Friedman is widely acknowledged as one of the world's foremost experts on the Hebrew Bible, and this work is his definitive presentation of the fascinating quilt work that is the Pentateuch.
The Exodus has become a core tradition of Western civilization. Millions read it, retell it, and celebrate it. But did it happen? Biblical scholars, Egyptologists, archaeologists, historians, literary scholars, anthropologists, and filmmakers are drawn to it. Unable to find physical evidence until now, many archaeologists and scholars claim this mass migration is just a story, not history. Others oppose this conclusion, defending the biblical account. Like a detective on an intricate case no one has yet solved, pioneering Bible scholar and bestselling author of Who Wrote the Bible? Richard Elliott Friedman cuts through the noise — the serious studies and the wild theories — merging new findings with new insight. From a spectrum of disciplines, state-of-the-art archeological breakthroughs, and fresh discoveries within scripture, he brings real evidence of a historical basis for the exodus — the history behind the story. The biblical account of millions fleeing Egypt may be an exaggeration, but the exodus itself is not a myth. Friedman does not stop there. Known for his ability to make Bible scholarship accessible to readers, Friedman proceeds to reveal how much is at stake when we explore the historicity of the exodus. The implications, he writes, are monumental. We learn that it became the starting-point of the formation of monotheism, the defining concept of Judaism, Christianity, and Islam. Moreover, we learn that it precipitated the foundational ethic of loving one’s neighbors — including strangers — as oneself. He concludes, the actual exodus was the cradle of global values of compassion and equal rights today.
A much anticipated reissue of Who Wrote the Bible?—the contemporary classic the New York Times Book Review called “a thought-provoking [and] perceptive guide” that identifies the individual writers of the Pentateuch and explains what they can teach us about the origins of the Bible. For thousands of years, the prophet Moses was regarded as the sole author of the first five books of the Bible, known as the Pentateuch. According to tradition, Moses was divinely directed to write down foundational events in the history of the world: the creation of humans, the worldwide flood, the laws as they were handed down at Mt. Sinai, and the cycle of Israel’s enslavement and liberation from Egypt. However, these stories—and their frequent discrepancies—provoke questions: why does the first chapter in Genesis say that man and woman were made in God’s image, while the second says that woman was made from man’s rib? Why does one account of the flood say it lasted forty days, while another records no less than one hundred? And why do some stories reflect the history of southern Judah, while others seem sourced from northern Israel? Originally published in 1987, Richard Friedman’s Who Wrote the Bible? joins a host of modern scholars who show that the Pentateuch was written by at least four distinct voices—separated by borders, political alliances, and particular moments in history—then connected by brilliant editors. Rather than cast doubt onto the legitimacy of the Bible, Friedman uses these divergent accounts to illuminate a text that was written by real people. Friedman’s seminal and bestselling text is a comprehensive and authoritative answer to the question: just who exactly wrote the Bible?
Renowned biblical sleuth and scholar Richard Elliot Friedman reveals the first work of prose literature in the world-a 3000-year-old epic hidden within the books of the Hebrew Bible. Written by a single, masterful author but obscured by ancient editors and lost for millennia, this brilliant epic of love, deception, war, and redemption is a compelling account of humankind's complex relationship with God. Friedman boldly restores this prose masterpiece-the very heart of the Bible-to the extraordinary form in which it was originally written.
In this groundbreaking and insightful new commentary, one of the world's leading biblical scholars unveils the unity and continuity of the Torah for the modern reader. Richard Elliott Friedman, the bestselling author of Who Wrote the Bible?, integrates the most recent discoveries in biblical archaeology and research with the fruits of years of experience studying and teaching the Bible to illuminate the straightforward meaning of the text -- "to shed new light on the Torah and, more important, to open windows through which it sheds its light on us." While other commentaries are generally collections of comments by a number of scholars, this is a unified commentary on the Torah by a single scholar, the most unified by a Jewish scholar in centuries. It includes the original Hebrew text, a new translation, and an authoritative, accessibly written interpretation and analysis of each passage that remains focused on the meaning of the Torah as a whole, showing how its separate books are united into one cohesive, all-encompassing sacred literary masterpiece. This landmark work is destined to take its place as a classic in the libraries of lay readers and scholars alike, as we seek to understand the significance of the scriptural texts for our lives today, and for years to come.
