Can renewal and reform groups rekindle spiritual vitality andfervor in today's religious institutions? The call to revive one's faith fills more pages of the Christianand Jewish scriptures than any other theme. Today, reform andrenewal organizations and movements play a key role in mostdenominations, whether conservative, moderate, or liberal. In this fascinating book, Richard Cimino provides you with anin-depth look at six vibrant reform and renewal movements that arerevitalizing traditional faith communities from the inside out.Cimino walks you through how all the components of renewal andreform--the organization, the larger denomination, thecongregation, and the individual members--interact at both localand national levels, and answers the question of how effectivethese organizations and movements are within their traditions.Filled with interviews and case studies, Trusting the Spiriyconcludes by outlining strategies for renewal and reform that canbe put into practice in a wide range of religious contexts.
Through extensive, exclusive interviews with Eastwood (and the friends and colleagues of a lifetime), Time magazine film critic Richard Schickel has penetrated a complex character who has always been understood too quickly, too superficially. Schickel pierces Eastwood's monumental reserve to reveal the anger and the shyness, the shrewdness and frankness, the humor and powerful will that have helped make him what he is today. of photos.
The Rough Guide to Film is a bold new guide to cinema. Arranged by director, it covers the top moguls, mavericks and studio stalwarts of every era, genre and region, in addition to lots of lesser-known names. With each film placed in the context of its director’s career, the guide reviews thousands of the greatest movies ever made, with lists highlighting where to start, arranged by genre and by region. You’ll find profiles of over eight hundred directors, from Hollywood legends Alfred Hitchcock and John Huston to contemporary favourites like Steven Soderbergh and Martin Scorsese and cult names such as David Lynch and Richard Linklater. The guide is packed with great cinema from around the globe, including French New Wave, German giants, Iranian innovators and the best of East Asia, from Akira Kurosawa to Wong Kar-Wai and John Woo. With overviews of all major movements and genres, feature boxes on partnerships between directors and key actors, and cinematographers and composers, this is your essential guide to a world of cinema.
Developed by the American Medical Association's Accelerating Change in Medical Education Consortium, Health Systems Science is the first text that focuses on providing a fundamental understanding of how health care is delivered, how health care professionals work together to deliver that care, and how the health system can improve patient care and health care delivery. Along with basic and clinical science, Health Systems Science (HSS) is rapidly becoming a crucial "third pillar" of medical science, requiring a practical, standardized curriculum with an emphasis on understanding the role of human factors, systems engineering, leadership, and patient improvement strategies that will help transform the future of health care and ensure greater patient safety. - Complete coverage of the evolving field of HSS includes patient safety, quality improvement, evidence-based medicine, value in health care, interprofessional teamwork, stewardship of health care resources, population management, clinical informatics, care coordination, leadership, and health care financing/reform. - Patient improvement strategies incorporates checklists, information technology, team training, and more. - A consistent chapter template provides clear coverage of each topic, including Learning Objectives, Chapter Outline, Core Chapter Content, Summary, Questions for Reflection, and Annotated Bibliography and References. - Highly relevant content applicable to today's evolving health care delivery written by experts in key, emerging areas of HSS. - Developed in partnership with the AMA's Accelerating Change in Medical Education Consortium, at the forefront of change and innovation in medical education.
When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.
Nigeria has become the arena of one of the most remarkable religious movements of recent times, reflecting the shift in the global center of Christianity from the North to the South. This book tells the story of one sector of this movement from its root in the Nigerian civil war to the turn of the new millenium. It describes a revival that occurred among the Igbo people of Eastern Nigeria and the new Pentecostal churches it generated and documents the changes that have occurred as the movement has responded to global flows and local demands. As such, it explores the nature of revivalist and Pentecostal experience but does so against the backdrop of local socio-political and economic developments, such as decolonization and civil war, as well broader processes, such as modernization and globalization.
This widely-used book covers the establishment, nature, operations, and contribution of the United Nations Compensation Commission (UNCC), emphasizing the work of the Iran-U.S. Claims Tribunal, disputes between Kuwait and Iraq, judicial due process, mass claims processing, and compensating victims of crimes of state. Published under the Transnational Publishers imprint.
