Michael Fingleton was an Irish banking legend, the ultimate big money lender. He took Irish Nationwide Building Society from an obscure mortgage provider to a multi-billion euro property-lending casino, leaving the taxpayer to pick up the tab for €5.4 billion when the society eventually went bust. Fingleton earned over €2 million per year and built up a pension fund worth €27 million. But it was his loans to a small group of property developers and the way the society was mismanaged, under the nose of the Financial Regulator that cost Irish citizens so dearly. In Fingers, Tom Lyons and Richard Curran use previously unpublished material to blow open the failings of the society's internal systems and controls, its culture and the dominance of one man. They get inside the organisation and bring startling new revelations about how money was really lent out to a small group of developers, how INBS failed, and what the Financial Regulators knew. Fingers explores: - Fingleton's connections with politics, the media and the powerful - How the society wasn't just a lender but became a player, taking stakes and shares in the profits of the ventures it bankrolled - How Fingleton quaffed vintage wine in the finest restaurants, stayed in five-star hotels and put it all on the society's tab - How ordinary borrowers in arrears were treated ruthlessly, while the mega-rich walked away owing billions to us. Fingers goes to the heart of the state's failure to hold anybody to account for the Irish financial crash. It highlights the need for a proper banking inquiry to explain to the public what went wrong, how, and who is to blame.
Over 120 new original and unique fundraising ideas for nonprofits across the globe. All new Fundraisers that have never been seen before and come complete with sample logos and instructions on how to implement the idea and hold the charity event. When your nonprofit organization is in need of a fresh new fundraiser, Fundraiser Rescue is the guide for you!
Several of the most important and influential political economists of communication working today explore a rich mix of topics and issues that link work, policy studies, and research and theory about the public sphere to the heritage of political economy. Familiar but still exceedingly important topics in critical political economy studies are well represented here: market structures and media concentration, regulation and policy, technological impacts on particular media sectors, information poverty, and media access. The book also features new topics for political economy study, including racism in audience research, the value and need for feminist approaches to political economy studies, and the relationship between the discourse of media finance and the behavior of markets.
The western tradition of education is rooted in the concept of the "Liberal Arts." What are they, and what role does the Liberal Arts concept play in the past and future of our society? In what ways has the Liberal Arts tradition been eroded by trendy educational fashions? How is the Liberal Arts tradition threatened by forces social, educational, and religious that oppose this ideal? What is the unique calling and mission of the denominational, church-related Liberal Arts college? Richard Terrell, a professor Art for 39 years at Doane College, Crete, Nebraska, addresses these issues from the perspective of his teaching in liberal arts colleges for 44 years, in which he taught courses in studio art and the history of art as well as interdisciplinary studies. A frequent panelist on issues of free expression, the arts, and issues of religion in society, Terrell offers a concerned critique of contemporary trends in higher education and a firm affirmation of the integrity of the historic vision of education rooted in the Liberal Arts ideal.
Uncommon Legaciescelebrates the power, significance, and exceptional artistic quality of one of the most important collections of early Native American art. Assembled in the course of trade and missionary activities beginning in the late eighteenth century, the spectacular examples illustrated provide a rare opportunity to observe the creativity of Native artists in response to their interactions with non-Natives. Included here are magnificently illustrated chapters on the art of the American Southeast, the Northwest Coast, the Northeast Woodlands and Great Lakes, the Plains, and South America. Since the 1860s the Peabody Essex Museum has displayed its Native American collections at various times as historical, archaeological, ethnological, and, most recently, as art objects. Recognition of Native American art as "art" did not occur until the mid-1930s. Prior to that time, it was considered artifact or craft, "curiosity" or "primitive art." There are more than 400 Native American cultures, each with its own distinct artistic tradition yet always open to the adoption of new forms of expression and materials in response to ever-changing conditions. Since art is created within the context of a given culture at a given time, a more complete understanding of specific objects requires an understanding of the culture in which they were created. The works presented here are expressive of worldviews, beliefs, and ways of being within each Native American community. While every group has its own approach to the creative process, each generation has to determine what values to express through the arts and how best to express those values. John R. Grimes is curator of Native American art and culture at the Peabody Essex Musem, Salem, Massachusetts. Christian F. Feest is professor of anthropology at the University of Frankfurt, Germany. Mary Lou Curran is an associate curator at the Peabody Essex Museum. Other contributors include Thomas "Red Owl" Haukaas, Richard W. Hill Sr., Doreen Jensen, Duane H. King, Karen Kramer, Gerald McMaster, Peter L. Macnair, Ramiro Matos, and Jay Stewart.
Gabriel, a man nobody knows, enters the sleepy little town of Safe Haven, Virginia, and goes to the medical walk-in facility where he says to the two nurses at the reception desk, "Could you please tell the doctor that his angel is here to see him." Is Gabriel a real angel or someone who is nuts?
Brooklyn Detective Curran is a tough, uncompromising cop assigned to the Homicide / Sex Squad. Day to day, Curran investigates emotionally taxing cases, arresting child rapists and indiscriminate murderers. Curran has to be tough to survive. But there is a difference between Curran and the other detectives: Curran is a woman.
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