Regional voices from England, Ireland, and Scotland inspired Seamus Heaney, the 1995 Nobel prize-winner, to become a poet, and his home region of Northern Ireland provided the subject matter for much of his poetry. In his work, Heaney explored, recorded, and preserved both the disappearing agrarian life of his origins and the dramatic rise of sectarianism and the subsequent outbreak of the Northern Irish “Troubles” beginning in the late 1960s. At the same time, Heaney consistently imagined a new region of Northern Ireland where the conflicts that have long beset it and, by extension, the relationship between Ireland and the United Kingdom might be synthesized and resolved. Finally, there is a third region Heaney committed himself to explore and map—the spirit region, that world beyond our ken. In Seamus Heaney’s Regions, Richard Rankin Russell argues that Heaney’s regions—the first, geographic, historical, political, cultural, linguistic; the second, a future where peace, even reconciliation, might one day flourish; the third, the life beyond this one—offer the best entrance into and a unified understanding of Heaney’s body of work in poetry, prose, translations, and drama. As Russell shows, Heaney believed in the power of ideas—and the texts representing them—to begin resolving historical divisions. For Russell, Heaney’s regionalist poetry contains a “Hegelian synthesis” view of history that imagines potential resolutions to the conflicts that have plagued Ireland and Northern Ireland for centuries. Drawing on extensive archival and primary material by the poet, Seamus Heaney’s Regions examines Heaney’s work from before his first published poetry volume, Death of a Naturalist in 1966, to his most recent volume, the elegiac Human Chain in 2010, to provide the most comprehensive treatment of the poet’s work to date.
Terrorism and guerrilla warfare are increasingly common in many countries of the world. This book examines the current state of terrorism and guerrilla warfare and indicates how they may develop in the future. It sets out the different kinds of terrorism and guerrilla warfare and discusses in detail the various types of weapons and techniques favoured by terrorists, assessing for each the latest technological changes and their effects. It looks at intelligence, propaganda and communications. It explores the tactics and strategy of terrorists and guerrillas and surveys the methods currently used and being developed for countering their activities. Throughout the author illustrates the points made with examples from around the world.
Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms explores the ways Irish and Scottish literatures have influenced each other from the 1760s onwards. Although an early form of Celticism disappeared with the demise of the Celtic Revivals of Ireland and Scotland, the 'Celtic world' and the 'Celtic temperament' remained key themes in central texts of Irish and Scottish literature well into the twentieth century. Richard Barlow examines the emergence, development, and transformation of Celticism within Irish and Scottish writing and identifies key connections between modern Irish and Scottish authors and texts. By reading works from figures such as James Macpherson, Walter Scott, Sydney Owenson, Augusta Gregory, W. B. Yeats, Fiona Macleod, James Joyce, Samuel Beckett, Hugh MacDiarmid, Sorley MacLean, and Seamus Heaney in their political and cultural contexts, Barlow provides a new account of the characteristics and phases of literary Celticism within Romanticism, Modernism, and beyond.
Richard Holloway is one of our most beloved public thinkers. Throughout his life he has turned to poets and writers to help answer the big questions, and for solace and guidance in the face of life’s challenges. Now he shares those poems and words which have been his own guide, offered in the hope they will help us too. This is a book to turn to for inspiration, guidance and comfort. It offers lessons from those who, in Richard’s words, ‘know best how to listen and teach us to listen’, all united by ‘the sensual appeal of words, the pain and pleasure they impart’. It is a book to treasure.
