An experimental British novel on fate. The lives of its protagonists converge because of decisions they took on a particular date, in this case November 1, 1993. The cast includes two friends from childhood who finally put aside their class differences to hop into bed, only to have their romance spoilt by another man. By the author of X20.
Richard Beard, an Army psychologist assigned to the 142nd General Hospital in Calcutta, dealt daily with emotional trauma. While American and British soldiers hacked their way through dense tropical forests to build a supply route, Beard immersed himself in the internal jungles of those he treated. A pillar to the men he served, Beard was an astute listener and observer, pleased to be playing his part. But his own pillar was his wife, Reva, half a world away in Findlay, Ohio. In daily letters to Reva, he poured out not only his own longing and passions but also the unfolding drama of war in painfully exquisite detail tempered with tenderness and humor."--BOOK JACKET.
After giving up smoking, Gregory Simpson promises himself that he will write something down rather than pick up a cigarette every time he has a craving, capturing in a series of notes his day-to-day struggle to overcome his addition
Spellbinding, terrifying, deeply moving" -- an unflinching portrait of a family's silent grief, and the tragic death of a brother not spoken about for forty years (Joanna Rakoff). On a family summer holiday in Cornwall in 1978, Richard and his younger brother Nicholas are jumping in the waves. Suddenly, Nicholas is out of his depth. One moment he's there, the next he's gone. Richard and his other brothers don't attend the funeral, and incredibly the family returns immediately to the same cottage -- to complete the holiday, to carry on, in the best British tradition. They soon stop speaking of the catastrophe. Their epic act of collective denial writes Nicky out of the family memory. Nearly forty years later, Richard, an acclaimed novelist, is haunted by the missing piece of his childhood, the unexpressed and unacknowledged grief at his core. He doesn't even know the date of his brother's death or the name of the beach where the tragedy occurred. So he sets out on a painstaking investigation to rebuild Nicky's life, and ultimately to recreate the precise events on the day of the accident. The Day That Went Missing is a transcendent story of guilt and forgiveness, of reckoning with unspeakable loss. But, above all, it is a brother's most tender act of remembrance, and a man's brave act of survival. Winner of the PEN/Ackerley Prize 2018
By day Daniel Travers draws cartoon chickens and by night he is confused by Daphne. Her instinct for rebellion leads them to Yurayama theme-park to sabotage the character-acts. All that stands in their way is public opinion, Michael Miller, the melancholic park-supervisor, and a bang on the head.
Richard Drake presents a new interpretation of Charles Austin Beard's life and work. The foremost American historian and a leading public intellectual in the first half of the twentieth century, Beard participated actively in the debates about American politics and foreign policy surrounding the two world wars. Drake takes this famous man's life and rewrites his intellectual biography by placing the European dimension of Beard's thought at the center. This radical change of critical focus allows Drake to correct previous biographers' oversights and, in Charles Austin Beard, present a far more nuanced appreciation for Beard's life than we have read before. Drake proposes a restoration of Beard's professional reputation, which he lost in large part because of his extremely unpopular opposition to America's intervention in World War II. Drake analyzes the stages of Beard's development as a historian and critic: his role as an intellectual leader in the Progressive movement, the support that he gave to the cause of American intervention in World War I, and his subsequent revisionist repudiation of Wilsonian ideals and embrace of non-interventionism in the lead-up to World War II. Many of his dire predictions about the inevitable consequences of pre-World War II American foreign policy have come to pass. Drake shows that, as Americans tally the ruinous costs—both financial and moral—of nation-building and informal empire, the life and work of this prophet of history merit a thorough reexamination.
