This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.
One of the 20th century's most significant photographers, Lee Miller illuminated one of its darkest periods as well as celebrating its creative geniuses. This volume includes many unpublished celebrity portraits, also pictures of war workers, and victims and perpetrators of Nazi oppression. Originally published: 2002.
Speaking recently about his early years as an artist Lucian Freud claimed, 'I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing.' Drawing is fundamental to Freud's development as an artist and to how he sees in a way that that it was not, for example, at the foundation of the work of Francis Bacon. Drawing became an important part of Freud's life from the start and a famous sketchbook,The Freud-Schuster Book, dating back to January 1940 when Freud was in Snowdonia with Stephen Spender, has survived. So too do sketches from Freud's life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds and fish was revealed in the famous line drawings he produced for Nicholas Moore's book of poems,TheGlass Tower(1944). On Papercharts the works on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece,Large Interior W11 (after Watteau)(1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years. The works on paper are an extraordinary achievement, providing even deeper insights into the work of the greatest figurative artist of our time. Introduction by Sebastian Smee Essay by Richard Calvocoressi
The most comprehensive monograph on figurative painter Jenny Saville, whose large-scale nudes continue to challenge accepted ideals of beauty. Thirteen years after her first Rizzoli monograph, British artist Jenny Saville, an original member of the Young British Artists, releases her most definitive book, including never-before-published paintings from her most recent exhibition at Gagosian in New York. This much-anticipated volume unites new work with many of Saville's paintings and drawings to date, accompanied by essays that explore Saville's continuing fascination with the human body within a broad art-historical context. The book also features Saville in an extensive conversation with acclaimed American photographer Sally Mann. An illustrated chronology of Saville's career completes this elegant volume. This beautifully produced monograph is an important addition to the library on one of the world's most influential and enduring living painters.
The life of Oskar Kokoschka (1886-1980), was perhaps one of the most extraordinary in the history of 20th-century art. Having been seriously wounded fighting for the Emperor Franz Josef in the First World War, he was forced to seek refuge from the Nazis in England shortly before the Second. As the author writes, the circumstances of Kokoschka's long, restless and varied life are mirrored to an unusual degree in his art. His pictures speak passionately of the people and places he knew and loved, but also of the artist himself and the ideals which moved him and for which he never ceased to campaign.
For the last twenty-five years of his life, Andrews was preoccupied with four series of landscapes--Lights, Scotland, Ayers Rock/Australia and English Landscape--as well as School, a series depicting different groups of fish. In this exhibition, selected works from the five related series will be presented under three elemental themes: earth, air, and water."--Provided by publisher.
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