The Brooklyn Bridge is a pre-eminent global icon. It is the world’s most famous and beloved bridge, a "must-see" tourist hotspot, and a vital fact of New York life. For almost a hundred and forty years it has inspired artists of all descriptions, fueling a constant stream of paintings, photographs, lithographs, etchings, advertising copy, movies, and book, magazine, and LP covers. In consequence, the bridge may have the richest visual history of any man-made object, so much so, in fact, that almost no major American artist has failed to pay homage to the span in some form or other. Oddly, however, there are no books currently available that chart and discuss the bridge’s visual history or its role in the development of American (or Western) art. This monograph aims to correct that, providing a full visual record of the bridge from the origins of its conception to the present day. It is a celebration of the bridge’s glorious visual heritage timed to appear when the city will celebrate the span’s 125th birthday.
John Roebling was one of the nineteenth century's most brilliant engineers, ingenious inventors, successful manufacturers, and fascinating personalities. Raised in a German backwater amid the war-torn chaos of the Napoleonic Wars, he immigrated to the US in 1831, where he became wealthy and acclaimed, eventually receiving a carte-blanche contract to build one of the nineteenth century's most stupendous and daring works of engineering: a gigantic suspension bridge to span the East River between New York and Brooklyn. In between, he thought, wrote, and worked tirelessly. He dug canals and surveyed railroads; he planned communities and founded new industries. Horace Greeley called him "a model immigrant"; generations later, F. Scott Fitzgerald worked on a script for the movie version of his life. Like his finest creations, Roebling was held together by the delicate balance of countervailing forces. On the surface, his life was exemplary and his accomplishments legion. As an immigrant and employer, he was respected throughout the world. As an engineer, his works profoundly altered the physical landscape of America. He was a voracious reader, a fervent abolitionist, and an engaged social commentator. His understanding of the natural world, however, bordered on the occult and his opinions about medicine are best described as medieval. For a man of science and great self-certainty, he was also remarkably quick to seize on a whole host of fads and foolish trends. Yet Roebling held these strands together. Throughout his life, he believed in the moral application of science and technology, that bridges--along with other great works of connection, the Atlantic Cable, the Transcontinental Railroad--could help bring people together, erase divisions, and heal wounds. Like Walt Whitman, Roebling was deeply committed to the creation of a more perfect union, forged from the raw materials of the continent. John Roebling was a complex, deeply divided yet undoubtedly influential figure, and this biography illuminates not only his works but also the world of nineteenth-century America. Roebling's engineering feats are well known, but the man himself is not; for alongside the drama of large scale construction lies an equally rich drama of intellectual and social development and crisis, one that mirrored and reflected the great forces, trials, and failures of nineteenth century America.
Bringing together more than sixty images of the bridge that, over the years, have graced postcards, magazine covers, and book jackets and appeared in advertisements, cartoons, films, and photographs, Haw traces the diverse and sometimes jarring ways in which this majestic structure has been received, adopted, and interpreted as an American idea. Haw's account is not a history of how the bridge was made, but rather of what people have made of the Brooklyn Bridge - in film, music, literature, art, and politics - from its opening ceremonies to the blackout of 2003."--BOOK JACKET.
Building the Brooklyn Bridge reminds us of the historic importance of this iconic bridge that was once considered the eighth wonder of the world. It opened up development across the East River and made travel between the two independent cities of Brooklyn and New York quicker and more reliable; especially once the bridge railway was fully operational in September 1883, four months after the bridge's opening. Historian Jeffrey Richman describes in engaging detail how the Brooklyn Bridge was built over fourteen years and clearly explains the function of each of its parts, from the anchorages to the massive cables. The story of the construction is also told through 255 remarkable images, many never before published, including 44 images in 3D, specially created for this book. These historic photographs, woodcuts, color lithographs, and engineering drawings take us back in time to when all of America, and much of the world, watched with excitement as a singular bridge of unprecedented size and technology was built over one of the busiest waterways in the world. The book illuminates long-forgotten details and presents the bridge as the engineering marvel that it is-one that still elicits awe and admiration. This is an incredible journey back in time to when all of America-and much of the world-excitedly watched as the Brooklyn Bridge was being built. Reading the book will be a real treat to anyone who has ever stepped onto this beloved icon and been moved by its majesty. A pair of 3D glasses is included with every copy of the book.
