Moving pictures existed for over a decade before anything resembling a star system appeared. Then American cinema went from being devoid of stars to being dependent on them. This is an account of this development in cinema and modern culture.
Pharmacy Practice and the Law helps Pharmacy students understand and critically analyze the law that governs both the profession and the products they distribute. Abood/Burns includes the most up-to-date federal, legal, regulatory, and policy developments, as well as new developments to various medical/pharmaceutical programs"--
The Ninth Edition of the best-selling text, Pharmacy Practice and the Law goes beyond preparation for the board exam, helping students understand and critically analyze the law that governs both the profession and the products they distribute. The Ninth Edition continues to include the most up to date federal, legal, regulatory, policy developments, as well as new developments to various medical/pharmaceutical programs. Challenging, open-ended discussion questions and edited cases are included in every chapter to facilitate discussion and critical thinking. Critical issues are discussed in non-legal, easy-to-understand language. Pharmacy Practice and the Law, Ninth Edition is the most comprehensive and engaging resource for teaching the facts of federal pharmacy law and for encouraging critical thinking and analysis on the issues.
The Sixth Edition of this best-selling text includes updates to account for new legal, regulatory and policy developments. Pharmacy Practice and the Law, Sixth Edition provides background, history and discussion of the law so as to enable the student to not only learn the facts, but to help them understand, apply and critically evaluate the information. The issues covered in this text are discussed in non-legal, easy to understand language. Challenging open-ended discussion questions and edited cases are included in every chapter to facilitate discussion and critical thinking. Citations to all laws, court cases, regulations and other documents are provided. An online instructor’s manual is available. Pharmacy Practice and the Law, Sixth Edition, is a useful resource both for teaching the facts of pharmacy law and for stimulating critical thinking issues in pharmacy law.
Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
Through the intensive examination of films, magazines, advertising and critical texts, Dyer analyses the historical, ideological and aesthetic significance of stars, changing the way we understand screen icons. Paying particular attention to icons including Marlon Brando, Bette Davis, Marlene Dietrich, Marilyn Monroe and John Wayne.
In Fighting Stock, Richard B. McCaslin illuminates numerous facets of Ford’s life typically overshadowed by emphasis on his identity as Ranger and soldier in nineteenth-century Texas. In this third volume of the Texas Biography Series, published by TCU Press and The Center for Texas Studies, McCaslin reveals Ford as a man spurred on by the legacy of his nation-building grandfathers and his own strong convictions and energy to become a force in shaping Texas as a Southern state before and after the Civil War. Ford’s battles as a Ranger, and as a leader of Texas’ military forces allied with the Confederacy, were only part of his legacy in Texas history. He was also a physician, lawyer, and the editor of several newspapers, and among his many roles in politics and civil service were multiple terms as a state legislator and the mayoralty of Austin and Brownsville. Later in life, he fought to preserve Texas history and wrote his own extensive memoirs. Known for his courage and toughness as a military commander, Ford was also a talented strategist, diplomat, and community leader. McCaslin’s in-depth historical detail paints a full picture of this famous Texan, a fighter not only on the battlefield, but on the civic and political fields as well.
In Sutherland Springs, Texas, Richard B. McCaslin explores the rise and fall of this rural community near San Antonio primarily through the lens of its aspirations to become a resort spa town, because of its mineral water springs, around the turn of the twentieth century. Texas real estate developers, initially more interested in oil, brought Sutherland Springs to its peak as a resort in the early twentieth century, but failed to transform the farming settlement into a resort town. The decline in water tables during the late twentieth century reduced the mineral water flows, and the town faded. Sutherland Springs’s history thus provides great insights into the importance of water in shaping settlement. Beyond the story of resort spa aspirations lies a history of the community and its people itself. McCaslin provides a complete history of Sutherland Springs from early settlement through Civil War and into the twentieth century, its agricultural and oil-drilling exploits alongside its mineral water appeal, as well as a complete community history of the various settlers and owners of the springs/hotel.
An elementary school dropout, George Burns went on to become one of America's most beloved entertainers. This book covers a neglected part of his career--his work as a television producer. Burns was not only a behind-the-scenes producer, but also filled the role of producer in various comedies in which he starred. Though his forte was situation comedies, Burns' company, McCadden Productions, also produced dramatic anthology series and pilots, including a pilot considered to be a precursor to the popular TV series Mission: Impossible. This book focuses on Burns' wide variety of production efforts, and follows his involvement in television productions from his 1950 comedy series with his wife, Gracie Allen, through his participation in the fantasy sitcom Mister Ed, and finally to his last producer credit in 1981, I Love Her Anyway, a remake of The Burns and Allen Show.
