The last defining years of John F. Kennedy, Jr. At thirty-four, John F. Kennedy, Jr. was still a man in search of his destiny. In 1995, all that changed when Kennedy launched George, a bold and irreverent magazine about American politics. Over the next four years, Kennedy's passionate commitment to the magazine-- and to the ideals it stood for-- transformed him. One witness to this transformation was Richard Blow, an editor and writer who joined George several months before the release of its first issue. During their four years together, Blow observed his boss rise to enormous challenges-- starting a risky new business, managing the pressures that attend a high public profile, and beginning life as a married man. In American Son, with Blow as our guide, we see the many sides of Kennedy's personality: the rebel who fearlessly takes on politicians and pundits; the gentleman who sends gracious thank-you notes to his colleagues for their wedding gifts; the vulnerable son struggling under the weight of a mythic family legacy. Simply and sympathetically, Richard Blow offers an affecting portrait of a complicated man at last coming into his own-- sometimes gracefully, sometimes under siege, never without the burden of great expectations. #1 New York Times Bestseller; includes a new introduction
This book is a biography of Richard Clarke Sommerville, an educator, amateur actor, and artist, whose life spanned the last quarter of the nineteenth century and six decades of the twentieth century. His dedication to the fine arts was not just a passing interest, but was central to his definition of the right way to live. Education was the key to his positive attitude. He held definite views about what an education should do for the individual. His education within the home environment, his experiences within the educational settings of his day, and his ultimate acceptance of his own lot in life helped him, in part, to formulate these views. Many of his views are as timely today as they were then. His message is to all students from a very special teacher. Contents: 'The Jewel on the South Branch'; The Hampden-Sydney Years; The Restless Young Man; A Return to the Classroom; A Return to Virginia; 'As a Man Thinketh...'; The Professional and the Employee; 'Friend of the Student'; The Man and His Art; The Emeritus Years.
This is a special edition of Richard Hatch's Taro-san book created for his public performances. It is not suitable for general use and should not be purchased by mistaking it for the regular or annotated editions of his book.
Pubblicato negli Stati Uniti nel 1982, quando Brautigan, lontano dai successi dei suoi primi romanzi, lottava contro depressione e alcolismo, American Dust racconta – in un continuo sovrapporsi di piani temporali – la difficile adolescenza della voce narrante: un ragazzo di tredici anni che cresce senza padre nell’Oregon del secondo dopoguerra, vivendo di piccoli espedienti. Finché, sparando alle mele in un frutteto con il suo fucile calibro .22, colpisce accidentalmente e uccide il suo compagno di giochi e avventure, scoprendo così, nel modo più brutale, a quali conseguenze si vada incontro quando si decide di spendere i pochi soldi accumulati rivendendo vuoti di bottiglia per comprare delle cartucce, anziché un sano hamburger americano. Tra custodi di segherie sempre ubriachi e strane coppie che vanno ogni giorno a pesca portandosi dietro un divano sul quale stare comodamente sedute, tra ragazzine che abitano nell’agenzia di pompe funebri dei genitori e famiglie che cambiano casa ogni sei mesi passando da una roulotte all’altra, Brautigan ci racconta, in pagine di dolorosa, sognante levità, il retaggio di violenza, paura, dolore che si annida nelle pieghe del sogno americano.
Blunt and honest. . .A stunning piece of work." --T.J. English "Deeply moving. . .What's Left of Us is a rush of blood to the head and heart, the kind only true art can deliver." --Andre Dubus "An amazing story not just of survival, but redemption." --Mary McGarry Morris Richie Farrell grew up in a working-class Irish neighborhood in Massachusetts. To overcome a birth defect, his father pushed him to become a star athlete, grooming him for Notre Dame. Sometimes, he would use a belt as a learning tool. Once, he used an electric carving knife. . . The headline read Crippled at Birth: Farrell Now Grid Star. A month later, I tore up my knee and fell in love with pain medication. By time he was thirty, Richie was a heroin addict, stealing from friends, shooting up during visits to his children, living in abandoned mill buildings, running from the shameful secrets of his family. Hopeless and in pain, he attempted suicide. When that failed, he was ordered to detox. He looked at me. "Be honest," he said, "or you'll be on the street in 15 minutes. Jail, death, or honesty. You choose." In this harrowing, astounding memoir, Richard Farrell chronicles a life of desperation, violence, lies--and the pure oblivion of heroin. A gritty, hauntingly written tale of a descent into hell and a slow, uncertain climb out of it, What's Left Of Us is a true story of redemption: of how low a man can get, and how hard he must fight to escape a shattered life. . . "[Farrell] carries you on this rollercoaster ride of ugliness and beauty. Don't miss it." --Phyllis Karas Richard Farrell is an author, filmmaker, teacher, journalist, and adjunct professor of English at the University of Massachusetts in Lowell. His documentary, High on Crack Street, was aired on HBO and received Columbia University's duPont Award. He is the co-author of A Criminal and an Irishman: The Inside Story of the Mob-IRA Connection. He is the screenwriter for the upcoming film The Fighter, and makes his home in Milford, New Hampshire.
Winner of the Edgar Award: The gripping account of a gruesome mass murder in gritty 1980s New York and the relentless hunt for a coldblooded killer. On a warm spring evening in 1982, thirty-seven-year-old accountant Margaret Barbera left work in New York City and walked to the West Side parking lot where she kept her BMW. Finding the lock on the driver’s side door jammed, she went to the passenger’s side and inserted her key. A man leaned through the open window of a van parked in the next spot, pressed a silenced pistol to the back of Margaret’s head, and fired. She was dead before she hit the pavement. It was a professional hit, meticulously planned—but the killer didn’t expect three employees of the nearby CBS television studios to stumble onto the scene of the crime. “You didn’t see nothin’, did you?” he demanded, before shooting the first eyewitness in the head. After chasing down and executing the other two men, the murderer sped out of the parking lot with Margaret’s lifeless body in the back of his van. Thirty minutes later, the first detectives arrived on the scene. Veterans of Midtown North, a sprawling precinct stretching from the exclusive shops of Fifth Avenue to the flophouses of Hell’s Kitchen, they thought they’d seen it all. But a bloodbath in the heart of Manhattan was a shocking new level of depravity, and the investigation would unfold under intense media coverage. Setting out on the trail of an assassin, the NYPD uncovered one of the most diabolical criminal conspiracies in the city’s history. Richard Hammer’s blow-by-blow account of “the CBS Murders” is a thrilling tale of greed, violence, and betrayal, and a fascinating portrait of how a big-city police department solved the toughest of cases.
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