Beautiful, yet mysterious and deadly, Pilar Rivera is forced into a life of kill or be killed. She has killer good looks and knows how to use them as she stalks and shoots the man who raped her in Havana when she was 16 – and becomes entwined in the crime of the ages. Rumored to be Ernest Hemingway’s Cuban daughter, Pilar is a female Jason Bourne, a woman without a country, loyal only to herself, who will kill for money but charges nothing for revenge. It’s an amazing tale of sex, murder and intrigue, set in the turbulent times of the Cold War, as it moves from Cuba to Russia, New York to Paris, Miami to New Orleans then on to Dallas that notorious day in November. The story swirls around two larger-than-life figures of the 20th century – John F. Kennedy and Fidel Castro – along with a parade of iconic personalities: Jackie and Bobby, Marilyn and Sinatra, Che and Raul, Oswald and Ruby, the rat pack, the mob, the CIA and Hemingway. It’s a fast-paced thriller, as told by Jack Ruby, the last man standing, the only person involved still alive – except for the girl who shot JFK.
A crime family goes legit—sort of—and enters politics, in this “razor-sharp satire on the American dream” (Publishers Weekly). If Charley Partanna is lucky, he can go a few months without falling in love. During these stretches, he’s able to focus on his job as chief executioner for the Prizzi family. But once romance strikes, Partanna—a criminal manager who still commits the odd murder for old time’s sake—is lost to the world. So he knows there will be trouble when he meets his latest infatuation at an orgy. She’s clothed from neck to ankles, but she’s the sexiest woman Partanna has ever seen, and she hits his heart hard. His latest affair may be consuming Partanna body and soul, but he’ll have to make sure it doesn’t interfere with the Prizzi family’s latest venture: politics. And with the Prizzis’ sights set on the White House, Partanna will discover the campaign trail is a bloody one indeed. Prizzi’s Glory is the 3rd book in the Prizzi series, but you may enjoy reading the series in any order.
This book is about a mad king and a mad duke. With original and iconoclastic readings, Richard van Oort pioneers the reading of Shakespeare as an ethical thinker of the "originary scene," the scene in which humans became conscious of themselves as symbol-using moral and narrative beings. Taking King Lear and Measure for Measure as case studies, van Oort shows how the minimal concept of an anthropological scene of origin—the "originary hypothesis"—provides the basis for a new understanding of every aspect of the plays, from the psychology of the characters to the ethical and dialogical conflicts upon which the drama is based. The result is a gripping commentary on the plays. Why does Lear abdicate and go mad? Why does Edgar torture his father with non-recognition? Why does Lucio accuse the Duke in Measure for Measure of madness and lechery, and why does Isabella remain silent at the end? In approaching these and other questions from the perspective of the originary hypothesis, van Oort helps us to see the ethical predicament of the plays, and, in the process, makes Shakespeare new again.
The lives of Angelo Cavallaro and Angela Gravagna are entwined in a backdrop set in the coastal areas of the Province of Catania, Sicily, and moves onto the northern hillsides of the active volcano, Mount Etna. They are traced from their early childhoods, where they lived as peasants during the reconstruction of Italy and Sicily, through their immigration to America. The journey of Angelo, Angela, and their six children begins in the tiny village of Passopisciaro and continues as they travel to Palermo in1913 to board a ship and sail across the Atlantic Ocean. You share and experience their fears as they pass through Ellis Island, and their joys of eventually arriving to their new home in Rochester, New York. In this sensitive memoir, the author attempts to do what most Italians only dream of - to piece together all the stories parents have retold their children over the generations; from their struggles and humble beginnings, to the joys they shared with their extended families in later years. In chapters that examine individual members of his family and highlights their life achievements, the reader gains a better understanding of the unique characteristics that all immigrants have in common. The memories recorded are a tribute to the legacy they left; lessons about life, responsibility, self-respect, and love of family. It is written with gratitude to all immigrants; our ancestral grandfathers and grandmothers, mothers and fathers, aunts and uncles. These were the risk-takers and pioneers, who were willing to sacrifice personal comfort in order to provide a better life for their families in an unknown world. A narrative that honors our link to the past through the memories they left behind, My Sicilian Legacy is a chronicle focusing on the importance of family life and the pride in maintaining ethnic roots. It is a description of how the ordinary events that shape and mold character, thinking, aspirations, and joys can be achieved through hard work and perseverance - the early immigrants gave of themselves so their children would attain a better lifestyle. Richard Cavallaro traces his own ancestral history to this area of Sicily and paints a vivid picture of the events that occurred through three generations, which eventually led to the creation of My Sicilian Legacy; a tribute that many Italians and Sicilians will share with pride.