The first detailed introduction to the entirety of Seamus Heaneys workThis study will enable readers to gain clearer understanding of the life and major works of Seamus Heaney. It considers literary influences on Heaney, ranging from English poets such as Wordsworth, Hughes, and Auden to Irish poets such as Kavanagh and Yeats to world poets such as Virgil and Dante. It shows how Heaney was closely attuned to poetry's impact on daily life and current events even as he articulated a convincing apologia for poetry's own life and integrity. Discussing Heaney's deep immersion in Irish Catholicism, this book demonstrates how faith influenced his belief system, poetry and politics. Finally, it also considers how deeply Heaney's artistic endeavours were intertwined with politics in Northern Ireland, especially through his embrace of constitutional nationalism but rejection of physical force republicanism.Key FeaturesIncludes sections on biography, historical, cultural and political contexts, poetry and other genres, as well as a concluding section on primary works and secondary criticismPays special attention to the marriage of form and content in the poetry and how they work together to express subtle shades of meaningOffers close readings of Heaney's canonical poems throughout his career, including the early seminal poems such as Digging, the abog poems, and his many elegies, such as Casualty, Station Island, and ClearancesDraws on drafts of the poems and prose at the Heaney archives at Emory University and the National Library of Ireland
Richard Clutterbuck examines the changing nature of conflict since the end of the Cold War. Using the techniques of his previous books, he analyses the connections between terrorism and drug trafficking and the options available to governments in combatting the terrorist threat, including a review of the current high technology available to law enforcement institutions.
This is the first single-author study of the genres and roots of popular literature in its relation to film and television, exploring the effects of academic snobbery on the teaching of popular literature. Designed for classroom use by students of literature and film (and their teachers), it offers case studies in quest literature, detective fiction, the status of the outlaw and outsider, and the interdependence of self, other and the uncanny. It challenges perceived notions of, and prejudices against, popular literature, and affirms its connection with the deepest human experiences.
Richard Badenhausen examines the crucial role that collaboration with other writers played in the development of T. S. Eliot's works from the earliest poetry and unpublished prose to the late plays. He demonstrates Eliot's dependence on collaboration in order to create, but also his struggle to accept the implications of the process. In case-studies of Eliot's collaborations, Badenhausen reveals the complexities of Eliot's theory and practice of collaboration. Examining a wide range of familiar and uncollected materials, Badenhausen explores Eliot's social, psychological, textual encounters with collaborators such as Ezra Pound, John Hayward, Martin Browne, and Vivienne Eliot, among others. Finally, this study shows how Eliot's later work increasingly accommodates his audience as he attempted to apply his theories of collaboration more broadly to social, cultural, and political concerns.
These essays represent a selection of 40 years’ commentary on the political dimensions of cultural life. They address the entire spectrum of culture, from theories of international communication to the provision of cultural and leisure facilities at local level. As a former consultant to the Council of Europe, the author has developed a penetrating insight into the decision-making process between local authorities and citizens’ groups, which is discussed in two seminal papers from the 1980s which pioneered the concept of Cultural Democracy. In addition, the book’s close readings of novels and plays by Irish and Greek writers explore the way that all writing and forms of self-expression have a political message and repercussions.
Richard J. Mouw is well known for his incisive views on the intersection of culture and Christianity and for his efforts to make the thought of major Dutch theologian Abraham Kuyper accessible to average Christians. In this volume Mouw provides the scholarly "backstory" to his popular books as he interprets, applies, expands on -- and at times even corrects -- Kuyper's remarkable vision for faith and public life. In thirteen essays Mouw explores and develops the Kuyperian perspective on key topics in Christian cultural discipleship, including public theology, sphere sovereignty, education, creation, and more. He deftly articulates an ecumenically enriched neo-Calvinist -- or "neo-Kuyperian" -- perspective that appropriates and contextualizes the ideas and insights of this important theologian and statesman for new challenges in Christian thought and service.
First published in 1990, Richard Clutterbuck's fascinating analysis of European security confronts the problems of internal European community frontiers and technological aids in combating terrorism and international crime. He looks at what the EC countries have done in the past, describes the technology now becoming available, and makes radical proposals for airport security, fighting drugs, and overcoming the intimidation of witnesses and juries. Above all, he foresees he exciting prospect of the USSR, the USA, and a united Europe co-operating for the first time to overcome the common enemies of terrorism and international crime.