DNA Structure and Function, a timely and comprehensive resource, is intended for any student or scientist interested in DNA structure and its biological implications. The book provides a simple yet comprehensive introduction to nearly all aspects of DNA structure. It also explains current ideas on the biological significance of classic and alternative DNA conformations. Suitable for graduate courses on DNA structure and nucleic acids, the text is also excellent supplemental reading for courses in general biochemistry, molecular biology, and genetics. - Explains basic DNA Structure and function clearly and simply - Contains up-to-date coverage of cruciforms, Z-DNA, triplex DNA, and other DNA conformations - Discusses DNA-protein interactions, chromosomal organization, and biological implications of structure - Highlights key experiments and ideas within boxed sections - Illustrated with 150 diagrams and figures that convey structural and experimental concepts
Virginia Woolf famously claimed that, around December 1910, human character changed. Aesthetic Technologies addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas—cultural, social, and personal—associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.
Fibronectins comprise a class of high molecular weight glycoproteins present both in extracellular matrices and in soluble form in body fluids. Although they have been studied for about forty years, their real significance emerged only during the past decade. Intensive research has focused on their role in platelet function, cell migration, the cytoskeleton, reticuloendothelial function, and on alterations in fibronectin distribution during development and disease. Fibronectins have emerged as glycoproteins with a very interesting set of properties generally involving adhesion of cells to cells or to extracellular material. In more recent years, the complete sequences of several fibronectin molecules and their genes were determined, the relation between structure and function was understood and much has been learned about cell surface receptors for fibronectins and other adhesive ligands. Having been at the forefront of all these exciting developments, the author has synthesized the entire field and with all the latest information at hand for the first time given it a clear perspective.
Winner, Prix Littéraire Paris-Liège 2021 Winner, French Voices Award for Excellence in Publication and Translation When we speak of mass killers, we may speak of radicalized ideologues, mediocrities who only obey orders, or bloodthirsty monsters. Who are these men who kill on a mass scale? What is their consciousness? Do they not feel horror or compassion? Richard Rechtman’s Living in Death offers new answers to a question that has haunted us at least since the Holocaust. For Rechtman, it is not ideologies that kill, but people. This book descends into the ordinary life of people who execute hundreds every day, the same way others go to the office. Bringing philosophical sophistication to the ordinary, the book constitutes an anthropology of mass killers. Turning away from existing psychological and philosophical accounts of genocide’s perpetrators, Rechtman instead explores the conditions under which administering death becomes a job like any other. Considering Cambodia, Rwanda, and other mass killings, Living in Death draws on a vast array of archival research, psychological theory, and anecdotes from the author’s clinical work with refugees and former participants in genocide. Rechtman mounts a compelling case for reframing and refocusing our attempts to explain—and preempt—acts of mass torture, rape, killing, and extermination. What we must see, Rechtman argues, is that for genocidaires (those who carry out acts that are or approach genocide), there is nothing extraordinary, unusual, or world-historical about their actions. On the contrary, they are preoccupied with the same mundane things that characterize any other job: interactions with colleagues, living conditions, a drink and a laugh at the end of the day. To understand this is to understand how things came to be the way they are—and how they might be different.
This completely unique history tells the story of urban life over 2,500 years through the bodily experience of men and women: what sights, smells, and noises they took in, how they dressed, how they made love, when they bathed, and more--in great cities from ancient Athens to modern New York.
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Descartes is often regarded as the founder of modern philosophy, and is credited with placing at centre stage the question of what we know and how we know it. Descartes: Belief, Scepticism and Virtue seeks to reinsert his work and thought in its contemporary ethical and theological context. Richard Davies explores the much neglected notion of intellectual virtue as it applies to Descartes' inquiry as a whole. He examines the textual dynamics of Descartes' most famous writings in relation to background debates about human endeavour from Plato down to Descartes' own contemporaries. Bringing these materials together in a novel format, Davies argues for a new approach to Descartes' ideas of scepticism and the sciences. The book also offers fresh interpretations of key passages of the Meditations . Descartes: Belief, Scepticism and Virtue offers an original reassessment of some of the most important bodies of work in Western Philosophy.
New Brunswick Before the Equal Opportunity Program highlights the experiences and observations of some of the earliest social workers in New Brunswick.
