Richard Bausch is a master of the short story—and this selection brings together ten pieces which perfectly showcase his incisive wit, perception, and artistry. “He brings to life characters and situations as vivid and compelling as any in contemporary literature.”—Michael Dorris, The Washington Post Book World Including these stories: “The Man Who Knew Belle Starr” “Police Dreams” “What Feels Like the World” “Design” “The Eyes of Love” “The Fireman’s Wife” “Consolation” “Letter to the Lady of the House” “Aren’t You Happy for Me?” “High-Heeled Shoe”
A 2004 PEN/Malamud Award winner, this collection celebrates the work of American artist Richard Bausch -- a writer the New York Times calls "a master of the short story." By turns tender, raw, heartbreaking, and riotously funny, the many voices of this definitive forty-two-story collection (seven of which appear here for the first time) defy expectation, attest to Bausch's remarkable range and versatility, and affirm his place alongside such acclaimed story writers as John Cheever, Flannery O'Connor, Raymond Carver, and Grace Paley.
In stories by turns suspenseful, comic, subtle, and profound, Richard Bausch probes the fault lines of daily life. At three in the morning a man tries not to wake his sleeping wife while fielding calls from his suicidal mistress. A successful real estate agent with two grown sons tries an online dating service on a whim and is surprised by the complicated result. And after being held up at gunpoint, a police officer commiserates with his assailant about their unhappy marriages. Wherever he casts his gaze, Bausch illuminates shades of human experience that defy understanding.
From the prizewinning novelist and world-renowned short-story writer, the author of 2008’s universally acclaimed novel Peace (“A brilliant one-act drama depicting the futility and moral complexity of combat” —The New York Times), eleven indelible new tales that showcase the electrifying artistry of a master. A husband confronts the power of youth and the inexorable truths of old age. A son sits by his mother’s bedside determined to give her what she needs in her final days, even though doing so means breaking his own heart. A brief adulterous tryst illuminates the fragility of our most intimate relations. A young man returns in the face of crisis to the parents he once rejected. A divorced young woman dealing with slowly increasing despair develops an obsesion about a note that fell from the pocket of a man who came to eat in the café where she works. A wife whose husband has been shot must weather a terrible snowstorm with her two sons, as well as a storm of doubt about the extent of his involvement in a crime. Richard Bausch’s stories contend with transfixing themes: marital and familial estrangement, ways of trespass, the intractable mysteries and frights of daily life in these times, the uncertainty of knowledge and truth, the gulfs between friends and lovers, the frailty of even the most abiding love—while underlining throughout the persistence of love, the obdurate forces that connect us. His consummate skill, penetrating wit, and unfailing emotional generosity are on glorious display in this fine new collection.
This "small masterpiece with the same emotional force and moral complexity as Conrad’s Heart of Darkness and Tolstoy’s Hadji Murad” (Colm Tóibín) inspired the film Recon. Italy, near Cassino, in the terrible winter of 1944. An icy rain, continuing unabated for days. Guided by a seventy-year-old Italian man in rope-soled shoes, three American soldiers are sent on a reconnaissance mission up the side of a steep hill that they discover, before very long, to be a mountain. As they climb, the old man's indeterminate loyalties only add to the terror and confusion that engulf them. Peace is a feat of storytelling from one of America's most acclaimed novelists: a powerful look at the corrosiveness of violence, the human cost of war, and the redemptive power of mercy.
The essential mystery at the heart of every relationship is the subject of these twelve stories. What drives people together? What drives them apart? Revenge, boredom, sex—they're all here. . . . The landscape of the heart depicted here is less bleak than it sounds; what drives these stories is the belief that love is reachable just around the bend." —Entertainment Weekly Richard Bausch is a master of the intimate moment, of the ways we seek to make lasting connections to one another and to the world. Few writers evoke the complexities of love as subtly, and few capture the poignancy of the sudden insight or the rhythms of ordinary conversation with such delicacy and humor. To read these twelve stories—of love and loss, of families and strangers, of small moments and enormous epiphanies—is to be reminded again of the power of short fiction to thrill and move us, to make us laugh, or cry. In these profound glimpses into the private fears, joys, and sorrows of people we know, we find revealed a whole range of human experience, told with extraordinary force, clarity, and compassion.
From the recipient of the PEN/Malamud Award, the Literature Award from the American Academy of Arts and Letters, and the Rea Award for the Short Story: a gorgeously rendered, passionate account of a relationship threatened by secrets, set against the backdrop of national tragedy. When Natasha, a talented young artist working as a congressional aide, meets Michael Faulk, an Episcopalian priest struggling with his faith, the stars seem to align. Although he is nearly two decades older, they discover in each other the happy yearning and exhilaration of lovers, and within months they are engaged. Shortly before their wedding, while Natasha is vacationing in Jamaica and Faulk is in New York attending the wedding of a family friend, the terrorist attacks of September 11 shatter the tranquillity of the nation’s summer. Alone in a state of abject terror, cut off from America and convinced that Faulk is dead, Natasha makes an error in judgment that leads to a private trauma of her own on the Caribbean shore. A few days later, she and Faulk are reunited, but the horror of that day and Natasha’s inability to speak of it inexorably divide their relationship into “before” and “after.” They move to Memphis and begin their new life together, but their marriage quickly descends into repression, anxiety, and suspicion. In prose that is direct, exact, and lyrical, Richard Bausch plumbs the complexities of public and personal trauma, and the courage with which we learn to face them. Above all, Before, During, After is a love story, offering a penetrating and exquisite portrait of intimacy, of spiritual and physical longing, and of the secrets we convince ourselves to keep even as they threaten to destroy us. An unforgettable tour de force from one of America’s most distinguished storytellers.
