Townsend offers an interpretation of Mexica monumental art by identifying three interrelated themes: the conception of the universe as sacred structure, the correspondence of the social order and the territory of the nation with the cosmic structure, and the representation of Tenochtitlan as historically legitimate successor to past civilization.
Along the Ohio, Tennessee, and Mississippi Rivers, the archaeological remains of earthen pyramids, plazas, large communities, and works of art and artifacts testify to Native American civilizations that thrived there between 3000 B.C. and A.D. 1500. This fascinating book presents exciting new information on the art and cultures of these ancient peoples and features hundreds of gorgeous photographs of important artworks, artifacts, and ritual objects excavated from Amerindian archaeological sites. Drawing on excavation findings and extensive research, the contributors to the book document a succession of distinct ancient populations in the pre-Columbian world of the American Midwest and Southeast. A team of interdisciplinary scholars examines the connections between archaeological remains of different regions and the themes, forms, and rituals that continue in specific tribes of today. The book also includes the personal reflections of contemporary Native Americans who discuss their perspectives on the significance of the fascinating and beautiful prehistoric artifacts as well as their own cultural practices today.
A stunning survey of the indigenous art, architecture, and spiritual beliefs of the Americas, from the Precolumbian era to the 20th century This landmark publication catalogues the Art Institute of Chicago’s outstanding collection of Indian art of the Americas, one of the foremost of its kind in the United States. Showcasing a host of previously unpublished objects dating from the Precolumbian era to the 20th century, the book marks the first time these holdings have been comprehensively documented. Richard Townsend and Elizabeth Pope weave an overarching narrative that ranges from the Midwestern United States to the Yucatán Peninsula to the heart of South America. While exploring artists’ myriad economic, historical, linguistic, and social backgrounds, the authors demonstrate that they shared both a deep, underlying cosmological view and the desire to secure their communities’ prosperity by affirming connections to the sacred forces of the natural world. The critical essays focus on topics that bridge traditions across North, Central, and South America, including materials, methods of manufacture, the diversity of stylistic features, and the iconography and functions of various objects. Gorgeously illustrated in color with more than 500 vibrant images, this handsome catalogue serves as the definitive survey of an unparalleled collection.
Townsend offers an interpretation of Mexica monumental art by identifying three interrelated themes: the conception of the universe as sacred structure, the correspondence of the social order and the territory of the nation with the cosmic structure, and the representation of Tenochtitlan as historically legitimate successor to past civilization.
This is book two of a two volume set. The Nottingham Date Book is a book of the history of Nottingham from 850 to 1884. In particular, after about 1750, it is full of references to every-day happenings in the town and its people. Not just important people, but normal people too. Its fascination for me is not only because I was born in Nottingham and interested in its history, but also as a family historian, as it contains so many references to people and every-day events. It is a particularly rare book, and even more so in its complete edition up to 1884.
This fascinating book examines the particular importance of cities in Spanish and Hispanic-American culture as well as the different meanings that artists and cartographers invested in their depiction of New and Old Wold cities and towns. Kagan maintains that cities are both built human structures and human communities, and that representations of the urban form reflect both points of view. He discusses the peculiar character of Spain's empire of towns; the history and development of the cityscape as an independent artistic genre, both in Europe and the Americas; the interaction between European and native mapping traditions; differences between European maps of urban America and those produced by local residents, whether native or creole; and the urban iconography of four different New World towns. Lavishly illustrated with a variety of maps, pictures, and plans, many reproduced here for the first time, this interdisciplinary study will be of interest to general readers and to specialists in art history, cartography, history, urbanism, and related fields.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lt. Col. Richard Irving Dodge’s journals, written with utter candor for his eyes only, are the fullest firsthand account we possess of Gen. George Crook’s Powder River Expedition against the Sioux and Cheyenne Indians, which culminated in Col. Ranald S. Mackenzie’s resounding destruction of Dull Knife’s forces on November 25, 1876. Editor Wayne R. Kime, with his customary flair, has transcribed the journals from Dodge’s pocket-size notebooks and has provided a pertinent introduction and well-crafted, thoroughly illuminating annotations. Dodge’s journals will clearly prove useful to specialists in U.S. -Indian relations and the Great Sioux War, but they will also appeal to a variety of readers because of Dodge’s lively style and his range of subject matter. With vigorous intelligence, he describes such topics as General Crook as a military leader and strategist, the merits of infantry versus cavalry against the Plains Indians, the effects of subzero weather in Wyoming on a large army far from its sources of supply, and of course, the elusiveness of military glory.
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