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How a visionary, never-realized architectural project, devised by one of the twentieth century’s greatest artists, shaped architectural culture in Europe between the world wars. After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a “horizontal skyscraper,” which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow’s Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In Wolkenbügel, Richard Anderson explores Lissitzky’s translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky’s singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Approaches to Landscape introduces and explores the main perspectives in this increasingly popular field of study. Written in an accessible style and illustrated throughout with relevant photographs, maps and diagrams, it provides a comprehensive review of the literature and key concepts for Landscape Studies.
Wagner's Der Ring des Nibelungen is one of the most influential theatrical works ever written. It is a powerful music-drama on a grand scale, a full appreciation of which depends on an understanding of exactly what is being sung. Wagner's German was deliberately archaic and romantic; until recently, there has been no singing translation which transmits with genuine feeling the complex and literate text, matching the stress and inflection in the score. This translation, commissioned by the English National Opera Company for their highly successful production of The Ring in English, is the work of Andrew Porter, music critic of The New Yorker. The edition includes a German text and Mr. Porter has provided an essay dealing with the problems of translating the work. Book jacket.
The chaotic mixture of elements in Trakl's poems is more apparent than real, this book argues, thus challenging the "Orphic" view of Walther Killy and his followers. A dream of unity—one of the most ancient dreams in human history—is in fact reflected in all of Trakl's work. The recurring themes in Trakl's poetry are brought into focus through Dr. Detsch's literary, psychological, and philosophical analysis: the union of male and female in incest from the Jungian standpoint, the union of life and death from the Heideggerian standpoint and that of German Romanticism as represented by Novalis, the union of good and evil from the Dostoyevskian or Nietzschean standpoint, the mixture of images from the Goethean definition of symbolism. Trakl (1887–1914) is presented as a poet whose lyric voice sounded a cry of hope in its deepest despair. As Dr. Detsch's generous quotations from the poet's work (in the original German) make clear, Georg Trakl sought poetic expression for a union of opposites.
This unique volume contains, in parallel translation, a thousand of the most frequently performed Lieder, both piano-accompanied and orchestral. Composers are arranged alphabetically, with their songs appearing under poet in chronological order of composition - thus allowing the reader to engage in depth with a particular poet and at the same time to follow the composer's development. Richard Stokes, whose work in this field is already widely acclaimed, provides illuminating short essays on each of the fifty composers' approach to Lieder composition, as well as well as notes on all the poets who inspired the songs.The volume is notable for the accuracy and elegance of its translations, and for its fidelity to the German verse: every care has been taken to print the words of the sung text, while adhering to the versification and punctuation of the original poem.Beethoven, Schubert and Schumann, Goethe, Heine and Schiller are among the highlights of a book which illuminates one of the great musical traditions and will be an indispensable handbook for every music lover.
Through close readings of poems covering the span of Georg Trakl's lyric output, this study traces the evolution of his strangely mild and beautiful vision of the end of days.
Things like this are written only for people who have good powers of endurance (so really for nobody!)', wrote Wagner about Die Walkuere. Yet, as Geoffrey Skelton points out, the opera has enjoyed a separate popularity and existence from the Ring Cycle. George Gillespie shows just how the string of mythical events was converted into a drama remarkable for its concentrated excitement and fine construction. Barry Millington introduces the web of motifs in the complex score. The English version, with Elizabeth Forbes's translation of the verses that Wagner did not eventually set to music but retained as footnotes to his published version, is by acclaimed translator Andrew Porter.Contents: A Conflict of Power and Love, Geoffrey Skelton; Chronology of the Composition of 'The Valkyrie'; An Introduction to the Music of 'The Valkyrie', Barry Millington; New Myths for Old, George Gillespie; Translating 'The Ring', Andrew Porter; Die Walkuere: Poem by Richard Wagner; The Valkyrie: English translation by Andrew Porter
Die Meistersinger von Nuernberg is the only comedy among Richard Wagner's mature works. Unusually for Wagner, it is set in a historically specific time and place, sixteenth-century Nuremberg, and tells of a song contest among the town's guildsmen. It nevertheless explores the same themes of renewal, renunciation and human love as Wagner's other great music dramas. The finely drawn humanity of its principal characters and the brilliance of its musical invention make it one of the most rewarding operas in the repertory.The guide contains articles on the complex historical and political background to the opera, a detailed examination of its musical structure and a survey of its sometimes contentious performance history. Further articles explore some of the work's roots in the poetry of Schiller and the vexed question of the extent to which Wagner's virulent anti-Semitism may be said to be present in the opera. The guide also includes the full libretto with English translation, sixteen pages of illustrations, a musical thematic guide, a discography, a bibliography and DVD and website guides.Contains:Snapshots of Die Meistersinger von Nuernberg, John DeathridgeThe Music: A Commentary, Arnold WhittallHans Sachs and Friedrich Schiller, Tim BlanningThe Beckmesser Problem, Hans Rudolf VagetThe Performance Legacy of Die Meistersinger, Aine SheilDie Meistersinger von Nuernberg: Poem by Richard WagnerThe Mastersingers of Nurenberg: Libretto by Peter Branscombe
