John Doran wrote to the United States Bureau of Pensions toward the end of his life with a pleading message: I have been compelled to cease all work, and I am unable to support myself and family on the small pension allowed me. I am a broken-down old man and pray for an increase. It was a sad end for an Irishman who had come to America in 1857 looking for a better lifesomeone who learned the trade of iron molding before enlisting in the First Regiment of United States Artillery. Doran participated in most Civil War encounters from Fort Sumter to Appomattox, earning promotions from private to sergeant while serving in the fighting first until 1874. During the war, he suffered starvation, sleep deprivation, extreme fatigue, an eye injury impairing his vision, a foot injury causing a debilitating limp, an ear injury, and numerous other infirmities in the line of duty. Somehow, he survived to return to his family and iron molding in Meriden, Connecticut, in 1874. But injuries haunted him, and he was forced to give up manual labor and fight for the next twenty-one years for a small stipend for his military service.
From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
Much of Civil War history emphasizes generalship (or the lack of it) as the key factor in analyzing why battles were won or lost. Taking an innovative approach, this book focuses on six elements of victory in nine important Western Theater engagements during 1862--a year when the North had not yet fully mobilized for war. With increasing complexity on the battlefield and the enormous growth of American armies, winning or losing depended upon achieving as many of these six critical goals as possible: a clear objective; mobilization of effective lieutenants; a competent staff; seizing and holding initiative; deploying all available resources; and realizing a successful strategic outcome. The more goals achieved, the greater the victory.
He was one of the most embattled heads of state in American history. Charged with building a new nation while waging a war for its very independence, he accepted his responsibilities reluctantly but carried them out with a fierce dedication to his ideals. Those efforts ultimately foundered on the shoals of Confederate defeat, leaving Davis stranded in public memory as both valiant leader and desolate loser. Now two renowned Civil War historians, Herman Hattaway and Richard Beringer, take a new and closer look at Davis's presidency. In the process, they provide a clearer image of his leadership and ability to handle domestic, diplomatic, and military matters under the most trying circumstances-without the considerable industrial and population resources of the North and without the formal recognition of other nations. Hattaway and Beringer examine Davis's strengths and weaknesses as president in light of both traditional evidence and current theories of presidential leadership. They show us a man so respected that northern colleagues regretted his departure from the U.S. Senate, but so bent on Southern independence he was willing to impose unthinkable burdens on his citizens-an apologist for slavery who was committed to state rights, even while growing nationalism in his new country called for a stronger central government. In assessing Davis's actual administration of the Confederate state, the authors analyze the Confederate government's constitution, institutions, infrastructure, and cabinet-level administrators. They also integrate events of Davis's presidency with the ongoing war as it encroached upon the South, offering a panoramic view of military strategy as seen from the president's office. They tell how Davis reacted to the outcomes of key battles and campaigns in order to assess his leadership abilities, his relations with civilian and military authorities, and-his own personal competency notwithstanding-his poor judgment in selecting generals. Rich in detail and exhilaratingly told with generous selections from Davis's own letters and speeches, Hattaway and Beringer provide the most insightful account available of the first and only Confederate presidency-suggesting that perhaps it was the Confederate government, rather than Davis himself, that failed. More than that, it shows us Jefferson Davis as an American leader and offers a new appreciation of his place in our country's history.
“An up-to-date, accurate, comprehensive and lively treatment of . . . arguably one of the bloodiest five hours during the American Civil War.” —The Civil War Gazette The battles at Spring Hill and Franklin, Tennessee, in the late autumn of 1864 were watershed moments in the American Civil War. Thousands of hardened veterans and a number of recruits, as well as former West Point classmates, found themselves moving through Middle Tennessee in the last great campaign of a long and bitter war. Replete with bravery, dedication, bloodshed, and controversy, these battles led directly to the conclusion of action in the Western Theater. Spring Hill and Franklin, which were once long ignored and seldom understood, have slowly been regaining their place on the national stage. They remain one of the most compelling episodes of the Civil War. Through exhaustive research and the use of sources never before published, the stories of both battles come vividly to life in For Cause & For Country. Over 100 pages of material have been added to this new edition, including new maps and photos. The genesis and early stages of the Tennessee Campaign play out in clear and readable fashion. The lost opportunity at Spring Hill is evaluated in great detail, and the truth of what happened there is finally shown based on evidence rather than conjecture. The intricate dynamics of the Confederate high command, and especially the roles of General John Bell Hood and General Frank Cheatham, are given special attention. For Cause & For Country is “a highly complex but skillfully organized, easy-to-follow campaign narrative written in stirring fashion” (Civil War Books and Authors).
