The key to success lies in getting to the top, right? Wrong. Not everyone can be in charge but, more importantly, not everyone should want to be. Richard Hytner, Deputy Chairman of Saatchi & Saatchi, thinks it's time to celebrate the second-in-commands, the consiglieri: from Merlin, to Al Gore, Rasputin to Machiavelli. These are the deputies, the Vice Presidents, the C-suite, the department heads - lieutenants, advisers, and counselors - whose influence determines the fate of boardrooms, corporations, and nations. While supremacy comes with drawbacks and influence, authority and power can be found in much more interesting places than the CEO's chair. Consiglieri: Leading from The Shadows brings together historical examples from Harry Hopkins to William Seward, conversations with contemporary second-in-commands like Tony Blair and Sir Alex Ferguson, and unique insights into Stalin, JFK, and Winnie the Pooh. A mirror for contemporary 'No. 2's' and a theoretical map for future consiglieri, the book traverses an array of powerful advisers from the White House to the Vatican, across international business, sports, and entertainment, as well as citing provocative research from psychology and academia.
The key to success lies in getting to the top, right? Wrong. Not everyone can be in charge but, more importantly, not everyone should want to be. Richard Hytner, Deputy Chairman of Saatchi & Saatchi, thinks it's time to celebrate the second-in-commands, the consiglieri: from Merlin, to Al Gore, Rasputin to Machiavelli. These are the deputies, the Vice Presidents, the C-suite, the department heads - lieutenants, advisers, and counselors - whose influence determines the fate of boardrooms, corporations, and nations. While supremacy comes with drawbacks and influence, authority and power can be found in much more interesting places than the CEO's chair. Consiglieri: Leading from The Shadows brings together historical examples from Harry Hopkins to William Seward, conversations with contemporary second-in-commands like Tony Blair and Sir Alex Ferguson, and unique insights into Stalin, JFK, and Winnie the Pooh. A mirror for contemporary 'No. 2's' and a theoretical map for future consiglieri, the book traverses an array of powerful advisers from the White House to the Vatican, across international business, sports, and entertainment, as well as citing provocative research from psychology and academia.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
The author of the acclaimed Gay Fiction Speaks brings us new interviews with twelve prominent gay writers who have emerged in the last decade. Hear Us Out demonstrates how in recent decades the canon of gay fiction has developed, diversified, and expanded its audience into the mainstream. Readers will recognize names like Michael Cunningham, whose Pulitzer Prize–winning novel The Hours inspired the hit movie; and others like Christopher Bram, Bernard Cooper, Stephen McCauley, and Matthew Stadler. These accounts explore the vicissitudes of writing on gay male themes in fiction over the last thirty years—prejudices of the literary marketplace; social and political questions; the impact of AIDS; commonalities between gay male and lesbian fiction... and even some delectable bits of gossip.
A “supremely entertaining” (The New Yorker) exploration of who gets to record the world’s history—from Julius Caesar to William Shakespeare to Ken Burns—and how their biases influence our understanding about the past. There are many stories we can spin about previous ages, but which accounts get told? And by whom? Is there even such a thing as “objective” history? In this “witty, wise, and elegant” (The Spectator), book, Richard Cohen reveals how professional historians and other equally significant witnesses, such as the writers of the Bible, novelists, and political propagandists, influence what becomes the accepted record. Cohen argues, for example, that some historians are practitioners of “Bad History” and twist reality to glorify themselves or their country. “Scholarly, lively, quotable, up-to-date, and fun” (Hilary Mantel, author of the bestselling Thomas Cromwell trilogy), Making History investigates the published works and private utterances of our greatest chroniclers to discover the agendas that informed their—and our—views of the world. From the origins of history writing, when such an activity itself seemed revolutionary, through to television and the digital age, Cohen brings captivating figures to vivid light, from Thucydides and Tacitus to Voltaire and Gibbon, Winston Churchill and Henry Louis Gates. Rich in complex truths and surprising anecdotes, the result is a revealing exploration of both the aims and art of history-making, one that will lead us to rethink how we learn about our past and about ourselves.
