Kingston writer Richard Cumyn’s second book of short stories is a remarkable collection of fiction about the curse of modernity–displacement. In striking scenes Cumyn subtly explores our own sense of abandonment and loneliness in the face of change, movement and loss. Cumyn’s prose is sparse and direct, the violence supressed beneath the surface casual and foreboding. His characters are at once familiar and eerily distinct, their relationships a tender blend of heartbreak and affection. Separations achieved through illness, betrayal, aging, necessity, choice or dismissal represent an emotional x-ray of a society looking for permanence in an increasingly fluid and precarious world. This collection will haunt you like a shadow creeping over a suburban street– all the landmarks appear familiar but each door leads to unimagined worlds. Great stories await there.
Kingston writer Richard Cumyn’s second book of short stories is a remarkable collection of fiction about the curse of modernity–displacement. In striking scenes Cumyn subtly explores our own sense of abandonment and loneliness in the face of change, movement and loss. Cumyn’s prose is sparse and direct, the violence supressed beneath the surface casual and foreboding. His characters are at once familiar and eerily distinct, their relationships a tender blend of heartbreak and affection. Separations achieved through illness, betrayal, aging, necessity, choice or dismissal represent an emotional x-ray of a society looking for permanence in an increasingly fluid and precarious world. This collection will haunt you like a shadow creeping over a suburban street– all the landmarks appear familiar but each door leads to unimagined worlds. Great stories await there.
At the dawn of the twentieth century a disparate group of travellers are thrown together in the Caucasus Mountains, fabled land of Argonauts, Amazons, and Cossacks. Henry Norman, a British Member of Parliament and author, teams up with Canadian radio pioneer and amateur archaeologist Reginald Fessenden and Katherine Waddell, the lover of Fessenden's dead friend, Ottawa poet Archibald Lampman. Each has a question. Fessenden seeks physical confirmation of the Garden of Eden, Atlantis, and the Great Flood. Norman, ever the detached observer, is after material for a new book but gets more than he bargained for. Waddell pursues some elusive realm where she can find solace for her grief over Lampman and perhaps, like Fessenden, a glimpse of Paradise. Along for the carriage ride through the remote Caucasus is Pushkin-loving Sergei, a rowdy, irreverent Georgian guide and interpreter. There are many views from Mount Tamischeira, legendary spot from which the Deluge of Deluges was first witnessed, but for this band of latter-day Argonauts, peering into one's heart may be the most challenging prospect.
Eight centuries have passed since the Dominicans first arrived in England. This book tells their fascinating story. It discusses their role in the medieval British Church; their fate after the Reformation; their eventual re-establishment in Britain; their expansion into the Caribbean and South Africa; and their adaptation after Vatican II.
In its sixty-year existence, the Stikeman Elliott firm has played a role in many of the most significant transactions in Canadian business history, appearing before the major courts of the country in precedent-setting litigation. Its members are at the top of the legal profession and its reach is global. Clients include major foreign investors requiring advice for entry into Canada, as well as for investments in many other parts of the world. In Stikeman Elliott: The First Fifty Years, Richard Pound recounted how Heward Stikeman and Fraser Elliott developed their small law practice into a national and global organization. Here Pound details the firm's global expansion at a time of worldwide economic uncertainty. Embracing both diversity and corporate social responsibility, the organization's unwavering commitment to client confidentiality, knowledge management, and recruiting and retaining lawyers and staff of the highest quality has helped Stikeman Elliott retain its place as one of the preeminent business law firms in the country. An insightful look at recent innovations put into practice, Stikeman Elliott: New Millennium, New Paradigms offers an insider's view of a firm which has carved out an important role in Canadian legal and business history.
This book is published in conjunction with the exhibition Richard Deacon: What You See Is What You Get presented at The San Diego Museum of Art from March 25 to July 25, 2017.
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