Over the course of four celebrated works of fiction and almost forty years, Richard Ford has crafted an ambitious, incisive and singular view of American life as lived. Unconstrained, astute, provocative, often laugh-out-loud funny, Frank Bascombe is once more our guide to the great American midway. Now in the twilight of life, a man who has occupied many colourful roles—sportswriter, father, husband, ex-husband, friend, real estate agent—Bascombe finds himself in the most sorrowing role of all: caregiver to his son, Paul, diagnosed with ALS. On a shared winter odyssey to Mount Rushmore, Frank, in typical Bascombe fashion, faces down the mortality that is assured each of us, and in doing so confronts what happiness might signify at the end of days. In this memorable novel, Richard Ford puts on display the prose, wit and intelligence that make him one of our most acclaimed living writers. Be Mine is a profound, funny, poignant love letter to our beleaguered world.
This uniquely readable, compact, and concise monograph lays a foundation of knowledge of the underlying concepts of normal cardiovascular function. Students welcome the book's broad overview as a practical partner or alternative to a more mechanistically oriented approach or an encyclopedic physiology text. Especially clear explanations, ample illustrations, a helpful glossary of terms, tutorials, and chapter-opening learning objectives provide superb guidance for self-directed learning and help fill the gap in many of today's abbreviated physiology blocks. A focus on well-established cardiovascular principles reflects recent, widely accepted cardiovascular research. The supplemental CD-ROM is an interactive, dynamically linked version of the book, which is organized by normal cardiovascular function and cardiac disease. Students may begin a path of questioning with, for example, a disease condition and then pursue background information through a series of links. Students can also link to the author's regularly updated Web site for additional clinical information.
A maverick Chicago cop uncovers a conspiracy that people with immense power will stop at nothing, not even murder, to keep secret. Set up as the killer of his only witness, he must find a way to clear himself and expose the conspiracy, which changes the course of history.
The present is, I believe, the first complete translation of the great Arabic compendium of romantic fiction that has been attempted in any European language comprising about four times as much matter as that of Galland and three times as much as that of any other translator known to myself; and a short statement of the sources from which it is derived may therefore be acceptable to my readers. Three printed editions, more or less complete, exist of the Arabic text of the Thousand and One Nights; namely, those of Breslau, Boulac (Cairo) and Calcutta (1839), besides an incomplete one, comprising the first two hundred nights only, published at Calcutta in 1814. Of these, the first is horribly corrupt and greatly inferior, both in style and completeness, to the others, and the second (that of Boulac) is also, though in a far less degree, incomplete, whole stories (as, for instance, that of the Envier and the Envied in the present volume) being omitted and hiatuses, varying in extent from a few lines to several pages, being of frequent occurrence, whilst in addition to these defects, the editor, a learned Egyptian, has played havoc with the style of his original, in an ill-judged attempt to improve it, producing a medley, more curious than edifying, of classical and semi-modern diction and now and then, in his unlucky zeal, completely disguising the pristine meaning of certain passages. The third edition, that which we owe to Sir William Macnaghten and which appears to have been printed from a superior copy of the manuscript followed by the Egyptian editor, is by far the most carefully printed and edited of the three and offers, on the whole, the least corrupt and most comprehensive text of the work. I have therefore adopted it as my standard or basis of translation and have, to the best of my power, remedied the defects (such as hiatuses, misprints, doubtful or corrupt passages, etc.) which are of no infrequent occurrence even in this, the best of the existing texts, by carefully collating it with the editions of Boulac and Breslau (to say nothing of occasional references to the earlier Calcutta edition of the first two hundred nights), adopting from one and the other such variants, additions and corrections as seemed to me best calculated to improve the general effect and most homogeneous with the general spirit of the work, and this so freely that the present version may be said, in great part, to represent a variorum text of the original, formed by a collation of the different printed texts; and no proper estimate can, therefore, be made of the fidelity of the translation, except by those who are intimately acquainted with the whole of these latter. Even with the help of the new lights gained by the laborious process of collation and comparison above mentioned, the exact sense of many passages must still remain doubtful, so corrupt are the extant texts and so incomplete our knowledge, as incorporated in dictionaries, etc, of the peculiar dialect, half classical and half modern, in which the original work is written. One special feature of the present version is the appearance, for the first time, in English metrical shape, preserving the external form and rhyme movement of the originals, of the whole of the poetry with which the Arabic text is so freely interspersed. This great body of verse, equivalent to at least ten thousand twelve-syllable English lines, is of the most unequal quality, varying from poetry worthy of the name to the merest doggrel, and as I have, in pursuance of my original scheme, elected to translate everything, good and bad (with a very few exceptions in cases of manifest mistake or misapplication), I can only hope that my readers will, in judging of my success, take into consideration the enormous difficulties with which I have had to contend and look with indulgence upon my efforts to render, under unusually irksome conditions, the energy and beauty of the original, where these qualities exist, and in their absence, to keep my version from degenerating into absolute doggrel.
A thoroughly invigorating, tightly focused piece of Chekhovian drama, wherein chatter about work and art . . . fail to mask deep vulnerability."—Chicago Tribune A play about Frank Lloyd Wright set in the summer of 1923, when the great architect has recently left Chicago for California, hoping to mend his relationship with his adult children. Richard Nelson brings to life two great architectural demigods, Wright and Louis Sullivan, only to show their all-too-human frailties. Richard Nelson's plays include Rodney's Wife, Goodnight Children Everywhere, Some Americans Abroad, Franny's Way, New England, and James Joyce's The Dead (with Shaun Davey), winner of the Tony Award for Best Book of a Musical.
