The Truth About Wyatt Earp is the result of extensive research done by the author, Richard E. Erwin. After retiring from his career as a Criminal Defense Lawyer, he took up the task of ferreting out the truth surrounding the life and times of Wyatt Earp. He presents here solid evidence, based on old newspaper accounts, public records, documents buried in museums, state and national archives and libraries and reports of other researchers, to substantiate his view of what he believes to be The Truth About Wyatt Earp. Did you know... That Wyatt Earp was once indicted for horse stealing (He was never convicted.)? That there were four witnesses who could have testified that Tom McLaury was armed at the commencement of the O.K. Corral fight? That both Wyatt Earp and Doc Holliday spent more than two weeks in jail in the custody of John Behan while the hearing on the O.K. Corral shoot-out was going on? The truth comes out in this illuminating essay on one of the most fascinating characters in history.
In 1865, Wild Bill Hickok killed Dave Tutt in a Missouri public square in the West’s first notable "walkdown." One hundred and twenty-nine years later, Bernard Goetz shot four threatening young men in a New York subway car. Apart from gunfire, what do the two events have in common? Goetz, writes Richard Maxwell Brown, was acquitted of wrongdoing in the spirit of a uniquely American view of self-defense, a view forged in frontier gunfights like Hickok’s. When faced with a deadly threat, we have the right to stand our ground and fight. We have no duty to retreat.
Texas has one of the world’s largest prison systems, in operation for more than 170 years and currently employing more than 28,000 people. Hundreds of thousands of people have been involved in the prison business in Texas: inmates, correctional officers, public officials, private industry representatives, and volunteers have all entered the secure facilities and experienced a different world. Previous books on Texas prisons have focused either on records and data of the prisons, personal memoirs by both inmates and correctional officers, or accounts of prison breaks. Tall Walls and High Fences is the first comprehensive history of Texas prisons, written by a former law enforcement officer and an officer of the Texas prisons. Bob Alexander and Richard K. Alford chronicle the significant events and transformation of the Texas prison system from its earliest times to the present day, paying special attention to the human side of the story. Incarceration policy evolved from isolation to hard labor to rodeo and educational opportunities, with reform measures becoming an ever-evolving quest. The complex job of the correctional officer has evolved as well—they must ensure custody and control over the inmate population at all times, in order to provide a proper environment conducive to safety and positive change. Alexander and Alford focus especially on the men and women who work with diligence and dedication at their jobs “inside the walls,” risking their lives and—in too many instances—giving their lives in a peculiar line of duty most would find unpalatable. Within these pages are stories of prison breaks, bloodhounds chasing escapees, and gunfights. Inside the walls are deadly confrontations, human trafficking, rape, clandestine consensual trysts, and tricks turned against correctional officers. Famous people and episodes in Texas prison history receive their due, from Texas Rangers apprehending and placing outlaws in prison to the famed gunfighter John Wesley Hardin’s time in and out of prison. Tall Walls and High Fences covers numerous convict escape attempts and successes, including the 1974 prison siege at Huntsville and the 2007 prisoner gunfight and escape at the Wynne Unit. Throughout this long history Alexander and Alford pay special tribute to the more than 75 correctional officers, lawmen, and civilians who lost their lives in the line of duty.
This cultural journey down memory lane showcases how major Western figures, events, and places have been portrayed in folk legends, art, literature, and popular culture. Ever since the days of the 49ers and George Armstrong Custer, the Old West has been America's most potent source of legend. But it is sometimes hard to separate fact from fiction. Did you know, for example, that Annie Oakley was a talented marksman who shot an estimated 40,000 rounds per year while practicing and performing for Buffalo Bill Cody's Wild West Show in the late l800s? Or that many interpreters believe that The Wonderful Wizard of Oz is not just a fairy tale, but also a Populist allegory? These are just two of the folk legends dissected and examined in this veritable cultural geography. The volume covers everything from billionaire Howard Hughes and composer Aaron Copeland to Aztlan (the legendary first city of the Aztecs) and Area 51, the top-secret U.S. Air Force base at Groom Lake, Nevada, that has fascinated UFO and conspiracy buffs.
