American expansion, says Richard Drinnon, is characterized by repression and racism. In his reinterpretation of "winning" the West, Drinnon links racism with colonialism and traces this interrelationship from the Pequot War in New England, through American expansion westward to the Pacific, and beyond to the Phillippines and Vietnam. He cites parrallels between the slaughter of bison on the Great Plains and the defoliation of Vietnam and notes similarities in the language of aggression used in the American West, the Philippines, and Southeast Asia.
Analyzing the career of Dillon S. Myer, Director of the War Relocation Authority during WWII and Commissioner of the Bureau of Indian Affairs from 1950-53, Richard Drinnon shows that the pattern for the Japanese internment was set a century earlier by the removal, confinement, and scattering of Native Americans.
Analyzing the career of Dillon S. Myer, Director of the War Relocation Authority during WWII and Commissioner of the Bureau of Indian Affairs from 1950-53, Richard Drinnon shows that the pattern for the Japanese internment was set a century earlier by the removal, confinement, and scattering of Native Americans.
It Takes a Candidate serves as the first systematic, nationwide empirical account of the manner in which gender affects political ambition. Based on data from the Citizen Political Ambition Study, a national survey conducted on almost 3,800 'potential candidates', we find that women, even in the highest tiers of professional accomplishment, are substantially less likely than men to demonstrate ambition to seek elected office. Women are less likely than men to be recruited to run for office. They are less likely than men to think they are 'qualified' to run for office. And they are less likely than men to express a willingness to run for office in the future. This gender gap in political ambition persists across generations. Despite cultural evolution and society's changing attitudes toward women in politics, running for public office remains a much less attractive and feasible endeavor for women than men.
Unsettling America explores the cultural politics of Indianness in the 21st century. It concerns itself with representations of Native Americans in popular culture, the news media, and political debate and the ways in which American Indians have interpreted, challenged, and reworked key ideas about them. It examines the means and meanings of competing uses and understandings of Indianness, unraveling their significance for broader understandings of race and racism, sovereignty and self-determination, and the possibilities of decolonization. To this end, it takes up four themes: -false claims about or on Indianness, that is, distortions, or ongoing stereotyping; -claiming Indianness to advance the culture wars, or how indigenous peoples have figured in post-9/11 political debates; -making claims through metaphors and juxtaposition, or the use of analogy to advance political movements or enhance social visibility; and -reclamations, or exertion of cultural sovereignty.
How could the United States, a nation founded on the principles of liberty and equality, have produced Abu Ghraib, torture memos, Plamegate, and warrantless wiretaps? Did America set out to become an empire? And if so, how has it reconciled its imperialism--and in some cases, its crimes--with the idea of liberty so forcefully expressed in the Declaration of Independence? Empire for Liberty tells the story of men who used the rhetoric of liberty to further their imperial ambitions, and reveals that the quest for empire has guided the nation's architects from the very beginning--and continues to do so today.
Hailed since its initial release, Film and the Anarchist Imagination offers the authoritative account of films featuring anarchist characters and motifs. Richard Porton delves into the many ways filmmakers have portrayed anarchism’s long traditions of labor agitation and revolutionary struggle. While acknowledging cinema’s predilection for ludicrous anarchist stereotypes, he focuses on films that, wittingly or otherwise, reflect or even promote workplace resistance, anarchist pedagogy, self-emancipation, and anti-statist insurrection. Porton ranges from the silent era to the classics Zéro de Conduite and Love and Anarchy to contemporary films like The Nothing Factory while engaging the works of Jean Vigo, Jean-Luc Godard, Lina Wertmüller, Yvonne Rainer, Ken Loach, and others. For this updated second edition, Porton reflects on several new topics, including the negative portrayals of anarchism over the past twenty years and the contemporary embrace of post-anarchism.
Whereas foreign policymaking is generally viewed as a rational, unemotional, and sophisticated process, this analysis of American policies toward the Persian Gulf, the Palestinian-Israeli conflict, and the Bosnian conflict suggests that the underlying and largely unexamined cultural values of most ordinary Americans play a major role in determining the United States' choice of force or negotiation in dealing with international problems. Payne examines the linkage between the United States' tendency to use force in foreign policy and the culture of violence in America. He argues that the costs of resolving conflicts militarily are likely to become more burdensome as economic competitors seek to take advantage of the U.S. tendency to demonstrate resolve primarily through the application of force. Post-Cold War challenges, Payne argues, call for a more nuanced combination of force and diplomacy. He finds hope in the fact that a strong component of American culture favors nonviolence, embraces humanitarianism, and if cultivated can contribute to the peaceful resolution of conflicts.