To coincide with West Australian Opera's performances of Tristan und Isolde in November 2006, Peter Bassett has undertaken a textual translation of and commentary on Wagner's most radical and influential work.
This book opens with a quiz designed to identify your existing strengths and weaknesses and direct you to the corresponding chapters. It goes on to explore, in turn, the key elements of effective leadership, with the aid of studies of successful BrainSmart Leaders, exercises, quizzes, Mind Maps® and practical guidance for applying the ideas described. Working through the text and the related material will equip you with the mental technology to apply your creativity to maximum effect. The result should be a dramatic improvement in your own performance and that of your organization.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
In Shakespearean Issues, Richard Strier has written a set of linked essays bound by a learned view of how to think about Shakespeare’s plays and also how to write literary criticism on them. The essays vary in their foci—from dealing with passages and key lines to dealing with whole plays, and to dealing with multiple plays in thematic conversation with each other. Strier treats the political, social, and philosophical themes of Shakespeare’s plays through recursive and revisionary close reading, revisiting plays from different angles and often contravening prevailing views. Part I focuses on characters. Moments of bad faith, of unconscious self-revelation, and of semi-conscious self-revelation are analyzed, along with the problem of describing characters psychologically and ethically. In an essay on “Happy Hamlet,” the famous melancholy of the prince is questioned, as is the villainy of Rosencrantz and Guildenstern, while another essay asks the reader to reconsider moral judgments and negative assessments of characters who may be flawed but do not seem obviously wicked, such as Edgar and Gloucester in King Lear. Part II moves to systems, arguing that Henry IV, Measure for Measure, and The Merchant of Venice raise doubts about fundamental features of legal systems, such as impartiality, punishments, and respect for contracts. Strier reveals King Lear’s radicalism, analyzing its concentration on poverty and its insistence on the existence and legitimacy of a material substratum to human life. Essays on The Tempest offer original takes on the play’s presentation of coercive power, of civilization and its discontents, and of humanist ideals. Part III turns to religious and epistemological beliefs, with Strier challenging prevailing views of Shakespeare’s relation to both. A culminating reading sees The Winter’s Tale as ultimately affirming the mind’s capacities, and as finding a place for something like religion within the world. Anyone interested in Shakespeare’s plays will find Shakespearean Issues bracing and thought-provoking.
Mastering Shakespeare covers in detail the plays set in the National Curriculum through GCSE and A-Level to the major elements of Shakespearean drama studied in further education courses. The book is divided into sections that deal with comedy, tragedy and history. Also included are detailed sections on the most popular plays in the theatre and in the examination room. The book deals with the basic themes of Shakespeare, the kinds of characters he created, the stories he was attracted to, and the ways in which the plays work out on stage. Among the plays studied are A Midsummer Night's Dream, Merchant of Venice, Julius Caesar, Romeo and Juliet and Hamlet.
Emphasizing skill development through practice and feedback, this concise book offers new and experienced counselors a reflective practitioner model and introduces the fundamentals of behavioral analysis.