This story of Jesus’s childhood best friend is “a thrilling meta-novel” and one of Kirkus Reviews’ Best Books of the Year (Maria Semple, author of Where’d You Go, Bernadette). Like most successful men in their early thirties, Lazarus has plans that don’t involve dying. He is busy organizing his sisters, his business, and his women. Life is mostly good until far away in Galilee, without warning, his childhood best friend, Jesus, turns water into wine. Immediately, Lazarus falls ill. And with each subsequent miracle his health deteriorates: a nasty cough develops into an alarming array of afflictions unresponsive to the usual remedies. His sisters think Jesus can help, but the two men haven’t spoken for years. Lazarus is willing to try anything to make himself well, anything, that is, except ask Jesus for help. Lazarus dies. Jesus weeps. Lazarus rises. This part we all know. But Lazarus is about to discover that returning from the dead isn’t easy at all . . . An ingeniously funny and moving novel disguised as biography, Lazarus Is Dead recounts the story of a great friendship lost and regained that unabashedly turns convention on its head. Richard Beard draws on biblical sources, historical detail, art, and contemporary literature to cast a spell that remains unbroken until the final pages of this story about second chances. “Beard’s take on Lazarus is nothing less than astonishing—and he respects the reader by taking religion and religious questions seriously.” —Kirkus Reviews (starred review) “Thoroughly entertaining . . . a brilliant, genre-bending retelling and subversion of one of the oldest, most sensational stories in the western canon.” —Sunday Business Post (Ireland) “Clever and original . . . keeps the reader guessing until the death—and beyond.” —The Financial Times
There is Rugby Union: the fast, compelling, TV-friendly combat sport in which sponsored gladiators are sold on their ability to crash into each other at top speed, and sometimes even to avoid each other and score. And then there's rugger. Rugger was once the serious version of rugby, more than a mere game, a fierce contact-sport developed in Victorian public schools to forge manly and unshakeable character. For a hundred years boys played rugger and made themselves into men. They also drank too much beer and took their trousers down in public. Richard Beard sets out to examine this contradiction by revisiting his seven former rugby clubs in four different countries. He meets Booker prize-winning authors and former England hookers, explores rugby's rivalry with soccer, its surprising attraction for nonconformists, and its unlikely role in organised crime. All while trying to get himself a game. This is Beard's quest into his rugby-playing past, where he's lived the sport in many of its varied forms. By the end of his wayward journey, he almost qualifies to judge whether rugger has achieved what the Victorians always intended, and made him a better man.
Read this book' Alastair Campbell In 1975 Richard Beard was sent away to boarding school. So were Boris Johnson and David Cameron. He didn't enjoy it. But the first and most important lesson was not to let that show. A public school education has long been accepted in Britain as a preparation for leadership, but being separated from your parents at a young age is traumatic. What sort of adult does it mould? Tackling debates about privilege head-on, Sad Little Men reveals what happens when you put a succession of men from boarding schools into positions of influence, including at 10 Downing Street, and asks the question: is this really who we want in charge? 'The most important book I've read this year' Adam Rutherford
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2018 SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE 2018 My younger brother's name is Nicholas Beard. He was nine years old, and I was with him in the water when he drowned. On a family holiday in Cornwall in 1978, Richard and Nicholas are in the sea, jumping the waves. Suddenly and inexplicably Nicholas is out of his depth and then, shockingly, so is Richard. Only one of the brothers returns to the shore. Richard does not attend Nicholas's funeral and afterwards the family return to Cornwall to continue the holiday. Soon they stop speaking of that day at the beach altogether. Years later, haunted by grief, Richard sets out to piece together the story. Who was Nicholas? What really happened that day? And why did the family never speak of it again?
Rugger, once the serious version of rugby, is a fierce contact-sport developed in Victorian public schools. It also has a dark side. The author examines the contradictions by revisiting his seven former rugby clubs in four different countries.
Feeling the way I do now, it's not a feeling I ever want to have again.' Andrew Flintoff speaks for a nation. The Ashes, 2006/07: Australia 5 England 0. The nightmare returns. For twenty years, Australia has produced competitors so gritty they order sandwiches with sand in, and not just at cricket. Fourth in the medals table at the Athens Olympics, Tour de France contenders, Davis Cup champions, and the Socceroos 3--1 winners over England. For Richard Beard, the football was the last straw. So, on the well-established principle that if you want something doing ..., he travelled down to Australia for seven rounds of hand-to-hand sporting combat, to find out just what makes the Australians so good, and how to beat them.
A wildly inventive, darkly suspenseful novel that pits Christ’s “Passion as police procedural” (The Guardian). Set in a hazy Middle East that seems at once ancient and modern, The Apostle Killer features Gallio, an aging, hardboiled investigator who has one last chance to save his career: He’s got to prove Christ’s resurrection was a hoax. To uncover the conspiracy behind the so-called resurrection, Gallio figures all he needs is for one of the apostles to crack. The only problem is that one by one, the apostles keep dying—and in ever more grotesque ways—just before Gallio gets to them. Racing to save both his case and the witnesses he needs to solve it, Gallio begins to suspect he’s become the unwitting pawn in the plot to kill the apostles . . . but who’s behind it? And to what end? As Gallio realizes even his own superiors are not to be trusted, The Apostle Killer transforms from a dazzling literary experiment into a moving, haunting work of art.
Australia, the 53rd most populated country in the world, has achieved sporting miracles, fourth in the medals table at the Athens Olympics, and Lleyton Hewitt a Wimbledon champion. This work mixes travel, sport, and history from before the First Fleet to modern days.
