Lois Lane knows that Superman can fly, but she does not know that Clark Kent can fly. How can that be, given that Superman and Clark are one and the same? To answer this question, Frege famously distinguished the reference of a name (the thing it is a name of) from what he called its 'sense' or 'mode of presentation'. The sense was meant to capture our (necessarily limited) perspective on reference and to explain the difference in 'cognitive value' between "Superman can fly" and "Clark can fly". Frege's distinction has been widely discussed in the last century, but much about it remains unclear. In this collection, Richard Kimberly Heck, one of the world's foremost experts on Frege's philosophy, distinguishes three aspects of Frege's famous 'puzzle' and explores the connections between them. Their wide-ranging discussion touches on issues in philosophy of mind, philosophy of language, philosophy of logic, the history of analytic philosophy, and meta-philosophy. Heck argues that, while many of the details of Frege's position cannot be defended, his famous puzzle still has much to teach us both about the foundations of cognition and about the nature of linguistic communication. Modes of Presentation presents eight previously published papers, two of which are significantly expanded. There are also three new chapters, three new postscripts responding to criticisms, and a substantial overview that introduces the issues and traces connections between the chapters.
The companion book to the HBO film about the Nirvana singer and songwriter, “the most intimate rock doc ever” (Rolling Stone). Kurt Cobain, legendary lead singer, guitarist, and songwriter of Nirvana, “the flagship band of Generation X,” remains an object of reverence and fascination for music fans. For the first time, his story was told in the fully authorized feature documentary, Kurt Cobain: Montage of Heck, in 2015. Brett Morgen—the Oscar®-nominated filmmaker behind such acclaimed documentaries as the HBO presentation Crossfire Hurricane, which celebrated the fiftieth anniversary of the Rolling Stones, and The Kid Stays in the Picture—was writer, director, and producer of film. Visual artist Frances Bean Cobain, Cobain’s daughter, was executive producer. This riveting book accompanied Morgen’s documentary and delved further into the material created for the film, presenting an illuminating and honest portrait of the Nirvana frontman that captured the contradictions that made up his character. The book is composed of the extended versions of the exclusive interviews featured in the film. It also showcases the film’s incredible visuals with a mixture of animation stills, rare photography, and other treasures from Kurt Cobain’s personal archive. Director Brett Morgen offers his personal thoughts on the creation of the film and the need to shatter the mythos that surrounds Cobain. Taking fans into and beyond Morgen’s movie with unparalleled insight into the world of the late musician, this book is the perfect complement to a milestone documentary that forever changed the way fans view Kurt Cobain. “The film offers the bells and whistles but the book provides the real guts of the tale.” —Examiner
Frege's Theorem collects eleven essays by Richard G Heck, Jr, one of the world's leading authorities on Frege's philosophy. The Theorem is the central contribution of Gottlob Frege's formal work on arithmetic. It tells us that the axioms of arithmetic can be derived, purely logically, from a single principle: the number of these things is the same as the number of those things just in case these can be matched up one-to-one with those. But that principle seems so utterly fundamental to thought about number that it might almost count as a definition of number. If so, Frege's Theorem shows that arithmetic follows, purely logically, from a near definition. As Crispin Wright was the first to make clear, that means that Frege's logicism, long thought dead, might yet be viable. Heck probes the philosophical significance of the Theorem, using it to launch and then guide a wide-ranging exploration of historical, philosophical, and technical issues in the philosophy of mathematics and logic, and of their connections with metaphysics, epistemology, the philosophy of language and mind, and even developmental psychology. The book begins with an overview that introduces the Theorem and the issues surrounding it, and explores how the essays that follow contribute to our understanding of those issues. There are also new postscripts to five of the essays, which discuss changes of mind, respond to published criticisms, and advance the discussion yet further.