For fans of Dana Stabenow and The Frozen Ground, Richard Chiappone's debut novel is a chilling chase through rural Alaska, in which a woman running from her past must outwit the deadly assassins on her tail. Thirty-something Carla Merino finds herself living in her camper shell in Homer, Alaska, waitressing to stay afloat and hiding from ruthless billionaire military contractor Gordon McKint, who has a secretive personal army and eyes on the presidency. McKint is determined to recover a memento Carla acquired on a one-night-stand that went terribly wrong—an item that could bring his whole world down. When McKint’s men track her to Homer she leaves for another hideout by boat, unprepared and unaware of the dangerous Alaskan weather headed her way. Cosmo D'Angelo (a former CIA gunslinger) is a man grieving his daughter, living with the sins of his past, and in search of a certain woman (and a good meal) in small-town Alaska. In the era of political secrets and deep fake technology, he was foolish to let Carla take a memento of their tryst. Now, he needs to get it back before McKint’s men find her. Scott Crockett is a stand-up guy, nursing a broken heart, out fishing alone. But when he finds an overturned boat and a nearly-drowned woman in the rough water, his life will get infinitely more complicated—and dangerous. Together he and Carla must outwit the professional killers sent to recover the deadly memento that threatens both McKint's political career and her life.
These studies focus on personal eschatology in the Jewish and early Christian apocalypses. The apocalyptic tradition from its Jewish origins until the early middle ages is studied as a continuous literary tradition, in which both continuity of motifs and important changes in understanding of life after death can be charted. As well as better known apocalypses, major and often pioneering attention is given to those neglected apocalypses which portray human destiny after death in detail, such as the Apocalypse of Peter, the Apocalypse of the Seven Heavens, the later apocalypses of Ezra, and the four apocalypses of the Virgin Mary. Relationships with Greco-Roman eschatology are explored. Several chapters show how specific New Testament texts are illuminated by close knowledge of this tradition of ideas and images of the hereafter.
“In the summer of 1959, the year in which most of our group were twenty-one, when Harold Macmillan was Prime Minister, and we’d never had it so good, a small group from King’s College Cambridge set out for a travelling holiday during the long vacation which took just over five weeks. It was probably the last time before retirement we’d ever enjoy so much free time...” In 1959, four student friends from Cambridge join a party travelling by train to Greece. Their train, the Tauern Express, takes three days to make the journey across Europe from Ostend – a long way from the convenience of international trips today. Over their six weeks backpacking abroad, the travellers discover a way of life very different from their own and a country struggling to emerge from the ravages of war. As they make their way across Greece, they take the opportunity to explore Greece’s rich array of historical places of interest, and meet a host of colourful characters. In this fascinating re-creation of their Odyssey, Bright Tracks opens a time capsule into 1950s Europe and reveals attitudes of the time and adventures they will never forget. Bright Tracks is a lively, often humorous account of a world now lost to the modern tourist. Lavishly illustrated with over 160 photographs, including pictures Richard and his companions took back in 1959, it will appeal to those with an interest in Greek history and culture, as well as those looking to reminisce on their own travelling days.
A darkly funny novel of mobsters, murder, and marriage: “The surprise ending will knock your reading glasses off.” —The New York Times Charley Partanna works as a hitman for the Prizzis, New York’s most dangerous crime family. When he meets Irene Walker, an LA-based tax consultant, it’s pretty much love at first sight. But Irene also moonlights as a hit woman—and had a hand in a big-money heist in Vegas. Now Charley has been told that she’s got to go. Faced with divided loyalties, he must make a choice—between the only family he’s ever known and the woman he loves. A New York Times Notable Book and made into an award-winning film, Prizzi’s Honor is a dark, rollicking read from an “old pro at mixing satire with suspense” (The New York Times).
A psychiatric casualty from the Vietnam War, Trip Tripoletti accepts a teaching position at St. Sebastian College run by Norbertine monks and discovers not all madness is confined to army psychiatric wards. They're all here—a stigmatic dwarf, a cat-torturing Ukrainian, a poisonous dean, an LSD-crazed monk, a necrophilic priest, a suicidal homosexual, a pre-orgasmic dean of women—along with the usual collection of zany faculty all too familiar to those of us who survived Catholic higher education. Gabriel's characters are alive and crazy, and hysterically funny to boot, that is until Trip stumbles upon the terrible secret kept by the monks of St. Sebastian, and then events take a deadly turn that threatens Trip's sanity and his life. Sebastian's Cross is black humor at its best!
