Filmmakers and videographers must know and understand hundreds of terms to survive in the competitive world of motion picture and television production. This invaluable reference clearly defines and illustrates more than 1000 of the most commonly used terms and phrases. Explained are instruments and accessories such as the C-stand, brute, silver bullet, and bazooka; techniques such as the 'right-hand rule' and the blue-screen process; technical concepts such as the inverse square law and light colour temperature; colourful phrases such as 'beach it', 'shake 'em up', and 'martini shot'; and other popular neologisms often devised by bored grips waiting for the next shot - terms such as sputnik, quacker, branchaloris, and flying moon. Various lighting fixtures and accessories are featured in 70 photographs and illustrations. Far more accessible and readable than most technical books devoted to lighting, Lighting Terms and Concepts contains all of the terms that cinematographers, lighting directors, camera operators and assistants, gaffers, electricians, and grips may encounter during a typical day on the set.
Over the decades, distribution has remained the most elusive aspect of filmmaking. The Web provides filmmakers with a new option for distribution, exhibition, and broadcast. While other media streaming technologies are available, QuickTime remains the most popular option for its versatility, excellent quality, and ease of use. QuickTime for Filmmakers shows filmmakers and videographers how to utilize this industry standard tool and offers advice on how best to shoot a film for Internet delivery. Other topics include: Editing and converting video, adding and editing soundtracks and using text in QT movies, compressing media, and preparing movies for http and RTSP streaming or a combination of both. A chapter on virtual reality explores QuickTime's unique feature for creating 360 panoramas, immersive cubic VR, object movies and VR scenes. A companion CD-ROM demonstrates topics covered in the book and provides samples of film prepared for web delivery.
Basic Lighting Worktext for Film and Video guides the film and video student through a series of readings, exercises and projects designed to provide the fundamentals of light science. In addition to up-to-date descriptions of equipment and tips on how to use it properly, the book provides numerous set-ups that illustrate the techniques and thoughts behind proper studio and location lighting. From this book, you will learn: * The fundamentals of light and electricity in film * The fine distinction of lighting for video versus lighting for film * How to identify and filter sources such as daylight, tungsten, fluorescent, arc, HNI and industrial discharge lamps * The use of lensed and open-faced lighting fixtures * How to modify with barndoors, scrims, snoots, nets, cookies, and other accessories * Variations on the basic three-point lighting setup * The duties of each member of a lighting unit * How to light night exteriors, day interiors, and campfires * High-key, low-key, and modulated value lighting * How to scout locations, plan lighting, plots, and pre-rig sets
In the early 1980s, serious American independent films including Stranger Than Paradise, Blood Simple, and She's Gotta Have It attracted ever-widening audiences, culminating with Steven Soderbergh's award-winning sex, lies, and videotape. This film, which won the Cannes Film Festival's top award and took more than $30 million at the box office in the United States alone, capped a remarkable decade for off-Hollywood filmmakers. Outsider Features takes an in-depth look at 10 of the most successful independent feature films made during this decade, from John Sayles's seminal and groundbreaking The Return of the Secaucus Seven to Michael Moore's wry and irreverent Roger & Me, the most lucrative non-music documentary ever made. Outsider Features offers accounts of the genesis of each film, complete synopses and critical analyses, and biographies of each filmmaker.
Over the decades, distribution has remained the most elusive aspect of filmmaking. The Web provides filmmakers with a new option for distribution, exhibition, and broadcast. While other media streaming technologies are available, QuickTime remains the most popular option for its versatility, excellent quality, and ease of use. QuickTime for Filmmakers shows filmmakers and videographers how to utilize this industry standard tool and offers advice on how best to shoot a film for Internet delivery. Other topics include: Editing and converting video, adding and editing soundtracks and using text in QT movies, compressing media, and preparing movies for http and RTSP streaming or a combination of both. A chapter on virtual reality explores QuickTime's unique feature for creating 360 panoramas, immersive cubic VR, object movies and VR scenes. A companion CD-ROM demonstrates topics covered in the book and provides samples of film prepared for web delivery.
