Visualizing with Text uncovers the rich palette of text elements usable in visualizations from simple labels through to documents. Using a multidisciplinary research effort spanning across fields including visualization, typography, and cartography, it builds a solid foundation for the design space of text in visualization. The book illustrates many new kinds of visualizations, including microtext lines, skim formatting, and typographic sets that solve some of the shortcomings of well-known visualization techniques. Key features: More than 240 illustrations to aid inspiration of new visualizations Eight new approaches to data visualization leveraging text Quick reference guide for visualization with text Builds a solid foundation extending current visualization theory Bridges between visualization, typography, text analytics, and natural language processing The author website, including teaching exercises and interactive demos and code, can be found here. Designers, developers, and academics can use this book as a reference and inspiration for new approaches to visualization in any application that uses text.
For generations, technical market analysts have relied on the Wyckoff method for understanding price/volume interactions–a breakthrough technique created by Richard D. Wyckoff, one of the most influential traders in stock market history. More recently, many technical analysts have also applied the Lowry Analysis, an exceptionally powerful approach to understanding the forces of supply and demand that are the starting point for all macro-analysis. ¿ Now, for the first time, two leaders at Lowry Research discuss how to combine these methods. Drawing on more than 45 years of experience as technical analysts, Richard A. Dickson and Tracy Knudsen introduce a uniquely powerful, objective, and quantifiable approach to applying traditional price/volume analysis. By understanding their techniques, investors can gain insights unavailable through other technical methodologies, and uncover subtle indications of emerging trend shifts before other methods can reveal them.
For the first time, these two works attributed to the great Jesse Livermore are presented together in one volume with a new foreword by Juliette Rogers. Both contain interesting insights into Livermore's life and times as well as the reasons for his success. They remain classics and must reads for every new aspirant in the world of speculation. The two books in this volume were written in the early 1920s, when Livermore was already famous but still ascending to the peak of his wealth. The nightmare of World War I was fading, and the United States had successfully transitioned from a wartime economy into a peacetime powerhouse. Americans became enamored of cars, telephones, radios, and movies. A newfound fascination with celebrities extended beyond film stars and athletes to the rich and powerful. People wanted to know how Wall Street wizards like Jesse Livermore spun their magic. The first book, Reminiscences of a Stock Operator by Edwin Lefèvre, offers keen insight while at the same time adding to the Livermore enigma. Reminiscences is the first-person narrative of a fictional speculator named Larry Livingston, whose life events happen to match precisely those of Jesse Livermore. As a financial journalist, biographer, and novelist, Edwin Lefèvre gave his readers their much-desired glimpse into the lofty world of Wall Street elites. He wrote eight other books, but none matched the success of Reminiscences, which has remained in print since 1923 and been translated into numerous languages. Even the understated former Federal Reserve Chairman Alan Greenspan once called it "a font of investing wisdom." In true Livermore fashion, the book itself remains something of a mystery. Specifically, over the decades many readers have wondered if the book's author was not Lefèvre, but none other than Jesse Livermore. The two men were long acquainted and may have traded useful information over the years. A 1967 biography claims that Livermore, shortly before his death, acknowledged writing Reminiscences with guidance from Lefèvre, who served as "editor and coach." This revelation came to the biographer secondhand and without confirmation, so the mystery continues. However, attentive readers may note the narrator's especially gleeful tone whenever windfalls are made or old scores are settled, suggesting a connection more personal than professional. In the years following these publications, Livermore continued to burnish his legend. A 1924 run-up in wheat prices squeezed him out of $3 million, but the following year he recovered his losses and added tremendous profit when the wheat market collapsed. Of course, in this era of modest regulation, markets were vulnerable to manipulation and Livermore--by now nicknamed the "Great Bear of Wall Street"--did not eschew such tactics.
A comprehensive history of film lighting, from its earliest origins to the heyday of Hollywood dominance - and beyond. This is a book about the art of lighting, "the relevance of pictures, and the responsibility of all those who take pictures of the world and show them". In an age of constant digital snapshots, with their mercilessly artless recording of everything around us, the award-winning director and scriptwriter Richard Blank makes a compelling case for this increasingly neglected art, and for sustaining "the awareness of its responsibility". In Film & Light, Richard Blank draws on examples from a century of pioneering filmmakers - from Griffith to Buñuel, Ophüls to Altman, Rossellini to Scorsese, Eisenstein to Wong Kar-Wai - to trace the historical development of lighting technology, analyse the changing "rules" and techniques of film lighting, and define the key terms surrounding the technical innovations of its art. The close attention he brings to bear on these modern masters - from DeMille to De Sica to Lars von Trier, Niblo to Murnau to Siodmark, via Maurice Tourneur and Fritz Lang, Charlie Chaplin and Orson Welles - brilliantly illuminates the hidden art of these past masters, as well as the troubled social context by which they each variously came to shine.
