Pulitzer Prize winning author, Richard Rhodes’s year-long journey into the heart of American agriculture reveals a life trapped between two eras: the modern and the traditional, the future and the past. Richly textured and deeply moving, Farm chronicles a year in the life of Tom and Sally Bauer of Crevecoeur County, Missouri, who cultivate nearly two square miles of the surface of the earth. They struggle to build up their farm, harvesting corn, birthing calves, planting wheat, coping with the vagaries of nature and government regulations. Required of them are ancient skills (an attunement to the weather, animals, crops, and land) as well as a mastery of modern technology, from high-tech machinery to genetics and sophisticated chemicals. Written with honesty and insight, Farm is a revelatory exploration of farm life in the 20th century and the joys and challenges of the modern rural landscape.
Since 1996, Richard Brookhiser has devoted himself to recovering the Founding for modern Americans. The creators of our democracy had both the temptations and the shortcomings of all men, combined with the talents and idealism of the truly great. Among them, no Founding Father demonstrates the combination of temptations and talents quite so vividly as the least known of the greats, Gouverneur Morris. His story is one that should be known by every American -- after all, he drafted the Constitution, and his hand lies behind many of its most important phrases. Yet he has been lost in the shadows of the Founders who became presidents and faces on our currency. As Brookhiser shows in this sparkling narrative, Morris's story is not only crucial to the Founding, it is also one of the most entertaining and instructive of all. Gouverneur Morris, more than Washington, Jefferson, or even Franklin, is the Founding Father whose story can most readily touch our hearts, and whose character is most sorely needed today. He was a witty, peg-legged ladies' man. He was an eyewitness to two revolutions (American and French) who joked with George Washington, shared a mistress with Talleyrand, and lost friends to the guillotine. In his spare time he gave New York City its street grid and New York State the Erie Canal. His keen mind and his light, sure touch helped make our Constitution the most enduring fundamental set of laws in the world. In his private life, he suited himself; pleased the ladies until, at age fifty-seven, he settled down with one lady (and pleased her); and lived the life of a gentleman, for whom grace and humanity were as important as birth. He kept his good humor through war, mobs, arson, death, and two accidents that burned the flesh from one of his arms and cut off one of his legs below the knee. Above all, he had the gift of a sunny disposition that allowed him to keep his head in any troubles. We have much to learn from him, and much pleasure to take in his company.
This original study is the first major critical appraisal of Ireland’s post-colonial experience in relation to that of other emergent nations. The parallels between Ireland, India, Latin America, Africa and Europe establish bridges in literary and musical contexts which offer a unique insight into independence and freedom, and the ways in which they are articulated by emergent nations. They explore the master-servant relationship, the functions of narrative, and the concepts of nationalism, map-making, exile, schizophrenia, hybridity, magical realism and disillusion. The author offers many incisive answers to the question: What happens to an emerging nation after it has emerged?
When an escaped slave shows up at Fort Monroe demanding sanctuary, General Benjamin Butler is faced with an impossible moral dilemma—follow the letter of the law or make a game-changing move that could alter the course of U.S. history?
After receiving a crumbling Mediterranean mansion, Liz Galin uncovers clues that will solve a century-old murder…and reveal a forbidden love story that mirrors a modern one. Everyone fantasizes about receiving a gift from a stranger. Liz Galin, an out-of-work fashion stylist, lives in a walk up studio apartment in Alphabet City in Manhattan. She has put her life on hold during COVID-19 to care for her mother going through chemo, and cannot see her boyfriend Cary as he is an emergency room doctor during the height of the pandemic. One Monday morning, she receives a cryptic letter from a Miami lawyer indicating that she should call his office. When she does, she and her mother Linda find out she has been bequeathed an asset in a will. She is shocked to find she’s been left a storied, crumbling Mediterranean mansion on Miami’s famed North Bay Road by a reclusive socialite who has recently passed. She has no idea who Elsa Sloan-Barrett was or why she left her multimillion-dollar home to her. Liz’s journey uncovers clues that will solve a century-old murder mystery and a forbidden love story that will ultimately change her life. It will also uncover a new love triangle with a famous, reclusive celebrity neighbor that will test her own relationship and values and in many ways, mirroring the love story she uncovers. In the end, the mansion won’t be the only gift she receives….
In the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.
The Fabulous Fifties were America's "Happy Days." The Eisenhower Years produced amazing contributions to our American culture -- and to other cultures around the world. In so many ways, Americans innovated, and the world imitated -- from Elvis Presley and rock 'n' roll to the Salk anti-polio vaccine. America's contributions to the world included motion pictures and the Broadway stage; radio and television; amateur and professional sports; jazz, the "blues," country-and-Western music, traditional ballads and popular songs, and rock 'n' roll; domestic and international business and trade; public and private educational opportunities; and a rich and varied literature. While Americans did not invent all these categories, they nevertheless took each to new heights during the Eisenhower Years, and shared their bounty with the world. The Eisenhower Years, generally speaking, were happier, more stable, more prosperous, more optimistic, and simpler times then the preceding decades of the 1930's and '40's and the increasingly turbulent 1960's and '70's that followed. In fact, America's exuberance in so many areas of the arts and everyday life was omnipresent. As for political and military achievements, President Eisenhower kept us safely out of war, and was wise enough to stay out of the way of Americas artists and entrepreneurs. As a result, the Eisenhower Years should forever be remembered as those "Happy Days.
An award–winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11 Hailed in The Washington Post as “one of the most eloquent and probing public intellectuals in America,” Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality. Rodriguez’s stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez’s spiritual formation and their centrality to the future of the desert religions. Only a mind as elastic and refined as Rodriguez’s could bind these threads together into this wonderfully complex tapestry.