In his first collection of poetry and prose, award-winning fiction writer Richard Bausch proves that he is also an accomplished poet. Penned over a span of many years, the poems in These Extremes deal with a wide variety of subjects. Many focus on Bausch’s own family and relationships. In one long, touching poem, “Barbara (1943–1974),” the poet memorializes his oldest sister, who died young. He also offers two prose memory pieces, recollections from his childhood and adolescence. In these brief “essays,” Bausch draws loving but unsentimental portraits of his father, mother, and other relatives as he reflects on the sense of belonging that he gained from his family—something he hopes to pass on to his own children in this violent, chaotic world. In “Back Stories,” the center of the book, Bausch effortlessly weaves poems around familiar characters from history, literature, movies, and popular culture—including Thomas Jefferson, Shakespeare’s Falstaff, Nurse Ratched from One Flew Over the Cuckoo’s Nest, and Sam, the piano player from Casablanca. Decidedly accessible in form, theme, and expression, These Extremes will surprise and delight lovers of poetry and fans of Bausch’s stories and novels.
A powerful coda to Richard Bausch’s “brilliant” (The New York Times Book Review) World War II novel, Peace, the basis for the film Recon. Originally published in Living in the Weather of the World, this poignant short story picks up the tale of American GI Robert Marson, who was improbably saved from death by a German solider, Eugene Schmidt. Seventy-two years later, the two men are poised to reunite in Washington, D.C. Although they kept in touch after the war, it has been decades since their last meeting, a meeting which reshaped their relationship, and not for the better. Now old men with children and grandchildren, Marson and Schmidt brace themselves to speak one last time, with their families—and the world—watching. A story of nostalgia and regret, of memories forgotten and not, and of how the past never really leaves us, no matter what we may hope, Still Here, Still There is the dazzling final chapter to one of Richard Bausch’s most revered works, and a tribute to the enduring legacy of the bravery of the men who fought in the Second World War.
From the prize-winning fiction writer Richard Bausch (“A master of the novel as well as the story . . . Effortlessly engaging” —Sven Birkerts, The New York Times), a sharp, affecting, masterly new novel about a close-knit theater community in Memphis and one turbulent, transformative production of King Lear. As renovations begin at the Shakespeare Theater of Memphis, life for the core members of the company seems to be falling into disarray. Their trusted director has just retired, and theater manager Thaddeus Deerforth—staring down forty and sensing a rift growing slowly between himself and his wife, Gina—dreads the arrival of an imperious, inscrutable visiting director. Claudette, struggling to make ends meet as an actor and destabilized by family troubles, is getting frequent calls from her ex-boyfriend—and also the narcissistic, lecherous television actor who has been recruited to play King Lear in their fall production. Also invited to the cast is Malcolm Ruark, a disgraced TV anchor muddling through the fallout of a scandal involving his underaged niece—and suddenly in an even more precarious situation when the same niece, now eighteen, is cast to play Cordelia. As tensions onstage and off build toward a breaking point, the bonds among the intimately drawn characters are put to extraordinary tests—and the fate of the theater itself may even be on the line. Deftly weaving together the points of view of Thaddeus, Claudette, and Malcolm, and utterly original in its incorporation of Shakespeare’s timeless drama, Playhouse is an unforgettable story of men and women, human frailty, art, and redemption—a work of inimitable imaginative prowess by one of our most renowned storytellers.
The classroom standard for readers and aspiring writers of fiction, The Norton Anthology of Short Fiction offers the most comprehensive, engaging selection of classic and contemporary stories in the field.
In this shattering novel, a man walks into a convenience store--which turns out to be precisely the wrong place at the wrong time. The near-death and seemingly arbitrary survival of Charles Connally are rendered with a realism, horror, and compassion that explore the strands of brutality running invisibly through his life, his wife's--and perhaps, that of the entire nation. Author reading tour.
At first, all Lily Austin knows about 19th–century explorer Mary Kingsley is that, 100 years before, she was the first white woman to venture into the heart of Africa. But as Lily begins reading about Mary Kingsley, she becomes more and more fascinated – and discovers in Mary a kindred spirit. In her own life, Lily feels trapped – on the one hand, she craves family and intimate connection; on the other hand, she has no healthy or satisfying role models. Consequently, as she nears graduation from the University of Virginia, she finds herself uncertain about what to do with her life. As she researches Mary's life – she has begun writing a play about her – Lily comes to witness Mary's incredible bravery and startling originality, qualities that prove inspirational to Lily, whose own bravery is required as she attempts to navigate dysfunctional and destructive relationships with her young husband, her extended family – and a legacy of abuse dating back to her childhood.
