I gave my life to become the person I am right now. Was it worth it? Would we change if we knew what waits beyond space and time? “With One, the ninth novel from the ever spiritual and imaginative author of Jonathan Livingston Seagull, [Richard] Bach continues his quest for a deeper understanding of human nature. . . . Although the elements of a great science fiction novel are present, the plot is secondary to the novel's theme of humanity's ability to control destiny”—The Boston Herald “If you have ever tried to judge a book by its cover . . . One lives up to this question [in the headline] . . . and more . . . Bach gives the reader much to ponder, so much so in some chapters that the thoughtful may be tempted to read no more than a page at a sitting. Not because it's cumbersome reading, but because the ideas are worth savoring.”—USA Today “One is a provocative book . . . it gives beautiful, hope-filled answers.”—Indianapolis News “Uplifting . . . Each of the inspirational set pieces preaches the same message: of the power of each individual to choose the ways of peace, brotherhood and love, to live with a reverence for nature and at harmony with the universe. Back again displays an inventive imagination and inspirational zeal.”—Publishers Weekly “One presents a number of provocative speculations: What would it be like to meet yourself when you were older or younger? How would your life turn out if you had made different choices, split up with your spouse, been born in a different time and place? . . . With love and hope as their guides and ‘what matters most’ as their destination, the Bachs touch down in different times and places, where they commune with some of their alternative selves.”—The New York Times Book Review “This is a strange and though-provoking fantasy from the man who gave us Jonathan Livingston Seagull and Illusions, one that is imaginative, playful, and, in places, startling in concept.”—The Anniston Star “Instead of soaring and diving through space, passengers on this flight must be prepared to cruise slowly, making several stops to look at their motivation and lifestyles as the Bachs look at their own.”—Detroit Free Press
In the cloud-washed airspace between the cornfields of Illinois and blue infinity, a man puts his faith in the propeller of his biplane. For disillusioned writer and itinerant barnstormer Richard Bach, belief is as real as a full tank of gas and sparks firing in the cylinders...until he meets Donald Shimoda--former mechanic and self-described messiah who can make wrenches fly and Richard's imagination soar.... In Illusions, the unforgettable follow-up to his phenomenal bestseller Jonathan Livingston Seagull, Richard Bach takes to the air to discover the ageless truths that give our souls wings: that people don't need airplanes to soar...that even the darkest clouds have meaning once we lift ourselves above them... and that messiahs can be found in the unlikeliest places--like hay fields, one-traffic-light midwestern towns, and most of all, deep within ourselves.
If you've ever felt alone in a world of strangers, missing someone you've never met, you'll find a message from your love in "The Bridge Across Forever,
In Nothing by Chance, Richard Bach shares the adventure of one magical summer he spent as an old-fashioned barnstormer flying an antique biplane. The journey is another soaring adventure of wonder and insight from the author of Jonathan Livingston Seagull.
A half-mile up, suspended by nylon wings and the promise of good lift, life hanges on a pledge. Richard Bach made that pledge, fifty years before, to return to the frightened child he used to be and teach him everything he had learned from living. His promise went unfulfilled until one day, hovering between earth and sky, Richard encounters Dickie Bach, age nine--irrepressible challenger of every notion Richard embraces.... In this exhilarating adventure, Richard and Dickie probe the timeless questions both need answered if either is to be whole: Why does growing spiritually mean never growing up? Can we peacefully coexist with the consequences of our choices? Why is it that only by running from safety can we make our wildest dreams take flight?
Biplane is the story of Richard Bach’s solo flight into the American skies—a flight that became a personal quest to discover everything that lies beyond the ordinary. Includes an introduction by Ray Bradbury.
Now, for the first time ever, a new complete edition ebook original of a timeless classic that includes the never-before-published Part Four and Last Words by Richard Bach.
When two barnstorming adventurers meet in the fields of the Midwest one of them begins to learn about the realities of his world and what caused a real Messiah to abandon his mission.
A collection of five novels, featuring ferret protagonists, present a series of adventures that double as tales about courage, sacrifice, heroism, creativity, and finding what matters most in life. Original.
From the bestselling author of Jonathan Livingston Seagull, comes an inspiring collection of short stories of being a pilot. With perfect insight, Richard Bach captures the true esssence of flying and the magic of being in the air. Philosophical and adventurous, each story will grab you and make you want to soar. Once again Richard Bach has written a masterpiece to help you touch that part of your home that is the sky. A gift for pilots, aviation afficionados, and anyone that loves to fly, this book captures the magic of life in all its limitless horizons.
In Richard Bach's best-selling book Illusions, the mysterious hero Donald Shimoda seems to carry the keys to the universe with him as he barnstorms the Midwest in a Travel Air biplane. Shimoda's secret is a small book, bound in what appears to be suede, called the Messiah's Handbook. This slim volume, which the hero frequently quotes, is said to contain "whatever you need to know." All Shimoda has to do is hold a question in his mind, close his eyes, open the book at random, open his eyes-- and the answer is there. Here, at last, is the "lost book" from Illusions--the Messiah's Handbook. Within these pages, you will find the answers to all your most important questions as well as answers to questions that you may have never thought to ask--until now.
Exceptionally clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Over 140 musical examples. Bibliography.
Richard Burnett traces the development of the piano from its origins to the present day, using instruments from his internationally known collection, at the Finchcocks Museum in Kent, England, as the inspiration and navigational means for his story.