Young Marx is a comedy set in 1850's London, where Karl Marx, is hiding in Dean Street, Soho. Broke and restless, the play portrays the thirty-two-year-old revolutionary as a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there's still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx. Young Marx aims to demystify Karl Marx, and is full of jokes and farce. It was chosen as the first play at the opening of London's Bridge Theatre in 2017, where it played to critical acclaim.
Mummies, Cannibals and Vampires charts in vivid detail the largely forgotten history of European corpse medicine, which saw kings, ladies, gentlemen, priests and scientists prescribe, swallow or wear human blood, flesh, bone, fat, brains and skin in an attempt to heal themselves of epilepsy, bruising, wounds, sores, plague, cancer, gout and depression. In this comprehensive and accessible text, Richard Sugg shows that, far from being a medieval therapy, corpse medicine was at its height during the social and scientific revolutions of early-modern Britain, surviving well into the eighteenth century and, amongst the poor, lingering stubbornly on into the time of Queen Victoria. Ranging from the execution scaffolds of Germany and Scandinavia, through the courts and laboratories of Italy, France and Britain, to the battlefields of Holland and Ireland, and on to the tribal man-eating of the Americas, Mummies, Cannibals and Vampires argues that the real cannibals were in fact the Europeans. Picking our way through the bloodstained shadows of this remarkable secret history, we encounter medicine cut from bodies living and dead, sacks of human fat harvested after a gun battle, gloves made of human skin, and the first mummy to appear on the London stage. Lit by the uncanny glow of a lamp filled with human blood, this second edition includes new material on exo-cannibalism, skull medicine, the blood-drinking of Scandinavian executions, Victorian corpse-stroking, and the magical powers of candles made from human fat. In our quest to understand the strange paradox of routine Christian cannibalism we move from the Catholic vampirism of the Eucharist, through the routine filth and discomfort of early modern bodies, and in to the potent, numinous source of corpse medicine’s ultimate power: the human soul itself. Now accompanied by a companion website with supplementary articles, interviews with the author, related images, summaries of key topics, and a glossary, the second edition of Mummies, Cannibals and Vampires is an essential read for anyone interested in the history of medicine, early modern history, and the darker, hidden past of European Christendom.
The new collection from multi-award-winning playwright Richard Bean. Contains the plays, Great Britain, The Nap, Pub Quiz is Life, Pitcairn and Kiss Me. Foreword by Sir Nicholas Hytner.
(Applause Books). Mad About Theatre is a systematic analysis of the major issues confronting our theatre today: The Decline of Broadway; The Generally Poor Quality of American Stage Acting; The Pretentiousness of our Avant-Garde; The Narrowness of our Playwriting; Broadway In Search of a Musical Fix; Subsidized British Theatre in the Age of Thatcher and Beyond; The Inflated Directing of the Classics; The Growing Vitality of our Regional Theatres (in Playwriting as well as Acting and Directing); The Innovative Use of the Theatre by Minority Groups. Mad About Theatre is not only a major contribution to contemporary theatre criticism, but a call to account for a culture in danger of losing its way. Taken together, these reviews from The Hudson Review , weave a powerful indictment against the status quo, while offering a constructive blueprint for the future.
Since 1994, South Africa has had five presidents who have varied greatly in style and character, despite all coming from the same political party. How do they compare? How did they handle the crises they faced? What effect did they have on the country? As the ANC’s next elective conference approaches and Cyril Ramaphosa seeks a second term as president, the country is reeling from the effects of state capture and the Covid-19 pandemic. Coupled with an ailing economy and record unemployment, the need for good political leadership to steer us through the morass is more urgent than ever. It is, therefore, a perfect time to think critically about the role that presidential leadership plays in our lives and in history. To this end, The Presidents provides an honest assessment of the five post-democracy presidents – Mandela, Mbeki, Motlanthe, Zuma and Ramaphosa – examining their strongest qualities and greatest weaknesses in the context of the momentous challenges they faced.