A uniquely rich portrayal of Tennesseans who fought and lost their lives in the Civil War is presented in this collection of stories and portraits that are joined with personal remembrances from recovered letters and diaries and detailed historical background.
New Orleans is a city of many storied streets, but only one conjures up as much unbridled passion as it does fervent hatred, simultaneously polarizing the public while drawing millions of visitors a year. A fascinating investigation into the mile-long urban space that is Bourbon Street, Richard Campanella’s comprehensive cultural history spans from the street’s inception during the colonial period through three tumultuous centuries, arriving at the world-famous entertainment strip of today. Clearly written and carefully researched, Campanella’s book interweaves world events—from the Louisiana Purchase to World War II to Hurricane Katrina—with local and national characters, ranging from presidents to showgirls, to explain how Bourbon Street became an intriguing and singular artifact, uniquely informative of both New Orleans’s history and American society. While offering a captivating historical-geographical panorama of Bourbon Street, Campanella also presents a contemporary microview of the area, describing the population, architecture, and local economy, and shows how Bourbon Street operates on a typical night. The fate of these few blocks in the French Quarter is played out on a larger stage, however, as the internationally recognized brands that Bourbon Street merchants and the city of New Orleans strive to promote both clash with and complement each other. An epic narrative detailing the influence of politics, money, race, sex, organized crime, and tourism, Bourbon Street: A History ultimately demonstrates that one of the most well-known addresses in North America is more than the epicenter of Mardi Gras; it serves as a battleground for a fundamental dispute over cultural authenticity and commodification.
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
A gripping historical novel, The Winds of Change encompasses the last fourteen months of the American Civil War. Beginning in March of 1864, President Abraham Lincoln meets Ulysses S. Grant, who explains to Lincoln his strategy of attacking the South at all points simultaneously, thereby preventing the South from reinforcing threatened points by shifting troops. Grant's plan of "total war"-thousands of families driven from their homes in despair-is designed not only to defeat the armies of the Confederacy, but also to take the will to fight from the Southern population. He works in conjunction with William Sherman and George Thomas in the West, Philip Sheridan in the Shenandoah Valley, and George Meade in the East. In The Winds of Change, you can experience the conflicts and intrigue encountered by President Lincoln and his trusted generals as lives are lost in battle and strategies are revised to ensure victory.
This entertaining work analyzes the strengths and weaknesses of the Civil War’s top Union and Confederate generals using extensive primary documents and original research. Included are the surprising answers to intriguing questions: How did Union general Ulysses S. Grant attain such a high rank after numerous failures in civilian life? What made the dour, almost fanatically religious Stonewall Jackson perhaps the best combat leader in the Confederacy? History professor Richard M. Walsh explains why Ambrose Burnside was demoted, who gave George McClellan the nickname “Little Napoleon,” and why men of both sides respected Robert E. Lee. Walsh even includes outstanding citizen soldiers who quickly advanced in rank on both sides in his remarkable chronicle. Fascinating facts are gathered in chapters that group the generals from the worst to the not so bad to the best, all punctuated by satirical portraits drawn by Charles H. Hayes. Walsh’s record is a must read for history buffs from both sides of the Mason-Dixon!
I clamor for the next installment of Richard O’Rawe’s rollicking series of heist novels featuring James 'Ructions' O’Hare." — Sarah Weinman, The New York Times Book Review "Mr. O’Rawe ... has written the most riotous caper novel since his own 'Northern Heist,' and with luck, there will be more adventures ahead. "—Tom Nolan, The Wall Street Journal Ructions O'Hare returns in a thriller — based on one of history's greatest unsolved heists — pitting him against the IRA, Interpol, and neo-Nazis . . . When WWII ended, the allies discovered that a huge amount of gold bullion plundered by Nazi Reichsmarschall Hermann Goering had gone missing. Some believed the gold had been hidden in a train box car in Poland. Others that it was secreted in Lake Toplitz in the Austrian Alps. And a few thought it was buried in the Republic of Ireland, which was neutral during the war. When ex-IRA soldier Ructions O'Hare stumbles on a piece of Nazi memorabilia once owned by Goering, he begins to think that those who suspect the gold was in Ireland just might be on to something. But for Ructions to return to Ireland is easier said than done. For a start, the IRA is after him for not paying them a cut from a huge bank robbery he carried out in Belfast. And then there's the Neo-Nazis, who believe that Goering's gold rightfully belongs to them, and who are happy to kill anyone who gets in their way. And as Ructions gathers clues to the gold's location and, as his many adversaries realize he's getting closer, it's as if a noose is tightening around his neck...
