Today, Scotland's history is frequently associated with the clarion call of political nationalism. However, in the nineteenth century the influence of history on Scottish national identity was far more ambiguous. How, then, did ideas about the past shape Scottish identity in a period when union with England was all but unquestioned? The activities of the antiquary Cosmo Innes (1798-1874) help us to address this question. Innes was a prolific editor of medieval and early modern documents relating to Scotland's parliament, legal system, burghs, universities, aristocratic families and pre-Reformation church. Yet unlike scholars today, he saw that editorial role in interventionist terms. His source editions were artificial constructs that powerfully articulated his worldview and agendas: emphasising Enlightenment-inspired narratives of social progress and institutional development. At the same time they used manuscript facsimiles and images of medieval architecture to foreground a romantic concern for the texture of past lives. Innes operated within an elite associational culture which gave him access to the leading intellectuals and politicians of the day. His representations of Scottish history therefore had significant influence and were put to work as commentaries on some of the major debates which exorcised Scotland's intelligentsia across the middle decades of the century. This analysis of Innes's work with sources, set within the intellectual context of the time and against the antiquarian activities of his contemporaries, provides a window onto the ways in which the 'national past' was perceived in Scotland during the nineteenth century. This allows us to explore how historical thinkers negotiated the apparent dichotomies between Enlightenment and Romanticism, whilst at the same time enabling a re-examination of prevailing assumptions about Scotland's supposed failure to maintain a viable national consciousness in the later 1800s.
Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.
By equal measure state-builder and political unifier and ruthless opportunist and bloody-handed aggressor, Alexander II has been praised or vilified by past historians but has rarely been viewed in the round. This book explores the king's successes and failures, offering a fresh assessment of his contribution to the making of Scotland as a nation. It lifts the focus from an introspective national history to look at the man and his kingdom in wider British and European history, examining his international relationships and offering the first detailed analysis of the efforts to work out a lasting diplomatic solution to Anglo-Scottish conflict over his inherited claims to the northern counties of England. More than just a political narrative, the book also seeks to illuminate aspects of the king's character and his relationships with those around him, especially his mother, his first wife Joan Plantagenet, and the great magnates, clerics and officials who served in his household and administration. The book illustrates the processes by which the mosaic of petty principalities and rival power-bases that covered the map of late 12th-century Scotland had become by the mid-13th century a unified state, hybrid in culture(s) and multilingual but acknowledging a common identity as Scots.
This volume centres upon the era conventionally labelled the 'Making of the kingdom', or the 'Anglo-Norman' era in Scottish history. It seeks a balance between traditional historiographical concentration on the 'feudalisation' of Scottish society as part of the wholesale importation of alien cultural traditions by a 'modernising' monarchy and more recent emphasis on the continuing vitality and centrality of Gaelic culture and traditions within the twelfth- and early thirteenth-century kingdom. Part I explores the transition from the Gaelic kingship of Alba into the hybridised medieval state and traces Scotland's role as both dominated and dominator. It examines the redefinition of relationships with England, Gaelic magnates within Scotland's traditional territorial heartland and with autonomous/independent mainland and insular powers. These interrelationships form the central theme of an exploration of the struggle for political domination of the northern mainland of Britain and the adjacent islands, the mechanisms through which that domination was projected and expressed, and the manner of its expression.Part II is a thematic exploration of central aspects of the society and culture of late eleventh- to early thirteenth-century Scotland which gave character and substance to the emerging kingdom. It considers the evolutionary growth of Scottish economic structures, changes in the management of land-based resources, and the manner in which secular power and authority were acquired and exercised. These themes are developed in discussions of the emergence of urban communities and in the creation of a new noble class in the twelfth century. Religion is examined both in terms of the development of the Church as an institution and through the religious experience of the lay population.
A detailed and critical analysis of the multiple types of entrepreneurship, helping students to understand the practical skills and theoretical concepts needed to create their very own entrepreneurial venture.
In viewing Galloway from the wider context of the northern British mainland, Irish Sea and wider Hebridean zone, it has been possible to explore the dynamics of state-building, dynastic interactions, and the close inter-relationships of the territories connected by the western seaways, which most traditional 'national' histories obscure. From this wider perspective, the development of the lordship of Galloway can be considered in the context of the spreading power and regional rivalries of English, Irish and Scottish kings, and a reassessment of the emergence of the unitary lordship controlled by Fergus of Galloway and his family. Traditional interpretations of the relationship of Fergus and his successors with the kings of England and Scotland are challenged and new light is thrown on the beginnings of the processes of progressive domination of Galloway by, and integration into, the kingdom of the Scots. The end of the autonomous lordship in the 1230s is projected against the backdrop of the aggressive state-building activities of King Alexander II and the transformation of its rulers from independently minded princes and warlords into Anglo-Scottish barons.
Comedian Richard Herring has a major problem. He's about to turn 40 and hasn't seen it coming. He's not married, doesn't have a proper job or 2.4 children. But now, finally, it looks as if the world expects him to be a grown up - and he's completely unprepared for it. As the momentous and terrifying event approaches (his birthday), Richard notices a steep decline in his own behaviour. Inexplicably he begins to behave more childishly - hanging out with 22-year-olds, developing an unhealthy addiction to Flumps and even getting into a ludicrous fight. How Not to Grow Up is the funny story of how a self-confessed perpetual Big Kid deals with his greatest fear - getting older - and is the perfect book for everyone who, deep down, still thinks that they're 18.
This monograph thoroughly examines the latest theory and research concerning spinal cord mechanisms of sensory processing. The book begins with a historical review of the organization of the peripheral nervous system is outlined in terms of sensory receptors and primary afferent axons. The authors examine the dorsal horn and the structure and function of dorsal horn internurons, and neurophysiological evidence concerning the location of sensory pathways in the spinal cord white matter. After te dorsal column, dorshlateral fasciculus, and the ventral quadrant are covered, the final chapter summarizes knowledge on receptors and spinal cord pathways of various sensations, including touch-pressure, flutter-vibration, pain, temperature, position sense, visceral sensation, and descending control systems.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.