This practical reference is a comprehensive guide to the anesthetic and perioperative management of patients before and during all procedures performed by general and subspecialist surgeons requiring anesthetic management. The book explains each procedure from both the surgeon and anesthesiologist perspectives, presents details on anesthetic technique, and guides the anesthesiologist and surgeon through the decisions that must be made before, during, and after surgery. Emphasis is on factors that impact the anesthesiologist, including patient positioning, duration of surgery, and complications. New topics include Irreversible Electroporation (IRE Ablation), ERCP, Management of the difficult airway, and Anticoagulation Guidelines for Neuraxial Procedures. Key Features: Anesthetic Considerations are presented in templated format for both preoperative and intraoperative Concise treatment of all procedures, including subspecialties Each procedure is reviewed from both the surgeon's and anethesiologist's perspective Easy-to-review tables summarize each procedure New to this Edition: New procedures on ERCP, Irreversible Electroporation (IRE Ablation), Difficult Airway Management, and Anticoagulation Guidelines for Neuraxial Procedures Expanded discussion of intraoperative monitoring
Filmmakers and videographers must know and understand hundreds of terms to survive in the competitive world of motion picture and television production. This invaluable reference clearly defines and illustrates more than 1000 of the most commonly used terms and phrases. Explained are instruments and accessories such as the C-stand, brute, silver bullet, and bazooka; techniques such as the 'right-hand rule' and the blue-screen process; technical concepts such as the inverse square law and light colour temperature; colourful phrases such as 'beach it', 'shake 'em up', and 'martini shot'; and other popular neologisms often devised by bored grips waiting for the next shot - terms such as sputnik, quacker, branchaloris, and flying moon. Various lighting fixtures and accessories are featured in 70 photographs and illustrations. Far more accessible and readable than most technical books devoted to lighting, Lighting Terms and Concepts contains all of the terms that cinematographers, lighting directors, camera operators and assistants, gaffers, electricians, and grips may encounter during a typical day on the set.
The Sagebrush Trail is a history of Western movies but also a history of twentieth-century America. Richard Aquila’s fast-paced narrative covers both the silent and sound eras, and includes classic westerns such as Stagecoach, A Fistful of Dollars, and Unforgiven, as well as B-Westerns that starred film cowboys like Tom Mix, Gene Autry, and Hopalong Cassidy. The book is divided into three parts. Part 1 traces the birth and growth of Westerns from 1900 through the end of World War II. Part 2 focuses on a transitional period in Western movie history during the two decades following World War II. Finally, part 3 shows how Western movies reflected the rapid political, social, and cultural changes that transformed America in the 1960s and the last decades of the twentieth century. The Sagebrush Trail explains how Westerns evolved throughout the twentieth century in response to changing times, and it provides new evidence and fresh interpretations about both Westerns and American history. These films offer perspectives on the past that historians might otherwise miss. They reveal how Americans reacted to political and social movements, war, and cultural change. The result is the definitive story of Western movies, which contributes to our understanding of not just movie history but also the mythic West and American history. Because of its subject matter and unique approach that blends movies and history, The Sagebrush Trail should appeal to anyone interested in Western movies, pop culture, the American West, and recent American history and culture. The mythic West beckons but eludes. Yet glimpses of its utopian potential can always be found, even if just for a few hours in the realm of Western movies. There on the silver screen, the mythic West continues to ride tall in the saddle along a “sagebrush trail” that reveals valuable clues about American life and thought.
Chromatic Cinema provides the first wide-ranging historicaloverview of screen color, exploring the changing uses and meaningsof color in moving images, from hand painting in early skirt dancefilms to current trends in digital color manipulation. Offers both a history and a theory of screen color in the firstfull-length study ever published Provides an in-depth yet accessible account of color's spreadthrough and ultimate effacement of black-and-white cinema,exploring the technological, cultural, economic, and artisticfactors that have defined this evolving symbiosis Engages with film studies, art history, visual culture andtechnology studies in a truly interdisciplinary manner Includes 65 full-color illustrations of films ranging fromExpressionist animation to Hollywood and Bollywood musicals, fromthe US ’indie' boom to1980s neo-noir, Hong Kong cinema, andrecent comic-book films
Here's an in-depth, quick-reference, problem-solving resource for those involved in the care of dialysis patients. More than 120 world-class authorities discuss dialysis techniques, mechanical considerations, and complications related to various diseases for both pediatric and adult patients. Selected annotated references and excellent cross-referencing between chapters help you find answers fast, and more than 100 photos, drawings, charts, and tables, mostly in color, clarify complex topics. Providing practical, immediately useful guidelines that can be applied directly to patient care, this book is a "must-have" for all dialysis caregivers. Presents the practice-proven experience of top experts in the field of dialysis treatment. Offers dialysis guidance for both adult and pediatric patients in one convenient source. Features a readable hands-on approach, allowing you to quickly review the complicated concepts of dialysis. Includes helpful annotated bibliography lists in each section for further in-depth research on any subject. Explains complex dialysis concepts through abundant diagrams, photos, line drawings, and tables. Features a new 4-color format, enabling you to find the guidance you need more quickly. Includes coverage of convective dialytic therapies and the results of recent clinical trials. Ensures that you keep current on pediatric dialysis concerns prevention and treatment with new chapters including prevention and treatment of bone disease, management of anemia, assessing quality of life in pediatric patients undergoing dialysis, and immunizations in children undergoing dialysis.
