The concept of dilettantism has not always been associated with amateurism or superficiality. It played a significant role in French and German critical writing from the late eighteenth century until the fin de siecle, embracing notions such as apprenticeship, fruitful error, parody, aestheticism and scepticism. Attempts to define dilettantism in a binary relationship with art have often been defeated by a fundamental ambivalence towards its values. The major texts on the subject are Goethe and Schiller's unfinished 'dilettantism project' (1799) and Paul Bourget's essay on Ernest Renan (1882), although the term was also used by writers including Wieland, Baudelaire, Laforgue, Nietzsche, Hofmannsthal and Thomas Mann. In this wide-ranging study Richard Hibbitt provides the first book-length comparative analysis of the concept of dilettantism, tracing its chronological development and proposing a synthesis of its diverse aspects and values.
The concept of dilettantism has not always been associated with amateurism or superficiality. It played a significant role in French and German critical writing from the late eighteenth century until the fin de siecle, embracing notions such as apprenticeship, fruitful error, parody, aestheticism and scepticism. Attempts to define dilettantism in a binary relationship with art have often been defeated by a fundamental ambivalence towards its values. The major texts on the subject are Goethe and Schiller's unfinished 'dilettantism project' (1799) and Paul Bourget's essay on Ernest Renan (1882), although the term was also used by writers including Wieland, Baudelaire, Laforgue, Nietzsche, Hofmannsthal and Thomas Mann. In this wide-ranging study Richard Hibbitt provides the first book-length comparative analysis of the concept of dilettantism, tracing its chronological development and proposing a synthesis of its diverse aspects and values.
Tristan Corbière is a poet who tests language to the limits, dislocating normal syntax, revelling in self-contradictory affirmations, and piling up puns. Born in Brittany in 1845, he died at only 29, leaving to future readers a scattered assortment of texts. This collection brings together several less well-known pieces, some early versions of published poems, and others which were handwritten into his own copy of his only published collection, Les Amours jaunes. Presented as a bilingual edition, this volume offers the first English translations of many of these writings, all of which testify to Corbière's sly humour, linguistic glee, formal innovation and mordant self-irony. Playful and comic, Corbière's work is also experimental, subversive and moving. The texts are translated by Christopher Pilling, an award-winning poet, playwright and translator. He is a founder of the Cumbrian Poets workshops, which he has hosted for 35 years, a convenor of Skiddaw u3a, and the organiser of translation days and readings in Keswick. He has translated the work of a number of poets, mainly from French but also from Latin. A beneficiary of the Royal Literary Fund, Christopher is also a member of Parkinson's UK. Oysters, nightingales and cooking pots provides a fitting sequel to Christopher Pilling's translation of Tristan Corbière's Les Amours jaunes, published as These Jaundiced Loves in 1995. The volume is edited by Richard Hibbitt and Katherine Lunn-Rockliffe. Please note that this volume is available in multiple formats for your convenience. If you wish to view the French and English texts side by side to compare the original and translation, please download the free PDF file of the volume and select two-page view or purchase a printed copy. Readers may prefer to download and cite from the PDF version of this book. This has a specific DOI and has a fixed structure with page numbers. Guidance on citing from other ebook versions without stable page numbers (Kindle, EPUB etc.) is now usually offered within style guidance (e.g. by the MLA style guide, The Chicago Manual of Style etc.) so please check the information offered on this by the referencing style you use.
Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald's literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar. The title “Ghostwriting” signals the convergence in Sebald's works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald's narratives on the level of story. Moreover, Sebald's narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald's “poetics of history,” his implementation of literary tools for effective historical memorializing.
A new conventional wisdom, spanning academic and policy communities, sees a combination of economic competitiveness, social cohesion and responsive governance as essential for survival in the post-1980s world - and cities as crucial to achieving these goals. This interdisciplinary text provides the first critical examination of these ideas, drawing on the UK Cities research programme and other recent research. It combines analysis of the competitiveness-cohesion-governance problematic with examination of the major processes underlying key sectors of the urban economy, physical development, social relations, neighbourhoods and urban policy.
This book aims at providing an up-to-date report to cover key aspects of existing problems in the emerging field of targets in gene therapy. With the contributions in various disciplines of gene therapy, the book brings together major approaches: Target Strategy in Gene Therapy, Gene Therapy of Cancer and Gene Therapy of Other Diseases. This source enables clinicians and researchers to select and effectively utilize new translational approaches in gene therapy and analyze the developments in target strategy in gene therapy.
This revised edition of Legal Research and Law Library Management retains the best elements of the previous edition while covering the latest in law library management.
This text explores the concept of major and serious crime investigations as it takes the reader through the fundamental elements of investigative theory and practice that are relevant to this area of criminality. Unlike other texts that concentrate on either bespoke areas of criminality such as homicide, terrorism or tends in concepts such as county lines, this book recognises that the reader will be new to investigative study with little practitioner experience to anchor their learning. By using the latest evidence-based policing knowledge and critical thinking, it explores the concepts of major and serious crime, detailing key areas of legislation and how investigative strategies and decision making can influence successful outcomes. Other topics examined in this text is the key areas of risk for major and serious crime investigations, the impact on investigators, the concept of disclosure, investigative interviewing and how civil orders, designed to tackle this type of criminality can provide a successful alternative to prosecution. Both students and practitioners can find this book useful with this book's contemporary approach of using case studies and contemporary investigative examples relevant to the topic. This book brings together academic theory and operational understanding of major and serious crime that provides learners with an easy to follow guide that they can keep returning to throughout their career.
John McGahern's work is not easily conceived of as belatedly modernist. His memorialising, faintly archaic style implies a concern with 'making it old' rather than new, suggesting the symptomatic diffidence of many who wrote in the wake of modernism. Nevertheless, McGahern's statements about the 'presence' of words and the hard-won impersonality of the artwork point to a covert engagement with modernist aesthetics. Offering intertextual interpretations of McGahern's six novels, and of thematically grouped short stories, Richard Robinson reads McGahern's fiction alongside writing by Joyce, Proust, Yeats, Beckett, Nietzsche, Lawrence and Chekhov, amongst others. Drawing out the ways in which McGahern's fiction conceals and reveals its modernist traces, this study considers subjects such as 'low' modernism, the complexity of McGahern's time-writing and his dialectical construction of the relationship between cultural tradition and modernity in Ireland. McGahern's narratives of melancholic return are often read psycho-biographically, but they also involve a return to the remnants of literature, including that of the modernist canon. This book will be of interest not only to McGahern scholars but also to those who contemplate the compromised legacies of literary modernism in late-twentieth century and contemporary writing.
In Quick, Said the Bird, Richard Swigg makes the case for acoustics as the basis of the linkages, kinships, and inter-illuminations of a major twentieth-century literary relationship. Outsiders in their home terrain who nevertheless continued to reach back to their own American vocal identities, Williams, Eliot, and Moore embody a unique lineage that can be traced from their first significant works (1909-1918) to the 1960s.
Aston Villa’s 1982 European Cup win in many ways was the most romantic in football history. And yet, set against the backdrop of English dominance in the competition it is widely a forgotten achievement. By taking readers inside the boardroom, revealing through minutes who said what to whom at key meetings, Sydenham paints a vivid portrayal that covers more than 20-years of turbulent Midland football history.
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