The book’s organization follows a layered approach that builds on basic principles: Light as a Medium (Part 1), Tools of a Lighting Designer (Part 2), Design Fundamentals (Part 3), and Lighting Applications (Part 4). This presents students with a practical and logical sequence when learning basic concepts. The full spectrum of the lighting design process is presented in detail, giving students an example of how one might develop a lighting design from script analysis through concept and plot development, and all the way to an opening. This detailed process with a step-by-step design approach gives students a plan to work from, which they can later modify as they mature and gain confidence as designers. The text contains a more comprehensive discussion of basic technology, light as a physical phenomena, and methodology of designs than is found in most introductory texts, bridging the gap between introductory and advanced lighting courses. The text will appeal to theatrical designers who want to venture into areas of lighting like architectural or virtual lighting design, while at the same time gaining a solid grounding in the fundmentals of lighting design. Lighting Design will also benefit illuminating engineers who want to move away from mere computational approaches in lighting and on to explore techniques along the design approaches of theatrical lighting design. The final 9 chapters cover many specialty areas of lighting design, highlighting the unique and shared qualities that exist between the different aspects of these elements. Discussions involve traditional entertainment areas like theatre, as well as lesser known facets of the industry including film/video, landscape lighting, retail/museum lighting, virtual lighting, concert, spectacle performances, and architectural lighting. Models of design tasks demonstrate the actual use and development of plots/sections, schedules, photometrics tables, and cut sheets, rather than simply talking about what they are. This hands-on approach provides students with a firm understanding of how to actually use these tools and processes.
Stage Lighting: The Fundamentals is written specifically for introductory stage lighting courses. The book begins with an examination of the nature of light, perception, and color, then leads into a conversation of stage lighting equipment and technicians. Lamps, luminaries, controls/dimming, and electricity form the basis of these chapters. The book also provides a detailed explanation and overview of the lighting design process for the theatre and several other traditional forms of entertainment. Finally, the book explores a variety of additional areas where lighting designers can find related future employment, such as concert and corporate lighting, themed design, architectural and landscape lighting, and computer animation. New for this edition: enlarged full-color illustrations, photographs, light plots and examples of lighting design; updated information on LED lighting and equipment; expanded discussion of the practical use of color as a designer; expanded discussion of psychological/perceptual effects of color; new discussion of color mixing through light sources that make use of additive mixing; expanded discussion of industry professions; expanded discussion and illustrations relating to photometrics; expanded discussion and examples of control protocols and new equipment; and updated designer profiles along with the addition of still more designer profiles.
Basic Lighting Worktext for Film and Video guides the film and video student through a series of readings, exercises and projects designed to provide the fundamentals of light science. In addition to up-to-date descriptions of equipment and tips on how to use it properly, the book provides numerous set-ups that illustrate the techniques and thoughts behind proper studio and location lighting. From this book, you will learn: * The fundamentals of light and electricity in film * The fine distinction of lighting for video versus lighting for film * How to identify and filter sources such as daylight, tungsten, fluorescent, arc, HNI and industrial discharge lamps * The use of lensed and open-faced lighting fixtures * How to modify with barndoors, scrims, snoots, nets, cookies, and other accessories * Variations on the basic three-point lighting setup * The duties of each member of a lighting unit * How to light night exteriors, day interiors, and campfires * High-key, low-key, and modulated value lighting * How to scout locations, plan lighting, plots, and pre-rig sets
Filmmakers and videographers must know and understand hundreds of terms to survive in the competitive world of motion picture and television production. This invaluable reference clearly defines and illustrates more than 1000 of the most commonly used terms and phrases. Explained are instruments and accessories such as the C-stand, brute, silver bullet, and bazooka; techniques such as the 'right-hand rule' and the blue-screen process; technical concepts such as the inverse square law and light colour temperature; colourful phrases such as 'beach it', 'shake 'em up', and 'martini shot'; and other popular neologisms often devised by bored grips waiting for the next shot - terms such as sputnik, quacker, branchaloris, and flying moon. Various lighting fixtures and accessories are featured in 70 photographs and illustrations. Far more accessible and readable than most technical books devoted to lighting, Lighting Terms and Concepts contains all of the terms that cinematographers, lighting directors, camera operators and assistants, gaffers, electricians, and grips may encounter during a typical day on the set.
In the early 1980s, serious American independent films including Stranger Than Paradise, Blood Simple, and She's Gotta Have It attracted ever-widening audiences, culminating with Steven Soderbergh's award-winning sex, lies, and videotape. This film, which won the Cannes Film Festival's top award and took more than $30 million at the box office in the United States alone, capped a remarkable decade for off-Hollywood filmmakers. Outsider Features takes an in-depth look at 10 of the most successful independent feature films made during this decade, from John Sayles's seminal and groundbreaking The Return of the Secaucus Seven to Michael Moore's wry and irreverent Roger & Me, the most lucrative non-music documentary ever made. Outsider Features offers accounts of the genesis of each film, complete synopses and critical analyses, and biographies of each filmmaker.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.