The beginning chapters of Genesis come alive with characters, places, and events almost totally unknown outside of the Bible itself except when illuminated by the fascinating history of the ancient Near East. Did a man we call Adam actually exist? Was someone known to us as Noah warned of a cataclysmic flood and instructed to build an ark? Could the Tower of Babel incident actually have happened? The reader will gain a new appreciation for the historical integrity of Genesis 2-11, and marvel at the evidence that the persons, places, and events depicted, though long misunderstood, could be real.
The beginning chapters of Genesis come alive with characters, places, and events almost totally unknown outside of the Bible itself except when illuminated by the fascinating history of the ancient Near East. Did a man we call Adam actually exist? Was someone known to us as Noah warned of a cataclysmic flood and instructed to build an ark? Could the Tower of Babel incident actually have happened? The reader will gain a new appreciation for the historical integrity of Genesis 2-11, and marvel at the evidence that the persons, places, and events depicted, though long misunderstood, could be real.
In 1916, an eminent psychologist recorded his impressions of the fledgling film industry. His penetrating and prescient observations foretold the most modern developments of the cinematic art, and his classic survey, The Film: A Psychological Study, remains a text of enduring relevance to movie historians as well as students of film and psychology. Ranging from considerations of the viewer's perception of on-screen depth and motion to examinations of the cinema's distinguishing and unique characteristics as an art form, this study arrives at strikingly modern conclusions about movies and their psychological values.
Filling a gap in presidential history, Roosevelt's Second Act uncovers in complex detail what lay behind Roosevelt's decision to stand for an unprecedented third term, and examines the multiplicity of conflicting forces at work on him. Compressing the narrative into a short time span, mainly the years 1939-40, this work focuses heavily on the interplay of dramatic events and fascinating characters, with FDR always at center stage.
In the dramatic period leading to the American Revolution, no event did more to foment patriotic sentiment among colonists than the armed occupation of Boston by British soldiers. As If an Enemy's Country is Richard Archer's gripping narrative of those critical months between October 1, 1768 and the winter of 1770 when Boston was an occupied town. Bringing colonial Boston to life, Archer moves between the governor's mansion and cobble-stoned back-alleys as he traces the origins of the colonists' conflict with Britain. He reveals the maneuvering of colonial political leaders such as Governor Francis Bernard, Lieutenant Governor Thomas Hutchinson, and James Otis Jr. as they responded to London's new policies, and he evokes the outrage many Bostonians felt toward Parliament and its local representatives. Equally important, Archer captures the popular mobilization under the leadership of John Hancock and Samuel Adams that met the oppressive imperial measures--most notably the Sugar Act and the Stamp Act--with demonstrations, Liberty Trees, violence, and non-importation agreements. When the British government responded with the decision to garrison Boston with troops, it was a deeply felt affront to the local population. Almost immediately, tempers flared and violent conflicts broke out. Archer's tale culminates in the swirling tragedy of the Boston Massacre and its aftermath, including the trial of the British troops involved--and sets the stage for what was to follow.
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
1791 marked one of the worst military defeats the United States Army ever suffered. As Major General Arthur St. Clair led both regular Army and militia levee soldiers to the banks of the Wabash River, Native Americans rose to stop them--and stop the Army they did. In this fascinating study, Richard Lytle gives historians, genealogists, and local history buffs a monumental resource for the study of St. Clair's soldiers. Not only a detailed narrative of this campaign, this is also the most complete roster of soldiers available, and a comprehensive description of their origins, equipment and organization. This resource assembles in one place both the narrative and hard to find reference materials that genealogists and historians need to research and better understand this seminal event in America's westward growth.
Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald's literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar. The title “Ghostwriting” signals the convergence in Sebald's works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald's narratives on the level of story. Moreover, Sebald's narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald's “poetics of history,” his implementation of literary tools for effective historical memorializing.
An entertaining and educated observer, Elliott provided readers back home with an account of the grueling march over the famous Santa Fe Trail, the triumphant entry of the army into Santa Fe, the U.S. occupation of New Mexico, and the volunteers' eventual return to St. Louis.
