Why read Leibniz today? Can we still learn from him and not just about him? This book argues that Leibniz offers a powerful, productive model for transdisciplinary thinking that can push back against the narrowness of the humanities today. Richard Halpern recasts Leibniz as a great writer as well as a great philosopher, demonstrating that his philosophical project cannot be fully understood without taking its literary elements into account. He shows Leibniz to be a prescient thinker about art and beauty whose insights into the relationship between aesthetic experience and thought remain invaluable. Leibnizing asks readers to follow the dynamic movement of Leibniz’s writing instead of attempting to grasp a static philosophical system and to pay careful attention to the rhetorical and stylistic registers of Leibniz’s work as well as its conceptual and logical dimensions. For philosophers, this book offers a novel approach to reading and interpreting Leibniz. For literary and other theorists, it showcases the relevance of Leibniz’s thought to areas from aesthetics to politics and from metaphysics to computer science. Written in a lucid and even witty style, Leibnizing provides readers with an accessible entryway into Leibniz’s sometimes forbidding but ultimately rewarding philosophical vision.
According to traditional accounts, the history of tragedy is itself tragic: following a miraculous birth in fifth-century Athens and a brilliant resurgence in the early modern period, tragic drama then falls into a marked decline. While disputing the notion that tragedy has died, this wide-ranging study argues that it faces an unprecedented challenge in modern times from an unexpected quarter: political economy. Since Aristotle, tragedy has been seen as uniquely exhibiting the importance of action for human happiness. Beginning with Adam Smith, however, political economy has claimed that the source of happiness is primarily production. Eclipse of Action examines the tense relations between action and production, doing and making, in playwrights from Aeschylus, Marlowe, Shakespeare, and Milton to Beckett, Arthur Miller, and Sarah Kane. Richard Halpern places these figures in conversation with works by Aristotle, Smith, Hegel, Marx, Hannah Arendt, Georges Bataille, and others in order to trace the long history of the ways in which economic thought and tragic drama interact.
Modernist writers, critics, and artists sparked a fresh and distinctive interpretation of Shakespeare's plays which has proved remarkably tenacious, as Richard Halpern explains in this lively and provocative book. The preoccupations of such high modernists as T. S. Eliot, Wyndham Lewis, and James Joyce set the tone for the critical reception of Shakespeare in the twentieth century. Halpern contends their habits of thought continue to dominate postmodern schools of criticism that claim to have broken with the modernist legacy. Halpern addresses such topics as imperialism and modernism's cult of the primitive, the rise of mass culture, modernist anti-semitism, and the aesthetic of the machine. His discussion considers figures as diverse as Orson Welles and Arnold Schwarzenegger, and Shakespeare critics including Northrop Frye, Cleanth Brooks, Stephen Greenblatt, and Stanley Cavell. Shakespeare's works have been subjected to a continuing process of historical reinterpretation in which every new era has imposed its own cultural and ideological presuppositions on the plays. The most enduring contribution of modernism, Halpern suggests, has been the juxtaposition of an awareness of historical distance and a mapping of Shakespeare's plays onto the present. Using modernist themes and approaches, he constructs new readings of four Shakespeare plays.
Starting with St. Paul's argument that the Greeks were afflicted with homosexuality to punish their excessive love of statues, Richard Halpern uncovers a tradition in which aesthetic experience gives birth to the sexual—and thus reverses the Freudian thesis that erotic desire is sublimated into art. Rather, Halpern argues, sodomy was implicated with aesthetic categories from the very start, as he traces a connection between sodomy and the unrepresentable that runs from Shakespeare's Sonnets to Oscar Wilde's novella The Portrait of Mr. W.H., Freud's famous essay on Leonardo da Vinci, and Jacques Lacan's seminar on the ethics of psychoanalysis. Drawing on theology, alchemy, psychoanalysis, philosophy, and literary criticism, Shakespeare's Perfume explores how the history of aesthetics and the history of sexuality are fundamentally connected.
