Richard Berengarten's Changing is the most ambitious poem ever written outside the Chinese language in honour of the Book of Changes, or Yijing (I Ching). Changing is a homage both to this ancient text and to Chinese history and culture. The poem takes direct inspiration from the Chinese classic, as well as its form and the inter-relationships of its parts. The work is a remarkable achievement in its own right and a living testament to the enduring and universal quality of the Yijing. Berengarten has been exploring the Yijing for more than 50 years.
In this sequel to images 1 (2013), the borders between poetic theory and practice blur, for some of these texts are prose-poems in themselves. While their themes are rooted in the here-now, their 12-point structures call to mind early 20th century manifestos and late 20th century memoranda.
Avebury freely moves through time, from pre-textual history to descriptions of art and civilisation, in the same way that Olson's Maximus Poems and all of Eliot's poems in Four Quartets envision history as an event that is taking place now and always, past and present simultaneously existing." -Neli Moody
A tokonoma is an alcove in a traditional Japanese house, which serves to display a scroll, ikebana or a special painting or print. It is also a kind of code-word in neo-baroque Hispanic writing, having been much used by the movement's founder and inspiration, Cuban poet Jose Lezama Lima. Here the tokonoma is part of Jose Kozer's linguistic armoury: another Cuban poet, but this time one in exile in the USA and, by common consent, the doyen of the current Hispanic neo-baroque. Here Kozer engages with Japanese and Chinese poetry, learning, myth and much more besides. This is Kozer's second collection with Shearsman, following Anima (2011). This edition contains only the English translation: a separate edition is available, containing the Spanish text together with the translation, on facing pages.
Manual, the sixth volume in the ongoing series of Richard Berengarten's Selected Writings, is an ambitious work-in-progress, a single poem, whose central theme is human hands.
The action of this book-length poem unfurls in the public and private worlds of corporate man. The Manager is a poet's response to challenges thrown down by T.S. Eliot more than eighty years ago in The Waste Land. Its ground is identity, sexuality and vision. Its occupation is mind, heart and spirit. This revised edition of The Manager is the second volume in the ongoing series of Richard Berengarten's Selected Writings. Richard Berengarten used to be known as Richard Burns. With the inital publication of this series of books, he repossessed the family name of his father, the cellist and saxophonist Alexander Berengarten.
Focusing on the author's experience of Yugoslavia before, during and after the country's dissolution, this book locates, tracks and celebrates aspects of history, folk tradition, literary culture, education, politics and poetry.
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