This book introduces music education majors to basic instrumental pedagogy for the instruments and ensembles most commonly found in the elementary and secondary curricula. This text focuses on the core competencies required for teacher certification in instrumental music. The first section of the book focuses on essential issues for a successful instrumental program: objectives, assessment and evaluation, motivation, administrative tasks, and recruiting and scheduling (including block scheduling). The second section devotes a chapter to each wind instrument plus percussion and strings, and includes troubleshooting checklists for each instrument. The third section focuses on rehearsal techniques from the first day through high school.
This work challenges the thesis first formulated by de Tocqueville and later systematically developed by Louis Hartz, that American political culture is characterized by a consensus on liberal capitalist values. Ranging over three hundred years of history and drawing upon the seminal work anthropologist Mary Douglas, Richard Ellis demonstrates that American history is best understood as a contest between five rival political cultures: egalitarian community, competitive individualism, hierarchical collectivism, atomized fatalism, and autonomous hermitude.
The contributors are an esteemed group that have played significant roles in shaping contemporary understanding of the issues they will be addressing. The number of chapters coincides with the number of weeks in a typical semester, increasing its use as a course text." —Brian Vandenberg, University of Missouri-St. Louis A landmark publication, Critical Issues in Psychotherapy moves the discipline into the new millennium by addressing many of the field′s new and revolutionary approaches. Through illustrative therapy cases and practitioner commentaries, this text examines both the newer and the more established models in psychotherapy. Bridging the gap between theory and practice, this volume translates the new approaches to psychotherapy, making them more accessible to students. Organized around the issues that are fundamental to psychotherapy, chapters include information on empirically validated treatments, mainstream theories, individualism, spirituality, multiculturalism, moral and legal discourse, and managed care. Bringing together an esteemed group of authorities, this will be the ideal text for students in advanced courses in psychotherapy and counseling practice and theory.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
This volume provides a dissection of W.G. Sebald's fiction and his acclaim. A German writer who taught in England for 30 years, he published four novels, first in German and then in English. His work gained even greater acclaim after his death in 2001, just months after the publication of his title Austerlitz.
In 1925 the geological connection between Flint Ridge and Mammoth Cave was proved when dye placed in a Flint Ridge spring showed up in Echo River at Mammoth Cave. That tantalizing swirl of dye confirmed speculations that wereto tempt more than 650cavers over half a century with the thrill of being the first to make human passage of the cave connection. Roger Brucker and Richard Watson tell not only of their own twenty-year effort to complete the link but the stories of many others who worked their way through mud-choked crawlways less than a foot high only to find impenetrable blockages. Floyd Collins died a grisly death in nearby Sand Cave in1925, after being trapped there for 15 days. The wide press coverage of the rescue efforts stirred the imagination of the public and his body was on macabre display in a glass-topped coffin in Crystal Cave into the 1940s. Agents of a rival cave owner once even stole his corpse, which was recovered and still is in a coffin in the cave. Modern cavers still have a word with Floyd as they start their downward treks. Brucker and Watson joined the parade of cavers who propelled themselves by wiggling kneecaps, elbows, and toes through quarter-mile long crawlways, clinging by fingertips and boot toes across mud-slick walls, over bottomless pits, into gurgling streams beneath stone ceilings that descend to water level, down crumbling crevices and up mountainous rockfalls, into wondrous domed halls, and straight ahead into a blackness intensified rather than dispelled by the carbide lamps on their helmets. Over two decades they explored the passages with others who sought the final connection as vigorously as themselves. Pat Crowther, a young mother of two, joined them and because of her thinness became the member of the crew to go first into places no human had ever gone before. In that role, in July 1972, she wiggled her way through the Tight Spot and found the route that would link the Flint Ridge and Mammoth Cave systems into one cave extending 144.4 miles through the Kentucky limestone. In a new afterword to this edition the authors summarize the subsequent explorations that have more than doubled the established length of the cave system. Based upon geological evidence, the authors predict that new discoveries will add another 200 miles to the length of the world’s longest cave, making it over 500 miles long.
This third edition is a basic textbook on the development of pipe organ composition in geographically diverse schools. Its nineteen chapters include charts of organ composers and a historical background of contemporary events and figures for each organ composition school. Chapter bibliographies cover readings published in the seventies, eighties, and early nineties. A listing of Bach organ compositions with pagination of various editions is also included.
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