More than a decade ago, a group of researchers began to study the religious and spiritual lives of American teenagers. They tracked these young people over the course of a decade, revisiting them periodically to check in on the state -and future- of religion in America, and reporting on their findings in a series of books, beginning with Soul Searching (2005). Now, with Back-Pocket God, this mammoth research project comes to its conclusion. What have we learned about the changing shape of religion in America? Back-Pocket God explores continuity and change among young people from their teenage years through the latter stages of "emerging adulthood." Melinda Lundquist Denton and Richard Flory find that the story of young adult religion is one of an overall decline in commitment and affiliation, and in general, a moving away from organized religion. Yet, there is also a parallel trend in which a small, religiously committed group of emerging adults claim faith as an important fixture in their lives. Emerging adults don't seem so much opposed to religion or to religious organizations, at least in the abstract, as they are uninterested in religion, at least as they have experienced it. Religion is like an app on the ubiquitous smartphones in our back pockets: readily accessible, easy to control, and useful-but only for limited purposes. Denton and Flory show that some of the popular assumptions about young people and religion are not as clear as what many people seem to believe. The authors challenge the characterizations of religiously unaffiliated emerging adults -sometimes called "religious nones"- as undercover atheists. At the other end of the spectrum, they question the assumption that those who are not religious will return to religion once they marry and have children.
Today atheists, it seems, are everywhere. Nonbelievers write best-selling books and proudly defend their views in public; they have even hired a lobbyist. But, as political scientist Richard J. Meagher shows, atheist political activism is not a new phenomenon. From the "Freethought" movement of the late 1800s, to postwar "rationalists" and "humanists," to today's proud atheists, nonbelievers have called for change within a resistant political culture. While atheist organizing typically has been a relatively lonely and sad affair, advances in technology and new political opportunities have helped atheists to finally gain at least some measure of legitimacy in American politics. In Atheists in American Politics, one of the first works to take atheism seriously as a social movement, Meagher highlights key moments within the political history of atheism and freethought, and examines how the changing circumstances that surround the movement help explain political mobilization. In doing so, this book also highlights the ways that social movements in general gain momentum, and how a number of interlocking factors are often necessary to enable a movement to "take off" in American politics.
Do Christians and Muslims worship the same God? Who was Muhammad? How does the IsraeliPalestinian conflict affect ChristianMuslim relations? This is a book about Evangelical Christians and how they are answering challenging questions about Islam. Drawing on over 300 texts published by Evangelicals in the first two decades of the twenty-first century, this book explores what the Evangelical micro-public sphere has to say about key issues in ChristianMuslim relations today. From the books they write, the blogs they post and the videos they make, it is clear that Evangelical Christians profoundly disagree with one another when discussing Islam. Answers to the questions range from seeing Muslims as the enemy posing an existential threat to Christians, through to welcoming them as good neighbours or even as close cousins.
This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred. To assemble, distribute, and store creative products, business firms are organized, some employing creative personnel on long-term contracts, others dealing with them as outside contractors; agents emerge as intermediaries, negotiating contracts and matching creative talents with employers. Firms in creative industries are either small-scale pickers that concentrate on the selection and development of new creative talents or large-scale promoters that undertake the packaging and widespread distribution of established creative goods. In some activities, such as the performing arts, creative ventures facing high fixed costs turn to nonprofit firms. To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate. However different their superficial organization and aesthetic properties, whether high or low in cultural ranking, creative industries share the same underlying organizational logic.
Classic film noir was Hollywood's 'dark cinema' of crime and corruption; a genre underpinned by a tone of existential cynicism which stripped bare the myth of the American Dream and offered a bleak, nightmarish vision of a fragmented society that rhymed with many of the social realities of forties and fifties America. Mean Streets and Raging Bulls explores how, since its apparent demise in the late fifties, the noir genre has been revitalized during the post-studio era. The book is divided into two sections. In the first, the evolution of film noir is contextualized in relation to both American cinema's industrial transformation and the post-Depression history of the United States. In the second, the evolution of neo-noir and its relation to classic film noir is illustrated by detailed reference to representative texts including Chinatown (Roman Polanski, 1974), Night Moves (Arthur Penn, 1975), Taxi Driver (Martin Scorsese, 1976), Blood Simple (Joel and Ethan Coen, 1984), After Hours (Martin Scorsese, 1985), Sea of Love (Harold Becker, 1989), Resevoir Dogs (Quentin Tarantino, 1992), and Romeo is Bleeding (Peter Medak, 1994).
