Rhapsodies in Black takes a fresh look at the Harlem artistic renaissance, contesting narrow interpretations of the movement and recognising its global significance.
Diverse elements have created New Zealand’s distinctive political and social culture. First is New Zealand’s journey as a colony, and the various impacts this had on settler and Maori society. The second theme is the quest for what one prominent historian has labelled ‘national obsessions’ – equality and security, both individual and collective. The third, and more recent, theme is New Zealand’s emergence as a nation with a unique identity. New Zealand’s small geographic size and relative isolation from other societies, the dominant influence of British culture, the resurgence of Maori language and culture, the endemic instability of an economy based on a narrow range of pastoral products, and the dominance of the state in the lives of its people, all help to explain much of the present-day New Zealand psyche. This third edition of Historical Dictionary of New Zealand contains a chronology, an introduction, appendix, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about New Zealand.
Richard Hayward made a massive contribution to the cultural life of Ireland. He promoted and acted with the Ulster Literary Theatre and worked with Tyrone Guthrie as one of the first artists in broadcasting. He did much to revive the interest in Irish songs, anticipating the great revival in traditional ballads and airs of the 1960s and 70s. His films included 'The Voice of Ireland', 'The Luck of the Irish'and a cameo appearance in 'The Quiet Man'. His travel writings embrace the whole of Ireland and remain relevant today. This is apparent in his interest in local history and archaeology and also his enthusiasm and respect for the Irish language, place names, folklore and dialects. None of this he found incompatible with his interest in Orangeism and his membership of the Orange order, thus placing him in the long tradition of Irishmen who could love and respect their county, without denigrating the traditions of others.
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