This book stresses the importance of professional journalism in an era when direct communication by government authorities via social media networks has escalated while newsrooms have been shrinking for decades. Mixing practical hands-on experience with academic research, in his work Brazilian journalist Ricardo Gandour brings statistical data on both phenomena and warns of the consequences for the information environment and democracies.
Air pollution is about five decades or so old field and continues to be a global concern. Therefore, the governments around the world are involved in managing air quality in their countries for the welfare of their citizens. The management of air pollution involves understanding air pollution sources, monitoring of contaminants, modeling air quality, performing laboratory experiments, the use of satellite images for quantifying air quality levels, indoor air pollution, and elimination of contaminants through control. Research activities are being performed on every aspect of air pollution throughout the world, in order to respond to public concerns. The book is grouped in five different sections. Some topics are more detailed than others. The readers should be aware that multi-authored books have difficulty maintaining consistency. A reader will find, however, that each chapter is intellectually stimulating. Our goal was to provide current information and present a reasonable analysis of air quality data compiled by knowledgeable professionals in the field of air pollution.
Hotspots are enigmatic surface features that are not easily explained in the framework of plate tectonics. Investigating their origin is the goal of this thesis, using field evidence collected in the Cape Verde Islands, a prominent hotspot archipelago in the eastern Atlantic Ocean. The approach taken is to document uplift of the islands relative to sea level and use the uplift features to test various models of hotspot development. Island uplift is thought to arise from the growth of the anomalously shallow seafloor on which the islands rest, known as the bathymetric swell, which is characteristic of hotspots. The work comprises a geological summary and detailed mapping of paleo sea level markers on Cape Verde. Isotopic dating of the markers shows that uplift on the islands over the last 6 Myr is up to 400 m, and that the uplift chronology varies among islands. Two processes act to raise the Cape Verde Islands. The dominant process is one that is local to individual islands. The regional, swell-related component is smaller, and possibly episodic. The observations provide strong constraints on swell development and on hotspot models.
The book is about the approximately 300 years of the Brazilian colonial period, from the arrival of the first Portuguese navigators to the expansion of the country’s borders beyond what was defined by the Treaty of Tordesillas. As a language resource, the drawings of Vallandro Keating and the text of the journalist and historian Ricardo Maranhão complement each other, providing an unexpected perspective of the space and new angles of vision for old maps and representations, stimulating the reflection about embedded intellectual positions established by the traditional historiography.
Villa-Lobos and Modernism: The Apotheosis of Cannibal Music provides a new assessment of the Brazilian composer Heitor Villa-Lobos in terms of his contributions to the Modernist Movement of the twentieth century. In this profound study, Ricardo Averbach elevates Cultural Cannibalism as a major manifestation of the Modernist aesthetics and Villa-Lobos as its top exponent in the music field. Villa-Lobos’s anthropophagic appetite for multiple opposing aesthetics enlightens through the juxtaposition of contradictory elements, leaving a legacy of unmatched originality, a glittering kaleidoscope of sounds that draw from the radical power of Josephine Baker to the outrageous extravagance of Carmen Miranda, from Dada to Einstein’s counterintuitive scientific findings, from folklorism to atonality. The constructed analyses use the works of Stravinsky as a familiar and popular touchstone for accessing Villa-Lobos as the leading exponent of an aesthetic movement that has been neglected due to a traditional Eurocentric view of Modernism. Averbach opens up new possibilities for the study of twentieth-century music, in general, while unveiling how much our present aesthetics owes to the Modernist ideas introduced by the Brazilian composer.
At the second International Song Festival in 1967, Milton Nascimento had three songs accepted for competition. He had no intention of performing them--he hated the idea of intense competition. In fact, Nascimento might never have appeared at all if Eumir Deodato hadn't threatened not to write the arrangements for his songs if he didn't perform at least two of them. Nascimento went on to win the festival's best performer award, all three of his songs were included soon afterward on his first album, and the rest is history. This is only one anecdote from The Brazilian Sound, an encyclopedic survey of Brazilian popular music that ranges over samba, bossa nova, MPB, jazz and instrumental music and tropical rock, as well as the music of the Northeast. The authors have interviewed a wide variety of performers like Nascimento, Gilberto Gil, Carlinhos Brown, and Airto Moreira, U.S. fans, like Lyle Mays, George Duke, and Paul Winter, executive André Midani; and music historian Zuza Homem de Mello, just to name a few. First published in 1991, The Brazilian Sound received enthusiastic attention both in the United States and abroad. For this new edition, the authors have expanded their examination of the historical roots of Brazilian music, added new photographs, amplified their discussion of social issues like racism, updated the maps, and added a new final chapter highlighting the most recent trends in Brazilian music. The authors have expanded their coverage of the axé music movement and included profiles of significant emerging artists like Marisa Monte, Chico Cesar, and Daniela Mercury. Clearly written and lavishly illustrated with 167 photographs, The Brazilian Sound is packed with facts, explanations, and fascinating stories. For the Latin music aficionado or the novice who wants to learn more, the book also provides a glossary, a bibliography, and an extensive discography containing 1,000 entries. Author note: Chris McGowan was a contributing writer and columnist for Billboard from 1984 to 1996 and pioneered that publication's coverage of Brazilian and world music in the mid-1980s. He has written about the arts and other subjects for Musician, The Beat, the Hollywood Reporter, the Los Angeles Times, L. A Weekly, and the Los Angeles Reader. He is the author of Entertainment in the Cyber Zone: Exploring the Interactive Universe of Multimedia (1995) and was a contributor to The Encyclopedia of Latin American History and Culture (1996). Ricardo Pessanha has worked as a teacher, writer, editor, and management executive for CCAA, one of Brazil's leading institutes of English-language education. He has served as a consultant to foreign journalists and scholars on numerous cultural projects relating to Brazil. He has contributed articles about Brazilian music to The Beat and other publications.
