When New York sergeant Shelly Lowenkopf is shipped out of the Bronx on a brief assignment in California, he’s like a fish out of water in the Tinseltown glitz. As police consultant on a movie set, he runs into real-life drama when a movie executive is murdered. The Next to Die is the 1st book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
Cured to death. The posh, idyllic Care Clinic promises to cure such twentieth-century afflictions as eating disorders, substance abuse, and low self-esteem. But when Shelly Lowenkopf and Homer Greeley—two former detectives from the Bronx—begin to investigate the whereabouts of one of the clinic’s most loyal patients, they’re in for some shocking treatment. A maniacal director browbeats patients and staff alike. A beautiful blonde picnics with a chimp and listens to Disney songs on a crank phonograph. And a bunch calling itself the Church of the Unflagging Eye worships the television set and everything on it. For Lowenkopf and Greeley, it would be just another missing persons case—if people weren’t suddenly turning up dead. Now the two detectives must solve a horrible killing before murder becomes the clinic’s nastiest—and most stubborn—habit. The Man Who Murdered Himself is the 7th book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
When New York sergeant Shelly Lowenkopf is shipped out of the Bronx on a brief assignment in California, he’s like a fish out of water in the Tinseltown glitz. As police consultant on a movie set, he runs into real-life drama when a movie executive is murdered. The Next to Die is the 1st book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
A New York detective is recovering from a bomb blast and uncovering a semiprivate doom. Just ask Detective Shelly Lowenkopf, who passed on to the other side—at least for a moment or two. It all began with a mob boss who was taking tennis lessons. His new stepson wanted in on the rackets, while his real son was on the lam—until an explosion took him and Lowenkopf out of the picture. The question is: How far out of the picture? While Lowenkopf began his recuperation at St. Jude South Coast Hospital, the criminals got busy. A drug business, some missing sperm, a very-much-alive Mafia son, and James Dean’s hair comb all found their way to Lowenkopf’s bedside, one way or another. And with all that, who could blame him for temporarily copping out? The Semi-Private Doom is the 5th book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
Stuck in traffic on the Cross-Bronx Expressway, Detective Sergeant Shelly Lowenkopf finds himself in the middle of an apparent attack by young black Indians with rubber-tipped arrows when another motorist fires back. Shelly takes the shooter down to the station, where he learns that the event was a staged performance, one in a series of events arranged by performance artists competing for a prize around the Bronx. To the surprise of both the police and the artist, the blanks in the rifle have been replaced with real bullets. Someone is turning performance art into the art of death. The Art of Death is the 2nd book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
Lowenkopf and Greeley are called in on a gruesome murder in a psychiatric facility in the Bronx, where the victim has had an internal organ removed and damaged, like other victims of the same killer. Lowenkopf goes undercover in the hospital and learns that a patient in a locked ward is taking credit for the crimes, sending out his spirit to avenge an old injury from a past life. Unwilling to believe his incredible story, but confronted with details only the killer should know, Lowenkopf and Greeley investigate the people around the boasting patient—his doctor, a social worker, and the staff of the hospital. But none of the candidates could possibly have committed the crimes, and Lowenkopf must solve a locked-room puzzle with a madman insisting on his guilt. The Organ Grinder’s Monkey is the 3rd book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred. To assemble, distribute, and store creative products, business firms are organized, some employing creative personnel on long-term contracts, others dealing with them as outside contractors; agents emerge as intermediaries, negotiating contracts and matching creative talents with employers. Firms in creative industries are either small-scale pickers that concentrate on the selection and development of new creative talents or large-scale promoters that undertake the packaging and widespread distribution of established creative goods. In some activities, such as the performing arts, creative ventures facing high fixed costs turn to nonprofit firms. To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate. However different their superficial organization and aesthetic properties, whether high or low in cultural ranking, creative industries share the same underlying organizational logic.
In 1961 when ten year old Richie meets Joey Pittman and his deranged family he doesn't realize that life as he knows it will be irrevocably changed. It now would be turned into a living nightmare. Then, years later, a chance encounter gives Richie the opportunity to end his terror and bring an end to the insanity of the Pittman family.
This provocative book asks a simple question: since we know that middle class schools tend to work best, why not give every child in America the opportunity to attend a public school in which the majority of students come from middle class households? Economically integrated schools, the author argues, will do far more to promote achievement and equal opportunity than vouchers, standards, class size reduction, or any of the other leading education proposals on the left and right that seek to make "separate but equal" schools work. Building on two recent education trends—the decline in racial desegregation as a legal tool and the movement toward greater public school choice—All Together Now provides a blueprint for creating schools that educate children from various backgrounds under one roof. Concurring with the concerns of voucher proponents about the unfairness of trapping poor kids in failing schools, the book provides a practical, viable, and legally sound plan for promoting economic and racial integration among public schools.