Former subprime lender Richard Bitner once worked in an industry that started out helping disadvantaged customers but collapsed due to greed, lack of financial control and willful ignorance. In Confessions of a Subprime Lender: An Insider's Tale of Greed, Fraud, and Ignorance, he reveals the truth about how the subprime lending business spiraled out of control, pushed home prices to unsustainable levels, and turned unqualified applicants into qualified borrowers through creative financing. Learn about the ways the mortgage industry can be fixed with his twenty suggestions for critical change.
“Richard Wiley is one of our best writers. These stories satisfy in the way that brilliant short fiction always satisfies; one feels as if one has absorbed the expansive vision and drama of a novel. Read slowly, and I bet you’ll want to read again.” —Richard Bausch, author of Peace and Living in the Weather of the World “It’s a strange and winsome feeling I have, reading Tacoma Stories, the blue sensation that Richard Wiley has made me homesick for a place I’ve never been, mourning the loss of friends I never had, in a life where each and every one of us is loved, however imperfectly. Think Sherwood Anderson inhabiting Raymond Carver’s Northwest and you’ll have a clear picture of Wiley’s accomplishment.” —Bob Shacochis, author of Easy in the Islands and The Woman Who Lost Her Soul On St. Patrick’s Day in 1968, sixteen people sit in Pat’s Tavern, drink green beer, flirt, rib each other, and eventually go home in (mostly) different directions. In the stories that follow, which span 1958 to the present, Richard Wiley pops back into the lives of this colorful cast of characters—sometimes into their pasts, sometimes into their futures—and explores the ways in which their individual narratives indelibly weave together. At the heart of it all lies Tacoma, Washington, a town full of eccentricities and citizens as unique as they are universal. The Tacoma of Tacoma Stories might be harboring paranoid former CIA operatives and wax replicas of dead husbands, but it is also a place with all the joys and pains one could find in any town, anytime and anywhere. Richard Wiley is the author of eight novels including Bob Stevenson; Soldiers in Hiding, winner of the PEN/Faulkner Award for Fiction and the Washington State Book Award; and Ahmed’s Revenge, winner of the Maria Thomas Fiction Award. Professor emeritus at the University of Nevada, Las Vegas, he divides his time between Los Angeles, California, and Tacoma, Washington.
Gay activist and accused murderer Billy Blount's missing, but Albany PI Donald Strachey doubts Billy's guilt. The 1981 book that launched Richard Stevenson's pioneering series is a cracking mystery and a fascinating trip into bygone gay culture - before HIV, in the bad old days of bath houses and gay disco, police corruption and tacit policies of harassment. (Originally published 1981.)
The art and science of sword fighting goes back almost to the dawn of civilization and has been an obsession for much of mankind throughout recorded history. From the Roman arena to feudal Japan and from the duellists of Europe to the development of modern-day Olympic fencing, Richard Cohen traces the course of swordsmanship with wit and erudition in a fascinating and wonderfully discursive account. Packed with anecdote, superbly written and built on a solid foundation of historical research, this is a tribute to a deadly but beautiful skill, the mastery of which for centuries defined a man.
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these a-z biographical entries discuss the lives of over 600 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. Entries fall under the following categories: * Artists/Architects * Authors * Commercial Figures * Musicians * Political Figures * Religious Figures * Scientific Figures * Travelers * Women In one convenient volume, students, scholars, and interested readers will find the biographies of the people whose actions, beliefs, creations, and writings shaped the Middle Ages, one of the most fascinating periods of world history.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Richard Russo's new book, Somebody's Fool, coming soon.
This Advanced Introduction to Evidence delivers a comprehensive exposition of the major tenets of evidence law, principally from an American perspective. Using the Federal Rules of Evidence as a structural framework, Richard D. Friedman reflects on the underlying policies, psychological perceptions and philosophical viewpoints that underpin evidence law.
