A startling investigation of the issues of repressed memory therapy and satanic abuse ritual which have become increasingly controversial in Australia over the past few years. Guilliatt has written an outstanding, highly readable account of the impact of this bizarre phenomenon on Australian life.
In the years 1916-1918, the Wolf, an ordinary freighter fitted-out with a hidden arsenal of weapons, was sent by Germany on one of the most daring clandestine naval missions of modern times. Under the command of Kapitan Karl Nerger, the ship undertook a continuous fifteen-month cruise in which she traversed three of the world's major oceans, destroyed more than thirty Allied vessels and captured over 400 men, women and children. During this time the Wolf maintained radio silence and never pulled into port, surviving on fuel and food plundered from captured ships. Equipped with the era's newest technological marvels the Wolf was an instrument of terror in a new age of mechanised warfare.In The Wolf, Richard Guilliatt & Peter Hohnen bring this little-known story to life by drawing on dozens of eyewitness accounts, unpublished memoirs, declassified government files, newspaper reports and family archives unearthed during three years of intensive research in several countries. What emerges from these accounts is a richly-detailed picture of the world through which the Wolf moved, with all its social divisions and naked xenophobia, its spirit of bravery and stoicism, its paradoxical combination of old-world social mores and rapid technological change.This extraordinary adventure story exhibits the tremendous impact that one lone, audacious German warship made on the people of many nations during the final two years of the First World War.
On November 30, 1916, an apparently ordinary freighter left harbor in Kiel, Germany, and would not touch land again for another fifteen months. It was the beginning of an astounding 64,000-mile voyage that was to take the ship around the world, leaving a trail of destruction and devastation in her wake. For this was no ordinary freighter—this was the Wolf, a disguised German warship. In this gripping account of an audacious and lethal World War I expedition, Richard Guilliatt and Peter Hohnen depict the Wolf ’s assignment: to terrorize distant ports of the British Empire by laying minefields and sinking freighters, thus hastening Germany’s goal of starving her enemy into submission. Yet to maintain secrecy, she could never pull into port or use her radio, and to comply with the rules of sea warfare, her captain fastidiously tried to avoid killing civilians aboard the merchant ships he attacked, taking their crews and passengers prisoner before sinking the vessels. The Wolf thus became a huge floating prison, with more than 400 captives, including a number of women and children, from twenty-five different nations. Sexual affairs were kindled between the German crew and some female prisoners. A six-year-old American girl, captured while sailing across the Pacific with her parents, was adopted as a mascot by the Germans. Forced to survive on food and fuel plundered from other ships, facing death from scurvy, and hunted by the combined navies of five Allied nations, the Germans and their prisoners came to share a common bond. The will to survive transcended enmities of race, class, and nationality. It was to be one of the most daring clandestine naval missions of modern times. Under the command of Captain Karl Nerger, who conducted his deadly business with an admirable sense of chivalry, the Wolf traversed three of the world’s major oceans and destroyed more than thirty Allied vessels. We learn of the world through which the Wolf moved, with all its social divisions and xenophobia, its bravery and stoicism, its combination of old-world social mores and rapid technological change. The story of this epic voyage is a vivid real-life narrative and simultaneously a richly detailed picture of a world being profoundly transformed by war.
Cassy is forced to stay with her mother in a squatter's settlement of artists, where she joins the group in producing an educational program about wolves and inadvertently learns that her missing father is a notorious terrorist.
He seemed to be always at watch, scanning the immediate environs for anything that might make for an interesting image, anything that was out of sync with 'the norm' Martin Kantor approached his photography with an emotional intensity that exhilarated those around him. Armed with intelligence, wit and curiosity, he documented the painters, musicians and other artists who emerged during the culturally frenetic eighties. Kantor saw the world in sharp focus, evident in both his photojournalism for TheAustralian, and his brilliant portraiture for such magazines as Tension and World Art. He was an adventurous creator, ranging from remaking the rules of rock'n'roll photography to mastering the depiction of contemporary artists in unconventional ways. Martin Kantor (1960-2015) left an archive of intimate images, a window into his extraordinary work and a testament to his enviable talent.
On November 30, 1916, an apparently ordinary freighter left harbor in Kiel, Germany, and would not touch land again for another fifteen months. It was the beginning of an astounding 64,000-mile voyage that was to take the ship around the world, leaving a trail of destruction and devastation in her wake. For this was no ordinary freighter—this was the Wolf, a disguised German warship. In this gripping account of an audacious and lethal World War I expedition, Richard Guilliatt and Peter Hohnen depict the Wolf ’s assignment: to terrorize distant ports of the British Empire by laying minefields and sinking freighters, thus hastening Germany’s goal of starving her enemy into submission. Yet to maintain secrecy, she could never pull into port or use her radio, and to comply with the rules of sea warfare, her captain fastidiously tried to avoid killing civilians aboard the merchant ships he attacked, taking their crews and passengers prisoner before sinking the vessels. The Wolf thus became a huge floating prison, with more than 400 captives, including a number of women and children, from twenty-five different nations. Sexual affairs were kindled between the German crew and some female prisoners. A six-year-old American girl, captured while sailing across the Pacific with her parents, was adopted as a mascot by the Germans. Forced to survive on food and fuel plundered from other ships, facing death from scurvy, and hunted by the combined navies of five Allied nations, the Germans and their prisoners came to share a common bond. The will to survive transcended enmities of race, class, and nationality. It was to be one of the most daring clandestine naval missions of modern times. Under the command of Captain Karl Nerger, who conducted his deadly business with an admirable sense of chivalry, the Wolf traversed three of the world’s major oceans and destroyed more than thirty Allied vessels. We learn of the world through which the Wolf moved, with all its social divisions and xenophobia, its bravery and stoicism, its combination of old-world social mores and rapid technological change. The story of this epic voyage is a vivid real-life narrative and simultaneously a richly detailed picture of a world being profoundly transformed by war.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.