In 2004, John Kerry appeared to be a clear winner based on the exit polls. But the recorded vote counts deviated sharply from the polls and were too one-sided to attribute to mere chance. The political pundits claimed the polls “behaved badly”, calling the three million Bush margin a “mandate”. They failed to report the impossible late adjustments made to the National, Florida and Ohio exit polls that were necessary to force them to match the recorded vote. Spreadsheet-wielding Internet bloggers analyzed the statistical anomalies. Online election forums were aflame with debates about state and national pre-election and exit polls, Bush approval ratings, margins of error, non-response, past vote recall, correlation between vote swing from 2000 and the exit poll shift, the counter-intuitive Bush gain over his 2000 vote share in urban locations compared to the decline in rural areas (the "Urban Legend"). But the “Smoking Gun” was the Final National Exit Poll, which indicated that there were four million more returning Bush 2000 voters than were alive in 2004. This “phantom voter” anomaly has never been discussed by pundits in the media or political scientists in academia, even though similar anomalies occurred in 1988, 1992 and 2008. The media pundits still claim that the recorded vote is correct (and the exit polls wrong) despite millions of uncounted votes in every election. This book is a comprehensive resource for analyzing presidential elections from 1968 to 2008, including the 2006 midterms. It is written for readers of virtually all backgrounds. The only requirement is an inquisitive, open mind. The True Vote is estimated using basic statistical modeling that is for some reason avoided in the media and academia. Internet links to several election analysis spreadsheet models are provided in the book and are free to download.
In 2004, John Kerry appeared to be a clear winner based on the exit polls. But the recorded vote counts deviated sharply from the polls and were too one-sided to attribute to mere chance. The political pundits claimed the polls “behaved badly”, calling the three million Bush margin a “mandate”. They failed to report the impossible late adjustments made to the National, Florida and Ohio exit polls that were necessary to force them to match the recorded vote. Spreadsheet-wielding Internet bloggers analyzed the statistical anomalies. Online election forums were aflame with debates about state and national pre-election and exit polls, Bush approval ratings, margins of error, non-response, past vote recall, correlation between vote swing from 2000 and the exit poll shift, the counter-intuitive Bush gain over his 2000 vote share in urban locations compared to the decline in rural areas (the "Urban Legend"). But the “Smoking Gun” was the Final National Exit Poll, which indicated that there were four million more returning Bush 2000 voters than were alive in 2004. This “phantom voter” anomaly has never been discussed by pundits in the media or political scientists in academia, even though similar anomalies occurred in 1988, 1992 and 2008. The media pundits still claim that the recorded vote is correct (and the exit polls wrong) despite millions of uncounted votes in every election. This book is a comprehensive resource for analyzing presidential elections from 1968 to 2008, including the 2006 midterms. It is written for readers of virtually all backgrounds. The only requirement is an inquisitive, open mind. The True Vote is estimated using basic statistical modeling that is for some reason avoided in the media and academia. Internet links to several election analysis spreadsheet models are provided in the book and are free to download.
Richard Belzer and David Wayne are back to set the record straight after Dead Wrong; this time they’re going to uncover the truth about the many witness deaths tied to the JFK assassination. For decades, government pundits have dismissed these “coincidental” deaths, even regarding them as “myths” as “urban legends.” Like most people, Richard and David were initially unsure about what to make of these ‘coincidences’. After all, events don’t “consult the odds” prior to happening; they simply happen. Then someone comes along later and figures out what the odds of it happening were. Some of the deaths seemed purely coincidental; heart attacks, hunting accidents. Others clearly seemed noteworthy; witnesses who did seem to know something and did seem to die mysteriously. Hit List is a fair examination of the evidence of each case, leading to (necessarily) different conclusions. The findings were absolutely staggering; as some cases were clearly linked to a “clean-up operation” after the murder of President Kennedy, while others were the result of ‘other forces’. The impeccable research and writing of Richard Belzer and David Wayne show that if the government is trying to hide anything, they’re the duo who will uncover it.
In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added.1. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. 2. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities worldwide; a listing of major computerized databanks. 3. New double-column format. 4. Numerous illustrations and reproductions of pages from thematic catalogues of historical significance. The second edition continues the policy of listing all known thematic catalogues and indexes, including those in doctoral dissertations, masters essays, and computer databanks, as well as in-progress and unpublished works, plus reviews, and literature about thematic cataloguing. The original numbering of the 1972 entries has been retained, with new items appearing in proper alphabetical/chronological sequence but with the addition of decimal numbers and/or letters (363.1 or 960a). Lastly, the original historical introduction and special appendices of the first edition have been retained with emendations where needed.
Written by the multidisciplinary intensive care unit staff at the Massachusetts General Hospital, the Fifth Edition of this best-selling handbook is a practical, complete, and current guide to medical and surgical critical care. In a user-friendly outline format designed for rapid reference, this pocket-sized book presents reliable, hospital-tested protocols that reflect today's most advanced critical care practices. This edition includes new chapters on disaster preparedness in the ICU, quality improvement and prophylaxis, non-antibiotic therapies for sepsis, and use of ultrasound in the ICU. An appendix provides supplemental drug information.
(Vocal Collection). More great theatre songs for singers in a continuation of this highly successful and important series, once again compiled and edited by Richard Walters. As is the case with the first volume, these collections are as valuable to the classical singer as they are to the popular and theatre performer. 41 songs, including: All Through the Night * And This Is My Beloved * Vilia * I Feel Pretty * Think of Me * and more.
(P/V/G Composer Collection). Richard Rodgers' contributions to the musical theatre are extraordinary. His career spanned more than six decades, and his hits ranged from Hollywood to Broadway. He was the recipient of countless awards, including Pulitzers, Tonys, Oscars, Emmys and Grammys. This newly revised collection features an introduction by his daughters Mary and Linda Rodgers, a special section highlighting his 2002 centennial celebrations, great photos, articles and updated engravings of 75 of his most beloved songs, complete with listings of the years and shows which produced them. Includes: Bewitched * Climb Ev'ry Mountain * Getting to Know You * If I Loved You * Isn't It Romantic * It Might As Well Be Spring * The Lady Is a Tramp * My Funny Valentine * Oh, What a Beautiful Mornin' * Some Enchanted Evening * The Sound of Music * The Surrey with the Fringe on Top * You'll Never Walk Alone * and many more.
Apply today’s best practices in anesthesiology! Relied on for over 30 years by practicing anesthesiologists and residents as well as nurse anesthetists, Clinical Anesthesia Procedures of the Massachusetts General Hospital offers you current, comprehensive, concise, consistent, and clinically relevant guidelines on all facets of anesthesia, perioperative care, critical care, and pain management from a host of seasoned experts.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
This fascinating book traces the entire story of Westport Country Playhouse from its beginnings in the midst of the Depression to its 75th-anniversary renovations and rejuvenation. Filled with colorful characters, it is a story that will appeal to everyone who has ever been enchanted by live theatre.
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