Six Minor Prophets Through the Centuries is the work of highly respected biblical scholars, Richard Coggins and Jin H. Han. The volume explores the rich and complex reception history of the last six Minor Prophets in Jewish and Christian exegesis, theology, worship, and arts. This text is the work of two highly respected biblical scholars It explores the rich and complex reception history of the last six Minor Prophets in Jewish and Christian theology and exegesis
This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema—both movies and movie-going—in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures—all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns—the latter of which highlight the importance of the emerging star system—Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community.
Now published in a revised second edition, The Matter of Images searches through the resonances of the term ‘representation’, analysing images in terms of why they matter, what they are made of, and the material realities they refer to. Richard Dyer’s analyses consider representations of ‘out’ groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from queers to straights, political correctness, representations of Empire and films including Gilda, Papillon and The Night of the Living Dead. Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the South in Birth of a Nation, and society’s fascination with serial killers. The Matter of Images is distinctive in its commitment to writing politically about contemporary culture, while insisting on the importance of understanding the formal qualities and complexity of the images it investigates.
Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
Easy to read and designed for on-the-spot reference, Handbook for Principles and Practice of Gynecologic Oncology, 2nd Edition is a comprehensive yet concise guide for fellows, residents, and specialist trainees in the diagnosis and management of gynecologic cancers. You’ll find authoritative coverage of the latest developments in the field, streamlined data that support treatment recommendations, and helpful algorithms and tables included throughout. Learn from two new co-editors, Drs. Dizon and Yashar, who share their expertise in gynecologic medical oncology and gynecologic radiation oncology. Progress logically through each chapter from incidence and etiology to diagnosis and treatment. An ideal companion to Barakat, Berchuck, Markman, and Randall's Principles and Practice of Gynecologic Oncology, 6th Edition.
Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons. Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathé's Red Rooster films came to be defined as dangerously "foreign" and "alien" and even "feminine" (especially in relation to "American" subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American. The Red Rooster Scare offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.
Strangers, Gods and Monsters is a fascinating look at how human identity is shaped by three powerful but enigmatic forces. Often overlooked in accounts of how we think about ourselves and others, Richard Kearney skil lfully shows, with the help of vivid examples and illustrations, how the human outlook on the world is formed by the mysterious triumvirate of strangers, gods and monsters. In the first part of the book, he shows how the figure of stranger - the "barbarian" for ancient Greece, the 'savage' for imperial Europe - defines our own identity by the very idea that it is the Other, not we, who is unknown. He then goes on to examine the image of the monster, and with the aid of powerful examples from ancient Minotaurs to medieval demons and post-modern enemies, argues that human selfhood itself frequently contains a monstrous element. In the final part of the book Richard Kearney shows how many gods are still alive for people today testifying to the human psyche's yearning to slip the shackles of our finitude and death. Throughout, Richard Kearney shows how strangers, gods and monsters do not merely reside in myths or fantasies but constitute a central part of our cultural unconscious. Above all, he argues that until we understand better that the Other resides deep within ourselves, we can have little hope of understanding how our most basic fears and desires manifest themselves in the external world and how we can learn to live with them.
Lucero's colorful, imaginative sculptures and ceramics synthesize diverse forms and influences?bottle trees and face jugs inspired by African art; a hanging ram and blood-red sacred hearts with roots in Mexico; looming stick figures suggestive of Native American rock art; delicate totem poles that evoke Pacific Northwest Indian cultures. Hybrid animals, found objects, jug-headed infants in baby carriages and dreamers who externalize the contents of their dreams in multilayered glazes animate the work of this California-born artist, now living in New York. Cataloging a traveling exhibition that opened at the Mint Museum of Art (Charlotte, N.C.), this volume reproduces 47 of Lucero's glazed ceramic, bronze and mixed-media creations in full-page color plates. Co-curator Bloemink finds pervasive echoes of surrealism and Dada in Lucero's improvisations. Art historian Lippard relates his themes of intercultural exchange to his family history; his ancestors, practicing Sephardic Jews, escaped persecution in Spain by migrating to New Mexico. Also included is an interview with Lucero by Leach, the exhibit's curator. 74 colour & 58 b/w illustrations
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