Texas is a place where legends are made, die, and are revived. Fort Worth, Texas, claims its own legend – Hell’s Half Acre – a wild ’n woolly accumulation of bordellos, cribs, dance houses, saloons, and gambling parlors. Tenderloin districts were a fact of life in every major town in the American West, but Hell’s Half Acre – its myth and its reality – can be said to be a microcosm of them all. The most famous and infamous westerners visited the Acre: Timothy (“Longhair Jim”) Courtright, Luke Short, Bat Masterson, Wyatt Earp, Doc Holliday, Sam Bass, Mary Porter, Etta Place, along with Butch Cassidy and his Wild Bunch, and many more. For civic leaders and reformers, the Acre presented a dilemma – the very establishments they sought to close down or regulate were major contributors to the local economy. Controversial in its heyday and receiving new attention by such movies as Lonesome Dove, Hell’s Half Acre remains the subject of debate among historians and researchers today. Richard Selcer successfully separates fact from fiction, myth from reality, in this vibrant study of the men and women of Cowtown’s notorious Acre.
From the days of the thirteen colonies to the age of the computer, this history of America by the people encompasses a wide-ranging collection of excerpts from diaries, memoirs, trial testimony, public documents, news reports and interviews, and other eye-witness accounts that sheds light on every corner of American life.
Collected here are ten Western short stories by Richard S. Wheeler, the award-winning author who makes storytelling look easy. In “Mugs Birdsong’s Crime Academy,” celebrated criminal Mugs Birdsong decides to found an academy that will instruct lawmen on the ways and means of lawlessness. “The Last Days of Dominic Prince” is the tragic tale of a cattle baron and his final conflict with the forces of political correctness. “Dead Weight” introduces us to a coffin maker who constructs a work of art. And in the title story, two young men in the gold fields of California spend one last night together as one of them confronts his own imminent death. This collection also includes “The Square Reporter,” “A Commercial Proposition,” “The Great Filibuster of 1975,” “The Tinhorn’s Lady,” “Hearts,” and “Looking for Love at a Romance Writers Convention.”
Set against the colorful backdrop of events that gave rise to a fledgling century of technology, this vibrant novel of romance and adventure introduces a stunning new figure to begin the journey of future generations: Blackie Devlin... Street-wise alumni of turn-of-the-century Hell's Kitchen, Blackie Devlin rose from the tenements to acquire fame and fortune as the owner of one of the hottest dance halls in the infamous Tenderloin. But something was missing...the Excitement and Adventure once found on the streets. He pursues a new dream as an aviator and nears the zenith--but his past threatens to catch up with him and destroy everything...his fame, his fortune, and his life--including the women who love him...
Named One of the Best Nonfiction Books of 2022 by the Los Angeles Times A premier historian penetrates the fog of corruption and cover-up still surrounding the murder of a Stanford University founder to establish who did it, how, and why. In 1885 Jane and Leland Stanford cofounded a university to honor their recently deceased young son. After her husband’s death in 1893, Jane Stanford, a devoted spiritualist who expected the university to inculcate her values, steered Stanford into eccentricity and public controversy for more than a decade. In 1905 she was murdered in Hawaii, a victim, according to the Honolulu coroner’s jury, of strychnine poisoning. With her vast fortune the university’s lifeline, the Stanford president and his allies quickly sought to foreclose challenges to her bequests by constructing a story of death by natural causes. The cover-up gained traction in the murky labyrinths of power, wealth, and corruption of Gilded Age San Francisco. The murderer walked. Deftly sifting the scattered evidence and conflicting stories of suspects and witnesses, Richard White gives us the first full account of Jane Stanford’s murder and its cover-up. Against a backdrop of the city’s machine politics, rogue policing, tong wars, and heated newspaper rivalries, White’s search for the murderer draws us into Jane Stanford’s imperious household and the academic enmities of the university. Although Stanford officials claimed that no one could have wanted to murder Jane, we meet several people who had the motives and the opportunity to do so. One of these, we discover, also had the means.
The Oxford History of the United States is the most respected multivolume history of the American nation. In the newest volume in the series, The Republic for Which It Stands, acclaimed historian Richard White offers a fresh and integrated interpretation of Reconstruction and the Gilded Age as the seedbed of modern America. At the end of the Civil War the leaders and citizens of the victorious North envisioned the country's future as a free-labor republic, with a homogenous citizenry, both black and white. The South and West were to be reconstructed in the image of the North. Thirty years later Americans occupied an unimagined world. The unity that the Civil War supposedly secured had proved ephemeral. The country was larger, richer, and more extensive, but also more diverse. Life spans were shorter, and physical well-being had diminished, due to disease and hazardous working conditions. Independent producers had become wage earners. The country was Catholic and Jewish as well as Protestant, and increasingly urban and industrial. The "dangerous" classes of the very rich and poor expanded, and deep differences -- ethnic, racial, religious, economic, and political -- divided society. The corruption that gave the Gilded Age its name was pervasive. These challenges also brought vigorous efforts to secure economic, moral, and cultural reforms. Real change -- technological, cultural, and political -- proliferated from below more than emerging from political leadership. Americans, mining their own traditions and borrowing ideas, produced creative possibilities for overcoming the crises that threatened their country. In a work as dramatic and colorful as the era it covers, White narrates the conflicts and paradoxes of these decades of disorienting change and mounting unrest, out of which emerged a modern nation whose characteristics resonate with the present day.