Unfinished Music explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past.
This philosophical novel “mines the same territory as The Secret” but is “far richer, raising provocative questions” (Publishers Weekly). Flight instructor Jamie Forbes guides a woman to landing her plane safely after her husband loses consciousness, then flies on to his own destination unimpressed by his act . . . flight instructors guide students every day. Only after she tells reporters that a stranger appeared in an airplane alongside hers and hypnotized her into landing, and after he meets his own guiding stranger does he solve the bigger mystery: how each of us creates, step by step, what seems to be the solid world around us. The best mysteries are the ones whose answers lie in front of us, in plain sight. The best solutions are those moments when all of a sudden we realize what we’ve known all along.
The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's "public" musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses—one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's Text and Act (1995)—that appear in print for the first time.
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Contents -- Acknowledgments -- Preface -- Preliminaries -- 1. The Chromatic Moment in Enlightenment Thought -- Moments Musicaux -- 2. The Fugal Moment: On a Few Bars in Mozart's Quintet in C Major, K. 515 -- 3. Hearing the Silence: On a Much-Theorized Moment in a Sonata by Emanuel Bach -- The Klopstock Moment -- 4. Oden von Klopstock in Musik gesetzt ... -- 5. Composing Klopstock: Gluck contra Bach -- 6. Beethoven: In Search of Klopstock -- Dramma per Musica -- 7. Anagnorisis: Gluck and the Theater of Recognition -- 8. Cherubino's Leap -- 9. Konstanze's Tears -- Works Cited -- Index
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind.
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries , the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
The Philadelphia Orchestra is the most-recorded orchestra in the United States, and its recordings have contributed much to its reputation as “The World’s Greatest Orchestra.” In The Philadelphia Orchestra: An Annotated Discography, Richard A. Kaplan documents more than 2,000 commercial recordings made by the Philadelphia Orchestra over almost a century. The discography contains a chronological list of recordings, detailing works performed, conductors, soloists, dates, venues, producers, and matrix information for 78-rpm recordings. Each entry lists all issues of the recordings, including 78- and 45-rpm discs, long-playing records, and compact discs. The discography documents for the first time the recordings made by Columbia on sixteen-inch lacquer discs during the 1940s and ‘50s. Opening with an overview of the Orchestra's relationships with recording companies and the search for suitable recording venues, chapters cover anonymously and pseudonymously-published recordings, including those of the Robin Hood Dell Orchestra of Philadelphia, the experimental 1931-32 Bell Labs recordings, videos and movies in which the Philadelphia Orchestra performed, live recordings, and recordings of ensembles of the Philadelphia Orchestra. A separate chapter lists live-concert downloads made available directly through the Philadelphia Orchestra Association. Appendixes cross-reference the recordings by composer, conductor, and soloists; a final appendix lists the many Philadelphia Orchestra LP collections published by Columbia and RCA. This book is a valuable resource for collectors, scholars, and anyone interested in recording history and the history of the Philadelphia Orchestra.
This is the second of a two-volume study of the music of Johann Sebastian Bach. Taking into account the vast increase in our knowledge of the composer due to the Bach scholarship of the last sixty years, Richard Jones presents a vivid and in some respects radically new picture of his creative development during the Cöthen (1717-23) and Leipzig years (1723-50). The approach is, as far as possible, chronological and analytical, but the author has also tried to make the book readable so that it may be accessible to music lovers and amateur performers as well as to students, scholars, and professional musicians. There are many good biographies of Bach, but this is the first, fully-comprehensive, in-depth study of his music making it indispensable for those who want to study specific pieces or learn how he developed as a composer.
In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added.1. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. 2. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities worldwide; a listing of major computerized databanks. 3. New double-column format. 4. Numerous illustrations and reproductions of pages from thematic catalogues of historical significance. The second edition continues the policy of listing all known thematic catalogues and indexes, including those in doctoral dissertations, masters essays, and computer databanks, as well as in-progress and unpublished works, plus reviews, and literature about thematic cataloguing. The original numbering of the 1972 entries has been retained, with new items appearing in proper alphabetical/chronological sequence but with the addition of decimal numbers and/or letters (363.1 or 960a). Lastly, the original historical introduction and special appendices of the first edition have been retained with emendations where needed.
Richard Breitman's Official Secrets is an important work based on newly declassified archives. As defeat loomed over the Third Reich in 1945, its officials tried to destroy the physical and documentary evidence about the Nazis' monstrous crimes, about their murder of millions. Great Britain already had some of the evidence, however, for its intelligence services had for years been intercepting, decoding, and analyzing German police radio messages and SS ones, too. Yet these important papers were sealed away as "Most Secret," "Never to Be Removed from This Office"-and they have only now reappeared. Integrating this new evidence with other sources, Richard Breitman reconsiders how Germany's leaders brought about the Holocaust-and when-and reassesses Britain's and America's suppression of information about the Nazi killings. His absorbing account of the tensions between the two powers and the consequences of keeping this information secret for so long shows us the danger of continued government secrecy, which serves none of us well, and the failure to punish many known war criminals.
A gathering chiefly of talks given either by invitation or at conferences throughout the world over the last quarter century. The topics range widely, but recurrent themes include the place of classical music in contemporary society and culture, the fraught relationship between aesthetics and ethics, and the responsibilities of scholarship in an age of spin"--
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.