. This interaction reflected an unprecedented integration of American and Chinese cultures and a remarkable synthesis of shared ideals and political goals. The transpacific community that came together during this time took advantage of new advances in technology and media, such as the telegraph and radio, to accelerate the exchange of ideas. It created a fast-paced, cross-cultural dialogue that transformed the terms by which the United States and China—or, more broadly, "West" and "East"—knew each other. Transpacific Community follows the left-wing journalist Agnes Smedley's campaign to free the author Ding Ling from prison; Pearl Buck's attempt to fuse Jeffersonian democracy with late Qing visions of equality in The Good Earth; Paul Robeson's collaboration with the musician Liu Liangmo, which drew on Chinese and African American traditions; and the writer Lin Yutang's attempt to create a typewriter for Chinese characters. Together, these individuals produced political projects that synthesized American and Chinese visions of equality and democracy and imagined a new course for East-West relations.
The canon of postwar American fiction has changed over the past few decades to include far more writers of color. It would appear that we are making progress—recovering marginalized voices and including those who were for far too long ignored. However, is this celebratory narrative borne out in the data? Richard Jean So draws on big data, literary history, and close readings to offer an unprecedented analysis of racial inequality in American publishing that reveals the persistence of an extreme bias toward white authors. In fact, a defining feature of the publishing industry is its vast whiteness, which has denied nonwhite authors, especially black writers, the coveted resources of publishing, reviews, prizes, and sales, with profound effects on the language, form, and content of the postwar novel. Rather than seeing the postwar period as the era of multiculturalism, So argues that we should understand it as the invention of a new form of racial inequality—one that continues to shape the arts and literature today. Interweaving data analysis of large-scale patterns with a consideration of Toni Morrison’s career as an editor at Random House and readings of individual works by Octavia Butler, Henry Dumas, Amy Tan, and others, So develops a form of criticism that brings together qualitative and quantitative approaches to the study of literature. A vital and provocative work for American literary studies, critical race studies, and the digital humanities, Redlining Culture shows the importance of data and computational methods for understanding and challenging racial inequality.
Now in its Fifth Edition, this much-loved text offers theoretical and philosophical depth as well as insights into practice. The text covers the entire research process in an accessible way and provides critical, thoughtful treatment of important issues like ethics and politics, making it an invaluable companion for any business and management student New to the Fifth Edition: Expanded to include examples from across business and management including Marketing, International Business and Psychology Up-to-date, international examples and cases from a range of countries Introductory chapter looks at writing proposals in detail Chapter on the literature review now includes how to critically review Move towards new technologies and social media including discussion of wikis and cloud sourcing Improved structure and flow, with three chapters on qualitative methods and three on quantitative methods Additional practical exercises which are linked to key research tasks throughout The companion website (https://edge.sagepub.com/easterbysmith) offers a wealth of resources for both lecturers and students including, for lecturers, an instructor′s manual and PowerPoint slides and, for students, author podcasts, journal articles, web links, MCQs, datasets and a glossary.
Electronic Inspection Copy available for instructors here Now in its Fourth Edition, this much loved text offers theoretical and philosophical depth without sacrificing what you need to know in practical terms. With an impressive suite of in-text features and online materials, as well as the authors' ability to tackle complex issues in a clear and accessible way, this textbook makes the whole scope of management research methods approachable. Inside you will find painless coverage of the entire research process as well as a critical, thoughtful treatment of important issues like ethics and politics, making this an invaluable companion to any student or researcher who needs to know about business and management research methods. New to the Fourth Edition: - Expanded coverage of mixed methods - Further guidance on choosing a research question and writing a research proposal - More visual material and an improved, full-colour layout The book's companion website has been fully updated to include: - An instructor's manual - Lecture slides - Links to further reading - More full-text articles from SAGE Journals Online - An online glossary - An author podcast Visit the Companion Webiste at www.sagepub.co.uk/easterbysmith
A sequel to his The Shape of My Heart: A Pilgrimage Remembrance, Richard Ray's Walking Gratefully: A Camino Story takes readers on a pilgrimage journey of gratitude to the shrine of St. James along the ancient Camino de Santiago. Join him as he discovers--step by painful step--the many ways this sacred journey to a sacred place takes on a sacred purpose.
In August 1424 the armies of England, Scotland and France met in the open fields outside the walls of Verneuil in a battle that would decide the future of the English conquests in France. The hero king, Henry V, had been dead for two years and the French felt that this was their chance to avenge their startling defeat at Agincourt, and recover the lands that Henry had won for England. Despite its importance, the battle is largely overlooked in accounts of the Hundred Years War. The Battle of Verneuil 1424 is the first proper account of the battle, and is also one of the first books to outline the important part the Scots played in the wars in France in the years between the two great battles of Agincourt and Verneuil.