This volume offers detailed information about the boxers who were active during boxing's "Golden Age," 1890 to 1910, focusing primarily on George "Kid" Lavigne, Bob Fitzsimmons, Barbados Joe Walcott, Joe Gans, Terry McGovern, Sam Langford, and Stanley Ketchel, and their opponents, who were also key figures.
This is a story set in the 1870s of violence and struggle in the West and of a mother and her daughter who find themselves cast into slavery to settle a debt not of their doing. This is a story of a mother forced to submit to the vilest of tasks in the belief that it will protect her daughter from the same plight and her daughter who will in time learn what her mother is being forced to do and she will soon be forced to do the same. This is a story of a mother and her daughter whose belief in God helped them keep their minds and souls above their truly hell-like world they find themselves in and the heartbreak which awaits them.
After the death of Marion Morrison, known as John Wayne, in 1979, President Jimmy Carter said that Wayne "was bigger than life. In an age of few heroes, he was the genuine article. But he was more than a hero; he was a symbol of many of the qualities that made America great." The first section of this study concentrates on Wayne's style of work and sphere of action as an actor: The man who works for a living and is concerned with his audience and the constraints of his immediate environment. The second section examines the artist: the man who lives in his art, who disappears into his character as an archetype of human fears and desires. Analyses of films that have made Wayne a hero are presented in the third section. A comprehensive filmography and numerous photographs are included.
The Sagebrush Trail is a history of Western movies but also a history of twentieth-century America. Richard Aquila’s fast-paced narrative covers both the silent and sound eras, and includes classic westerns such as Stagecoach, A Fistful of Dollars, and Unforgiven, as well as B-Westerns that starred film cowboys like Tom Mix, Gene Autry, and Hopalong Cassidy. The book is divided into three parts. Part 1 traces the birth and growth of Westerns from 1900 through the end of World War II. Part 2 focuses on a transitional period in Western movie history during the two decades following World War II. Finally, part 3 shows how Western movies reflected the rapid political, social, and cultural changes that transformed America in the 1960s and the last decades of the twentieth century. The Sagebrush Trail explains how Westerns evolved throughout the twentieth century in response to changing times, and it provides new evidence and fresh interpretations about both Westerns and American history. These films offer perspectives on the past that historians might otherwise miss. They reveal how Americans reacted to political and social movements, war, and cultural change. The result is the definitive story of Western movies, which contributes to our understanding of not just movie history but also the mythic West and American history. Because of its subject matter and unique approach that blends movies and history, The Sagebrush Trail should appeal to anyone interested in Western movies, pop culture, the American West, and recent American history and culture. The mythic West beckons but eludes. Yet glimpses of its utopian potential can always be found, even if just for a few hours in the realm of Western movies. There on the silver screen, the mythic West continues to ride tall in the saddle along a “sagebrush trail” that reveals valuable clues about American life and thought.
Drawn from the classrooms of real teachers, the latest research, and over 70 years of combined teaching experience, this book offers valuable insights on being the best teacher you can be for your students. Beginning with developing your teacher identity and getting to know your students, What Is a "Good" Teacher? goes on to show you how to implement effective strategies and techniques in your classrooms, and gain a better understanding of how effective schools work. 35 compelling characteristics of "good" teachers offer inspiration and guidance, along with tangible ways of continuing to grow and develop into your own best teacher.
What turned Atlanta professional man John Henry Doc Holiday into a stone cold killer? What was Docs weapon of choice? Who really killed Pat Garrett? Did Wyatt Earp ever track down his brother Virgils killer? What minister of the gospel became the wests deadliest paid killer? Who was the wildest of Butch Cassidys Wild Bunch? What catastrophe almost wiped out the cattle business in 1888? What were the wests greatest gold strikes and how were they discovered? Does the ghost of pioneer Brit Bailey still stalk the prairie near Old Brazoria? Author Murphy answers these intriguing questions and many other in this book aptly titled Ghosts, Gold Diggers and Gun Slingers, which is the product of a lifetime of research and several years of writing and rewriting.