Thomas Chandler Haliburton (1796–1865) was one of pre-confederation Canada's best-known authors. His popular 'Sam Slick the Clockmaker' character was a household name not only in his home country, but also in England and the United States. Born in Windsor, Nova Scotia, Haliburton was not only a writer, but also a lawyer, judge, politician, and historian. He gained fame for his writing in 1836 with The Clockmaker: or, the Sayings and Doings of Samuel Slick of Slickville for a Halifax newspaper. It became a hit in England and was followed by six sequels. Although Haliburton tried to put Sam Slick aside and work in other genres, he found himself invariably returning to the character in his later books. This commitment to Slick resulted in a curious effacement of Haliburton's own personal gentlemanly identity, which he spent the second half of his life affirming by fostering links with socially well connected family in England. In the public imagination, however, he remained linked with Sam Slick. Based on over ten years of archival research, Richard A. Davies's scholarly biography of Haliburton is the first since 1924. It is an engaging examination of a controversial and contradictory Canadian writer and significant figure in the history of pre-confederation Nova Scotia.
A stronghold of Scotch-Irish settlement, Augusta County commands great interest among genealogists because thousands of 18th- and 19th-century families passed through it en route to the West. J. Lewis Peyton's History of Augusta County, Virginia is the standard work on the county. It is essentially a narrative account of Augusta from its aboriginal beginnings and Spotswood's discovery of the Valley of Virginia through the Civil War. Genealogists will value the book, in part, as a companion volume to such Augusta County source record collections as Lyman Chalkley's Chronicles of the Scotch-Irish Settlement in Virginia. Of greater importance to genealogists, however, are the genealogical and biographical sketches of a number pioneering Augusta County families found in the Appendix to the volume.
The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.
A quartet of masterful novellas that returns Richard Ford to the territory that sealed his reputation as an American master: the life of Frank Bascombe, hero of his Pulitzer Prize–winning novel Independence Day. Richard Ford introduced the world to his protean literary everyman, Frank Bascombe, aspiring novelist turned sportswriter turned real estate agent, in his 1986 masterpiece The Sportswriter. A lapidary account of the textures, sorrows and pleasures of one man’s ordinary life, it laid the groundwork for the Pulitzer Prize–winning Independence Day, published in 1996, followed by the last novel in the Bascombe trilogy, The Lay of the Land, published in 2006. Over a period of twenty years, the Bascombe novels deepened a portrait of one of the most unforgettable characters in American fiction, and in so doing gave readers an indelible portrait of America. Now in Let Me Be Frank With You, Ford returns to the territory that established him as an Updike for the contemporary era, in a quartet of novella-length Bascombe stories, set in in the aftermath and amid the calamitous circumstances of Hurricane Sandy. Of revisiting Bascombe, Ford says, “What draws me to writing Frank Bascombe is what’s always drawn me: he’s funny (and it’s thrilling to write things that are funny), but also he offers me the chance to write into the breach between what Henry James calls ‘bliss and bale’; in my own way, to connect ‘the things that help and the things that hurt’ and to find some kind of reconciling vocabulary for both. I always think that, when I’m writing Frank Bascombe, I have the chance to write about the most important things I know, and that’s always been irresistible.” A moving, peerlessly funny odyssey through America and through the layered consciousness of one of its most compelling literary incarnations, the four stories in Let Me Be Frank With You bear Bascombe’s unmistakable and now-famous imprint: a comic sensibility at odds with the minutiae of everyday human dismay and bewilderment; a plain-spoken acuity penetrating and expressing the shared wonder of modern existence; and a mordant relish and caution for all things American.
Frank HenryThe mystery of Frank Henry is a suspenseful character study of the relationship of an awkward and disfigured little boy and his mentor, Frank. It follows the little boy from birth until his untimely death. The relationship that slowly develops between these two is both heart-warming and alarming at the same time. Frank is a violently disturbed individual who identifies too closely with the problems facing his new charge.Although Frank is small and timid looking, he is a violent, vindictive man who will do anything to become a hero to the little boy. As the little disfigured boy comes of age Frank, his protector, is forced to deal with many crises. Frank has an unusual approach to problem-solving in each case.Frank Henry is also unique in that it deals with a number of contemporary issues in education. Everyone who has gone through school can appreciate the problems that the two men endured. Frank has a violent nature, nevertheless, this should not diminish his success at problem-solving. Many of the readers of Frank Henry will find the issues and their solutions controversial. Hopefully there will be an honest and fair analysis of the actions taken.
Architectural historian Etlin defines the main principles of progressive 19th-century architectural thought: the architectural system, the picturesque, philosophical eclecticism, and the spirit of the times. These principles are explored in detail in relation to 19th- and 20th-century architecture, and also to demonstrate their importance to the work of Wright and Le Corbusier. Illustrated with drawings and photos. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
For more than 120 years, the University of Southern California Trojans have maintained a tradition of football excellence that has placed the team among the perennial elite in the collegiate ranks. Eleven national championships, 38 conference titles, 150 All-Americans, and seven Heisman Trophy winners all stand as testaments to the greatness of the Cardinal and Gold. This definitive reference chronicles the history of USC football from its first-ever game on November 14, 1888--a 16-0 victory over the Alliance Athletic Club--through 2012. Synopses of each season include game-by-game summaries, final records, ultimate poll rankings, and team leaders in major statistical categories. Biographies of head coaches and all-time USC greats, a roster of every player to don a Trojan uniform, a look at USC football traditions, and a catalog of honors received by both players and coaches through the years complete this essential encyclopedia for the Trojan faithful.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.