The Jewish community of Rome is the oldest Jewish community in Europe. It is also the Jewish community with the longest continuous history, having avoided interruptions, expulsions, and annihilations since 139 BCE. For most of that time, Jewish Romans have lived in close contact with the largest continuously functioning international organization: the Roman Catholic Church. Given the church's origins in Judaism, Jews and Catholics have spent two thousand years negotiating a necessary and paradoxical relationship. With engaging stories that illuminate the history of Jews and Jewish-Catholic relations in Rome, Intimate Strangers investigates the unusual relationship between Jews and Catholics as it has developed from the first century CE to the present in the Eternal City. Fredric Brandfon innovatively frames these relations through an anthropological lens: how the idea and language of family have shaped the self-understanding of both Roman Jews and Catholics. The familial relations are lopsided, the powerful family member often persecuting the weaker one; the church ghettoized the Jews of Rome longer than any other community in Europe. Yet respect and support are also part of the family dynamic--for instance, church members and institutions protected Rome's Jews during the Nazi occupation--and so the relationship continues. Brandfon begins by examining the Arch of Titus and the Jewish catacombs as touchstones, painting a picture of a Jewish community remaining Jewish over centuries. Papal processions and the humiliating races at Carnival time exemplify Jewish interactions with the predominant Catholic powers in medieval and Renaissance Rome. The Roman Ghetto, the forcible conversion of Jews, emancipation from the Ghetto in light of Italian nationalism, the horrors of fascism and the Nazi occupation in Rome, the Second Vatican Council proclamation absolving Jews of murdering Christ, and the celebration of Israel's birth at the Arch of Titus are interwoven with Jewish stories of daily life through the centuries. Intimate Strangers takes us on a compelling sweep of two thousand years of history through the present successes and dilemmas of Roman Jews in postwar Europe.
John Fante, an important figure in the history of the Italian-American novel, is proving to be fascinating to contemporary readers. Richard Collins has caught Fante's spirit from several crucial angles: as an ethnic writer; as a comic novelist; as a serious writer struggling to remain so in Hollywood. Intelligent, balanced, informative, and empathetic, this book combines criticism with scholarship, and biography with history to make what Henry James would have called a perfect 'literary portrait,' for it gives life to an interesting subject.
The horrors of WWII were still fresh in our minds when the Korean War broke out. June 25, 1950, when the North Korean Communists crossed the Thirty-Eighth Parallel to invade South Korea, changed the course of my life. Betty, her roommate Marian Ott, Richard?s old Trenton buddy and roommate Harvey Seeman, and Richard were driving to ?Old Man?s Cave,? which is about a hundred miles southwest of Columbus. It was a day made for poets and we couldn?t have been in a more festive mood. The radio was tuned to the classical music station on WOSU when the program was interrupted with the news that the North Korean Communist troops had crossed the Thirty-Eighth Parallel to invade South Korea. Korea? Where?s that? Richard flunked his physical for induction into WWII but would pass muster to fight in what was tragically mislabeled as a mere ?police action.? Richard had proposed marriage to Betty earlier that spring, with plans for a wedding the following December of ?50. Little over eight months since their trip to Old Man?s Cave, Richard was among the first draftees to enter the war. The title of this book is apt. Had I been identified, it could never have been used as a symbol of American fighting forces throughout the globe. Since it was used as a symbol at the peak of the Cold War, the advertising executive who handled the USO account had no way of knowing that I was not one of the 36,0000 who were KIA in the war. And he also presumed that if I survived the war I could never prove it to be me. The AP release stated the photograph was taken by a man with the initials JM. An elderly woman in the World Wide AP photo department said, ?Why, that?s Jimmy Martenhofff!?
Who during the Renaissance could have dissented from the values of reason and restraint, patience and humility, rejection of the worldly and the physical? These widely articulated values were part of the inherited Christian tradition and were reinforced by key elements in the Renaissance, especially the revival of Stoicism and Platonism. This book is devoted to those who did dissent from them. Richard Strier reveals that many long-recognized major texts did question the most traditional values and uncovers a Renaissance far more bumptious and affirmative than much recent scholarship has allowed.The Unrepentant Renaissance counters the prevalent view of the period as dominated by the regulation of bodies and passions, aiming to reclaim the Renaissance as an era happily churning with surprising, worldly, and self-assertive energies. Reviving the perspective of Jacob Burckhardt and Nietzsche, Strier provides fresh and uninhibited readings of texts by Petrarch, More, Shakespeare, Ignatius Loyola, Montaigne, Descartes, and Milton. Strier’s lively argument will stir debate throughout the field of Renaissance studies.
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