Cured to death. The posh, idyllic Care Clinic promises to cure such twentieth-century afflictions as eating disorders, substance abuse, and low self-esteem. But when Shelly Lowenkopf and Homer Greeley—two former detectives from the Bronx—begin to investigate the whereabouts of one of the clinic’s most loyal patients, they’re in for some shocking treatment. A maniacal director browbeats patients and staff alike. A beautiful blonde picnics with a chimp and listens to Disney songs on a crank phonograph. And a bunch calling itself the Church of the Unflagging Eye worships the television set and everything on it. For Lowenkopf and Greeley, it would be just another missing persons case—if people weren’t suddenly turning up dead. Now the two detectives must solve a horrible killing before murder becomes the clinic’s nastiest—and most stubborn—habit. The Man Who Murdered Himself is the 7th book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
The renowned maritime historian’s compelling study of the vital role played by merchant seamen during WWII in the Battle of the Atlantic. For the British, the Battle of the Atlantic was a fight for survival. They depended on the safe transit of hundreds of merchant ships carrying food and supplies from America to feed the country and keep the war effort going. On top of that, they had to export manufactured goods to pay for it all. Britain's merchant navy, a disparate collection of private vessels, had become the country's lifeline. While its seamen were officially non-combatants, they bravely endured the onslaught of the German U-boat offensive until Allied superiority overwhelmed the enemy. Drawing extensively on first-hand sources, Richard Woodman establishes the importance of the British and Allied merchant fleets in the struggle against Germany. This important study elevates the heroic seamen who manned these ships to their rightful place in the history of the Second World War.
Lowenkopf and Greeley are called in on a gruesome murder in a psychiatric facility in the Bronx, where the victim has had an internal organ removed and damaged, like other victims of the same killer. Lowenkopf goes undercover in the hospital and learns that a patient in a locked ward is taking credit for the crimes, sending out his spirit to avenge an old injury from a past life. Unwilling to believe his incredible story, but confronted with details only the killer should know, Lowenkopf and Greeley investigate the people around the boasting patient—his doctor, a social worker, and the staff of the hospital. But none of the candidates could possibly have committed the crimes, and Lowenkopf must solve a locked-room puzzle with a madman insisting on his guilt. The Organ Grinder’s Monkey is the 3rd book in the Allerton Avenue Precinct Novels, but you may enjoy reading the series in any order.
An edition and translation of three late medieval tracts on fishing: "How to Catch a Fish" (Heidelberg, 1493); "Tegernsee Fishing Advice" (Bavaria, ca. 1500); and "Dialogue Between a Hunter and a Fisher" by the Aragonese Fernando Basurto (1539).
In the search for the causes of the First World War and the origins of Hitler’s ‘Third Reich’, the attention of historians has turned increasingly towards the development of German society under Kaiser Wilhelm II. These ten essays, first published in 1978, introduced interpretations of Wilhelmine Germany to an English-speaking audience and contributed towards the discussion of these interpretations that were taking place amongst German historians. This book is ideal for student of history, particularly German history.
First published in 1989, this book deals with the impact of cereal production upon the Third World, specifically ‘Modern Varieties’ (MVs). Using evidence from plant breeding, economics and nutrition science, the authors seek to pinpoint what has been achieved, what has gone wrong and what needs to be done in future. Although the technical innovations of MVs mean more employment, cheaper food and less risk for small farmers, the reduction in crop diversity increases the risk of danger from pests and though MVs enlarge cereal stocks, many are too poor to afford them. The book concludes that technical breakthroughs alone won’t solve deep-rooted social problems and that only new policies and research priorities will increase the choices, assets and power of the rural poor.
Return to the Warehouse District is an instalment of rogue avenger’s pinball, tales of self-indulgent street art. Come back deaf dumb and blind kid, this is your time. Return to the Warehouse District conveys stories of The Steve and Larry Show, a cerebral band fond of inside jokes also co-founded by Tom, who buys left of center glossy magazines ‘for the pictures,’ while Larry takes too much time at the supermarket because he shops by the hunt and peck method. The laid back trio of Mugu, Meowmix and their dog Mellow Yellow, but do M&M take the pet out for a walk or does he take them out for a cigarette, given that their contribution to countering the effects of climate change is not smoking in bed? This is not a picaresque novel, but ultimately a battle between good and evil, a conflict between catharsis and retribution, with hopefully one deserving winner.
