In the early nineteenth century, forger and thief William Buelow Gould lands in prison in Australia, where the prison doctor utilizes his painting talents to create an illustrated taxonomy of the country's exotic sea creatures.
Refusal to Submit reflects on the personal sacrifices necessary to make political change. Author Richard Gould documents the Draft Resistance Movement and a young man's coming of age during the Vietnam War. He details his decision to refuse to be drafted into the U.S. army and the events that follow-his arrest, trial, and eventual imprisonment in a federal prison in Safford, Arizona. As his story unfolds, the origins of the war and his reasons for opposing it emerge, placing his prison experience within the larger framework of the historical events occurring on a national and global scale. Structured as letters to his college-age children, he aims not only to document the confusion, anger, and atrocities of the Viet Nam era, but also to pass the history of resistance on to the next generation of young activists and critical thinkers. The letter format carries the story forward, stitching together historical events and personal experience, becoming an invitation to anyone faced with moral decisions about national policy in our modern times.
Flying High is a personal memoir of high adventure, love, humor, physical danger and intrigue in exotic locations. Whether flying the high altitude U-2 spy plane, meeting Communist guerillas in the hills of Luzon, narrowly avoiding a fatal bullet in Argentina, or nearly being deported from a diplomatic post twice, the author is continually blessed with good fortune and fortuitous circumstances. Far from being a tedious recitation of war stories from the authors 30-year Air Force career, this memoir is an intriguing report on a broad variety of exciting life experiences, accompanied and supported by the woman who has been the authors companion in marriage for over fifty-six years.
Ranging from the beer-and-ginger stewed Coq au Ballantine, including a home-prepared serving of Nova Lox, and on to Won Ton Soup, this collection combines tastiness and healthy eating. I welcome you to dive in and enjoy the tasty variety of recipes described in this book.
Speechsong is a work of imaginative musicology that addresses the engimas of Schoenberg and Gould, of singing and speaking, of Moses und Aron, of technology and being. Its point of departure is Gould's last public performance, given at the Wilshire Ebell Theatre in Los Angeles, where a number of Schoenberg's works were performed during his California exile. It is here, after that last performance, that Gould encounters a spectral Schoenberg in a staged conversation that explores Schoenberg's travails in rethinking the fundamentals of Western music. This first part of Speechsong recalls Schoenberg's operatic masterpiece, Moses und Aron, in which the divinely inspired Moses seeks the help of his brother to relate his vision: Moses speaks and Aron sings. Written as a twelve-tone composition, the opera produces an involution of harmonics that was Schoenberg's response to Richard Wagner's diatribes about synagogue noise. For Gould, Schoenberg's is a formalist revolution; Schoenberg's life, however, suggests that it was a search for personal and political freedom.The second half of Speechsong is a critical essay in twelve "moments" that re-articulates the staged conversation as an inquiry into the intersections of music and mediation. Gould's turn to the recording studio emerges as a post-humanist inquiry into recorded music as a repudiation of the virtuoso tradition and a liberation from unitary notions of selfhood. Schoenberg's exodus from musical tradition likewise takes his twelve-tone invention beyond musical performance, where it emerges, along with Gould's soundscapes, as a prototype of acoustic installations by artists such as Stephen Prina and Cory Arcangel. In these works, music abandons the concert hall and the exigencies of harmony for an acoustic space that embraces at once the recordings of Gould and the performances of Schoenberg that have found their home on the internet. Richard Cavell has written extensively on Marshall McLuhan and on media theory generally. He is the co-founder of the Media Studies program at the University of British Columbia and the curator of the website Spectres of McLuhan. Speechsong, his second critical performance piece, was preceded by Marinetti Dines with the High Command (2014).
Stephen Jay Gould was not only a leading paleontologist and evolutionary theorist, he was also a humanist with an enduring interest in the history and philosophy of science. The extraordinary range of Gould’s work was underpinned by a richly nuanced and deeply insightful worldview. Richard York and Brett Clark engage Gould’s science and humanism to illustrate and develop the intellectual power of Gould’s worldview, particularly with regard to the philosophy of science. They demonstrate how the Gouldian perspective sheds light on many of the key debates occurring not only in the natural sciences, but in the social sciences as well. They engage the themes that unified Gould’s work and drove his inquires throughout his intellectual career, such as the nature of history, both natural and social, particularly the profound importance of contingency and the uneven tempo of change. They also assess Gould’s views on structuralism, highlighting the importance of the dialectical interaction of structural forces with everyday demands for function, and his views on the hierarchical ordering of causal forces, with some forces operating at large scales and/or over long spans of time, while others are operating on small scales and/or occur frequently or rapidly. York and Clark also address Gould’s application of these principals to understanding humanity’s place in nature, including discussions of human evolution, sociobiology, and the role of art in human life. Taken together, this book illuminates Gould’s dynamic understanding of the world and his celebration of both science and humanism.
This landmark volume brings together some of the titans of social movement theory in a grand reassessment of its status. For some time, the field has been divided between a dominant structural approach and a cultural or constructivist tradition. The gaps and misunderstandings between the two sides—as well as the efforts to bridge them—closely parallel those in the discipline of sociology at large. This book aims to further the dialogue between these two distinct approaches to social movements and to show the broader implications for sociology as a whole as it struggles with issues including culture, emotion, and agency.
Jesus Now and Then" engagingly traces the changing images of Jesus in scholarship and popular culture from the time of the early church to the present day. Who did Jesus think he was? Did the early church take a man and make him into God? Was Christianity actually invented by Paul? How has Jesus been treated in the centuries since? What contemporary views are compatible with a traditional understanding of Scripture? Richard Burridge and Graham Gould leave no stone unturned in detailing Jesusb life and legacy. They start with the evidence about Jesus found in the New Testament and then go on to explore the early-church debates as a way of tackling contemporary issues. They also discuss how the figure of Jesus has been portrayed through history, how his teachings have been understood, and how he has come to be worshiped by Christians around the world. This essential historical information sets current questions and controversies about Jesus into context and helps to explain the many different views and interpretations of him now on offer.
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