Through archival and private sources, many previously untapped, Richard Lemm connects Acorn?s self-perpetuated image as a working-class rebel, and his peculiar brand of communism, to his employment history and experience of war. The poet's troubled relationships with family members, his wife - writer Gwendolyn MacEwan - lovers, other writers and friends, and his chronic ill-health are all explored as sources of both personal pain and inspiration.
A new biography of one of the key composers of 20th-century American popular song and jazz, Eubie Blake: Rags, Rhythm and Race illuminates Blake's little-known impact on over 100 years of American culture. A gifted musician, Blake rose from performing in dance halls and bordellos of his native Baltimore to the heights of Broadway. In 1921, together with performer and lyricist Noble Sissle, Blake created Shuffle Along which became a sleeper smash on Broadway eventually becoming one of the top ten musical shows of the 1920s. Despite many obstacles Shuffle Along integrated Broadway and the road and introduced such stars as Josephine Baker, Lottie Gee, Florence Mills, and Fredi Washington. It also proved that black shows were viable on Broadway and subsequent productions gave a voice to great songwriters, performers, and spoke to a previously disenfranchised black audience. As successful as Shuffle Along was, racism and bad luck hampered Blake's career. Remarkably, the third act of Blake's life found him heralded in his 90s at major jazz festivals, in Broadway shows, and on television and recordings. Tracing not only Blake's extraordinary life and accomplishments, Broadway and popular music authorities Richard Carlin and Ken Bloom examine the professional and societal barriers confronted by black artists from the turn of the century through the 1980s. Drawing from a wealth of personal archives and interviews with Blake, his friends, and other scholars, Eubie Blake: Rags, Rhythm and Race offers an incisive portrait of the man and the musical world he inhabited.
Authored by the originator of the standard nomenclature for this spectrum of disorders, Congenital Heart Disease: A Clinical, Pathological, Embryological, and Segmental Analysis discusses the history, anatomic features, and physiologic consequences of CHD—in one authoritative resource. The Van Praagh approach to the segmental classification of CHD, developed and implemented by Dr. Richard Van Praagh in the 1960s at Boston Children's Hospital, remains widely used today, facilitating communication among radiologists, cardiologists, surgeons, and pediatricians who are involved in the diagnosis, characterization, and management of this disease. This unique atlas offers complete coverage of the ubiquitous Van Praagh "language of CHD, including the signs, symptoms, and clinical manifestations of malpositioned, malformed, or absent cardiovascular chambers, vessels, and valves using traditional as well as state-of-the-art technology. - Based upon the systematic, widely accepted Van Praagh system of three-part notation used to succinctly describe the visceroatrial situs, the orientation of the ventricular loop, and the position and relation of the great vessels. - Demonstrates how the Van Praagh approach facilitates interpreting and reporting findings through cardiac imaging with CT, MR, and ultrasonography, including fetal cardiac imaging. - Presents the pathologic anatomy that pediatric and adult cardiologists, radiologists, and echocardiographers need to understand in order to make accurate diagnoses in complex congenital heart disease; as well as the pathologic anatomy that interventionists, pediatric cardiac surgeons, and adult congenital heart surgeons need to know in order to manage their patients successfully. - Features more than 550 high-quality images to help you visualize and recognize malformations. - Shares the knowledge and expertise of a world-renowned authority on congenital heart disease—a master teacher and the originator of the Van Praagh segmental classification system. - Explores the synergy between the various disciplines who manage patient care, including surgeons, radiologists, cardiologists, pathologists, and pediatricians. - Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.
While academics often treat their subject matter with a posture of detached objectivity, some have moved beyond the ivory tower of academia toward a more personal and active engagement with their area of research. The field of political science lends itself particularly well to this kind of activity given the relevance, impact, and importance of civic engagement and the political landscape of our daily lives. Early in the discipline, Woodrow Wilson, Charles Merriam, and other leaders of the American Political Science Association were civically engaged citizens as well as active scholars and teachers. However, discipline and institutional barriers have discouraged contemporary engagement. In Beyond the Ivory Tower: The Case for Civically Engaged Political Scientists, Richard Davis tells the stories of past and present academics who have ventured beyond the academy. He frames his own story of political activism in Utah within the context of the need for political scientists to step away from the cloistered affairs of academia toward more public and political engagement. Davis discusses different ways to remain active in academic life while also becoming more publicly engaged in one’s community and state. This book shows how political scientists may find alternative ways to explore their passion for politics and not only advocate civic engagement but also become actively engaged citizens themselves. Beyond the Ivory Tower skillfully discusses the institutional and cultural barriers to academic civic engagement and proposes solutions to overcome them while offering examples of political scientists who have been active citizens in a variety of forums, including running for office, serving in government, and founding and leading nonprofit organizations.