He transformed a nickelodeon novelty into a new art form and a powerful, glamorous American industry. He codified the rules and techniques of screen story-telling, and pioneered the conventions that brought films to life, from surging spectacle to soul-baring close-ups. A poor farm boy from the South, Griffith rose to fame with The Birth of a Nation, a cinematic masterpiece stained by the racism that infected his heritage. Though he went on to direct some of the most legendary films of the silent era, Griffith was doomed by his over-reaching drives, and he died an embittered man, shunned by the community he had largely created. His story is told here with unsparing truth and compelling narrative sweep.
Debunking the myth of the "Americanization" of Europe, a noted historian presents an authoritative and engrossing cultural history of how America tried to remake Europe in its own image, and how the Europeans successfully retained their identity in the face of American mass culture. Pells provides a new paradigm for understanding the survival of local and national cultures in a global setting.
The dramatic secret meeting between Churchill and FDR that forged their alliance against global fascism is brought to life in this WWII history. On August 14, 1941, Prime Minister Winston Churchill and President Franklin D. Roosevelt issued a joint declaration of goals for the world after the Second World War. The Atlantic Charter was a powerful statement against tyranny and an important display of the “Special Relationship” between the UK and the US. Roosevelt and Churchill: The Atlantic Charter tells the story behind this momentous document and the secret meeting that led to its creation. Churchill and Roosevelt barely knew each other when they met off the coast of Newfoundland aboard the USS Augusta. After a desperate dash across the U-boat infested Atlantic, Churchill spent four days at sea with Roosevelt, establishing both a personal friendship and an international alliance that would change the world. Exploring the lives of both men, the authors also include biographies of those who were vital to the process: Roosevelt’s Secretary of Commerce Harry Hopkins and foreign policy advisor Sumner Welles; and Churchill’s confidants Lord Beaverbrook, Lord Cadogan, and his son Randolph Churchill.
This work is the first of its kind to single out individual short fiction films for comprehensive presentation and close study. Two Men and a Wardrobe (Roman Polanski, Poland, 1958, 15 min.), Coffee and Cigarettes (Jim Jarmusch, USA, 1986, 6 min.), Sunday (John Lawlor, Ireland, 1988, 8 min.), Cat's Cradle (Liz Hughes, Australia, 1991, 12 min.), Eating Out (Pal Sletaune, Norway, 1993, 7 min.), Come (Marianne Olsen Ulrichsen, Norway, 1995, 4.5 min.), Wind (Marcell Ivanyi, Hungary, 1996, 6 min.), Possum (Brad McGann, New Zealand, 1997, 14 min.), and The War Is Over (Nina Mimica, Italy, 1997, 7 min.) are the nine short fiction films studied. The films represent a broad range of storytelling approaches and a number of very different film cultures. Each film has a chapter of its own, including a shot-by-shot reproduction of the film with a still from every shot. In most cases, an interview with the director and an original screenplay and storyboard is also included. The book also describes a new conceptual model, derived from the films studied in the work, which can be used both for analyzing the ways in which a short fiction film tells its story and as a set of guidelines for student filmmakers writing their own screenplays. Instructors considering this book for use in a course may request an examination copy here.
Where do we go when we die? Or is there nowhere to go? Is death something we can do or is it just something that happens to us? Now in his ninth decade, former Bishop of Edinburgh Richard Holloway has spent a lifetime at the bedsides of the dying, guiding countless men and women towards peaceful deaths. In The Last Bus, he presents a positive, meditative and profound exploration of the many important lessons we can learn from death: facing up to the limitations of our bodies as they falter, reflecting on our failings, and forgiving ourselves and others. But in a modern world increasingly wary of acknowledging mortality, The Last Bus is also a stirring plea to reacquaint ourselves with death. Facing and welcoming death gives us the chance to think about not only the meaning of our own life, but of life itself; and can mean the difference between ordinary sorrow and unbearable regret at the end. Radical, joyful and moving, The Last Bus is an invitation to reconsider life's greatest mystery by one of the most important and beloved religious leaders of our time.