This groundbreaking volume of the Five Books of Moses shows and explains how the source texts were compiled: “A fundamental resource” (Peter Machinist, Harvard University). For centuries, biblical scholars have worked on discovering how the Bible came to be. The consensus among a broad range of experts is known as The Documentary Hypothesis: the idea that ancient writers produced documents of poetry, prose, and law over many centuries, which editors then used as sources to fashion the books of the Bible that people have read for the last two thousand years. In The Bible with Sources Revealed, eminent scholar Richard Elliott Friedman offers a new, visual presentation of the Five Books of Moses—Genesis, Exodus, Leviticus, Numbers, and Deuteronomy—unlocking the complex and fascinating tapestry of their origins. Different colors and type styles allow readers to easily identify each of the distinct sources, showcasing Friedman's highly acclaimed and dynamic translation. This unique Bible provides a new means to explore the riches of scripture by: •Making it possible to read the source texts individually, to see their artistry, their views of God, Israel, and humankind, and their connection to their moment in history •Presenting the largest collection of evidence ever assembled for establishing and explaining the Documentary Hypothesis •Showing visually how the Bible was formed out of these sources •Helping readers appreciate that the Bible is a rich, complex, beautiful work as a result of the extraordinary way in which it was created.
Richard Friedman is well known in the field of biblical studies, not only because of his contributions to the study of the Hebrew Bible (which are many) but also because he has written cogently and clearly for a much wider audience, outside the academy, most notably in his Who Wrote the Bible? (1997). In addition, his influence has crossed the boundaries of a variety of disciplines such as source criticism, archaeology, the ancient Near East, as well as religious studies. The essays in this volume reflect the breadth and depth of Richard Friedman’s life and work. Several contributors discuss topics related to the Hebrew Bible: for example, Jacob Milgrom examines the relationship between Ezekiel and the Levites and Carol Meyers discusses the Tabernacle texts in the context of Priestly influence on them; Ronald Hendel, Michael Homan, and Robert Wilson explore the history of source criticism, with detailed source-critical analysis of Genesis 1–11 and the book of Kings. Jeffrey Geoghegan discusses the origins of the Passover in one of several insightful essays under the topic “Israel and the Ancient Near East.” Among the contributions specific to archaeology, Baruch Halpern’s provides a provocative “Defense of Forgery.” Lastly, four contributors (e.g., Alan Cooper) discuss religion and religious studies, along with ramifications for contemporary application. A fine collection of contemporary topics discussed by leading scholars in the field.
For millennia, people have used the Bible as a touchstone on important social and political questions, and rightly so. But many use the Bible simply as a weapon to wield against opponents in a variety of debates--without knowing what the Bible actually says about the issue in question. In The Bible Now, two respected biblical scholars, Richard Elliott Friedman and Shawna Dolansky, tell us carefully what the Hebrew Bible says or does not say about a wide range of issues--including homosexuality, abortion, women's status, capital punishment, and the environment. In fascinating passages that shed new light on some of today's most passionate disputes, the authors reveal how the Bible is frequently misunderstood, misquoted, mistranslated, and misused. For instance, those who quote the Bible in condemning homosexuality often cite the story of Sodom, and those who favor homosexuality point to David's lament over the death of Jonathan. But as the authors show, neither passage is clearly about homosexuality, and these texts do not offer solid footing on which to make an argument. Readers learn that female homosexuality is not prohibited--only male homosexuality. And on the subject of abortion, the Bible is practically silent, with one extraordinary exception. The Bible has inspired people to do great good but has also been used by people to do great harm, so it is vitally important for us to pay attention to it--and to get it right. The Bible Now shows us how we can--and cannot--use this ancient source of wisdom to address our most current and pressing issues.
For millennia, people have used the Bible as a touchstone on important social and political questions, and rightly so. But many use the Bible simply as a weapon to wield against opponents in a variety of debates--without knowing what the Bible actually says about the issue in question. In The Bible Now, two respected biblical scholars, Richard Elliott Friedman and Shawna Dolansky, tell us carefully what the Hebrew Bible says or does not say about a wide range of issues--including homosexuality, abortion, women's status, capital punishment, and the environment. In fascinating passages that shed new light on some of today's most passionate disputes, the authors reveal how the Bible is frequently misunderstood, misquoted, mistranslated, and misused. For instance, those who quote the Bible in condemning homosexuality often cite the story of Sodom, and those who favor homosexuality point to David's lament over the death of Jonathan. But as the authors show, neither passage is clearly about homosexuality, and these texts do not offer solid footing on which to make an argument. Readers learn that female homosexuality is not prohibited--only male homosexuality. And on the subject of abortion, the Bible is practically silent, with one extraordinary exception. The Bible has inspired people to do great good but has also been used by people to do great harm, so it is vitally important for us to pay attention to it--and to get it right. The Bible Now shows us how we can--and cannot--use this ancient source of wisdom to address our most current and pressing issues.