The focus of this book is the judicial institutionalization of integration processes through the development of dispute settlement mechanisms, more especifically in the Common Market of the South (MERCOSUR), to date, the most important regional bloc in Latin America. The bloc has been in existence since 1991 and has positioned itself as one of the potential regional blocs for trade and investment, while becoming one of the important actors in the international community. However, its achievements have been tainted by the gaps and problems attached to the core foundation of the regional bloc. MERCOSUR has been suffering or experiencing internal disputes and disunity due to its complex and low institutionalization, a situation which can be seen as being paradoxical. Its current Dispute Settlement Mechanism is subject to uncertainty and doubt, since its own framework is also under internal and external criticism. There has been a series of protocols made in order to tackle the problems of the DSM and to further fix the problems that hinder the cooperation as well as the productivity of MERCOSUR's intra-organisation, all guided by intergovernmental decision-making. As such, this book seeks to tackle the concept of regionalism and the possible models which have been used or have influenced the establishment of MERCOSUR, while discussing the different aspects and developments of each intra-organisation. This is done in order to evaluate the nature of the problem, and future developments that could take place. The book also focuses on the prevalence of politicization in MERCOSUR and the pre-eminence of Presidential Diplomacy over the path of regional integration, which influence the DSM of MERCOSUR and possible developments that might occur in the near future.
Brazil's name comes from the tree called brazilwood, used during 350 years to embellish with red color the clothing of powerful people in Europe, and for that reason it turned to be one of Brazil's export riches, collected to a large extent. Over those years, it even became the subject of a number of policies issued by Portuguese, French and Dutch governments; and produced funds to pay for the external debt created in order to enable the country's independence. That is why it was strongly endangered. This book tells this story and presents the present situation of the red wood, including its use for good music, onde the best violin bows in the world are made of brazilwood.
The largely successful trajectory of participatory democracy in post-1988 Brazil is well documented, but much less is known about its origins in the 1970s and early 1980s. In Participatory Democracy in Brazil: Socioeconomic and Political Origins, J. Ricardo Tranjan recounts the creation of participatory democracy in Brazil. He positions the well-known Porto Alegre participatory budgeting at the end of three interrelated and partially overlapping processes: a series of incremental steps toward broader political participation taking place throughout the twentieth century; short-lived and only partially successful attempts to promote citizen participation in municipal administration in the 1970s; and setbacks restricting direct citizen participation in the 1980s. What emerges is a clearly delineated history of how socioeconomic contexts shaped Brazil’s first participatory administrations. Tranjan first examines Brazil’s long history of institutional exclusion of certain segments of the population and controlled inclusion of others, actions that fueled nationwide movements calling for direct citizen participation in the 1960s. He then presents three case studies of municipal administrations in the late 1970s and early 1980s that foreground the impact of socioeconomic factors in the emergence, design, and outcome of participatory initiatives. The contrast of these precursory experiences with the internationally known 1990s participatory models shows how participatory ideals and practices responded to the changing institutional context of the 1980s. The final part of his analysis places developments in participatory discourses and practices in the 1980s within the context of national-level political-institutional changes; in doing so, he helps bridge the gap between the local-level participatory democracy and democratization literatures.
This book explicates how the frontiers and path of development of casino tourism in various destinations in East and Southeast Asia are shaped by a set of social, cultural, political and economic forces and their interplays in a dynamic environment, and the prospects of this industry in different destinations in the 2020s and onward. Casino tourism has been a rapidly growing industry in East and Southeast Asia in the 2000s and 2010s. By scrutinizing the respective evidence from the better-developed, emerging and potential casino tourism destinations in East and Southeast Asia (which include Macao, Singapore, Malaysia, South Korea, the Philippines, Vietnam, Cambodia, Myanmar, Japan, Thailand and Taiwan), the book analyses specific contextual dimensions, including social, cultural, political and economic standpoints; the pragmatic features associated with the progress of this industry; and performances of casino tourism at the various East-Southeast Asian casino tourism destinations. Additionally, it also explores the impacts of the “China factor” and the resultant changes to the development frontiers of casino tourism. Thus, readers who would like to gain realistic insights into the underlying forces and dynamics of the practices and prospects of this industry will find this book informative and compelling. This book provides a comprehensive and succinct reference to students and industry practitioners in the areas of tourism, casino gaming and integrated resorts who wish to gain further insights into the general and essences, business routines and prospects of casino tourism development in East-Southeast Asia. Academics may also find this book a useful source for further exploration.
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