Written in 1927, Arabella is a portrait - partly romanticized, partly factual - of Habsburg Vienna in the 1860s. It is also a celebration of the profound importance of courage and the ability to forgive in love. Our sympathies are not only drawn to Arabella, who waits for "e;the right man"e; to come, but to her younger sister, who breaks with conventional morality in the cause of her love.This opera is a moving testament to Hugo von Hofmannsthal, who died before it was completed, and it remains one of the best-loved products of his twenty-five- year collaboration with Strauss.Contents: The Edge of the Cliff, Michael Ratcliffe; A Musical Synopsis, William Mann; A Profound Simplicity, Patrick J. Smith; Hofmannsthal's Last Libretto, Karen Forsyth; Arabella: Libretto by Hugo von Hofmannsthal; Arabella: English translation by John Gutman
Fundamentals of Biogeography presents an accessible, engaging and comprehensive introduction to biogeography, explaining the ecology, geography, history and conservation of animals and plants. Starting with an outline of how species arise, disperse, diversify and become extinct, the book examines: how environmental factors (climate, substrate, topography, and disturbance) influence animals and plants; investigates how populations grow, interact and survive; how communities form and change; and explores the connections between biogeography and conservation. The second edition has been extensively revised and expanded throughout to cover new topics and revisit themes from the first edition in more depth. Illustrated throughout with informative diagrams and attractive photos and including guides to further reading, chapter summaries and an extensive glossary of key terms, Fundamentals of Biogeography clearly explains key concepts in the history, geography and ecology of life systems. In doing so, it tackles some of the most topical and controversial environmental and ethical concerns including species over-exploitation, the impacts of global warming, habitat fragmentation, biodiversity loss and ecosystem restoration.
Parsifal was Richard Wagner's last opera, and many consider it his most beautiful and moving work. Peter Bassett, author of the highly successful A RING FOR THE MILLENNIUM, has made a special study of Parsifal, looking particularly at the relationship between Wagner's sources and his text and identifying important thematic connections with other works, notably DER RING DES NIBELUNG. This guide - which includes a translation of the libretto - will be invaluable to those new to Parsifal, but will also provide fresh insights for readers who are already familiar with Wagner's final work. This new edition is illustrated with historical photographs and a new format.
Unabridged score of composer's last opera, renowned for splendid music, glowing orchestration, and deeply personal treatment of the legend of the Holy Grail. Reprint of authoritative C. F. Peters edition.
Franz Schubert's song cycles Schone Mullerin and Winterreise are cornerstones of the genre. But as Richard Kramer argues in this book, Schubert envisioned many other songs as components of cyclical arrangements that were never published as such. By carefully studying Schubert's original manuscripts, Kramer recovers some of these "distant cycles" and accounts for idiosyncrasies in the songs which other analyses have failed to explain. Returning the songs to their original keys, Kramer reveals linkages among songs which were often obscured as Schubert readied his compositions for publication. His analysis thus conveys even familiar songs in fresh contexts that will affect performance, interpretation, and criticism. After addressing problems of multiple settings and revisions, Kramer presents a series of briefs for the reconfiguring of sets of songs to poems by Goethe, Rellstab, and Heine. He deconstructs Winterreise, using its convoluted origins to illuminate its textual contradictions. Finally, Kramer scrutinizes settings from the Abendrote cycle (on poems by Friedrich Schlegel) for signs of cyclic process. Probing the farthest reaches of Schubert's engagement with the poetics of lieder, Distant Cycles exposes tensions between Schubert the composer and Schubert the merchant-entrepreneur.
This significant volume is the first to present in detail the entire prolific vocal repertoire of the late-Romantic German composer Max Reger. The Songs of Max Reger: A Guide and Study begins with a brief introduction discussing the development of German Lied, then journeys through this creative composer's works for voice and piano. With many musical examples, Richard Mercier and Donald Nold present a survey and discussion of Reger's lifetime of song output. The book proceeds through the songs chronologically by opus number, discussing each individually. All entries include details pertinent to the song's particular poem, its musical setting, the date of musical composition, the vocal range required, and discussion of specific vocal and pianistic features. The text also provides the original German poem, word-for-word English translation of the German text, IPA (International Phonetic Alphabet) pronunciation symbols for the German, and a prose version of the poetic text in English for better appreciation of the piece. An index and two appendixes complete this important reference, arranging the songs by title and poet and supplying information on vocal range, level of difficulty, and gender. Designed for the classical vocal music enthusiast and invaluable to the singer and vocal coach, this book, commemorating the 135th anniversary of the composer's birth, will also appeal to accompanists, Reger scholars, and lovers of German Lieder and German art and culture.
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