This innovative text provides beginning programmers with a concise, accessible introduction to the world of C. Assuming no prior programming experience, the author presents a carefully chosen subset of C powerful enough for solving non-trivial programming problems, yet simple enough so that a novice can steer clear of the pitfalls. Unsurpassed in motivating students' critical thinking and active learning, C For Yourself features computer experiments which serve to clarify presented concepts and to guide readers into making discoveries on their own. Readers are directed in learning many of the subtleties and intricacies of C through hands-on examples. Each section contains interesting pencil and paper exercises to reinforce new knowledge, and programming problems further enlighten students. Chapters cover all the basics of this increasingly important subject, from pointers and arrays to structures, files, and recursion. The author's clear and highly accessible writing style make this text ideal for beginning students and novice programming enthusiasts. A comprehensive instructor's manual including problem solutions and transparency masters also accompanies the text.
In Replacement Parts, internationally recognized bioethicist Arthur L. Caplan and coeditors James J. McCartney and Daniel P. Reid assemble seminal writings from medicine, philosophy, economics, and religion that address the ethical challenges raised by organ transplantation. Caplan's new lead essay explains the shortfalls of present policies. From there, book sections take an interdisciplinary approach to fundamental issues like the determination of death and the dead donor rule; the divisive case of using anencephalic infants as organ donors; the sale of cadaveric or live organs; possible strategies for increasing the number of available organs, including market solutions and the idea of presumed consent; and questions surrounding transplant tourism and "gaming the system" by using the media to gain access to organs. Timely and balanced, Replacement Parts is a first-of-its-kind collection aimed at surgeons, physicians, nurses, and other professionals involved in this essential lifesaving activity that is often fraught with ethical controversy.
Israel is a modern state whose institutions were clearly shaped by an ideological movement. The declaration of independence in 1948 was an immediate expression of the fundamental Zionist idea: it gave effect to a plan advocated by organized Zionists since the 1880s for solving the Jewish Problem. Thus, major Israeli political institutions, such as the party structure, embody principles and practices that were followed in the World Zionist Organization. In this respect, Israel is similar to other new states whose political institutions directly derive from the nationalist movements that won their independence. History and social structure are inseparably joined; the contemporary social problems of the new state are clearly rooted in its history, while the shape of its future is being decided by the very policies through which it is trying to solve these problems. At the same time, there are many unique aspects to the birth of Israel. The problem to be solved by acquiring sovereignty in Israel (and establishing a free Jewish society there) was the problem of a people living in exile. The first stage, therefore, was to return to the people a homeland to which they were intimately attached, not only in their dreams but in the minute details of their ways of life. This important book studies the birth of the State of Israel and analyzes the elaborately articulated and variegated ideological principles of the Zionist movement that led to that birth. It examines conflicting pre-state ideals and the social structure that emerged in Palestine's Jewish community during the Mandate period. In particular, Zionism and the Creation of a New Society reflects upon Israel's existence as both a state and a social structure--a place conceived before its birth as a means of solving a particular social malady: the modern Jewish Problem. Jehuda Reinharz and the late Ben Halpern carefully trace the development of the Zionist idea from its earliest expressions up to the eve of World War II, setting their study against a broad background of political and social development throughout Europe and the Middle East.
Chaim Weizmann, steeped in the folk culture of the East European shtetl and the humanistic science of Central and Western Europe, was the ambassador of the Jewish people to the English-speaking world. Louis D. Brandeis, on the other hand, was known as the true exponent of Anglo-American civic culture who gave his leadership at a critical moment to the American and world Jewish community. A Clash of Heroes studies the conflict between these two dominant personalities, each of whom has been hailed by devoted followers as the hero of a crucial era in recent Jewish history. Halpern sets the meeting, collaboration, and sharp conflict between these two men against the shifting background of a world at war and the shaky travail of revolution and reconstruction in the early 20th century. Through a comparison of two exemplary figures in Jewish leadership, Halpern paints an enthralling portrait of 20th-century Zionism and illuminates the complex relationships between leaders and the public and between Jewish nationalism and its extended environment.
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