In this second volume of his study of the Anglo-Irish novelist Lawrence Durrell (following the appearance in 1988 of The Dandy and the Herald: Manners, Mind and Morals from Brummell to Durrell Richard Pine examines in detail Durrell's unique contribution to the development of the modern novel, concentrating in particular on the evidence of Durrell's private notebooks and diaries. Pine's twenty-year friendship with Burrell has resulted in an intimate portrait of a singular mind whose extraordinary career, both as a writer and as a British colonial official, is hallmarked by the creation of 'the Heraldic Universe', an imaginative realm within which the artist reigns supreme.
The new-look, full colour Rough Guide to Singapore is the ultimate travel guide to this multicultural island state. Discover Singapore's highlights with stunning photography, colour-coded maps and more listings and information than ever before. You'll find detailed practical advice on what to see and do - from atmospheric temples, mouthwatering food stalls and heritage districts to Marina Bay and Universal Studios - as well as insider descriptions of the best hotels, bars, clubs, shops and restaurants for all budgets. With loads of practical advice, suggested itineraries and top 5 boxes, The Rough Guide to Singapore will help you make the most of your time. Now available in ePub format.
This lively and stimulating book offers an enlightening new approach to effective study. Without minimising the importance of good organisation and hard work, the author stresses throughout that study must and can be fun. Delivered with characteristic humour and wisdom, Richard Palmer updates and reinvigorates a classic, best-selling book with new sections on computers and the internet, as well as chapters covering important areas such as: memory and review essay planning and writing note-taking time management using resources exam techniques and preparation. This is an inspiring, essential read for all students studying for A Levels and undergraduate degrees who want to find the key to achieving success both in coursework and exams.
This groundbreaking work takes multimodality studies in a new direction by applying multimodal approaches to the study of poetry and poetics. The book examines poetry’s visual and formal dimensions, applying framing theory to such case studies as Aristotle’s Poetics and Robert Lowell’s "The Heavenly Rain", to demonstrate both the implied, due to the form’s unique relationship with structure, imagery, and rhythm, and explicit forms of multimodality at work, an otherwise little-explored research strand of multimodality studies. The volume explores the theoretical implications of a multimodal approach to poetry and poetics to other art forms and fields of study, making this essential reading for students and scholars working at the intersection of language and communication, including multimodality, discourse analysis, and interdisciplinary literary studies.
`Marketing scholars and marketing research practitioners will find this book useful. It offers an excellent sourcebook for a variety of scales, and the reviews of the scales are thoughtful and well crafted. The book includes many of the most widely used scales in the field. Its relatively modest price will also make it particularly attractive' - Journal of Marketing Research This Second Edition of the highly successful Handbook of Marketing Scales is an essential, time-saving resource for all marketing professionals, researchers, and graduate students. After an exhaustive search of the field's major publications, they have included only those measures of most use to researchers.
In 1831, Prussia was consumed by two fears: the possibility of revolution resulting from the 1830 November Uprising of Poland against Russia, and a looming cholera epidemic. As the contagion made its way across Russia, Prussian medical officials took note and prepared to respond to what they thought was a highly contagious disease. When it spread to Poland, Prussia instituted a strict quarantine policy on its border, inhibiting Prussian support of the Russian war effort in Poland. From the Polish perspective the quarantine was seen as a deliberate act of sabotage against the revolution, an attempt to cut off trade with the West. This book examines the Prussian government's strict health policy and its consequences, including social unrest and resulting public health reforms. Polish public health policy is investigated in light of the revolutionary government's needs. Information is provided on the cholera camps established by Prussia to quarantine Polish soldiers who crossed the border as refugees in July 1831, the height of the cholera fear in Prussia.