Louisiana presents an overview of the culture in the New World and Louisiana, including related literature, such as Longfellow's Evangeline. For the visitor, the state is divided into geographic regions such as New Orleans, the plantations, and Lafayette. For each area, tours, historic sites, and restaurants are described. The section on New Orleans celebrates the French Quarter and the local food and music. Outside of New Orleans are majestic plantations and beautiful bayous filled with cypress trees and hanging Spanish moss. Side trips from New Orleans allow visitors to sample some of the various musical tastes of the Bayou State. Zydeco music may be found in Lafayette, while Cajun music may be heard throughout the southern part of the state. Special features include information on consulates, tourist offices, banks and currency exchanges, and maps which, among other things, show distances between cities. With Louisiana , anyone can pass a good time and learn how to let the good times roll, or, as the Cajuns say rouler.
The 149th Pennsylvania saw its one day of glory on July 1, 1863, when this young and untried regiment staged a magnificent defense at McPherson's farm. Although this bright promise quickly faded into more typical regimental experience, the story of the regiment's service under the indomitable Joshua Chamberlain remains worth telling. Drawing on the service records of more than 800 soldiers as well as diaries, letters, and other primary souces, this book details the 149th's battles from brigade to company level, from the charges at Gettsyburg to the assault at Petersburg. Focus is on the development, mood and character of a regiment as it undergoes changes in leadership, loss of reliable veterans and the increased individual desire for survival as brutal battles take their toll on mind and body. More than 100 photographs enhance the text.
John Bell Hood, a native of Kentucky bred on romantic notions of the Old South and determined to model himself on Robert E. Lee, had a tragic military career, no less interesting for being calamitous. After conspicuous bravery in leading a Texas brigade, he rose in the ranks to become the youngest of the full generals of the Confederacy. The misfortune in store for Hood, a far better fighter than a strategist, illustrates the strain and risks of high command. One of the lasting images to come out of the Civil War is that of the one-legged General Hood strapped in his saddle, leading his men in a hopeless counter-offensive against Sherman's march on Atlanta. In this prize-winning book Richard M. McMurry spares no details of Hood's ultimate "complete and disastrous failure," but he is concerned to do justice to one of the most maligned and misunderstood figures in Civil War history.
It is July 18, 1861 in Winchester, Virginia. The Civil War has begun, and Lieutenant John Pelham, formerly of the West Point Class of 1861, is about to play a pivotal role in the First Battle of Bull Run. The confident Lieutenant Pelham bears little resemblance to the seventy-year-old who journeyed alone five years earlier from Jacksonville, Alabama, to West Point, New York, to attend the United States Military Academy. As he immerses himself in West Point, both Pelham’s life and his beloved country see substantial change. While Pelham and his classmates witness the unraveling of the Union and the birth of the Confederacy, Pelham meets Clara Bolton, a Philadelphian belle who captures his heart–all while Pelham and his compatriots are preparing for the reality of combat. Told against the backdrop of slavery and states’ rights, the Democratic and Republican Parties, the fire-eaters of the South and the abolitionists of the North, The Parting portrays how profoundly historical events divided West Point’s graduating class of 1861 on the eve of the Civil War, changing all of their lives forever.
Details the organization of a 'legion' and its combat odyssey. This book takes the reader through most of the major battles in the eastern theater of the Civil War.
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here. Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views. A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery. Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew. Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, René Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.
Fort Sumter. Charleston. April 1861. The start of the Civil War. The bombardment and surrender of Sumter were only the beginning of the story. Both sides understood the military significance of the fort and the busy seaport, which played host to one of the longest and most complicated and fascinating campaigns of the entire Civil War. Richard Hatcher’s Thunder in the Harbor: Fort Sumter and the Civil War is the first modern study to document the fort from its origins, through the war, and up to its transfer to the National Park Service in 1948. After its surrender, Southern troops immediately occupied and improved Sumter’s defenses. The U.S. blockaded Charleston Harbor and for two years the fort, with its 84 heavy guns and a 500-man garrison, remained mostly untested. That changed in July 1863 when a powerful combined operation set its sights on the fort, Charleston, and its outer defenses. The result was a grueling 22-month land and sea siege—the longest of the Civil War. The complex effort included ironclad attacks, land assaults, raiding parties, and siege operations. Some of the war’s most famous events unfolded there, including the assault against Battery Wagner, led by the 54th Massachusetts Infantry Regiment (depicted in the movie Glory), the shelling of the city by the “Swamp Angel,” and the beginning of submarine warfare when the H. L. Hunley sank the USS Housatonic and was herself lost at sea. The destruction of Fort Sumter remained a key Federal objective throughout the siege. Despite repeated concentrated bombardments of the fort and the city, Sumter never fell. The defiant fort, Charleston, and its defensive lines were evacuated in February 1865 once word arrived that Maj. Gen. William T. Sherman approached Columbia, South Carolina. Hatcher, the former historian at Fort Sumter Fort Moultrie National Historical Park, mined a host of primary sources to produce an in-depth and fascinating account of the intricacies, complexities, and importance of this campaign to the overall war effort. Nearly 18 months of shelling had rendered Fort Sumter almost unrecognizable, but the significance of its location remained. During the eight decades that followed, the United States invested millions of dollars and thousands of hours rebuilding and rearming the fort to face potential foreign threats in three different wars. By the end of World War II, sea and air power had made Sumter obsolete, and the fort was transferred to the National Park Service. Thunder in the Harbor fills a large gap in the historiography and underscores that there is still much to learn about our endlessly fascinating Civil War.
