For Free Press and Equal Rights is an exhaustive study of the newspapers published in the Reconstruction South that had ties to the pro-Union, northern-based Republican party. Until now, no book has been devoted entirely to this subject. Richard H. Abbott's research draws on his readings from some 430 southern Republican papers. This figure accounts for literally hundreds more papers than are cited in the handful of previously published related studies--none of which makes more than passing reference to any of the topics that Abbott covers in detail. Abbott first traces the origins of the southern Republican press from its lone stronghold in antebellum northwest Virginia to its wartime expansion in the wake of the Union Army's occupation of such far-flung places as Key West, Florida, and Port Royal, South Carolina. Abbott then discusses the challenges of establishing and sustaining a Republican press where the most likely readership--freed slaves--was usually illiterate and too poor to subscribe, much less to contribute advertising revenue. Looking at the different ways white and black editors faced common problems from ostracism and libel to vandalism and physical assault, Abbott also discusses the mixed blessings of patronage, by which Republican officials steered printing business to their party organs. Abbott's state-by-state, year-by-year analyses look at the fluctuating number of southern Republican papers in terms of their distribution in rural/urban and anti/pro-Republican areas. For Free Press and Equal Rights reveals a wealth of information about papers ranging from the Visitor of Hot Springs, Arkansas, which lasted less than a year, to the Union Flag of Jonesborough, Tennessee, which ran from 1865 to 1873. It makes a number of new and important points about political patronage and the publishing process, race and print culture, Republican ideology and rhetoric, and our first amendment rights.
Conflict and commitment in the shadow of a city’s downfall The raiding ships have come before, but this time it is different. This time the attackers are coming to stay, and defensive walls will not hold them back. Nowhere is safe. One by one, the great kings and their vassal cities collapse as the newcomers advance. The land is already a patchwork of many different peoples, bound together in a fragile web of traditional alliances and rivalries. How will political and personal promises change with the arrival of the new clans? Is war inevitable, or can a different answer be found? Walk with refugees, migrants, and defenders of the land alike, as they struggle to create a different way of life beside the ruins of the old. Can alliance, commitment and love survive the turmoil?
What journey would you make to encounter the meaning of a dream? Makty-Rasut is a scribe in New Kingdom Egypt, fashioning tombs for the elite. He lives a comfortable but restless life, moving every few years further upstream along the river Nile. He is content to exercise his talent without examining his origins. Then a series of vivid dreams, interpreted with the help of a senior priest, disrupts this pattern. To solve the riddle, he must go on a journey that will take him outside the Beloved Land and away from the life that he knows. His travels take him into the neighbouring province of Canaan, to a hill-country village called Kephrath, and to a way of life he has never considered.
Life, love and conflict in the hill country Damariel is apprenticed as a young man by the village priest, whose reckless actions lead to his disgrace. Damariel manages to avoid becoming implicated in the matter and carries on his training, marrying his childhood friend Qetirah shortly before they begin their shared ministry in the town. Feeling ashamed of their continuing inability to have children, Qetirah becomes pregnant by the chief of the four towns, but the pregnancy is difficult. Damariel’s anger and outrage spills over into the marriage. He holds the chief responsible for the situation but cannot see how to get either justice or revenge.
This ebook contains the text approved by the external and internal PhD examiners for a thesis carried out under the supervision of Dr John Bimson at Trinity College, Bristol, England. It will be of interest to those who wish to explore cross-cultural connections between early Israel and New Kingdom Egypt, as expressed in triumphal literature. The thesis looks at issues to do with the creation of poetry in each of those cultures, and the links between them, as well as investigating when appropriate cross-cultural contacts might have happened to forge common links between them. From the abstract:This study aims to show that the Israel Stele of Merenptah and the Song of the Sea in Exodus 15 share sufficient common compositional principles and poetic devices as to support a similar dating for the two works. Indeed, the specific combinations of large-scale principles and small-scale devices are shown to be unique within their respective cultures. These claims are supported by analysis of a wide spectrum of both Egyptian and Hebrew triumphal material, together with insights drawn from wider studies in poetics and culture. Some original insights into Egyptian principles of poetic composition are suggested, together with the corresponding cross-cultural implications for Israelite poetry. The later textual history of incorporation of the original poetic work into its current narrative context is also considered.
Set about ten years after the conclusion of the full-length novel In a Milk and Honeyed Land, this short story follows Damariel and Nepheret, seers and priests of the town of Kephrath, as they tackle a new challenge to the four towns. A group of migrants has set up an encampment just down the trackway towards Shalem. What are their intentions? Do they come in peace or war? “They are more of a threat to themselves just now. But two things might happen. One is that men might join, and stay, who have some weapons and some real aggression. Then they might start to intrude on surrounding towns including this Kephrath. Or, and maybe more likely, they could bring a plague of sickness into the area. These are not men who know how to live outside, not for the most part. A few have been slaves, but most of them are workers who have always been told what to do. They are used to living in houses. The main thing that protects Kephrath is that they do not know how to act in concert as a group. They are just like a rough heap of gravel. But perhaps someone could turn them into a rock and start to pound others around them.”
This short story takes place about 150 years before the start of the full length novel In a Milk and Honeyed Land. The setting of Kephrath itself in the Canaanite hill country will be familiar from the novel, but of course none of the characters overlap. A small glossary at the end will help readers who are not familiar with the novel to orient themselves in this world. Belita-Labiy found it difficult to concentrate, though, with the news rippling around the hill country. So far the raids had not been too close, but from all that she had heard, these groups of men were swift to move, and swift to strike, wherever they pleased. Who could say which town they might visit next?So she knew that her dancing, while apparently as fluent and potent as ever, lacked the whole-hearted commitment that she preferred. It could not be helped, but the distraction nagged at her. So all the while that she danced like Taliy in the earliest garden, and later as her body thrilled and her voice cried out in lovemaking, part of her soul was anxiously flitting around the uplands, trying to guess what would happen next.
Retired pro football quarterback Tommy Quinn has a few issues-recurring concussions, a beach house with tons of deferred maintenance, zero ambition, and a signing bonus squeezed by partying and tequila. It doesn't stop there. Tommy's ex-girlfriend, supermodel Aya, is on the run after her new boyfriend is found brutally murdered. Turns out he welshed on a big-time hood and Aya has the proof. Just to make matters worse, the cops won't leave Tommy alone, based on the assumption that Aya might contact her old flame. Tommy's resting easy because he knows something they don't-that he's a deadbeat and she would never look to him for protection. But as usual, Tommy's mistaken, and it lands him in some very pretty places with some very ugly people . Tommy finds himself pulled into a wild ride pitting him against a sadistic killer, crank heads that redefine the word loser, wise guys, and all-around oddballs in this raunchy roller-coaster. It's Paradise with a kick. "Pacific Beach Blues is terrific! Smart, intense, vivid, and the plot unfolds and twists nicely." -Steve Kuusisto, National Book Award Nominee, Planet of the Blind
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