Imagine private jets ready for an afternoon flight to New York City for a transcontinental shopping trip . . . luxury yachts circling the globe awaiting their owner's arrival . . . fully staffed but rarely visited vacation homes throughout the world. The rich live trouble free lives of graceful ease. Or do they? In Fables of Fortune, author Richard Watts pulls back the brocade curtain to reveal the precarious path of wanting more. As the advisor to the super rich, Watts reflects on the reality of wealth and a difficult and heartbreaking lesson: "The wealthiest person is not who has the most, but who needs the least." The successes and failures of life inspire the heartbeat of passion and self-actualization. Watts will challenge readers to reconsider key life questions of personal value and discover surprising new answers. Fables of Fortune reveals an honest, comparative, eye-opening analysis for any reader who believes wealth is a rose without thorns. Read on and gain perspective and appreciation for your own real fortune in life.
From a leading British historian, the story of how fear of war shaped modern England By the end of World War I, Britain had become a laboratory for modernity. Intellectuals, politicians, scientists, and artists?among them Arnold Toynbee, Aldous Huxley, and H. G. Wells?sought a vision for a rapidly changing world. Coloring their innovative ideas and concepts, from eugenics to Freud?s unconscious, was a creeping fear that the West was staring down the end of civilization. In their home country of Britain, many of these fears were unfounded. The country had not suffered from economic collapse, occupation, civil war, or any of the ideological conflicts of inter-war Europe. Nevertheless, the modern era?s promise of progress was overshadowed by a looming sense of decay and death that would deeply influence creative production and public argument between the wars. In The Twilight Years, award-winning historian Richard Overy examines the paradox of this period and argues that the coming of World War II was almost welcomed by Britain?s leading thinkers, who saw it as an extraordinary test for the survival of civilization? and a way of resolving their contradictory fears and hopes about the future.
“An illustrated history of good old-fashioned entertainment from names like Tessie O’Shea, George Formby, and the early days of Bruce Forsyth.” —Yours As one of the richest sources of diversion for the people of Britain between the end of the First World War and the 1960s, the variety theater emerged from the embers of music hall, a vulgar and rambunctious entertainment that had held the working classes in thrall since the 1840s. Music hall bosses decided they would do better business if a man going to theaters on his own could take his wife and children with him, knowing they would see or hear nothing that would scandalize them. So variety, a gentler, less red-blooded entertainment was gradually established. At the top of the profession were Gracie Fields, a peerless singer and comedienne, and Max Miller, a comic who was renowned for being risqué, but who, in fact, never cracked a dirty joke. They were supported by acts that matched the word variety: ventriloquists, drag artists, animal acts, acrobats, jugglers, magicians and many more. But the variety theater was constantly under threat, first from revue, then radio, the cinema, girlie shows, the birth of rock ’n’ roll and finally television. By the end of the 1950s, the variety business seemed to have given up, but the recent and extraordinary popularity of talent shows on television has proved the public appetite is still there. Variety could be about to start all over again. “A priceless record of the people who entertained several generations between the wars and, for a brief time, after WWII . . . thoroughly entertaining.” —Books Monthly
This work is a landmark history of submarine warfare during World War I. An-ex submariner, the author captures the essence of what is what like to operate in these new and lethal craft. This periscope eye view introduces the reader to the great submarine commanders, the tactics they employed and the often-futile attempts made to sink them.
This volume offers the first full commentary on the Gospel of Thomas, a work which has previously been accessible only to theologians and scholars. Valantasis provides fresh translations of the Coptic and Greek text, with an illuminating commentary, examining the text line by line. He includes a general introduction outlining the debates of previous scholars and situating the Gospel in its historical and theological contexts. The Gospel of Thomas provides an insight into a previously inaccessible text and presents Thomas' gospel as an integral part of the canon of Biblical writings, which can inform us further about the literature of the Judeo-Christian tradition and early Christianity.