Writing with his customary wit and style, Richard Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works. Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.
A complete Orders of Battle for all U.S. Army combat units during World War I. Intended for the serious student of military history, the book is both compact and comprehensive.
Richard McMurry compares the two largest Confederate armies, assessing why Lee's Army of Northern Virginia was more successful than the Army of Tennessee. His bold conclusion is that Lee's army was a better army--not just one with a better high command. "Sheds new light on how the South lost the Civil War.--American Historical Review "McMurry's mastery of the literature is impressive, and his clear and succinct writing style is a pleasure to read. . . . Comparison of the two great rebel armies offers valuable insights into the difficulties of the South's military situation.--Maryland Historian
Was Robert E. Lee a racist? How could he lead an army allegedly created to defend human bondage? The truth is in the this book, written by his son, Captain Robert E. Lee. The quick answer is "NO" -- General Lee despised the practice of slavery. In fact, he had publically stated his support for legislation already in the works to emancipate the African workers in Virginia -- and ultimately all of the South. So General Lee and his fellow Southerners fought for something else -- read this book to find out.
Joseph Eggleston Johnston was one of the original five full Confederate generals. He graduated West Point in the same 1829 class as Robert E. Lee and served in the War with Mexico, the Seminole Wars in Florida, and in Texas and Kansas. By 1860 Johnston was widely looked upon as one of America’s finest military officers. During the Civil War he commanded armies in Virginia, Georgia, and the Carolinas and served as commander of the entire Western Theater during a critical period of the war. Johnston’s contributions to the war effort, however, remain a lightning rod of controversy. In The Civil Wars of General Joseph E. Johnston, Richard M. McMurry argues persuasively that the Confederacy’s most lethal enemy was the toxic dissension within the top echelons of its high command. The discord between General Johnston and President Jefferson Davis (and others), which began early in the conflict and only worsened as the months passed, routinely prevented the cooperation and coordination the South needed on the battlefield if it was going to achieve its independence. The result was one failed campaign after another, all of which cumulatively doomed the Southern Confederacy. McMurry’s study is not a traditional military biography but a lively and opinionated conversation about major campaigns and battles, strategic goals and accomplishments, and how these men and their decision-making and leadership abilities directly impacted the war effort. Personalities, argues McMurry, win and lose wars, and the military and political leaders who form the focal point of this study could not have been more different (and in the case of Davis and Johnston, more at odds) when it came to making the important and timely decisions necessary to wage the war effectively. The Civil Wars of General Joseph E. Johnston represents a lifetime of study and contemplation that captures Johnston in a way that has never been accomplished. It sheds fresh light on old controversies and compels readers to think about major wartime events in unique and compelling ways. This first installment begins just before the Civil War and ends on the eve of Johnston taking command of the Army of Tennessee in North Georgia. Here, finally, is the definitive study of how qualities of character played an oversized role in determining the outcome of the Civil War.
Finding the best sites on the Civil War can be a daunting task when you consider that a simple search on the web for "Civil War" can yield over a million hits. The Civil War on the Web, SR Books' highly acclaimed guide to Internet resources, eliminates this problem. The authors have examined thousands of websites to prepare this invaluable book. This newly revised edition contains only the most carefully constructed, highly informative, artfully designed sites on the Civil War. Sites that have become outdated since the release of the first edition in 2000 have been deleted and additional outstanding sources of information have been added. The Civil War on the Web includes: * Detailed reviews of the top 100 sites * A one- to five-star rating of each site's content, aesthetics, and navigation * A list of over 300 additional recommended sites including URLs and brief descriptions * Free CD-ROM (PC and MAC compatible) with hotlinks to all 400-plus sites in the book The Civil War on the Web is the indispensable "toolkit" for Civil War buffs, history enthusiasts, and web surfers to pinpoint the best websites on the Civil War.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.