In this exciting symposium, the editor brings to print important new information on AIDS and how HIV affects the brain. Each chapter focuses on one or more of the cell types that reside in or traffic through the central nervous system (CNS). Each of these cells is important to considerations of the pathogenesis of the CNS. Neurologists, AIDS physicians, and other professionals caring for AIDS patients will find that this “cell-based” view provides a unique perspective and that it will guide and stimulate future investigation of this clinically important and pathogenetically intriguing disorder. The editor also introduces some general considerations for therapeutic intervention of AIDS dementia complex (ADC). The contributors to The Cellular Basis of Central Nervous System HIV-1 Infection and the AIDS Dementia Complex deal with the cells and mechanisms involved in HIV-1 brain infection and the resultant ADC. Each author was asked to review the involvement of their assigned cells in CNS HIV-1 infection and how these cells might be involved in the pathology and process of brain injury associated with ADC. Readers will be enlightened on the functional roles of various cells and how these cells and mechanisms might fit into the broader picture of ADC pathogenesis.
Seinfeld as a contemporary adaptation of Etherege's Restoration comedy of manners The Man of Mode? Friends as a reworking of Shakespeare's romantic comedy Much Ado About Nothing? Star Wars as an adaptation of Spenser's epic poem, The Faerie Queene? The popular culture that surrounds us in our daily lives bears a striking similarity to some of the great works of literature of the past. In television, movies, magazines, and advertisements we are exposed to many of the same stories as those critics who study the great books of Western literature, but we have simply been encouraged to look at those stories differently. In Trash Culture, Richard K. Simon examines the ways in which the great literature and cultural work of the past has been rewritten for today's consumer society, with supermarket tabloids such as The National Enquirer and celebrity gossip magazines like People serving as contemporary versions of the great dramatic tragedies of the past. Today's advertising repeats the tale of the Golden Age, but inverts the value system of a classic utopia; the shopping mall combines bits and pieces of the great garden styles of Western history, and now adds consumer goods; Playboy magazine revises Castiglione's Renaissance courtesy book, The Book of the Courtier; and Cosmopolitan magazine revises the women's coming-of-age novels of Jane Austen, Gustave Flaubert, and Edith Wharton. Trash Culture concludes that the great books are alive and well, but simply hidden from the critics. It argues for the linking of high and low for the study and appreciation of each form of literature, and the importance of teaching popular culture alongside books of the great tradition in order to understand the critical context in which the books appear.
Miranda Sugarman was supposed to be in the Midwest, working as an eye doctor. So how did she end up shot to death on the roof of one of New York City’s seediest strip clubs? It’s John Blake’s job to find out – not just because he’s a private investigator, but because ten years earlier, Miranda had been his lover. Now he has to uncover the truth about the missing decade, about Miranda’s secret life as half of the strip club circuit’s hottest act, and about the vicious underworld figure she worked for. But the closer John gets to the truth, the more dangerous his investigation becomes, until a shattering faceoff in an East Village tenement changes his life forever. Little Girl Lost is a stunning debut novel from a celebrated writer whose short stories have been selected for Best Mystery Stories of the Year and The Year’s Best Horror Stories as well as short-listed for the Shamus Award by the Private Eye Writers of America.
National Book Award Finalist: The “impressive” conclusion to the “magisterial trilogy on the mythology of violence in American history” (Film Quarterly). “The myth of the Western frontier—which assumes that whites’ conquest of Native Americans and the taming of the wilderness were preordained means to a progressive, civilized society—is embedded in our national psyche. U.S. troops called Vietnam ‘Indian country.’ President John Kennedy invoked ‘New Frontier’ symbolism to seek support for counterinsurgency abroad. In an absorbing, valuable, scholarly study, [the author] traces the pervasiveness of frontier mythology in American consciousness from 1890. . . . Dime novels and detective stories adapted the myth to portray gallant heroes repressing strikers, immigrants and dissidents. Completing a trilogy begun with Regeneration Through Violence and The Fatal Environment, Slotkin unmasks frontier mythmaking in novels and Hollywood movies. The myth’s emphasis on use of force over social solutions has had a destructive impact, he shows.” —Publishers Weekly “Stirring . . . Breaks new ground in its careful explication of the continuing dynamic between politics and myth, myth and popular culture.” —The New York Times “A subtle and wide-ranging examination how America’s fascination with the frontier has affected its culture and politics. . . . Intellectual history at its most stimulating—teeming with insights into American violence, politics, class, and race.” —Kirkus Reviews
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