Beatles 101 is your need-to-know-guide regarding the most successful group in the history of popular music, covering everything from a Liverpool basement to a London rooftop, leather gear to psychedelic garb, "yeah, yeah, yeah" to "na na na na-na na na", while also taking you inside the recording studio via interviews with The Beatles' major musical collaborators.
This is the definitive history of thoroughbred racing's three premier events, which have never before been explored in such detail. This book gives the history of America's classic races from the inaugural Belmont Stakes in 1867 through 2013, identifying which equine participants were truly worthy of lasting acclaim and which were one-hit wonders. Perhaps even more compelling are the stories of the men and women who rode, trained, owned, or bred classic winners, including their exploits on the turf and their triumphs and failures in arenas far removed from horse racing.
The History of Music Production offers an authoritative, concise, and accessible overview of nearly 140 years of production of recorded music. It describes what role the music producer has played in shaping the creation, perception, propagation, business, and use of music, and discusses the future of the music production industry.
In the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.
Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.
Although he is most famous for The Faerie Queene, this volume demonstrates that for these poems alone Spenser should still be ranked as one of England's foremost poets. Spenser's shorter poems reveal his generic and stylistic versatility, his remarkable linguistic skill and his mastery of complex metrical forms. The range of this volume allows him to emerge fully in the varied and conflicting personae he adopted, as satirist and eulogist, elegist and lover, polemicist and prophet. The volume includes The Shepeardes Calender, Complaints, and A Theatre for Wordlings.
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