For years, a popular debate has been raging about whether Shakespeare was really the author of the many plays and poems published under his name. Doubters argue that Shakespeare could not have accomplished such a great feat, pointing instead to other well-known figures. Richard Ramsbotham offers a completely different perspective by reexamining the available evidence and by introducing unexplored aspects of Rudolf Steiner's spiritual-scientific research. The author discusses Shakespeare's life as an actor, mysteries of the debate such as the enigmatic Psalm 46, and the persistent question of Francis Bacon's connection with Shakespeare. Recently, a movement has been gaining ground that sees Bacon himself as the covert writer of the great works attributed to Shakespeare. Not content with this radical claim, that movement also wishes to place Bacon on the primary pedestal of British civilization, as a kind of patron saint of the modern scientific age. The author provides substantial confirmation of a definite connection between Shakespeare and Bacon, but one that radically challenges the conclusions of the Baconian movement. The author also opens remarkable new perspectives on King James I and his connections not only with Shakespeare and Bacon but also with Jakob Böhme, Rudolf II, Rosicrucianism, Freemasonry, and the original Globe Theatre. Published 400 years after the Hampton Court Conference of 1604, Who Wrote Bacon? offers a timely contribution to these themes, and shows how they remain critically important to our understanding of the twenty-first century. Includes eight pages of B/W plates.
Design School: Type is an in-depth guide to the rules and practices of typography, you’ll learn the essential skills of the professional typographer in the detail. Searching for a way to increase your skills as a typographer? This instructive guide, specially designed for students, recent graduates, and self-taught designers is a comprehensive introduction to typography. These guided lessons offer in-depth analysis of all the major areas of theory and practice used by experienced professional designers. Each section is interspersed with tests designed to help you retain the information they've covered, and a selection of relevant support files in popular design software formats so you can test yourself with provided demos. This guide to the rules and practices of typography avoids the temptation to stray into other areas of design technique, preferring to cover the essential skills of the professional typographer in the detail required to arm students and graduates with the knowledge needed for a successful start to their chosen career.
The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point. Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process. More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.
In his new book, Richard Fenn looks at the way in which we experience time in a secular society. He argues that secularization is virtually synonymous with individualism. Fenn shows that the Church created the idea of individualism through its demysitification of the universe, its insistence on individual self-discipline, and its intensification of individual responsibility for the use of time. Required to take responsibility for his or her own standing in the eyes of God, the individual emerged from the protection of the Church into the full current of time. No longer protected by Providence or connected to Eternity, our lives have become radically temporal and contingent. Fenn explores the modern experience of time, as expressed in such phrases as "wasting time" and "making up for lost time." In particular, he is interested in the idea of waiting, which he believes is a defining characteristic of modern life. He also argues that the secularization of time produced anxiety about death, and shows the various strategies we have created for dealing with this anxiety. Beautifully written and thoughtfully argued, this volume raises the secularization debate to a new level of depth and sophistication.
This study investigates Louis MacNeice in two major central strands, exploring MacNeice's ambiguous positioning as an Irish poet and the self-consciousness in his writing.
There is to date no comprehensive account of the rhythms of free verse. The main purpose of A Prosody of Free Verse: explorations in rhythm is to fill that gap and begin to provide a systematic approach to describing and analyzing free verse rhythms. Most studies have declared the attempt to write such a prosody as impossible: they prefer to see free verse as an aberrant version of regular metrical verse. They also believe that behind free verse is the ‘ghost of metre’. Running against that current, A Prosody of Free Verse bases its new system on additive rhythms that do not fit conventional time signatures. Inspiration is taken from jazz, contemporary music and dance, not only in their systems of notation but in performance. The book argues that twentieth and twenty-first century rhythms in poetry as based on the line rather than the metrical foot as the unit of rhythm , and that larger rhythmic structures fall into verse paragraphs rather than stanzas.
A unique and provocative history of the development of the idea of the city in recent years. Key public spaces and buildings in England, Europe and the USA are discussed in relation to their socio-political context.