Brighton, England. 1963. Change is in the air, and Francis Henshall is looking to make his mark. Fired from a skiffle band and in search of work, he finds himself employed by small-time gangster Roscoe Crabbe, in town to collect a fee from his fiancee's gangster father. But Roscoe is really Rachel, posing as her own dead brother, herself in love with Stanley Stubbers (her brother's killer) who, in turn, becomes our hero's other 'guvnor'. Fighting a mounting sense of confusion, Francis goes out of his way to serve both bosses. But with the distractions of a pneumatic book keeper, a self-important actor and select members of the criminal fraternity (not to mention his own mammoth appetite) to contend with, how long can he keep them apart? Richard Bean's hilarious comedy received 5-star reviews from every London newspaper and was the hit of the 2012 Broadway season.
(Vocal Collection). 45 songs. Highlights: Always a Bridesmaid (I Love You, You're Perfect, Now Change) * As If We Never Said Goodbye (Sunset Boulevard) * But Not for Me (Girl Crazy) * A Change in Me (Beauty and the Beast) * Class (Chicago) * Don't Call Me Trailer Trash (Cowgirls) * Don't Rain on My Parade (Funny Girl) * I'd Give My Life for You (Miss Saigon) * Just a Housewife (Working) * The Ladies Who Lunch (Company) * Maybe This Time (Cabaret) * Mein Herr (Cabaret) * Miss Marmelstein (I Can Get It For You Wholesale) * My New Philosophy (You're a Good Man, Charlie Brown) * A New Life (Jekyll & Hyde) * Rose's Turn (Gypsy) * So What? (Cabaret) * Someone Like You (Jekyll & Hyde) * Stars and the Moon (Songs for a New World) * Who Will Love Me as I Am? (Side Show) * With One Look (Sunset Boulevard) * You Don't Know This Man (Parade)
She could teach more folk round 'ere about what's bloody well important in their lives - when it comes down to it. What matters . . . That precious bit of you that gets buried in shit, and she's there clearin' it all away. Delie is special and she's won a trophy for picking up litter from the mayor. Every summer she goes on her holidays to her Aunty Brenda who runs a women's domestic abuse refuge in a Yorkshire mining village. Delie and her Aunty Brenda and a pawnbroker called George who wears a dress are The Flannelettes - a Motown tribute band. Delie is in her twenties but with a mental age of ten; when she meets Roma - who used to live on the streets in Rotherham - the two become best friends, sharing each others' secrets. By the award-winning writer of The Glee Club, The Flanelettes is a tough, uncompromising play which looks at love and violence in a shattered community, all playing to a bittersweet soundtrack of Sixties soul.
‘Fucking Frogs! My grandfather didn’t die in the English Civil War so’s half the population of France could come over here and live off the soup!’ A riotous journey through four waves of immigration from the 17th century to today. As the French Huguenots, the Irish, the Jews and the Bangladeshis in turn enter the chaotic world of Bethnal Green, each new influx provokes a surge of violent protest over housing, jobs, religion and culture. And the emerging pattern shows that white flight and anxiety over integration is anything but new. Written with scurrilous bravura, Richard Bean’s great sweep of a comedy follows a pair of star-crossed lovers amid cutters’mobs, Papists, Jewish anarchists and radical Islamists across four tempestuous centuries. England People Very Nice enjoyed a sell-out run at the National Theatre.
Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
Richard Gill is perhaps this country’s most passionate advocate of music and the richness it brings to life and to society in general. His own musical credentials include: conductor with Opera Australia, Opera Queensland, the Sydney Symphony Orchestra, Canberra Symphony Orchestra, Australian Symphony Orchestra, and current director of the Victorian Opera. He is one of - if not the - most respected and admired musical figures in Australia. He is also one of the best known, having been the most memorable figure in the ABC's wonderful documentary series ‘Operatunity Oz’ (2006 and 2007). In this wonderful memoir he writes about his life in music, and the music in his life. Warm, funny, fascinating and always passionate and informed about the world he loves most, this is a book for anyone who enjoys music.
The new collection from Richard Bean, one of Britain’s leading playwrights and the fastest-selling playwright in the history of the West End. This volume features an introduction by Mark Lawson and includes the plays: The Heretic, The Big Fellah and England People Very Nice.