British intellectual life between the wars stood at the heart of modernity. The combination of a liberal, uncensored society and a large educated audience for new ideas made Britain a laboratory for novel ways to understand the world. The Morbid Age opens a window onto this creative but anxious era, the golden age of the public intellectual and scientist: Arnold Toynbee, Aldous and Julian Huxley, H. G. Wells, Marie Stopes and a host of others. Yet, as Richard Overy argues, a striking characteristic of so many of the ideas that emerged from this new age - from eugenics to Freud's unconscious, to modern ideas of pacifism and world government - was the fear that the West was facing a possibly terminal crisis of civilization. The modern era promised progress of a kind, but it was overshadowed by a growing fear of decay and death, an end to the civilized world and the arrival of a new Dark Age - even though the country had suffered no occupation, no civil war and none of the bitter ideological rivalries of inter-war Europe, and had an economy that survived better than most. The Morbid Age explores how this strange paradox came about. Ultimately, Overy shows, the coming of war was almost welcomed as a way to resolve the contradictions and anxieties of this period, a war in which it was believed civilization would be either saved or utterly destroyed.
This work shows the importance of analysing the "low" politics of areas that have traditionally been dominated by "high" politics. The role of bodies such as the Liberal Summer School and the Women's Liberal Federation are examined, along with the work of thinkers such as JM Keynes.
When Superintendent Mark Faraday begins to investigate the disappearance of a local lorry driver, a top secret UK/US intelligence operation designed to destroy the poppy fields of Afghanistan is unwittingly undermined. From the splendours of the House of Lords and the beauty of Venetian palazzos to the vastness of the deserts of Western Australia, Faraday pursues his investigation, haunted by the murder of one collague and mesmerised by the beauty of another.
This unique history reveals how a century of Federal Court drama and influential rulings shaped the development and culture of Northern California. From the gold rush to the Internet boom, the US District Court for the Northern District of California has played a major role in how business is done and life is lived on the Pacific Coast. When California was first admitted to the Union, pioneers were busy prospecting for new fortunes, building towns and cities—and suing each other. San Francisco became the epicenter of a litigious new world of fortune-seekers and corporate interests. Northern California’s federal court set precedents on issues ranging from shanghaied sailors to Mexican land grants and the civil rights of Chinese immigrants. Through the era of Prohibition and the labor movement to World War II and the tumultuous sixties and seventies, the court's historic rulings have defined the Bay Area's geography, culture, and commerce.
Evan, a West Coast anthologist, and Eve, a Vermont maple sugar farmer, fall for each other after meeting at a ballet in New York City, but their romance is threatened by distance and by Evan's decision to take in an ill ex-girlfriend.
F. Macfarlane Burnet I have been an interested onlooker for many years at research on the biology of trace elements, particularly in its bearing on the pas toral and agricultural importance of copper, zinc, cobalt, and mo lybdenum deficiencies in the soil of various parts of Australia. More recently I have developed a rather more specific interest in the role of zinc, particularly in relation to the dominance of zinc metalloenzymes in the processes of DNA replication and repair, and its possible significance for human pathology. One area of special significance is the striking effect of zinc deficiency in the mother in producing congenital abnormalities in the fetus. The fact that several chapters in the present work are concerned with this and other aspects of zinc deficiency is, I fancy, the editors jus tification for inviting me to write this foreword. In reading several of the chpaters before publication, my main impression was of the great potential importance of the topic of trace metal biology in both its negative and positive aspects-the effects of deficiency of essential elements and the toxicity of such pollutants of the modern world as lead or mercury mainly as or ganic compounds.
The key to success lies in getting to the top, right? Wrong. Not everyone can be in charge but, more importantly, not everyone should want to be. Richard Hytner, Deputy Chairman of Saatchi & Saatchi, thinks it's time to celebrate the second-in-commands, the consiglieri: from Merlin, to Al Gore, Rasputin to Machiavelli. These are the deputies, the Vice Presidents, the C-suite, the department heads - lieutenants, advisers, and counselors - whose influence determines the fate of boardrooms, corporations, and nations. While supremacy comes with drawbacks and influence, authority and power can be found in much more interesting places than the CEO's chair. Consiglieri: Leading from The Shadows brings together historical examples from Harry Hopkins to William Seward, conversations with contemporary second-in-commands like Tony Blair and Sir Alex Ferguson, and unique insights into Stalin, JFK, and Winnie the Pooh. A mirror for contemporary 'No. 2's' and a theoretical map for future consiglieri, the book traverses an array of powerful advisers from the White House to the Vatican, across international business, sports, and entertainment, as well as citing provocative research from psychology and academia.