Whether you’re a born-and-raised Illinoisan, a recent transplant, or just passing through, IllinoisCuriosities will have you laughing out loud as Richard Moreno takes you on a rollicking tour of the strangest sides of the Prairie State. Take a date to the World’s Largest Laundromat, a 13,500-square-foot facility in Berwyn with 153 washers and 148 dryers in nearly constant use. Enter Chicago’s “sub” culture with a museum visit to the U-505, the only German submarine in the United States. Visit the site in Carthage where Mormon Church founder Joseph Smith was murdered on June 27, 1844. Learn about the strange case of H. H. Holmes’ notorious Murder Castle and the sad tale of Burr Oak Cemetery.
By and about the greatest celebrities of frontier America, these are the stories of their adventures told in their own words through excerpts from autobiographies, articles they wrote, newspaper interviews, private journals, personal letters, and court testimony. These glimpses into the worlds of these legendary figures as they describe their own personal experiences, impressions, what life in the frontier West was like, reveal the roles they played in notable events in American history.
The Amazing Tom Mix The Most Famous Cowboy of the Movies Tom Mix was a town marshal and cowboy in the Oklahoma Territory, a rodeo champion and a wild west show performer. With his devil-may-care attitude, quick wit and penchant for doing breath-taking stunts on his wonder horse, Tony, Tom Mix went on to become the #1 movie cowboy of silent films, earning millions of dollars at a time when movie tickets cost pennies. While he basked in this incredible acclaim, Tom Mix lived in fear that his deep, dark secrets would be discovered and his career and his cherished heroic image would be destroyed. Celebrated author Richard D. Jensen has spent more than 30 years researching the life of Tom Mix, the man hailed as "the idol of every American boy." With incredible detail, much of it gained from hundreds of original letters, records, documents and eyewitness accounts, The Amazing Tom Mix cuts through 100 years of public relations mythology, tall tales and outright lies to bring the true and inspiring story of a man whose Saturday matinee cowboy image would become the standard for all of the movie cowboys who rode the silver screen after him. "Here is Tom Mix as he really was...a captivating biography ... brilliant ... delightful ... It is a splendid book." -Richard S. Wheeler, five-time Spur Award winning author of Trouble In Tombstone. "... the most complete biography of Mix's life of trials, tribulations and victories." -John Duncklee, author of Bull By The Tale.
A centerpiece of the New History of the American West, this book embodies the theme that, as succeeding groups have occupied the American West and shaped the land, they have done so without regard for present inhabitants. Like the cowboy herding the dogies, they have cared little about the cost their activities imposed on others; what has mattered is the immediate benefit they have derived from their transformation of the land. Drawing on a recent flowering of scholarship on the western environment, western gender relations, minority history, and urban and labor history, as well as on more traditional western sources, It’s Your Misfortune and None of My Own is about the creation of the region rather than the vanishing of the frontier. Richard White tells how the various parts of the West—its distinct environments, its metropolitan areas and vast hinterlands, the various ethnic and racial groups and classes—are held together by a series of historical relationships that are developed over time. Widespread aridity and a common geographical location between the Missouri River and the Pacific Ocean would have provided but weak regional ties if other stronger relationships had not been created. A common dependence on the deferral government and common roots in a largely extractive and service-based economy were formative influences on western states and territories. A dual labor system based on race and the existence of minority groups with distinctive legal status have helped further define the region. Patterns of political participation and political organization have proved enduring. Together, these relationships among people, and between people and place, have made the West a historical creation and a distinctive region. From Europeans contact and subsequent Anglo-American conquest, through the civil-rights movement, the energy crisis, and the current reconstructing of the national and world economies, the West has remained a distinctive section in a much larger nation. In the American imagination the West still embodies possibilities inherent in the vastness and beauty of the place itself. But, Richard White explains, the possibilities many imagined for themselves have yielded to the possibilities seized by others. Many who thought themselves cowboys have in the end turned out to be dogies.