By the early second century the Christian Church was predominantly Gentile, having separated from its Jewish roots and base. It lost most all understanding of Jewish culture. Very few in the church could read Hebrew, and as significantly, its Scriptures were in Greek, which contributed to its growing ignorance of the intricacies of Jewish word play. They could not and did not retain the richness, the interconnectedness, and the brilliance of the Hebrew writing, and thereby misinterpreted much of what they cherished. Today, many, if not most, Christians also lack the basic knowhow needed to adequately appreciate our Jewish-written Scriptures. This little 150 page book will not heal what ails us, but in a light, sometimes fun, other times serious way, it will help, and that is needed. It may even erase a few of the lines that separate our two great communities-Jewish and Christian-and remind us of our shared humanity and Faith. Creative, insightful, humorous, sensitive, challenging, thought provoking . . . . What other words are used to describe this book and its author? See pages iv and v.
When Justin escapes the comfortable medieval estate where his overbearing father has kept him sheltered his whole life, hot in pursuit of the servant girl he has fallen in love with, he finds himself caught up in a social order torn between extremes of wealth and poverty, feudal hierarchy and peasant revolts, ecclesiastical corruption and monastic piety, gross injustices and boundless mercy. The mid-fourteenth century was a time not only of burgeoning towns, majestic cathedrals, and nascent universities, but also of debauchery and violence, the Black Death and Inquisition, torture and ordeals. In his encounters with noblemen and peasants, alchemists and hermits, monks and heretics, knights and revolutionaries, prostitutes and miscreants from the medieval underworld, Justin comes to realize that he is entirely on his own as he confronts his personal moral failings and struggles to find faith in a world where God no longer seems to exist.
What makes a great judge? How are reputations forged? Why do some reputations endure, while others crumble? And how can we know whether a reputation is fairly deserved? In this ambitious book, Richard Posner confronts these questions in the case of Benjamin Cardozo. The result is both a revealing portrait of one of the most influential legal minds of our century and a model for a new kind of study—a balanced, objective, critical assessment of a judicial career. "The present compact and unflaggingly interesting volume . . . is a full-bodied scholarly biography. . . .It is illuminating in itself, and will serve as a significant contribution."—Paul A. Freund, New York Times Book Review
Jewish history and the Holocaust present all who examine with a cloudy dark crystal that appears impenetrable. However, Judaism has a very sophisticated mystical system, called Kabbalah, or "tradition" which provides all the answers needed to make light illuminate the darkness noted above. The Kabbalah brings home the point that Jewish history, indeed all human history, begins and ends with human beings as the hands and eyes of God.
A non-fictional account explaining why the author believes Moses was a prince of Thebes called Ramose. Born c.1500 BC, Prince Ramose was heir to Pharaoh Thutmose III, being his ""Great Army Commander"" - both roles ascribed to Moses by Hebrew tradition. Moreover, Ramose & Moses both led victorious military campaigns against Ethiopia (Cush), then married the king's daughter, becoming Egypt's Viceroy there. A short time later, Prince Ramose was mysteriously struck out of Egyptian records, while the Bible hints Moses was cast into exile. Exploring some of the more esoteric aspects of the prophet's life, this book finds threads firmly connecting him to Egypt's 18th Dynasty 3500 years ago... The book uncovers the Hermetic star knowledge (Astrology) which Moses gleaned from the White Brotherhood, a secretive Egyptian mystery school who met in the halls of Karnak. This knowledge was cryptically infused into the early Biblical scriptures, revealing the Israelite ancestors were once devoted Astrologers.
