A tale of enormous suspense and growing horror, The Fox in the Attic is the widely acclaimed first part of Richard Hughes’s monumental historical fiction, “The Human Predicament.” Set in the early 1920s, the book centers on Augustine, a young man from an aristocratic Welsh family who has come of age in the aftermath of World War I. Unjustly suspected of having had a hand in the murder of a young girl, Augustine takes refuge in the remote castle of Bavarian relatives. There his hopeless love for his devout cousin Mitzi blinds him to the hate that will lead to the rise of German fascism. The book reaches a climax with a brilliant description of the Munich putsch and a disturbingly intimate portrait of Adolph Hitler. The Fox in the Attic, like its no less remarkable sequel The Wooden Shepherdess, offers a richly detailed, Tolstoyan overview of the modern world in upheaval. At once a novel of ideas and an exploration of the dark spaces of the heart, it is a book in which the past returns in all its original uncertainty and strangeness.
Lament, a natural, healthy response to unfair suffering and death, has largely disappeared from modern life and thought. This book reaffirms ancient Greek and Hebrew conceptions of lament as a protest against death as fate. Richard A. Hughes finds lament to be basic in the Bible, and he traces the decline of lament, beginning with Plato's antifeminist critique and early Christian theodicy, through the church fathers and the Protestant reformers. He shows that lament was displaced by classical doctrines of providence but recaptured in the modern existentialist revolt against unjust suffering. Hughes discusses the need for lament in the present age of mass, catastrophic death.
The Archimedes is a modern merchant steamship in tip-top condition, and in the summer of 1929 it has been picking up goods along the eastern seaboard of the United States before making a run to China. A little overloaded, perhaps—the oddly assorted cargo includes piles of old newspapers and heaps of tobacco—the ship departs for the Panama Canal from Norfolk, Virginia, on a beautiful autumn day. Before long, the weather turns unexpectedly rough—rougher in fact than even the most experienced members of the crew have ever encountered. The Archimedes, it turns out, has been swept up in the vortex of an immense hurricane, and for the next four days it will be battered and mauled by wind and waves as it is driven wildly off course. Caught in an unremitting struggle for survival, both the crew and the ship will be tested as never before. Based on detailed research into an actual event, Richard Hughes’s tale of high suspense on the high seas is an extraordinary story of men under pressure and the unexpected ways they prove their mettle—or crack. Yet the originality, art, and greatness of In Hazard stem from something else: Hughes’s eerie fascination with the hurricane itself, the inhuman force around which this wrenching tale of humanity at its limits revolves. Hughes channels the furies of sea and sky into a piece of writing that is both apocalyptic and analytic. In Hazard is an unforgettable, defining work of modern adventure.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Richard Hughes's celebrated short novel is a masterpiece of concentrated narrative. Its dreamlike action begins among the decayed plantation houses and overwhelming natural abundance of late nineteenth-century Jamaica, before moving out onto the high seas, as Hughes tells the story of a group of children thrown upon the mercy of a crew of down-at-the-heel pirates. A tale of seduction and betrayal, of accommodation and manipulation, of weird humor and unforeseen violence, this classic of twentieth-century literature is above all an extraordinary reckoning with the secret reasons and otherworldly realities of childhood.
The Wooden Shepherdess is the sequel to The Fox in the Attic, and the second volume of Richard Hughes's monumental historical fiction, "The Human Predicament." It opens with Hughes's hero Augustine in prohibition era America, where he is a bemused onlooker and an increasingly fascinated participant in a country intoxicated with sex, violence, and booze. In brilliant cinematic style, the book then moves to Germany, where the Nazi Party is gradually gaining in power; to the slums, mining towns, parliamentary back rooms, and great houses of a Britain teetering on the verge of class war; and to the wilds of the Atlas Mountains of Morocco. The novel ends with a terrifying account of the Night of the Long Knives, as Hitler ruthlessly secures his hold upon Germany. This new edition of the The Wooden Shepherdess concludes with the twelve chapters that Hughes completed of the planned third volume of "The Human Predicament," here published for the first time in America.
Richard Hughes was an artillery officer with the British Army in World War II. He was sent to Europe twice. The first assignment in 1940 was short lived, as he joined the hopelessly ill equipped and overwhelmed Allied forces in France. The superior German army pushed them back to the English Channel at Dunkirk, and Hughes was one of some 300,000 troops miraculously rescued from the beach by a flotilla of small boats. In 1944 he returned to France as apart of the Allied invasion, this time as a Major commanding a battery of field guns. The contrast is apparent. Now they were a well equipped, superbly trained and coldly efficient force. With his field battery and associated infantry battalion, Hughes fought numerous battles right through Europe to reach Hamburg, at the final surrender of Germany in May, 1945. In Sheldrake, Richard Hughes recalls many fascinating memories in his personal account of those traumatic years.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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