Graham Trevose is a pioneer of reconstructive surgery, but this is received with deep suspicion by orthodox medicine. The ethical debates which perplexed medical men in post-First-World-War London are the same that face today's doctors over the issues of human cloning, animal organ transplants and embryo-screening.
The author of The Unseen Terror “looks at the fortunes of Richard II and Charles VI of France in a fascinating account of that war” (Books Monthly). This is a narrative history of England and France during the Hundred Years War, from the triumphs of Henry V to the defeat of the English and loss of Gascony and Bordeaux—a huge blow to English prestige and economic interest. This is a military history with technical detail, linked to high politics, courtly intrigue, dynastic ambition, economic interest (wine trade and Bordeaux). The story revolves around the death of two Kings, Henry V of England, soon after his military triumphs, and Charles VI of France, in 1422. Both had historic claims to the “French fiefs.” Henry was succeeded by Richard II, and Charles was succeeded by Charles VII. The contrast could hardly have been greater between Richard, a diffident, scholarly and religious figure, in an age when kings were expected to be aggressive leaders and military commanders; and Charles—an able politician, soldier and, in modern parlance, a “hard man,” who embodied the 15th century concept of kingship. Intermittent but constant warfare continued until English defeat in 1476 and the loss of Gascony and Bordeaux, and the Peace of Picquigny brought to an end a decisive episode in the Hundred Years War, foreshadowing England’s future total withdrawal from France. “An entertaining and informative review of the conflict and the factors leading up to the loss of Gascony and Bordeaux.” —Firetrench “[Ballard] teases apart the very tangled web of alliances, treaties, and double-dealing in a very clear concise and easy to follow way.” —Army Rumour Service (ARRSE)
This book shows our hero Luke Sutter on another case as a truck driver and undercover Agent . This time Luke is using his trucking business as a way to get inside a human trafficking Cartel that takes young women refugees and sells them as prostitutes and companions in the US as well as other parts of the world. I use some of my trucking experience to let the world see the good men and women of the trucking industry in a way that shows they are among the most patriotic Americans that you will find.
Dick Gartee is a time traveler who has journeyed ninety-three years from the past—one day at a time. During the Great Depression, the only hockey puck in the neighborhood slides onto thin skim-ice and nine-year-old Dick heroically skates after it. When his father leaves his mother for another woman, plucky thirteen-year-old Dick takes a night job in a bakery to help his mother make ends meet. At seventeen, with World War II raging, he enlists in the Navy and rises from gunner mate to payroll and disbursements. By age twenty, the Navy trusts him with two million dollars cash. In the post-war years, he teaches himself engineering, builds factories, and designs manufacturing production lines and industrial robots. Elements of daily life that seemed ordinary to Dick are inconceivable to young people today. His biography provides context for key transformative eras of America’s recent past as Dick faces tribulations and joys with morality, humor, and humility. Younger readers will be astonished to learn how people managed before smartphones while older generations will smile as they recall anecdotes their parents shared. But no matter your age, you will be charmed by Dick’s story, and maybe you will discover some things you didn’t already know.
Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
Kimberly Clark was born to the sound of cackling witches in 1984. Having moved to London to follow her heart's dream, the sweet-but-slow Stevie, she soon tires of him and decides to destroy the relationship from within by being as vile as is humanly possible. When this tactic leads to Stevie's violent death by his own hand, Kimberly's soul hangs in the balance - will she ultimately spend eternity in the great Topshop in the sky? Or will she be hurtled into an abyss of endless physical torture, sexual humilation and bad stand-up comedy? This is the story of Kimberly's redemption, or possibly the story of her damnation: it's up to you. There are six different endings to choose between. This is a shocking, laugh-out-loud, nightmare-and-nausea-inducing book; a wild narrative experiment that recalls taboo-busting writers from William Burroughs to Irvine Welsh to Chuck Palahniuk.
When Philippe-Richard Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. Marius recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a “Black Republic.” It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations. Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.
The time is New Year's Eve, 1929. In an elegant New York brownstone on "Millionaire's Row" (West 23rd Street between Ninth and Tenth Avenues), Sam Hammer, a Jewish department store tycoon and his non-Jewish wife, Amy, bid their last few guests farewell with a parting wish: "A better year ahead." But, as that pivotal year begins, the shadow of the enormous London Terrace apartment complex under construction looms over their home. The shadow also portends Wall Street's impending collapse, and the growing strain upon the Hammer's marriage. Though Amy and Sam seem devoted to each other, their marriage has been childless, leading to a "what's-the-point" abandonment of sexual relations. The looming Great Depression is likely to put a crimp in the lavish lifestyle of the Hammers and their friends--just as the rapidly rising giant London Terrace apartments across the street is about to rob their house of much of its light.--From publisher's description.