A much anticipated reissue of Who Wrote the Bible?—the contemporary classic the New York Times Book Review called “a thought-provoking [and] perceptive guide” that identifies the individual writers of the Pentateuch and explains what they can teach us about the origins of the Bible. For thousands of years, the prophet Moses was regarded as the sole author of the first five books of the Bible, known as the Pentateuch. According to tradition, Moses was divinely directed to write down foundational events in the history of the world: the creation of humans, the worldwide flood, the laws as they were handed down at Mt. Sinai, and the cycle of Israel’s enslavement and liberation from Egypt. However, these stories—and their frequent discrepancies—provoke questions: why does the first chapter in Genesis say that man and woman were made in God’s image, while the second says that woman was made from man’s rib? Why does one account of the flood say it lasted forty days, while another records no less than one hundred? And why do some stories reflect the history of southern Judah, while others seem sourced from northern Israel? Originally published in 1987, Richard Friedman’s Who Wrote the Bible? joins a host of modern scholars who show that the Pentateuch was written by at least four distinct voices—separated by borders, political alliances, and particular moments in history—then connected by brilliant editors. Rather than cast doubt onto the legitimacy of the Bible, Friedman uses these divergent accounts to illuminate a text that was written by real people. Friedman’s seminal and bestselling text is a comprehensive and authoritative answer to the question: just who exactly wrote the Bible?
Today's evangelical community faces a multitude of questions about the creation of the cosmos and the beginning of human history, and we look to the Bible for answers. But what do we do with the stories that the book of Genesis presents to us? Reading Genesis 1-2: An Evangelical Conversation brings together the voices of five prominent evangelical scholars who take on the difficult interpretive questions that arise from reading the Bible's first two chapters. Richard Averbeck, Todd Beall, John Collins, Tremper Longman, and John Walton offer their perspectives in a point-counterpoint style. Reviewing and responding to each other's work, they write to honor their fellow thinkers even while they note their differences. United by their dedication to the truth while diverse in their approaches to the text, these scholars present their arguments and address their disagreements with courtesy and sophistication. Drawing on a wealth of theological, linguistic, and historical expertise, this collection is characterized by a close attention to the biblical text and a mutual respect that are often sorely lacking in discussions of origins taking place throughout the evangelical world. Book jacket.
A “supremely entertaining” (The New Yorker) exploration of who gets to record the world’s history—from Julius Caesar to William Shakespeare to Ken Burns—and how their biases influence our understanding about the past. There are many stories we can spin about previous ages, but which accounts get told? And by whom? Is there even such a thing as “objective” history? In this “witty, wise, and elegant” (The Spectator), book, Richard Cohen reveals how professional historians and other equally significant witnesses, such as the writers of the Bible, novelists, and political propagandists, influence what becomes the accepted record. Cohen argues, for example, that some historians are practitioners of “Bad History” and twist reality to glorify themselves or their country. “Scholarly, lively, quotable, up-to-date, and fun” (Hilary Mantel, author of the bestselling Thomas Cromwell trilogy), Making History investigates the published works and private utterances of our greatest chroniclers to discover the agendas that informed their—and our—views of the world. From the origins of history writing, when such an activity itself seemed revolutionary, through to television and the digital age, Cohen brings captivating figures to vivid light, from Thucydides and Tacitus to Voltaire and Gibbon, Winston Churchill and Henry Louis Gates. Rich in complex truths and surprising anecdotes, the result is a revealing exploration of both the aims and art of history-making, one that will lead us to rethink how we learn about our past and about ourselves.
Effectively manage the chronic problems of your hypertensive patients with the practical clinical tools inside Hypertension, 2nd Edition: A Companion to Braunwald's Heart Disease. This respected cardiology reference covers everything you need to know - from epidemiology and pathophysiology through diagnosis, risk stratification, treatment, outcome studies, concomitant diseases, special populations and special situations, and future treatments. Confidently meet the needs of special populations with chronic hypertensive disease, as well as hypertension and concomitant disease. Learn new methods of aggressive patient management and disease prevention to help ensure minimal risk of further cardiovascular problems. Benefit from the authors' Clinical Pearls to reduce complications of hypertension. Use new combination drug therapies and other forms of treatment to their greatest advantage in the management of chronic complications of hypertension. Successfully employ behavior management as a vital part of the treatment plan for hypertensives and pre-hypertensives. Access the complete contents online and download images at www.expertconsult.com. The clinical tools you need to manage hypertension in patients, from the Braunwald family you trust.