In The School of Hawthorne, Brodhead uses Hawthorne as a prime example of how literary traditions are made, not born. Under Brodhead's scrutiny, the Hawthorne tradition opens out onto a wide array of subjects, many of which have received little previous attention. He offers a detailed account of Hawthorne's life in American letters, showing how authors as varied as Melville, Howells, James, and Faulkner have learned from Hawthorne's model while all the while changing the terms in which he has been read. As he traces Hawthorne's continued life among his heirs, Brodhead also reflects on the ways in which writers receive and resist official tradition, how their work is conditioned by the institutionalized pasts that surround them, and how they go about creating new traditions to counter existing ones. An important contribution to literary history, The School of Hawthorne also establishes new ways in which literary history itself can be understood.
Practicing Romance sets out to re-tell the story of Hawthorne's career, arguing that he is best understood as a cultural analyst of extraordinary acuity, ambitious to reshape--in a sense to cure--the community he addresses. Through readings attentive to narrative strategy and alert to the emerging middle-class culture that was his audience, the book defines and describes Hawthornian Romance in a new way: not, in customary fashion, as the definitive instance of a peculiarly American genre, but as a narrative practice designed to expose and restage the covert drama that affiliates us to our community. Hawthorne's fiction thus recovers for its readers, through the interpretive independence it teaches, a freer, more lucid, more critical relation to the community we inhabit, and the cultural engagement romance enacts in turn rescues Hawthorne from the confining marginality that the writer's career had threatened to confer. From the book's distinctive account of his narrative tactics, especially his deployment of the voices and attitudes--authoritarian or democratic, entrapping or freeing--that give shape to his ideological terrain, Hawthorne emerges as a daring reinventor of the novel's cultural role. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Tom Pike joined the Royal Air Force on 17 January 1924 as a Flight Cadet at Cranwell. During a long and varied career in peace and war he held a wide variety of RAF appointments around the world and when he eventually retired he had held the ultimate post in the RAF, that of Chief of Air Staff and also that of Deputy Supreme Commander Allied Powers Europe. This book, written by his son, is an account of his leadership of No. 219 Night Fighter Squadron based at Tangmere in 1941.
The eighteenth century essayist, dramatist, journalist and politician Sir Richard Steele is best known today as the principal author of the periodicals ‘The Tatler’ and ‘The Spectator’. One of the most compelling figures of his time, Steele adopted a prose technique characterised by its easy, rapid, humorous and sincere style. His publications represented a new approach to journalism, offering cultivated essays on contemporary manners, establishing a pattern that would influence the course of English literature. This eBook presents Steele’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Steele’s life and works * Concise introductions to the major texts * All the major tracts, with individual contents tables * Features rare essays appearing for the first time in digital publishing * Images of how the texts were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete plays and poetry, with superior formatting * Includes the complete run of both ‘The Tatler’ and ‘The Spectator’ * Features two biographies – discover Steele’s literary life * Ordering of texts into chronological order and genres CONTENTS: The Prose The Christian Hero (1701) The Spectator Club (1711) The Englishman’s Thanks to the Duke of Marlborough (1712) The Importance of Dunkirk Consider’d (1713) The Crisis (1714) Mr. Steele’s Apology for Himself and His Writings (1714) The Englishman: Being the Close of the Paper So-Called No. 57 (1714) An Account of the Fish-Pool (1718) The Crisis of Property (1720) A Nation a Family (1720) Isaac Bickerstaff: Physician and Astrologer (1887) Miscellaneous Tracts The Dramatic Works The Funeral (1701) The Lying Lover (1703) The Tender Husband (1705) The Conscious Lovers (1723) The School of Action (1725) The Gentleman (1809) Prologues to Plays by Other Writers The Poem The Procession (1695) The Journalism The Tatler (1709-1711) The Spectator (1711-1712) The Biographies Richard Steele (1894) by G. A. Aitken Sir Richard Steele (1900) by Henry Austin Dobson
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