Richard Ellmann's scholarly work is notable for its striking liveliness and clarity and its genuine illumination of the writers and works with which he dealt. His life of James Joyce, published in 1959, received more commendation and critical praise than any previous literary biography.
An illuminating study looking at an influential group of Roman Catholic novelists and writers - Chesterton, Belloc, Waugh, Greene, Spark and David Lodge among others. Students and Scholars at all levels of English Literature, of the place of Catholicism in English society and any intelligent reader interested in the relationship between religion and literature.
Richard Hoffpauir argues that the works of the best poets have found ways of not capitulating to contemporary reality and outlines the terms of the debate by setting the weaknesses of Yeats against the strenghts of Hardy. Subsequent chapters discuss the nature poetry of Edward thomas; the war poetry of Graves, Blunden, and Gurney; the love poetry of Bridges, Lawrence, and Graves; and the political and social verse of Rickword, Daryush, Betjeman, and Larkin.
This original study is the first major critical appraisal of Ireland’s post-colonial experience in relation to that of other emergent nations. The parallels between Ireland, India, Latin America, Africa and Europe establish bridges in literary and musical contexts which offer a unique insight into independence and freedom, and the ways in which they are articulated by emergent nations. They explore the master-servant relationship, the functions of narrative, and the concepts of nationalism, map-making, exile, schizophrenia, hybridity, magical realism and disillusion. The author offers many incisive answers to the question: What happens to an emerging nation after it has emerged?
Life is at once wonderful and appalling, beautiful and horrific. Although we can all give meaning to our lives by trying to live well, is there some given meaning to be discovered? Science cannot answer this question, and philosophical arguments leave the issue open. The monotheistic religions claim that the meaning has been revealed to us, and Christians see this is above all in the life, death and resurrection of Jesus. Described by Rowan Williams as ‘that rarity, a Christian public intellectual’, Richard Harries considers the Christian claim in the context of an in-depth discussion of the nature of evil and how this is to be reconciled with a just and loving God. Drawing on a wide range of modern literature, he argues that belief in the resurrection and hope in the face of death is fundamental to faith, and suggests that while there is no final intellectual answer to the problem of evil, we must all, believer and nonbeliever alike, protest against the world and seek to change it, rather than accept it as it is.
Modernity, Community, and Place in Brian Friel’s Drama shows how the leading Irish playwright explores a series of dynamic physical and intellectual environments, charting the impact of modernity on rural culture and on the imagined communities he strove to create between readers, and script, actors and audience.
Beautifully written, brilliantly insightful' Owen Jones Tony Blair and Noel Gallagher shaking hands at No. 10. Saatchi’s YBAs setting the international art world aflame. Geri Halliwell in a Union Jack dress. A time of vibrancy and optimism: when the country was united by the hope of a better and brighter future. So why, twenty years on, did that future never happen? Richard Power Sayeed takes a provocative look at this epochal year, arguing that the dark undercurrents of that time had a much more enduring legacy than the marketing gimmick of ‘Cool Britannia’. He reveals how the handling of the Stephen Lawrence inquiry ushered in a new type of racism. How the feminism-lite of 'Girl Power' made sexism stronger. And how the promises of New Labour left the country more fractured than ever. This lively, rich and evocative book explores why 1997 was a turning point for British culture and society - away from a fairer, brighter future and on the path to our current malaise.
Richard Bradford's new introduction to poetry begins with and answers the slippery question, 'what is poetry?'. The book provides a compact history of English poetry from the 16th century to the present day and surveys the major critical and theoretical approaches to verse. It tackles the important issues of gender, race and nationality and concludes with a lengthy account of how to recognise good poetry. This engaging and readable book is accessible to all readers, from those who simply enjoy poetry through university first years to graduate students. Poetry: The Ultimate Guide provides the technical and critical tools you need to approach and evaluate poetry, and to articulate your own views.
