A dazzling collection of short stories from renowned writer Richard Burgin. Five-time Pushcart Prize winner Richard Burgin’s stories have been praised by the New York Times Book Review as “eerily funny, dexterous, and too haunting to be easily forgotten,” with “characters of such variety that no generalizations about them can apply.” In Don’t Think, his ninth collection of short fiction, Burgin offers us his most daring and imaginatively varied work to date. The stories explore universal themes of love, family, and time, examining relationships and memory—both often troubled, fragmented, and pieced back together only when shared between characters. 7v6 In the title story, written in propulsive, musical prose, a divorced father struggles to cling to reality through his searing love for his highly imaginative son, who has been diagnosed with Asperger’s syndrome. In “Of Course He Wanted to Be Remembered,” two young women meet to commemorate the death of a former college professor with whom they were both unusually close—though in very different ways. In “V.I.N.,” a charismatic drug dealer tries to gain control of a bizarre cult devoted to rethinking life’s meaning in relation to infinite time, while in “The Intruder,” an elderly art dealer befriends a homeless young woman who has been sleeping in his basement. Together, the nine stories in Don’t Think illuminate the astonishing fact of existence itself while justifying the Philadelphia Inquirer’s assessment that Burgin is one of America’s most distinctive storytellers.
Ghost Quartet is a stunning exploration of love and ambition, sexual identity, and spiritual purpose. Set in the contemporary classical music world of New York and Tanglewood, the novel centers around the Faustian struggles of Ray Stoneson, a thirty-two-year-old composer, talented yet unrecognized. When Ray meets Perry Green, an internationally renowned, considerably older gay conductor and composer who is desperately attracted to him, both of their lives change inexorably. Perry offers to further Ray's career in exchange for a relationship; Ray eventually complies, but his secret sexual encounters with Perry threaten his relationship with Joy, the beautiful singer he longs to marry, and with Bobby, the idealistic but troubled young actor who is in love with Perry. With relentless suspense and profound psychological insight, Ghost Quartet moves toward a surprising, ironic, and powerful conclusion. Ghost Quartet is a compelling novel of aspiration and moral compromise, a finely crafted exploration of the boundaries that preserve the psyche and the damage that results when those boundaries are breached.
A St. Louis Post-Dispatch Favorite Book of 2011 The New York Times Book Review has praised Richard Burgin’s stories as “eerily funny . . . dexterous . . . too haunting to be easily forgotten,” while the Philadelphia Inquirer calls him “one of America’s most distinctive storytellers . . . no one of his generation reports the contemporary war between the sexes with more devastating wit and accuracy.” Now, in Shadow Traffic, his seventh collection of stories, five-time Pushcart Prize winner Richard Burgin gives us his most incisive, witty, and daring collection to date as he explores the mysteries of love and identity, ambition and crime, and our ceaseless, if ambivalent, quest for truth. In “Memorial Day,” an aging man at a public swimming pool recalls a brief but momentous affair he had with a young British woman in London thirty years ago and the paradoxical role his recently deceased father played in it. In the highly suspenseful “Memo and Oblivion,” set in the near future in New York, two rival drug organizations engage in a dangerous battle for supremacy—one promoting a pill that increases memory exponentially, the other a pill that dramatically eliminates memory. “The Interview” centers on a B-movie starlet married to a much older and more famous director and her tragic yet comic interview with an ambitious but conflicted young reporter. Shadow Traffic justifies the New York Times’ claim that Burgin offers “characters of such variety that no generalizations about them can apply” and why the Boston Globe concluded that “Burgin’s tales capture the strangeness of a world that is simultaneously frightening and reassuring, and in the contemporary American short story nothing quite resembles his singular voice.”
Memoralia: The Memoirs of Richard Burgin and Richard Burgin: A Life in Verse and two versions of the life of Richard Burgin. One is a biography, the other is written as prose. They are combined in one volume.
As teenagers in Brookline, Massachusetts, Barry and Elliot were best friends, sharing their passions for sports, music, movies, and girls, as well as their dreams of literary fame. Years later, when it appears Barry’s mother will inherit over a million dollars, the friends start planning a literary magazine to jumpstart their careers, only to bitterly fight once the inheritance finally arrives. For six years they don’t see or speak to each other. When they finally reunite in New York, Elliot is a struggling writer with a dead-end teaching job in Philadelphia, and Barry is a millionaire offering Elliot a free apartment where his deceased mother used to live. The friends decide to finally do the magazine they planned and seem ready to conquer the literary world, but Barry has a terrible secret and a terrifying double life that threatens to destroy not only their magazine but the woman they both fall in love with. At once a highly suspenseful psychological thriller and an ambitious literary work told from multiple points of view, Rivers Last Longer takes its turns, sometimes satirically, through the New York literary, art, and film worlds as it tells its story of friendship, ambition, murder, and love.
In Hide Island, his sixteenth book and eighth collection of stories, Richard Burgin explores themes of love and crime, memory and identity, abuse and redemption, and the contradictory battle between our fierce struggle to live lives worth remembering and our desire to disentangle ourselves from a past we wish to forget. The stories involve an extraordinarily variegated group of characters—ranging from doctors and drug dealers, prostitutes and businessmen, to writers and domestic workers. Hide Island gives voice to the profoundly tormented as well as those who seek and find enlightenment, justifying Joyce Carol Oates’ praise in Newsweek’s The Daily Beast that “What Edgar Allan Poe did for the psychotic soul, Richard Burgin does for the deeply neurotic who pass among us disguised as so seemingly ‘normal’ we may mistake them for ourselves.” And why the Boston Globe concluded that “Burgin’s tales capture the strangeness of a world that is simultaneously frightening and reassuring, and in the contemporary American short story nothing quite resembles his singular voice.”
Richard Burgin is the five-time Pushcart Prize-winning author of 20 books, including the novels Rivers Last Longer (2010) and Ghost Quartet (1999), and nine story collections including most recently Don't Think (2017) and Shadow Traffic (2011). He is the founding editor of the internationally acclaimed literary journal Boulevard. "Darkly captivating stories...Burgin deftly explores his characters' most sacredly held fears with a tenderness that makes the reader exalt in their small triumphs. Burgin shows admirable range in this collection, which is hugely varied in both style and form, and while there are clear standouts, there's not a single throwaway." --Publishers Weekly "Richard Burgin's writing is the most lucid and daring of any writer writing today." --Stephen Dixon "Richard Burgin's tales capture the strangeness of a world that is simultaneously frightening and reassuring, and in the contemporary American short story nothing quite resembles his singular voice." --The Boston Globe
Demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space which he then used to challenge the assumptions of visual space that had been produced through print culture.
Ghost Quartet is a stunning exploration of love and ambition, sexual identity, and spiritual purpose. Set in the contemporary classical music world of New York and Tanglewood, the novel centers around the Faustian struggles of Ray Stoneson, a thirty-two-year-old composer, talented yet unrecognized. When Ray meets Perry Green, an internationally renowned, considerably older gay conductor and composer who is desperately attracted to him, both of their lives change inexorably. Perry offers to further Ray's career in exchange for a relationship; Ray eventually complies, but his secret sexual encounters with Perry threaten his relationship with Joy, the beautiful singer he longs to marry, and with Bobby, the idealistic but troubled young actor who is in love with Perry. With relentless suspense and profound psychological insight, Ghost Quartet moves toward a surprising, ironic, and powerful conclusion. Ghost Quartet is a compelling novel of aspiration and moral compromise, a finely crafted exploration of the boundaries that preserve the psyche and the damage that results when those boundaries are breached.
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