National Book Award Finalist: The “impressive” conclusion to the “magisterial trilogy on the mythology of violence in American history” (Film Quarterly). “The myth of the Western frontier—which assumes that whites’ conquest of Native Americans and the taming of the wilderness were preordained means to a progressive, civilized society—is embedded in our national psyche. U.S. troops called Vietnam ‘Indian country.’ President John Kennedy invoked ‘New Frontier’ symbolism to seek support for counterinsurgency abroad. In an absorbing, valuable, scholarly study, [the author] traces the pervasiveness of frontier mythology in American consciousness from 1890. . . . Dime novels and detective stories adapted the myth to portray gallant heroes repressing strikers, immigrants and dissidents. Completing a trilogy begun with Regeneration Through Violence and The Fatal Environment, Slotkin unmasks frontier mythmaking in novels and Hollywood movies. The myth’s emphasis on use of force over social solutions has had a destructive impact, he shows.” —Publishers Weekly “Stirring . . . Breaks new ground in its careful explication of the continuing dynamic between politics and myth, myth and popular culture.” —The New York Times “A subtle and wide-ranging examination how America’s fascination with the frontier has affected its culture and politics. . . . Intellectual history at its most stimulating—teeming with insights into American violence, politics, class, and race.” —Kirkus Reviews
Parry continues his "Wyatt Earp in Alaska" series set during Alaska's Klondike Gold Rush. Nathan and Riley come up against the venal Barnette and wind up opposing the Fairbanks' kingpin.
San Diego, known for its perfect weather, naval ties and landmarks like the San Diego Zoo and Balboa Park, has a history as incredible as its stunning shoreline. In this collection of articles from his San Diego Union-Tribune column "The Way We Were," Richard W. Crawford recounts stories from the city's early history that once splashed across the headlines. Read about Ruth Alexander's aviation feats, the water pipeline carved from Humboldt County redwoods, the jailbreak of a man facing ten years in San Quentin for cow theft, a visit from escape artist Harry Houdini and the Purity League's closure of the Stingaree red-light district. These stories highlight San Diego's progress from a humble frontier port to the stylish city it is today.
Richard O. Davies won Foreword Reviews' INDIEFAB Book of the Year Bronze Medal in Sports for The Main Event: Boxing in Nevada from the Mining Camps to the Las Vegas Strip. Davies' book was chosen as one of the best indie books of 2014. As the twentieth century dawned, bare-knuckle prizefighting was transforming into the popular sport of boxing, yet simultaneously it was banned as immoral in many locales. Nevada was the first state to legalize it, in 1897, solely to stage the Corbett-Fitzsimmons world heavyweight championship in Carson City. Davies shows that the history of boxing in Nevada is integral to the growth of the sport in America. Promoters such as Tex Rickard brought in fighters like Jack Dempsey to the mining towns of Goldfield and Tonopah and presented the Johnson-Jeffries “Fight of the Century” in Reno in 1910. Prizefights sold tickets, hotel rooms, drinks, meals, and bets on the outcomes. It was boxing\--before gambling, prostitution, and easy divorce\--that first got Nevada called “America’s Disgrace” and the “Sin State.” The Main Event explores how boxing’s growth in Nevada relates to the state’s role as a social and cultural outlier. Starting in the Rat Pack era, organized gambling’s moguls built arenas outside the Vegas casinos to stage championships\--more than two hundred from 1960 to the present. Tourists and players came to see and bet on historic bouts featuring Sonny Liston, Muhammad Ali, George Foreman, Sugar Ray Leonard, Mike Tyson, and other legends of the ring. From the celebrated referee Mills Lane to the challenge posed by mixed martial arts in contemporary Las Vegas, the story of boxing in Nevada is a prism for viewing the sport. Davies utilizes primary and secondary sources to analyze how boxing in the Silver State intersects with its tourist economy and libertarian values, paying special attention to issues of race, class, and gender. Written in an engaging style that shifts easily between narrative and analysis, The Main Event will be essential reading for sports fans and historians everywhere.
book two. Harris Bailly's story continues as he starts teaching in private schools, and encourters good and bad teachers, students and administrators. Gloria plays a major role in his romantic life. His intellectual life grows as he becomes a wiser man. -- book three. Harris makes a move to Seaside Academy, a troubled school with an history of excellence. He uncovers mysteries from that past, and continues his long-distance romance with Gloria. The resolution comes amid insights and contemplation of the vagaries of the human mind. -- book one: [no summary] -- book two: book jacket - book three: book back cover.
Experience the true stories behind the history you learned in school in this collection. This book contains dozens of new twists on the dusty old histories you're used to reading about.
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