New York Times bestselling author and renowned atheist and evolutionary biologist, Richard Dawkins delivers an intimate look into his own childhood and intellectual development, illuminating his path to becoming one of the foremost thinkers in modern science today “A memoir that is funny and modest, absorbing and playful. Dawkins has written a marvelous love letter to science . . . and for this, the book will touch scientists and science-loving persons . . . Enchanting.” —NPR Richard Dawkins’s first book, The Selfish Gene, was an immediate sensation and dramatically shifted the study of biology by offering a gene-centered view of evolution. Published in 1976, the book transformed the way we think about genes and evolution and has sold more than a million copies. In 2006, Dawkins transformed the world’s cultural and intellectual landscape again with The God Delusion, a scientific dismantling of religion. It was a New York Times bestseller and has sold more than two million copies worldwide. An Appetite for Wonder is Dawkins’s insightful memoir examining his own evolution as a man and as a thinker. From his beginnings in colonial Kenya to his intellectual awakening at Oxford, Dawkins shares his path to the creation of The Selfish Gene, and offers readers an in-depth look at the man and the mind that has changed the way we view science and evolution.
She could teach more folk round 'ere about what's bloody well important in their lives - when it comes down to it. What matters . . . That precious bit of you that gets buried in shit, and she's there clearin' it all away. Delie is special and she's won a trophy for picking up litter from the mayor. Every summer she goes on her holidays to her Aunty Brenda who runs a women's domestic abuse refuge in a Yorkshire mining village. Delie and her Aunty Brenda and a pawnbroker called George who wears a dress are The Flannelettes - a Motown tribute band. Delie is in her twenties but with a mental age of ten; when she meets Roma - who used to live on the streets in Rotherham - the two become best friends, sharing each others' secrets. By the award-winning writer of The Glee Club, The Flanelettes is a tough, uncompromising play which looks at love and violence in a shattered community, all playing to a bittersweet soundtrack of Sixties soul.
Teaching and Learning the English Language is a practical guide for anyone seeking to improve their teaching, whether through formal study or on their own. Richard Badger explores teaching English as a problem-solving activity in which teachers must address three fundamental questions: · what aspect of language do students need to learn; · how might they learn this particular aspect of language; · and how can teachers support their learning. Offering a solid, research-based approach along with sound practical advice, this book equips teachers with skills needed to analyse their own contexts and develop their practice. It covers: · Fundamentals of English language · Psychological and social learning processes · TESOL teaching methods and approaches · Lesson planning and classroom management · Language evaluation and assessment · Teaching pronunciation, spelling, grammar, vocabulary and discourse · Teaching listening, reading, writing and speaking · English teacher professional development Pedagogical features include chapter summaries, activities for students and key readings recommendations, and the book is also supported by online resources: video case studies, additional exercises and multiple choice quizzes. Including numerous international lesson examples and case studies, Teaching and Learning English Language is suitable for both trainee and practising teachers who speak English as a first, second or foreign language.
About Marianne: A woman ahead of her time The character of Marianne was inspired by the writings of Mary Wollstonecraft and Marie Olympe de Gouges whose visions resonate with the aspirations of women today. Marianne was born in 1794 to an unmarried woman. Her mother was the chef in the house of one of the great banking families of France. Marianne had the good fortune to be invited to share lessons with Jean, the scion of the banking family who was an only child. She proved to be an apt pupil who developed considerable skill in English. This opened doors for her when Jean joined the family business and needed her talents to deal with English bankers. Her entry into the male dominated world of banking was not welcomed but in time, she proved her worth and she developed valuable skills in finance. Marianne branched out and became a successful business woman which brought challenges in her personal life. She was truly a woman ahead of her time and her story mirrors challenges faced by women today.
Peter Stern is asked by the senior partner in his law firm to investigate the death of a lawyer in a tragic event, where he is burned gruesomely while barbecuing a steak at his mountain cabin. With a double-indemnity life insurance policy, Sterns death must be proven to be an accident or a homicide, with large financial consequences for his estate, but the will is missing. So he draws the interest of the long-absent sister, Honey Horton, or the close friend and named beneficiary Alicia Allende. These women each draw him into their worlds. Honey as a Casino hostess and Alicia as a well-connected politician. The plot twists and turns as Stern meets numerous conflicts of interest and is threatened or cajoled into choosing sides.
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