When Jonah Aaron graduated from Nashvilles Academic Magnet High School, he was voted the most interesting member of the class of 1997. His classmates predicted that he would become a CIA operative and that he would be bringing the best-looking woman in the room to the tenth-year reunion. Twelve years later, Jonah is married to screenwriter Elana Grey, once known as the hottest young redhead in country music. But instead of the CIA, Jonah has become a partner in Brandenburg and Aaron Entertainment and a producer of television shows and independent films. Jonah skipped the tenth-year reunion and never even bothered to investigate when the valedictorian of his senior class was murdered shortly after graduation. But now, Jonah has two reasons to investigate the crime: he feels sorry for the victims brother and he thinks that the investigation may lead to a script for the highly rated comedic-drama police procedural, which is a cornerstone of his production company.
A History of Fort Worth in Black & White fills a long-empty niche on the Fort Worth bookshelf: a scholarly history of the city's black community that starts at the beginning with Ripley Arnold and the early settlers, and comes down to today with our current battles over education, housing, and representation in city affairs. The book's sidebars on some noted and some not-so-noted African Americans make it appealing as a school text as well as a book for the general reader. Using a wealth of primary sources, Richard Selcer dispels several enduring myths, for instance the mistaken belief that Camp Bowie trained only white soldiers, and the spurious claim that Fort Worth managed to avoid the racial violence that plagued other American cities in the twentieth century. Selcer arrives at some surprisingly frank conclusions that will challenge current politically correct notions.
On a perfect summer afternoon in Wentworth, Ohio, many of the citizens who live on Poplar street are killed mysteriously and, at the center of the mystery, is a young boy named Seth Garon whose supernatural powers are just awakening. Reissue.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This book was first published in 2006. Despite many well-intentioned policies and changes to management practices, the world's natural resources continue to decline. The roles and interplay between science and policy in the regional broadacre agriculture landscape are examined here, offering readers a thorough understanding of the complex interactions that occur across spatial scales to produce the regional-scale impacts. The fundamental causes of resource degradation, social decline and environmental pollution are addressed, examining the cross-scale drivers from the individual farm level to the global level of commodity systems. Broadacre agriculture is a common land use throughout all continents of the world and is driven by the same type of dynamics, and this case study of the Western Australia agricultural region can be used to clearly demonstrate the principles for other agricultural systems. Aimed at academics, ranging from researchers through to policy analysts, this book will inspire innovation and action in sustainable natural resource management.
First published by UNC Press in 1972, Sugar and Slaves presents a vivid portrait of English life in the Caribbean more than three centuries ago. Using a host of contemporary primary sources, Richard Dunn traces the development of plantation slave society in the region. He examines sugar production techniques, the vicious character of the slave trade, the problems of adapting English ways to the tropics, and the appalling mortality rates for both blacks and whites that made these colonies the richest, but in human terms the least successful, in English America. "A masterly analysis of the Caribbean plantation slave society, its lifestyles, ethnic relations, afflictions, and peculiarities.--Journal of Modern History "A remarkable account of the rise of the planter class in the West Indies. . . . Dunn's [work] is rich social history, based on factual data brought to life by his use of contemporary narrative accounts.--New York Review of Books "A study of major importance. . . . Dunn not only provides the most solid and precise account ever written of the social development of the British West Indies down to 1713, he also challenges some traditional historical cliches.--American Historical Review
A Catalogue of the Mariner's Quadrants, Mariner's Astrolabes, Cross-staffs, Backstaffs, Octants, Sextants, Quintants, Reflecting Circles and Artificial Horizons in the National Maritime Museum, Greenwich.
A Catalogue of the Mariner's Quadrants, Mariner's Astrolabes, Cross-staffs, Backstaffs, Octants, Sextants, Quintants, Reflecting Circles and Artificial Horizons in the National Maritime Museum, Greenwich.
This book describes the history and development of navigating instruments. Before satellites these were used to measure the altitude of the sun and stars above the horizon, to determine the ship's position at sea. The book also contains a catalogue of 347 mariner's astrolabes, cross-staffs, backstaffs, and octants, sextants and artificial horizons.
With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films.
Everybody knows the legend of Captain Kidd, America's most ruthless buccanneer. Few people realize that the facts of his life make for a much better tale. Kidd was actually a tough New York sea captain hired to chase pirates, a married war hero whose secret mission took a spectacularly bad turn. This harrowing tale traces Kidd's voyages in the 1690s from his home near Wall Street to Whitehall Palace in London, from the ports of the Caribbean to a secret pirate paradise off Madagascar. Author Richard Zacks, during his research, also unearthed the story of a long forgotten rogue named Robert Culliford, who dogged Kidd and led Kidd's crew to mutiny not once but twice. The lives of Kidd and Culliford play out like an unscripted duel: one man would hang in the harbor, the other would walk away with the treasure. Filled with superb writing and impeccable research, The Pirate Hunter is both a masterpiece of historical detective work and a ripping good yarn, and it delivers something rare: an authentic pirate story for grown-ups.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
In 1860, on the eve of the Civil War, Macon was a business community dedicated to supplying the needs of its citizens, of the cotton planters who grew the short-staple upland cotton, the principal foundation of wealth for the antebellum South. This book offers an encyclopedic history of Macon, Georgia, during the Civil War.
Richard Schickel's text, combining critical analysis and a re-interpretation of all the available biographical information, masterfully maps the intersections where a great star's personal history and his screen personality met in a style as elegant, graceful and witty as the actor himself.
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