Dolphin Square - the large, imposing red brick building on the North bank of the Thames - was and is no ordinary block of flats. Created for MPs, peers and entertainers required to work in London, the Square was built on a massive scale to a high density in the mid-1930s. It was a pioneering example of concrete design, and when built was the largest single residential building in Europe. This book tells the story of the project and captures what it has been like to live in the square for figures including Sir Menzies Campbell, Alistair Darling, William Hague, Mo Mowlam, Sir David Steel, Christine Keeler, Sid James, Barbara Windsor and Princess Anne. Beginning with the antecedents of the seven-acre site, the book charts the square's changing ownership and eventual creation of the Dolphin Square Trust, which managed the flats on a non profit-making basis for 40 years. Its unique blend of quasi-charitable purpose and commercial management enabled long-standing tenants to enjoy below-market rentals before the Trust came under immense pressure to realise the value of the existing leases and sell them off in 2006 ... provide[s] a detailed examination of a major example of urban property speculation and management"--Publisher's description.
One day I noticed among her books one that I had never seen before. I looked inside and read the beginning-it was the Gospel in Turkish." This would be Muhammed ShUkri's first encounter with the truth of Jesus Christ as testified to in the book of the Christians, the New Testament. It would not be his last. This Muslim and mullah, this dervish and descendant of the prophet Muhammad, from the distant province of Erzerum in the Ottoman Empire, would continue to follow in Jesus' footsteps, leading him to Russia, Sweden, China, Germany, and Bulgaria. He would come to live and work with Americans, Europeans, Armenians, Persians, and Turks from various backgrounds. And his desire that his own Turkish people and Muslims in general should hear the words of the Gospel would never diminish. Here is his story in his own words.
This study considers writing within the cultural context of Northern Ireland and discusses how writing creates a sense of community, and the different forms this takes when written from loyalist or republican perspectives. The book takes its major theoretical energy from readings of Antonio Gramsci's concept of hegemony and Walter Benjamin's work on historiography. hese are applied to major writers such as Seamus Heaney, Tom Paulin, Paul Muldoon and Edna Longley and to institutions such as the Ulster Folk and Transport Museum.
Sociocultural Studies in Education: Critical Thinking for Democracy fills a void in the education of educators and citizens in a democracy. It explores some of the fundamentals around which disagreements in education arise. It presents a process with which those new to these debates can understand often confusing and entwined sets of facts and logics. This book leads the reader through some general concepts and intellectual skills that provide the basis for making sense out of the debates around public education in a democracy. This book can be seen as a primer on how to read texts about education. It acknowledges that good teachers must be not only trained to teach, but also educated about education. It presents the various themes and currents found within the arguments and narratives that people use to represent public education. It assumes that the more those interested in education know about how to see through the rhetoric, the better they will be at discerning whose interests are served by which texts.
W. H. Auden, T. S. Eliot, William Golding, Elizabeth Jennings, C. S. Lewis, Flannery O’Connor, Stevie Smith . . . These are some of the great poets and novelists whose struggles with faith find expression in their works, and who demonstrate the fascinatingly different forms that faith can take in different times and places. Richard Harries considers the work of twenty of these writers, painting vivid pictures of their lives and times. He also provides numerous critically sympathetic insights into the spiritual dimension of their writings. The result is a book for readers of all religious persuasions, especially those who are fascinated by the ways in which faith is refracted through the lens of great poetry and fiction. Also by Richard Harries: The Beauty and the Horror (SPCK, 2016) ‘A major new defence of Christianity that does not flinch from asking difficult questions about the kind of God who could have created our world.’ The Bookseller ‘A heartening book, confronting the hardest questions with wide knowledge and deep wisdom.’ John Carey, Chief Literary Reviewer, Sunday Times ‘An eloquent, honest and engaging case for Christian faith.’ The Tablet ‘A deeply interesting book.’ Mary Warnock
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