Richard Hofstadter, the distinguished historian and twice winner of the Pulitzer Prize, brilliantly assesses the ideas and contributions of the three major American interpretive historians of the twentieth century: Frederick Jackson Turner, Charles A. Beard and V.L. Parrington. These men, whose views of history were shaped in large part by the political battles of the Progressive era, provided the Progressive movement with a usable past and the American liberal mind with a historical tradition. The Progressive Historians is at once a critique of historical thought during this decisive period of American development and an account of how these three writers led American historians into the controversial political world of the twentieth century. Turner, in developing his idea that American democracy is the outcome of the experience of frontier expansion and the settlement of the West, introduced his fellow historians to a set of new concepts and methods, and in doing so doing re-drew the guidelines of American historiography. Beard insisted upon the elitist origins of the Constitution, crusaded for the economic interpretation of history, and ultimately staked his historical reputation on an isolationist view of recent American foreign policy. Parrington emphasized the moral and social functions of literature, and read the history of literature as a history of the national political mind. In recent years, the tide has run against the Progressive historians, as one specialist after another has taken issue with their interpretations. The movement of contemporary historical thought has led to a rediscovery of the complexity of the American past. Although he cannot share the faith of the Progressive historians in the sufficiency of American liberalism as a guide to the modern world, Richard Hofstadter believes we have much to learn about ourselves from a reconsideration of their insights.
Dr Richard Beard started off as a Science Teacher at Codsall Community High School, Staffordshire, UK and progressed to being an Advanced Skills Teacher (AST), Gifted & Talented and Science, Technology, Engineering and Mathematics (STEM) Co-ordinator. This supportive role continued for four years and across all subjects within a mixture of age ranges as part of the Codsall High School Federation of Schools. Throughout this period, Richard worked within an outstanding and innovative leadership team to help raise the quality of teaching rapidly from Satisfactory (2007) to Outstanding (2010). In three short years, the team had worked to complete a meteoric rise in the quality of Teaching & Learning. Richards work during this time and in the present day is heavily influenced by Assessment for learning (AfL). He realised that training related to planning and the use of AfL lacked the simple approach. Confusion often reigned over what is good practice especially in teachers just joining the profession. From this, Outstanding-lessons-made-simple.co.uk was created in the aim of promoting the simple approach: The Outstanding Lesson Framework. The framework was designed to help teachers discover a simple and effective way to teach. The aim being that all teachers can deliver good and outstanding lessons all the time not just in observations with the simple backbone to good teaching: AfL. At the present time, the framework provides the basis for the improvement of the quality of Teaching & Learning across all of the schools Richard has worked at. He continues to use it as an Assistant Headteacher in charge of Teaching & Learning at The Marches School in Oswestry, Shropshire (Outstanding, Ofsted, 2010) whilst he regularly delivers training on the framework and its use to improve the quality of Teaching & Learning across different schools.
Welcome to Black Cat Weekly #23. Lots of good stuff this time—highlighted by a novel from Golden Age mystery author Rufus King, Duenna for a Murder. Plus a few novellas, and lots of great short stories, a solve-it-yourself mystery from Hal Charles, and great selections from Michael Bracken (Laird Long’s “Taken for a Ride”—which qualifies as both a mysery and a fantasy story) and Barb Goffman (Michael Allan Mallory’s “Random Harvest”). On the science fiction side, the Cynthia Ward Presents story is missing this week, but that’s only because we have a fantastic alternate-history story from Cynthia herself! Check out her “On Stony Ground.” Plus an epic disaster story from Allan Danzig, a fantasy from Unknown by Lester del Rey and James H. Beard, a space-based tale by Richard Wilson, and a miniature military SF story from Larry Tritten. Here’s the complete lineup: Mysteries / Suspense / Adventure: “Soul Searching,” by Laird Long [short story] “A Fine Kettle of Fish,” by Hal Charles [Solve-It-Yourself Mystery] “Dead Wrong,” by Frank Kane [short story] “Taken for a Ride,” by Hulbert Footner [short novel] “Random Harvest,” by Michael Allan Mallory [Barb Goffman Presents short story] Duenna to a Murder, by Rufus King [novel] Science Fiction & Fantasy: “On Stony Ground,” by Cynthia Ward [short story] “Corrigan’s Homunculi,” by Larry Tritten [short story] “Carillon of Skulls,” by Lester del Rey and James H. Beard [short story] “Abel Baker Camel,” by Richard Wilson [short story] “The Great Nebraska Sea,” by Allan Danzig [short story]
SHORTLISTED FOR THE GOLDSMITHS PRIZE A charismatic cult leader is dead. One by one his followers are being assassinated. Enter Gallio. Gallio does counter-insurgency. But the theft of a body he's supposed to be guarding ruins his career. Years later, the file is reopened when a second body appears. Gallio is called back by headquarters and ordered to track down everyone involved the first time round. The only problem is they keep dying, in ever more grotesque and violent ways. How can Gallio stay ahead of the game when the game keeps changing?
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