Confinement and Ethnicity documents in unprecedented detail the various facilities in which persons of Japanese descent living in the western United States were confined during World War II: the fifteen “assembly centers” run by the U.S. Army’s Wartime Civil Control Administration, the ten “relocation centers” created by the War Relocation Authority, and the internment camps, penitentiaries, and other sites under the jurisdiction of the Justice and War Departments. Originally published as a report of the Western Archeological and Conservation Center of the National Park Service, it is now reissued in a corrected edition, with a new Foreword by Tetsuden Kashima, associate professor of American ethnic studies at the University of Washington. Based on archival research, field visits, and interviews with former residents, Confinement and Ethnicity provides an overview of the architectural remnants, archeological features, and artifacts remaining at the various sites. Included are numerous maps, diagrams, charts, and photographs. Historic images of the sites and their inhabitants -- including several by Dorothea Lange and Ansel Adams -- are combined with photographs of present-day settings, showing concrete foundations, fence posts, inmate-constructed drainage ditches, and foundations and parts of buildings, as well as inscriptions in Japanese and English written or scratched on walls and rocks. The result is a unique and poignant treasure house of information for former residents and their descendants, for Asian American and World War II historians, and for anyone interested in the facts about what the authors call these “sites of shame.”
A two-time National Book Award finalist’s “ambitious and provocative” look at Custer’s Last Stand, capitalism, and the rise of the cowboys-and-Indians legend (The New York Review of Books). In The Fatal Environment, historian Richard Slotkin demonstrates how the myth of frontier expansion and subjugation of Native Americans helped justify the course of America’s rise to wealth and power. Using Custer’s Last Stand as a metaphor for what Americans feared might happen if the frontier should be closed and the “savage” element be permitted to dominate the “civilized,” Slotkin shows the emergence by 1890 of a mythos redefined to help Americans respond to the confusion and strife of industrialization and imperial expansion. “A clearly written, challenging and provocative work that should prove enormously valuable to serious students of American history.” —The New York Times “[An] arresting hypothesis.” —Henry Nash Smith, American Historical Review
In 1865, Wild Bill Hickok killed Dave Tutt in a Missouri public square in the West’s first notable "walkdown." One hundred and twenty-nine years later, Bernard Goetz shot four threatening young men in a New York subway car. Apart from gunfire, what do the two events have in common? Goetz, writes Richard Maxwell Brown, was acquitted of wrongdoing in the spirit of a uniquely American view of self-defense, a view forged in frontier gunfights like Hickok’s. When faced with a deadly threat, we have the right to stand our ground and fight. We have no duty to retreat.
A work of stunning density and penetrating analysis . . . Lost Battalions deploys a narrative symmetry of gratifying complexity."—David Levering Lewis, The Nation During the bloodiest days of World War I, no soldiers served more valiantly than the African American troops of the 369th Infantry—the fabled Harlem Hellfighters—and the legendary 77th "lost battalion" composed of New York City immigrants. Though these men had lived up to their side of the bargain as loyal American soldiers, the country to which they returned solidified laws and patterns of social behavior that had stigmatized them as second-class citizens. Richard Slotkin takes the pulse of a nation struggling with social inequality during a decisive historical moment, juxtaposing social commentary with battle scenes that display the bravery and solidarity of these men. Enduring grueling maneuvers, and the loss of so many of their brethren, the soldiers in the lost battalions were forever bound by their wartime experience. Both a riveting combat narrative and a brilliant social history, Lost Battalions delivers a richly detailed account of the fierce fight for equality in the shadow of a foreign war.
As Richard Moss reveals in this compelling biography, Morse was caught in a personal dilemma that reflected the larger tensions within his society. On the one hand, he played the role of self-sacrificing minister - a role drawn from the expectations of his father and the Connecticut traditions in which he was reared. In this capacity, he adopted the language of Christian Republicanism and sought to defend the virtues of communitarian village life, austerity, and deference to the Federalist leadership. On the other hand, Morse recognized the opportunities offered by the emerging liberal, capitalist culture. As an author and speculator, he amassed a small fortune and became enmeshed in a web of financial gambles that ultimately ruined him.
Less than 100 years after its creation as a fragile republic, the United States more than quadrupled its size, making it the world's third largest nation. No other country or sovereign power had ever grown so big so fast or become so rich and so powerful. Pulitzer Prize-winning historian Richard Kluger chronicles this epic achievement in a compelling narrative, celebrating the energy, daring, and statecraft behind America's insatiable land hunger while exploring the moral lapses that accompanied it. Comprehensive and balanced, Seizing Destiny is a revelatory, often surprising reexamination of the nation's breathless expansion, dwelling on both great accomplishments and the American people's tendency to confuse opportunistic success with heaven-sent entitlement that came to be called manifest destiny.
Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons. Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathé's Red Rooster films came to be defined as dangerously "foreign" and "alien" and even "feminine" (especially in relation to "American" subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American. The Red Rooster Scare offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.
Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.
At the heart of this book is what would appear to be a striking and fundamental paradox: the espousal of a ‘scientific’ doctrine that sought to eliminate ‘dysgenics’ and champion the ‘fit’ as a means of ‘race’ survival by a political and social movement that ostensibly believed in the destruction of the state and the removal of all hierarchical relationships. What explains this reception of eugenics by anarchism? How was eugenics mobilised by anarchists as part of their struggle against capitalism and the state? What were the consequences of this overlap for both anarchism and eugenics as transnational movements?
A number of arguments have been made to explain the relative weakness of the American Left. A preference for individualism, the effects of prosperity, and the miscalculations of different components of the Left, including the labor movement, have been cited, among other factors, as possible explanations for this puzzling aspect of American exceptionalism. But these arguments, says Richard Iton, overlook a crucial factor--the powerful influence of race upon American life. Iton argues that the failure of the American Left lies in its inability to come to grips with the centrality of race in the American experience. Placing the history of the American Left in an illuminating comparative context, he also broadens our definition of the Left to include not just political parties and labor unions but also public policy and popular culture--an important source for the kind of cultural consensus needed to sustain broad social and collectivist efforts, Iton says. In short, by exposing the impact of race on the development of the American Left, Iton offers a provocative new way of understanding the unique orientation of American politics.
Forty years after school integration became the law of the land, African-American poverty, isolation, and despair are as deep as ever. Thirty years after the environmental revolution of the 1960s, our environment continues to deteriorate. Why have these and so many other hopeful revolutions failed? Focusing on the crucial discipline of the law,
This cultural journey down memory lane showcases how major Western figures, events, and places have been portrayed in folk legends, art, literature, and popular culture. Ever since the days of the 49ers and George Armstrong Custer, the Old West has been America's most potent source of legend. But it is sometimes hard to separate fact from fiction. Did you know, for example, that Annie Oakley was a talented marksman who shot an estimated 40,000 rounds per year while practicing and performing for Buffalo Bill Cody's Wild West Show in the late l800s? Or that many interpreters believe that The Wonderful Wizard of Oz is not just a fairy tale, but also a Populist allegory? These are just two of the folk legends dissected and examined in this veritable cultural geography. The volume covers everything from billionaire Howard Hughes and composer Aaron Copeland to Aztlan (the legendary first city of the Aztecs) and Area 51, the top-secret U.S. Air Force base at Groom Lake, Nevada, that has fascinated UFO and conspiracy buffs.
This sweeping literary encounter with the Western idea of the city moves from the early novel in England to the apocalyptic cityscapes of Thomas Pynchon. Along the way, Richard Lehan gathers a rich entourage that includes Daniel Defoe, Charles Dickens, Emile Zola, Bram Stoker, Rider Haggard, Joseph Conrad, James Joyce, Theodore Dreiser, F. Scott Fitzgerald, and Raymond Chandler. The European city is read against the decline of feudalism and the rise of empire and totalitarianism; the American city against the phenomenon of the wilderness, the frontier, and the rise of the megalopolis and the decentered, discontinuous city that followed. Throughout this book, Lehan pursues a dialectic of order and disorder, of cities seeking to impose their presence on the surrounding chaos. Rooted in Enlightenment yearnings for reason, his journey goes from east to west, from Europe to America. In the United States, the movement is also westward and terminates in Los Angeles, a kind of land's end of the imagination, in Lehan's words. He charts a narrative continuum full of constructs that "represent" a cycle of hope and despair, of historical optimism and pessimism. Lehan presents sharply etched portrayals of the correlation between rationalism and capitalism; of the rise of the city, the decline of the landed estate, and the formation of the gothic; and of the emergence of the city and the appearance of other genres such as detective narrative and fantasy literature. He also mines disciplines such as urban studies, architecture, economics, and philosophy, uncovering material that makes his study a lively read not only for those interested in literature, but for anyone intrigued by the meanings and mysteries of urban life.
From Charlotte's Web to Porky Pig and Babe, Americans betray a curiously deep regard for pigs. Hog Ties looks at this phenomenon, its relation to American culture, and the way in which themes of life and death are played out in the care, feeding, slaughter, and eating of pigs. Intermingling silly asides with serious subjects, existential concerns with environmental issues, the book considers the ways that pigs might help Americans address powerful human concerns.