Are Christian families more - or less - strong than other families? How important is sexual satisfaction to marital happiness? What impact does the arrival of children have on a marriage? How does income affect marital satisfaction? What pressures confront employed wives and their families and how content are these women with their marriages? To accurately assess the influence of religion on the marriages of churchgoers, this book, first published in 1990, considers the significance of other important forces as well - level of education, job satisfaction, income, sex life, patterns of decision making, coping strategies, and the demands of parenting. While most studies have been content to assess religion's impact by looking at church membership or church attendance, this book looks at several facets of religiosity in an effort to understand more clearly just how and when religion affects marriage quality and whether its impact is positive or negative. A final concern of the book is to assess how the current generation of couples is adapting to intergenerational changes such as increased occupational status, more egalitarian patterns of decision-making, and smaller families. It examines the role modifications and coping strategies that couples are employing to deal with these changes and with the demands that accompany them.
Plots of Enlightenment explores the emergence of the English novel during the early 1700s as a preeminent form of popular education at a time when educators were defining a new kind of "modern" English citizenship for both men and women. This new individual was imagined neither as the free, self-determined figure of early modern liberalism or republicanism, nor, at the other extreme, as the product of a nearly totalized disciplinary regimen. Instead, this new citizen materialized from the tensile process of what the sociologist Pierre Bourdieu calls "regulated improvisation," a strategy of performed individual identity that combines both social orchestration and individual agency. This book considers how the period's diverse forms of educational writing (including chapbooks, conduct books, and philosophical treatises) and the most innovative educational institutions of the age (such as charity schools, working schools, and proposed academies for young women) produced a shared concept of improvised identity also shaped by the early novel's pedagogical agenda. The model of improvised subjectivity contributed to new ways of imagining English individuality as both a private and public entity; it also empowered women authors, both educators and novelists, to transform traditional ideals of femininity in forming their own protofeminist versions of enlightened female identity. While offering a comprehensive account of the novel's educational status during the Enlightenment, Plots of Enlightenment focuses particularly on the first half of the eighteenth century, when novelists such as Daniel Defoe, Eliza Haywood, and Charlotte Lennox were first exploring concepts of fictional character based on educational and moral improvisation. A close examination of these authors' work illustrates further that by the 1750s, the improvisational impulse in England had forged the first perceptible outlines of the fictional subgenre later called the novel of education or the Bildungsroman. This book is the first study of its kind to account for the complex interplay between the individualist and collectivist protocols of early modern fiction, with an eye toward articulating a comprehensive description of socialization and literary form that can accommodate the similarities and differences in the works of both male and female writers.
Designed to help medical educators implement better assessment methods, tools, and models directly into training programs, Practical Guide to the Evaluation of Clinical Competence, 2nd Edition, by Drs. Eric S. Holmboe, Steven J. Durning, and Richard E. Hawkins, is a hands-on, authoritative guide to outcomes-based assessment in clinical education. National and international experts present an organized, multifaceted approach and a diverse combination of methods to help you perform effective assessments. This thoroughly revised edition is a valuable resource for developing, implementing, and sustaining effective systems for evaluating clinical competence in medical school, residency, and fellowship programs. - Each chapter provides practical suggestions and assessment models that can be implemented directly into training programs, tools that can be used to measure clinical performance, overviews of key educational theories, and strengths and weaknesses of every method. - Guidelines that apply across the medical education spectrum allow you to implement the book's methods in any educational situation. - New chapters on high-quality assessment of clinical reasoning and assessment of procedural competence, as well as a new chapter on practical approaches to feedback. - Reorganized for ease of use, with expanded coverage of Milestones/Entrustable Professional Assessments (EPAs), cognitive assessment techniques, work-based procedural assessments, and frameworks. - The expert editorial team, renowned leaders in assessment, is joined by global leader in medical education and clinical reasoning, Dr. Steven Durning. - New Expert Consult material includes videos of medical interviewing scenarios and downloadable assessment tools.
An entertaining thriller starring Jewish ex-cop Shelley Lowenkopf. After leaving the force, Lowenkopf begins making a killing as a private eye. And when he and his partner Max Pfeiffer attend a memorial service at the synagogue, the service is cut short when the rabbi is arrested--on suspicion that he murdered the woman for whom they are praying.
When Detectives Shelly Lowenkopf and Homer Greely caught the speeding red Ferrari on the Bronx River Parkway, they found a nun behind the wheel and a notorious cocaine dealer as the owner. Soon they find themselves on the trail of a modern-day Robin Hood dishing out his own Bronx brand of justice.
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