Author Hutto presents the quintessential stories of America's oldest money. Readers will meet Joseph Pulitzer, J.P. Morgan, Vanderbilt, and other members in the parlors of the Jekyll Island Club, a pristine Georgia retreat.
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
The Heralds' Visitations were compiled by a Commission under the Privy Seal issued to the two provincial Kings-of-Arms. The arms were recorded with the descents, marriages, and issue, and, hence, the Visitations contain the pedigrees of the landed proprietors of the time entitled to bear arms. Since the Heralds' Visitations are unindexed, Mr. Sims set about, in this work, to index all the names of persons having pedigrees and coats of arms in the principal manuscripts in the British Museum. The arrangement is alphabetical by county and thereunder alphabetical by surname, with persons of the same surname being distinguished from each other by reference to place of residence. References are given after each name to the exact number of the manuscript wherein the pedigrees and coats of arms are contained.
A sweeping epic.… Promises to do for the war in the Pacific what Rick Atkinson did for Europe." —James M. Scott, author of Rampage In 1937, the swath of the globe east from India to the Pacific Ocean encompassed half the world’s population. Japan’s onslaught into China that year unleashed a tidal wave of events that fundamentally transformed this region and killed about twenty-five million people. This extraordinary World War II narrative vividly portrays the battles across this entire region and links those struggles on many levels with their profound twenty-first-century legacies. In this first volume of a trilogy, award-winning historian Richard B. Frank draws on rich archival research and recently discovered documentary evidence to tell an epic story that gave birth to the world we live in now.
The Hollywood studios of the 1930s, '40s, and '50s were rarely concerned with film as an art form; this was especially true of those specializing in the B film. Of these, Republic Pictures Corporation was the finest. Their quality B action pictures and serials influenced the industry and the moviegoing public, resulting in greater public acceptance. The Republic's roster of talent included John Wayne, Roy Rogers, and Gene Autry, and the serials it produced featured such iconic figures as Dick Tracy, Captain America, Zorro, and The Lone Ranger. In Republic Studios: Between Poverty Row and the Majors, author Richard Hurst documents the influence and significance of this major B studio. Originally published in 1979, this book provides a brief overview of the studio's economic structure and charts its output. Hurst examines the various genres represented by the studio, including the comedies of Judy Canova and westerns featuring Autry, Rogers, and The Three Mesquiteers. The book addresses the non-series B films Republic produced, as well as rare A films such as Wake of the Red Witch, Sands of Iwo Jima, and John Ford's The Quiet Man, all of which starred John Wayne. This new edition of Republic Studios, with two additional expanded chapters on serials, a new introduction, and an epilogue, brings the Republic story up to date. This fascinating look at Republic chronicles the impact the studio had on American cultural history from the mid-1940s to the mid-1950s and examines the studio's role in Hollywood history and its demise in the late '50s.
Abandoning the traditional narrative approach to the subject, Richard Rex presents an analytical account which sets out the logic of Henry VIII's shortlived Reformation. Starting with the fundamental matter of the royal supremacy, Rex goes on to investigate the application of this principle to the English ecclesiastical establishment and to the traditional religion of the people. He then examines the extra impetus and the new direction which Henry's regime gave to the development of a vernacular and literate devotional culture, and shows how, despite Henry's best intentions, serious religious divisions had emerged in England by the end of his reign. The study emphasises the personal role of Henry VIII in driving the Reformation process and how this process, in turn, considerably reinforced the monarch's power. This updated edition of a powerful interpretation of Henry VIII's Reformation retains the analytical edge and stylish lucidity of the original text while taking full account of the latest research. An important new chapter elucidates the way in which 'politics' and 'religion' interacted in early Tudor England.
This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and ‘spoken word’ auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio.
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