The critics have been effusive in their praise for Richard Bausch's Good Evening Mr. and Mrs. America and All the Ships at Sea. His hardover sales have also never been higher. Taking its title from Walter Winchell's famous radio salutation, Good Evening Mr. and Mrs. America opens in Washington, DC, in 1964, just after the Kennedy assassination, telling the story of Walter Marshall, an idealistic 19-year-old who lives with his widowed mother and studies to be a journalist like his hero, Edward R. Murrow. In this coming-of-age novel in the truest sense of the phrase, young Marshall fumbles toward manhood in a nation that is itself in the midst of cataclysmic change.With the same elegance and precision that has distinguished his other novels, Richard Bausch has evoked a sense of time and place in a different America and brings the last 30 years of history profoundly and vividly to life.Simply a delight to read--wise, probing, and sympathetic, and beautifully written. --Atlanta Journal-Constitution Bausch pulls the reader along in a prose that is as graceful as it is economical. He is one of our best writers. --Philadelphia Inquirer
Nora Michaelson and her eleven-year-old son, Jason. are going through a difficult adjustment to life after the accidental death of Jason's father. at a time when the family's small business was failing. The loss of Jack Michaelson has left his wife and son nearly destitute. It has also placed their lives in jeopardy. This is a story of terror, and resourcefulness in the face of terror, from a master storyteller.
Will Butterfield can't believe it. His 75–year–old mother, Holly, is drunk and threatening to jump off the roof. Again. Holly and Fiona, another elderly relative, won't stop tormenting Will and his wife Elizabeth with their bizarre (though often amusing) antics. Between Will's worries about his bookstore, The Heart's Ease, and Elizabeth's troublesome high school students, dealing with "the crazies" has become just too much. But then something unexpected happens –– Henry Ward, a neighborhood handyman, meets the two old women, and he, his daughter Alison, and grandchildren are drawn into the Butterfields' lives in surprising ways. Both a comedy and a love story –– a first for Bausch –– Thanksgiving Night is about the real meaning of family, and one particular clan that has many reasons to be thankful.
Falling passionately in love with an Episcopalian priest who is struggling with his faith, Natasha plans an autumn 2001 wedding that is shattered by the September 11 attacks before she endures private trauma at the hands of a young man while stranded in Jamaica.
“A first-rate collection of novellas that will break your heart and fill you with hope at the same time.” —Denver Rocky Mountain News In the tradition of William Faulkner and Gabriel Garcia Marquez comes Wives and Lovers, from the author the Boston Globe calls “One of the most expert and substantial of our writers.” Requisite Kindness—published here for the first time—tells the story of a man who must comes to terms with a life of treating women badly when he goes to live with his sister and dying mother. Rare and Endangered Species demonstrates how a wife and mother’s suicide reverberates in the small community where she lives, and affects the lives of people who don’t even know her. Finally, Spirits is about the pain that men and women can—and do—inflict upon each other. Three very different stories that illuminate the unadorned core of love—not the showy, more celebrated sort, but what remains when the more ephemeral emotions such as lust, jealousy, and passion have been stripped away.
James Field loves his daughter but loses her when she elopes with Cole. After five years, she returns with her daughter and James tries to rekindle their special relationship.
3 American soldiers set out on the gruelling ascent of an Italian mountainside in the closing days of the WWII. Haunted by their sergeant's cold-blooded murder of a young girl, & with only an old man of uncertain loyalties as their guide, they trudge on in a state of barely suppressed terror & confusion.
The critics have been effusive in their praise for Richard Bausch's Good Evening Mr. and Mrs. America and All the Ships at Sea.His hardover sales have also never been higher. Taking its title from Walter Winchell's famous radio salutation, Good Evening Mr. and Mrs. America opens in Washington, DC, in 1964, just after the Kennedy assassination, telling the story of Walter Marshall, an idealistic 19-year-old who lives with his widowed mother and studies to be a journalist like his hero, Edward R. Murrow. In this coming-of-age novel in the truest sense of the phrase, young Marshall fumbles toward manhood in a nation that is itself in the midst of cataclysmic change. With the same elegance and precision that has distinguished his other novels, Richard Bausch has evoked a sense of time and place in a different America and brings the last 30 years of history profoundly and vividly to life.
James Field--single parent to Annie--is grief stricken when she elopes with the drug-dealing Cole, and upon her return years later, broken-hearted and a mother, they must reconcile
This year's volume, featuring 17 new stories selected by award-winning novelist John Casey, continues the tradition of identifying the best young writers on the cusp of their careers.
This year's volume, featuring 17 new stories selected by award-winning novelist John Casey, continues the tradition of identifying the best young writers on the cusp of their careers.
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