Ever felt bitten by a fundamentalist? Or had your biblical understanding discounted by a conservative? Or the validity of your beliefs questioned by a zealous evangelical? If you have, then you will find Faith without Fear absolutely therapeutic, with its fresh, honest, and unique approach to both Scripture and the faith. After the publication of his award-winning You Don’t Understand the Bible Because You are Christian (2014), Richard Gist has reemerged to subtly combat religious theologies that are constructed on a fear of God, those “you must be born again or you will be left out of heaven” approaches to life and Divinity. The antidote: trusting the loving purposes of God and reading Scripture “straight up,” that is, rationally, historically, and through sound scholarship. And having fun doing it. Mr. Gist is a United Methodist clergy person who has spent a twenty-three year retirement researching and writing on biblical subjects. He shares his findings honestly, sometimes fervently, and often humorously to vividly open up biblical stories in readable and engaging terms. Again and again the reader will respond, “I never thought of it that way before.” He does, however, proceed with the expectation that his audience has both an interest in Scripture and a modest acquaintance with its content. The book asks probing questions, but following Old Testament writing techniques, does not provide answers. Everyone has to think for themselves. Mr. Gist explores some stories through the question, cui bono? Who profits from telling the story this way? Have you ever done that before in your Bible studies? It leads to new places. The author sometimes strays beyond Scripture to share personal stories, offer spiritual insights, and to present a smattering of philosophy. The Table of Contents provides a few hints of what you will find in the book. Undergirding everything is the author’s absolute trust in the unconditional love of God. As the title of the book suggests, fear should not be a part of our relationship with the Divine. “God never forgives because God never condemns.”
The fourth edition of this best-selling textbook continues to be a valuable resource for the beginning student in the critical study of the Bible. Thoroughly revised to include the newest methods, recent discoveries, and developments in the field of biblical criticism over the past decade, the Handbook of Biblical Criticism is designed to be a starting point for understanding the vast array of methods, approaches and technical terms employed in this field. Updates in this edition also include an expanded dictionary of terms, phrases, names, and frequently used abbreviations, as well as a bibliography that includes the most up-to-date date publications. The Handbook of Biblical Criticism is a valuable introductory textbook and a reliable guide for pastors, laypersons, and scholars whose expertise lies in other fields.
For two thousand years, Christians have been intrigued by the somewhat enigmatic Imago Dei references in the book of Genesis. Much theological ink has been spilled mulling over the significance and meaning of these words: "Let us make humanity in our image, according to our likeness . . . " In The Liberating Image, J. Richard Middleton takes on anew the challenge of interpreting the Imago Dei. Reflecting on the potential of the Imago Dei texts for developing an ethics of power rooted in compassion, he relates its significance to the Christian community's distinct calling in an increasingly violent world. The Liberating Image introduces a relevant, scholarly take on an important Christian doctrine. It will appeal to all Christians seeking to better understand what it means to be made in God's image.
This epic, thrilling journey through Bible scholarship and ancient religion shows how much of Scripture is historically false--yet the ancient writings also resound with theologies that crisscrossed the primeval world and that direct us today toward a deep, inner, authentic experience of the truly sacred. From a historical perspective, the Bible is shockingly, provably wrong--a point supported by today's best archaeological and historical scholarship but not well understood by (or communicated to) the public. Yet this emphatically does not mean that the Bible isn't, in some very real measure, true, argues scholar of mysticism Richard Smoley. Smoley reviews the most authoritative historical evidence to demonstrate that figures such as Moses, Abraham, and Jesus are not only unlikely to have existed, but bear strong composite resemblances to other Near Eastern religious icons. Likewise, the geopolitical and military events of Scripture fail to mesh with the largely settled historical time line and social structures. Smoley meticulously shows how our concepts of the Hebrew and Christian God, including Christ himself, are an assemblage of ideas that were altered, argued over, and edited--until their canonization. This process, to a large degree, gave Western civilization its consensus view of God. But these conclusions are not cause for nihilism or disbelief. Rather, beneath the metaphorical figures and mythical historicism of Scripture appears an extraordinary, truly transcendent theology born from the most sacred and fully realized spiritual and human insights of the antique Eastern world. Far from being "untrue," the Bible is remarkably, extraordinarily true as it connects us to the sublime insights of our ancient ancestors and points to a unifying ethic behind many of the world's faiths.
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