Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California. Published to coincide with the first retrospective of Diebenkorn's work since his death, this catalog is the most comprehensive volume on the artist now available. 192 color illustrations.
Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California. Published to coincide with the first retrospective of Diebenkorn's work since his death, this catalog is the most comprehensive volume on the artist now available. 192 color illustrations.
The Beat and the Buzz is the history of the Los Angeles art world since 1970, as told by thirty-three of its participants, in their own words. This art-world family album captures the intimate, lived experiences of artists, dealers, curators and critics whose personal history is becoming codified as art history. Whether you're in Los Angeles, or not, this book is also about the tensions of making it as an artist, or not. Clarifying but also complicating the many factors of success, the accounts here demonstrate that it's not only who you know but also when you know them, and how they're willing to support you at crucial junctures in your career. Finally, "The Beat and the Buzz" is also just gossip: The entertaining anecdotes of thirty-three interesting people with their own inside tales and humorous asides about one another and about the world they have lived and worked in. As artist John Baldessari proclaims, "It's a page turner."Contributors: Tony Berlant, Alexis Smith, Javier Peres, Elyn Zimmerman, Hal Glicksman, Dorit Cypis, Henry Hopkins, Sarah Gavlak, Elyse Grinstein, Edward Goldman, Emi Fontana, Maynard Monrow, Gianna Carotenuto, Ed Moses, Judith Hoffberg, Daniel Hug, Dagny Corcoran, Clayton Campbell, Kathryn Andrews, James Hayward, Robert Berman, Lyn Kienholz, Tom Lawson, Kim Light, David Askevold, Christine Nichols, Marc Pally, Skip Arnold, Barbara Guggenheim, John O'Brien, Heather Harmon, Cliff Einstein, and Jeff Poe.
Interference & Other Stories of characters who express their feelings in a variety of ideas, thoughts and questions. Hoffman's writing makes us consider and question our own position on each subject covered in the book. The novel explores death, yearning, understanding and curiosity. We read about a police man who is still hurting from his son's death but is trying to move on by marrying his girlfriend. We learn about another man who is a recovered alcoholic and keeps busy by working in his car shop and being an advisor for a guy who is part of Alcoholics Anonymous. Additional stories are about a father and his son leaving the grocery store and a woman speaking to a marine over lunch asking questions about joining and what it is like. One story that I could relate to is "Sundown Jesus." A young man, Geory, goes to visit his uncle in a nursing home. When Geory gets there a doctor speaks with him about giving his uncle medication for his depression. Geory prefers to see his uncle first before giving permission. During his visit Geory finds that his uncle is ready to die. Other readers might find it easy to relate to because they may have elderly friends in nursing homes. The story that I found most compelling was "The Wrong Sunday." It starts out with a young boy, Marty, sleeping with a rosary. Instead of going to his parent's room after a bad dream he prays. When his family is getting ready for church, Marty is told that his grandfather has died. Marty's father does not handle this well and this sight hurts Marty. Marty starts to believe that his grandfather died because of a bad dream and is afraid that this can happen to him. The story is sad but opens our minds by looking into a topic that many children might think of. It also creates us as readers to revisit our bad dreams. Between these short stories there are short snip-bits about a guy. A guy who goes into a therapists office, a barbershop, a guy looking for work, one with a story and a guy going to heaven. The therapist one is humorous and makes you open your eyes, others convey a deep thought that might bore your mind. Overall, the best short story is the last story, "Interference." Hoffman examines the natural fights and frustration between family members as well as the need and crave for something that is so close. You'll read the ending at least three times, questioning what happened.
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