In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Now with a new introduction by Madeline Miller, the New York Times bestselling author of The Song of Achilles and Circe. The 50th anniversary edition of Richard Adam’s timeless classic, the tale of a band of wild rabbits struggling to hold onto their place in the world—“a classic yarn of discovery and struggle” (The New York Times). A worldwide bestseller for over thirty years, Watership Down is one of the most beloved novels of all time. Set in England’s Downs, a once idyllic rural landscape, this stirring tale follows a band of very special creatures on their flight from the intrusion of man and the certain destruction of their home. Led by a stouthearted pair of brothers, they journey from their native Sandleford Warren, through the harrowing trials posed by predators and adversaries, and toward the dream of a mysterious promised land and a more perfect society. “Spellbinding…Marvelous…A taut tale of suspense, hot pursuit and derring-do.” —Chicago Tribune
With our American Philosophy and Religion series, Applewood reissues many primary sources published throughout American history. Through these books, scholars, interpreters, students, and non-academics alike can see the thoughts and beliefs of Americans who came before us.
Little now remains of the vast network of passenger and freight railroad lines that once crisscrossed much of eastern and midwestern America, but in 1946, the steam locomotive was king. This is a record of a time when traveling out of town meant, for most Americans, taking the train.
Really funny."—Liz Smith, New York Daily News "Where avant-garde fiction goes when it turns into stand-up comedy."—Rolling Stone "Shines with intelligence and even wit."—Cleveland Plain Dealer "Quite humorous."—Miami News "Truly beautifully done. Wonderful!"—San Francisco Voice
This acclaimed book explores popular politics during Mexico's tumultuous post-independence decades. Focusing on Mexico City during the chaotic early years of the nineteenth century, Richard A. Warren offers a compelling narrative of the defining period from King Ferdinand VII's abdication of the Spanish crown in 1808 to the end of Mexico's first federal republic in 1836. Clearly written and meticulously researched, this book is the first to demonstrate that the relationship between elites and the urban masses was central to Mexico's political evolution during the fight for independence and after. Mexico City, capital of both the old viceroyalty and the new nation, often witnessed the first wave of "public opinion" to respond to competing political proposals in both traditional and new forms that ranged from riots to electoral campaigns. Warren explains the direct effects of these actions on political outcomes, as well as their influence on elite perceptions of the new nation's problems and potential solutions. Vagrants and Citizens explores the impact of urban mass mobilization on crucial issues of the era, such as the evolution of electoral practices, the conflict between federalists and centralists, and social control programs. Shedding new light on a poorly understood era, Warren demonstrates the importance of the urban masses both as actors in their own right and as objects of elite discourse and programs. His compelling narrative offers an ideal supplement for courses on Mexican and Latin American history.
A re-issue of a bestseller which the 1960 film starring Nancy Kwan and William Holden is based Robert is t he only resident of the Nam Kok hotel not renting his room by the hour when he meets Suzie at the bar. She becomes his muse and they fall in love. But even in Hong Kong, where many white expatriates have Chinese mistresses, their romance could jeopardize the things they each hold dear. Set in the mid-1950s, The World of Suzie Wong is a beautifully written time capsule of a novel. First published more than fifty years ago, it resonated with readers worldwide, inspiring a film starring William H olden, a ballet, and even a reggae song. Now readers can experience the romance of this groundbreaking story anew.
Essays and illustrations explore the image of the frontier, examining Frederick Jackson Turner and Buffalo Bill's accounts of westward expansion and how these stories evolved in the 20th century.
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
This one-volume edidition of the Foundations of Contemporary Interpretation series explores current issues in the interpretation of the Bible from the perspective of specific academic disciplines: history, literary criticism, science and theology.
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