Jacob Abrams et al. v. United States is the landmark Supreme Court case in the definition of free speech. Although the 1918 conviction of four Russian Jewish anarchists--for distributing leaflets protesting America's intervention in the Russian revolution--was upheld, Justice Oliver Wendell Holmes's dissenting opinion (with Justice Louis Brandeis) concerning "clear and present danger" has proved the touchstone of almost all subsequent First Amendment theory and litigation.In Fighting Faiths, Richard Polenberg explores the causes and characters of this dramatic episode in American history. He traces the Jewish immigrant experience, the lives of the convicted anarchists before and after the trials, the careers of the major players in the court cases--men such as Holmes, defense attorney Harry Weinberger, Southern Judge Henry DeLamar Clayton, Jr., and the young J. Edgar Hoover--and the effects of this important case on present-day First Amendment rights.
Montana: A History of Two Centuries first appeared in 1976 and immediately became the standard work in its field. In this thoroughgoing revision, William L. Lang has joined Michael P. Malone and Richard B. Roeder in carrying forward the narrative to the 1990s. Fully twenty percent of the text is new or revised, incorporating the results of new research and new interpretations dealing with pre-history, Native American studies, ethnic history, women's studies, oral history, and recent political history. In addition, the bibliography has been updated and greatly expanded, new maps have been drawn, and new photographs have been selected.
American expansion, says Richard Drinnon, is characterized by repression and racism. In his reinterpretation of "winning" the West, Drinnon links racism with colonialism and traces this interrelationship from the Pequot War in New England, through American expansion westward to the Pacific, and beyond to the Phillippines and Vietnam. He cites parrallels between the slaughter of bison on the Great Plains and the defoliation of Vietnam and notes similarities in the language of aggression used in the American West, the Philippines, and Southeast Asia.
Longlisted for the 2024 National Book Award in Nonfiction “Sweeping...A new way to make sense not only of the past, but of the contemporary culture wars.” —New York Times Book Review “A provocative culmination of Slotkin’s field-defining arguments on the place of violence in creating America.” —Kathleen Belew “Brisk, bold, and thought-provoking.” —Daniel Lazare, Arts Fuse “[An] exciting and detailed new decoder ring of a book...While it is usually hyperbolic to claim that a book will change your life, this one may well have a permanent effect on how you consume and think about American political news.” —Tom Zoellner, Los Angeles Review of Books Red America and Blue America are so divided they could be two different countries, with wildly diverging views of why government exists and who counts as American. Their ideologies are grounded in different versions of American history, endorsing irreconcilable visions of patriotism and national identity. A Great Disorder is a bold, urgent work that helps us make sense of today’s culture wars through a brilliant reconsideration of America’s foundational myths and their use in contemporary politics. Richard Slotkin identifies five key narratives that have shaped our conception of what it means to be American: the myths of the Frontier, the Founding, the Civil War (with dueling views of it as Liberation or the Lost Cause), and the Good War. Today, Slotkin argues, Trump and his MAGA followers play up a frontier-inspired hostility to the federal government, and rally around Confederate symbols to champion a racially exclusive definition of American nationality; meanwhile, Blue America takes its cue from the protest movements of the 1960s, envisioning a limitlessly pluralistic country in which the federal government is the ultimate enforcer of rights and opportunities. With these opposing perspectives, American history—and the foundations of our democracy—has become a battleground. It remains to be seen which vision will prevail.
On May 12, 1960, as John F. Kennedy campaigned for the presidency, Chester Burge—slumlord, liquor runner, and the black sheep of the proud (and wealthy) Dunlap family of Macon, Georgia—lay in a hospital bed, recovering from surgery. He listened to the radio as the news reported that his wife had just been murdered. Police soon ruled out robbery as a motive, and suspicion centered upon the Ku Klux Klan, which two weeks earlier had descended upon his house to protest his renting of homes in white neighborhoods to black families. Then, on June 1, Chester was charged with the murder, and when the trial finally began, the sweet Southern town of Macon witnessed a story of epic proportions—a tale of white-columned mansions, an insane asylum, real people as “Southern grotesque” as the characters of Flannery O’Connor, and a volatile mix of taboo interracial relationships and homosexuality. This was a story as fantastical as a Greek tragedy, complete with a stunning conclusion. It is told in riveting detail in Richard Jay Hutto’s A Peculiar Tribe of People. Chester Burge was a walking streak of deception and sex. After weaseling his way to be the caretaker of the last Dunlap sister and forcing his way into her will, Burge and his family inherited a fortune as well as one of the family mansions. Then came his numerous assignations with men—including his black chauffeur—and, either single-handedly or with help from a lover, the murder of his wife. The trial would spawn the first testimony in Georgia history of a black man disclosing that he had been a white man’s sexual partner. Burge would be acquitted of murder, but convicted of sodomy. And yet, this Southern grotesque tale would take even more twists and turns before coming to an explosive conclusion.
Lavishly illustrated with photographs, paintings, and movie stills, this Western Heritage Award-winning book explores what life was actually like for the working cowboy in North America. "If you read only one book on cowboys, read this one".--Journal of the Southwest.
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