The sixth collection of plays from award-winning playwright Richard Bean, including the world-conquering hit One Man, Two Guvnors, as well as Young Marx, his riotous take on Karl Marx's life in London, which launched London's new Bridge Theatre and The Hypocrite, a historical-farcical romp that lit up Hull's year as City of Culture. One Man, Two Guvnors Based on Carlo Goldoni's classic Italian comedy The Servant of Two Masters, sex, food and money are high on the agenda. Winner of the both 2011 Evening Standard Theatre Best New Play & Critic's Circle Best New Play awards. Young Marx Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there's still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx. The Hypocrite April 1642. Sir John Hotham, Governor of Hull, is charged by Parliament to secure the arsenal at Hull and deny entry to King Charles I. If only it were that simple. With a Royalist siege outside the city walls and the rebellion of the mob within, Civil War seems inevitable and losing his head more than probable.
The Rough Guide to Film is a bold new guide to cinema. Arranged by director, it covers the top moguls, mavericks and studio stalwarts of every era, genre and region, in addition to lots of lesser-known names. With each film placed in the context of its director’s career, the guide reviews thousands of the greatest movies ever made, with lists highlighting where to start, arranged by genre and by region. You’ll find profiles of over eight hundred directors, from Hollywood legends Alfred Hitchcock and John Huston to contemporary favourites like Steven Soderbergh and Martin Scorsese and cult names such as David Lynch and Richard Linklater. The guide is packed with great cinema from around the globe, including French New Wave, German giants, Iranian innovators and the best of East Asia, from Akira Kurosawa to Wong Kar-Wai and John Woo. With overviews of all major movements and genres, feature boxes on partnerships between directors and key actors, and cinematographers and composers, this is your essential guide to a world of cinema.
In a world, in which camcorders and CCTV are witness to our every move and Big Brother and The Blair Witch Project are phenomenally popular and widely imitated, the divide between reality and liction has become increasingly blurred.
Authoritative . . . highly nuanced . . . gives the reader a palpable sense of Mr. Eastwood's career." --The New York Times From the moment The Man With No Name first fixed the screen with his murderous squint, from the first time audiences heard Dirty Harry Callahan growl "Make my day," Clint Eastwood has been an icon of American manhood in all its coolness and ferocity. But that icon is also an actor of surprising subtlety, a filmmaker of vast intelligence and originality--and an intensely private man who eludes the stereotypes with which his fans and critics try to label him. In this in-depth biography, the distinguished film critic Richard Schickel talks with Eastwood's family, friends, and colleagues--and, above all, with his notoriously reticent subject--to produce a portrait more astute and revealing than any we have ever had. Following Eastwood from his unstable childhood through his turbulent love affairs, assessing films from A Fistful of Dollars to the Oscar-winning The Unforgiven, and locating the subversive streak of rage and solitude that runs through all his work, Clint Eastwood is candid and endlessly fascinating, an unerring closeup of one of our brightest stars. "Exhilarating . . . substantial, insightful, and right." --Newsday
Traces the history of the United States during the 1950s through such primary sources as memoirs, letters, contemporary journalism, and official documents.
First-time tourists and seasoned travelers alike will find practical and up-to-date information on the most entertaining and important attractions in London--the world-famous West End theaters, Charles Dickens' favorite haunts, legendary Westminster Abbey, Buckingham Palace, Scotland Yard, and more. Line drawings and maps.
Teach Yourself Language, Life, and Culture titles delve into the customs and ways of their featured countries, taking a respectful yet lively point of view. Topics include government, arts, language, work, leisure, education, festivals, and food. Each title explains the role of language in shaping culture and provides practical information for travelers. Find out about traditional Chinese medicine, English fish and chips, the Welsh red dragon, and even Christmas in Japan.
Richard Bean’s fast and furious new play is an anarchic and foul-mouthed satire about the press, the police and the political establishment. Paige Britain is the ambitious, morally-bankrupt young news editor of The Free Press, a tabloid newspaper locked in a never-ending battle for more readers.
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