Three indispensable books reveal little-known technical and psychological techniques for outperforming the market — and beating the traders you’re up against! Three remarkable books help you leverage powerful, little-known insights from technical analysis and behavioral economics to consistently outperform the market! In George Lindsay and the Art of Technical Analysis, Ed Carlson resurrects the nearly-forgotten technical analysis techniques created by the eccentric genius who called the beginning and end of history’s greatest bull market, within days! Carlson reveals why George Lindsay’s techniques are especially valuable right now, demonstrates their power visually, simply, and intuitively – and shows how to make the most of them without strong mathematical expertise. Next, Mastering Market Timing combines the powerful, long-proven technical analysis methods of Richard D. Wyckoff with the world-renowned analysis of Lowry Research -- sharing deep new price/volume insights you can use to uncover emerging trends faster, even if you’re entirely new to technical analysis. Finally, in Trade the Trader, Quint Tatro focuses on the real zero-sum nature of trading, helping you understand the traders you’re up against, anticipate their moves, outwit them – and beat them! From world-renowned investing and trading experts Ed Carlson, Richard A. Dickson, Tracy L. Knudsen, and Quint Tatro
Hollywood Abroad is the first book to examine the reception of Hollywood movies by non-American audiences. Although numerous books on film history have analyzed the ways in which American films came to dominate world markets, there has so far been very little published work on how audiences outside the United States have responded to Hollywood-produced films. Hollywood Abroad explores the reception of U.S. films in Britain, France, Belgium, Turkey, Australia, India, Japan, and Central Africa. The book covers topics from the first major penetration of American films into France, Britain, and Australia to the impact of such films as The Best Years of Our Lives to the response of Belgian young people in the age of the multiplex. It demonstrates that the story of the reception of American films overseas is less one of domination than of a complex adoption of Hollywood into various cultures.
At the turn of the past century, the main function of a newspaper was to offer “menus” by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans’ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of “movieland,” and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.
Even in the earliest "Wild West" subjects, the lens of settler colonialism reveals major tropes that will become characteristic of westerns in their depiction of "our country"'s expansion across the North American continent. Single and split-reel fiction films initially may not have captured the vistas of plains and mountains depicted in the large historical paintings and murals described in the Introduction. After all, up to 1904, those companies producing motion pictures for sale or rental chiefly were located in or around New York (Edison, AM&B), Philadelphia (Lubin), and Chicago (Selig Polyscope). Moreover, their cameras, especially the bulky Biograph camera (using 68mm filmstock until 1903), kept them from venturing beyond their spartan studios, except for shooting travel films. The stories and characters that had long circulated in popular dime novels, however, proved a welcome source of inspiration. One figure was particularly notable. Kit Carson (1809-1868) was known as a trail-blazing hunter, trapper, scout, and Indian fighter whose frontier adventures led him frequently across the plains and into the western mountains in the mid-19th century. He had guided John Charles Frémont on no fewer than three expeditions (1842, 1843, 1845) through the Rocky Mountains into California on the Oregon and Santa Fe trails. Together they mounted an uprising against Mexico and prepared the way for California to become a state. Later the frontiersman led several campaigns against the Apaches, Navajos, and Kiowas in what became New Mexico. Carson's legendary stature as an American pioneer came largely from dime novels such as Kit Carson, the Prince of the Gold Hunters (1849) and The Prairie Flower, or the Adventures of the Far West (1849) as well as his "memoir," The Life and Adventures of Kit Carson, the Nestor of the Rocky Mountains (1858). Scores of novels featuring his fictional exploits were published and republished through the turn of the century. Even in its book cover design, The Fighting Trapper, Kit Carson to the Rescue (1874), for instance, graphically depicts his skill at hand-to-hand combat. Perhaps it is no wonder that AM&B made him the hero of its early story films, Kit Carson and The Pioneers (both 1903), shot with a more standardized camera (using 35mm filmstock) in the Adirondack Mountains, "amid scenery of the wildest natural beauty and enacted with the greatest fidelity to the original.""--
An Unabridged, Unaltered Printing of the 1910 Edition to include: Introductory - Preliminary Suggestions - The Stock List Analyzed - Stop Orders, Trading Rules, Etc. - Volumes and Their Significance - Market Technique - Dull Markets and Their Opportunities - The Use of Charts as Guides and Indicators - Daily Trades vs. Long Pull Operations - Various Examples and Suggestions - Obstacles to be Overcome - Possible Profits - Closing the Trades - Suggestions for Students - Two Days' Trading - The Principles Applied To Wider Savings
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