The Story of Bella Montez begins when she sets out on a journey looking for a place to settle in. She was looking for a place to live a normal life away from sorcery and a relentless powerful witch-hunter. Her wish was to find peace in a place where she would be among good people and a desire to have a family of her own to love...
An exploration of the personal and artistic connections between two icons of twentieth-century art Keith Haring (1958–1990) and Jean-Michel Basquiat (1960–1988) changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary. Each artist invented a distinct visual language, employing signs, symbols, and words to convey strong messages in unconventional ways, and each left an indelible legacy that remains a force in contemporary visual and popular culture. Offering fascinating new insights into the artists’ work, Keith Haring | Jean-Michel Basquiat reveals the many intersections among Haring and Basquiat’s lives, ideas, and practices. This lavishly illustrated volume brings together more than two hundred images—works created in public spaces, paintings, sculptures, objects, works on paper, photographs, and more. These rich visuals are accompanied by essays and interviews from renowned scholars, artists, and art critics, exploring the reach and range of Haring and Basquiat’s influence. Keith Haring | Jean-Michel Basquiat provides a valuable look at two artistic peers and boundary breakers whose tragically short but prolific careers left their marks on the art world and beyond. Distributed for the National Gallery of Victoria in association with No More Rulers
This is a story about witchcraft. In 1926, a six-year-old boy named Juan Aguilar goes on a camping trip with his family to Questa, New Mexico. He runs into a cursed house, and he is mysteriously transported back in time to 1826. He is taken in by a local family, and he slowly starts to discover why this house was cursed, that many other children have suffered the same fate, and ten years later finds his way back to his family in Albuquerque. When he returns home, no one believes his strange story of Bella the witch and the notorious witch hunter, Luciano del Valle. Years later, as an adult, he writes his story of witchcraft in rural New Mexico.
This story is a continuance about a boy who disappeared in 1926. He time-traveled into the past to the year 1826’... who later found that he had psychic abilities. Ten years later he was able to come back and reunite with his family at the age of 17, in 1937. He promised to return four young lost souls who got lost in the Ruins, who are now in his time. In Juan Aguilar’s new story, his psychic powers kept growing as he ventured into the Supernatural World with the Witch, Maria De La Luz, who helped his sister, to wake up from her coma. He has been learning from a 300 and 50-year-old alchemist who is immortal and was once sought to be a witch. Juan is confused, for him to go to the future he must live forever and become Immortal. He does not want to live forever, he wants to stay in his mortal world and have the power to time travel, but he must travel three times to the past before he can time-travel with his Body, Spirit, and Soul. While Maria prepares Juan to go on a supernatural journey, he must be ready to enter the Book of Bella. Maria will take Juan to the catacomb’s in search of the lost souls, and into the past to the cemetery in the Islands of the Philippines. He found out that for every five years he aged one year, he stays young.
Luis Valdez studies the life and work of this Chicano playwright, director, performer, and producer along with the implications of his legacy for Chicana/o/x communities and for all who engage with his work. Valdez’s work broadened the scope of theater and arts in the Chicano community, and his formation of El Teatro Campesino brought together students and farmworkers. This volume highlights his professional work and writings. It offers a unique investigation of Luis Valdez, his life, his oeuvre, and his contributions to the theater in the United States and beyond. This book combines: an in-depth biographical overview of Valdez’s life and career, focusing on defining experiences that set his trajectory into motion; an exploration of Valdez’s key writings—the 1973 epic poem Pensamiento Serpentino and the unpublished lecture The Power of Zero which articulate his philosophy of the Theatre of the Sphere; a stylistic analysis of his key works, including Soldado Razo and Zoot Suit as well as their critical reception; and a selection of improvisation and dance-based warm-ups, embodiment exercises, and an acto writing practicum adapted to experiment with Valdez’s works. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s students.
An exploration of the personal and artistic connections between two icons of twentieth-century art Keith Haring (1958–1990) and Jean-Michel Basquiat (1960–1988) changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary. Each artist invented a distinct visual language, employing signs, symbols, and words to convey strong messages in unconventional ways, and each left an indelible legacy that remains a force in contemporary visual and popular culture. Offering fascinating new insights into the artists’ work, Keith Haring | Jean-Michel Basquiat reveals the many intersections among Haring and Basquiat’s lives, ideas, and practices. This lavishly illustrated volume brings together more than two hundred images—works created in public spaces, paintings, sculptures, objects, works on paper, photographs, and more. These rich visuals are accompanied by essays and interviews from renowned scholars, artists, and art critics, exploring the reach and range of Haring and Basquiat’s influence. Keith Haring | Jean-Michel Basquiat provides a valuable look at two artistic peers and boundary breakers whose tragically short but prolific careers left their marks on the art world and beyond. Distributed for the National Gallery of Victoria in association with No More Rulers
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