Gottlob Frege's Grundgesetze der Arithmetik, or Basic Laws of Arithmetic, was intended to be his magnum opus, the book in which he would finally establish his logicist philosophy of arithmetic. But because of the disaster of Russell's Paradox, which undermined Frege's proofs, the more mathematical parts of the book have rarely been read. Richard G. Heck, Jr., aims to change that, and establish it as a neglected masterpiece that must be placed at the center of Frege's philosophy. Part I of Reading Frege's Grundgesetze develops an interpretation of the philosophy of logic that informs Grundgesetze, paying especially close attention to the difficult sections of Frege's book in which he discusses his notorious 'Basic Law V' and attempts to secure its status as a law of logic. Part II examines the mathematical basis of Frege's logicism, explaining and exploring Frege's formal arguments. Heck argues that Frege himself knew that his proofs could be reconstructed so as to avoid Russell's Paradox, and presents Frege's arguments in a way that makes them available to a wide audience. He shows, by example, that careful attention to the structure of Frege's arguments, to what he proved, to how he proved it, and even to what he tried to prove but could not, has much to teach us about Frege's philosophy.
Organotransition Metal Chemistry: A Mechanistic Approach describes a mechanistic approach to the study of the chemistry of organotransition metals. Organotransition metals are discussed in relation to their reactions with specific functional groups or types of compounds rather than by metals. Topics covered include the formation of hydrogen and carbon bonds to transition metals; reactions of transition metal d- and p-bonded derivatives; and addition and elimination reactions of olefinic compounds. This book is comprised of 10 chapters and begins with a historical overview of organotransition metal chemistry, together with the unique chemistry of transition metals and mechanisms of ligand replacements. The following chapters discuss the methods of preparation of hydrido complexes and carbon-transition metal bonds; homogeneous hydrogenation reactions; isomerization, dimerization, oligomerization, and polymerization of olefins; and reactions of dienes, trienes, and tetraenes with transition metal compounds. Transition metal reactions with acetylenes and carbon monoxide as well as organic carbonyl compounds are also examined. This monograph should be of value to organic chemists as well as students and researchers of organic chemistry.
More than twenty years have passed since Kurt Cobain took his own life in April 1994. Today, his legacy continues to fascinate, inspire, and haunt us. This riveting chronicle, which accompanies award-winning director Brett Morgen's highly anticipated documentary, paints an illuminating and honest portrait of the Nirvana frontman, capturing the contradictions that made up his character: he could be sincere and sentimental and also ironic and sarcastic, was sweet yet sour, and was both serious and very funny. This book - the only book about Kurt that has been produced with the cooperation of his widow, Courtney Love, and the Cobain Estate - includes interviews with numerous family members and friends, many of whom speak publicly about their relationship with Kurt for the first time, along with animation stills from the film, never-before-seen photographs, and other artefacts, offering revealing new insights into the life and character of Kurt Cobain. It is the ultimate book for fans of Nirvana, whose popularity continues to endure, and of Kurt, who remains a fascinating icon of popular culture.
It's here--the second edition of the anthology series that "Rue Morgue Magazine" hailed--and warned--readers about. Twice as big as the first volume, with twice as many authors and twice as intense. Includes stories by D.F. Lewis, James A. Moore, Hart Fisher, David Annandale, and others.
The authors provide a comprehensive geophysical assessment of the tectonic setting and behavior of the Hosgri Fault Zone, based on our integrated analyses of an extensive suite of deep, intermediate- and high-resolution seismic data combined with geological information from petroleum exploration wells, core samples, and diver-geologist samples and observations.
WHITEHOT TRUEBLUE The hyphenated title and a book cover displaying a volcano and birds fl ying together till the end of time to the ends of the earth signify that passionatetender heartlines stuff White Hot-True Blue. Its parables, narratives, and eyewitness stories mesh refl ective thought and the living heart. This book eschews mainstream behavioral-technological psychology, a natural scientifi c discipline so theory-driven and obsessed with method that it merely generates abstract, cold objectivities and detached statistical generalities. White Hot-True Blue offers instead a psychological psychology, one that includes the soul and the spirit, one radically individualized and deeply personal--a psychology wielding a caring human touch. The human heart is not reducible to a physiological pump. Our heart is the mind warmed.
Soon to be a Paramount+ exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history—you'll feel like you were right there with us!" —Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated—and maybe even helped to define—a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister’s “We’re Not Gonna Take It,” Mötley Crüe’s “Girls, Girls, Girls,” and Guns N’ Roses’ “Welcome to the Jungle” are as inextricably linked to the era as Reaganomics, PAC-MAN, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, Mötley Crüe, Poison, Guns N’ Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era—one in which the bands and their fans went looking for nothin’ but a good time...and found it.
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