Faith Green's comfortable existence as owner of Boutique Magnifique begins unraveling when her beloved mother is seriously injured and confined to a nursing home for rehabilitation. When well enough to leave, but still unfit to live alone, Mimi is moved to Harmony Hall, a home for elderly ladies of limited means. During her first year there, Mimi learns that a congregate environment can be much more interesting than living alone. Over the same period, Faith watches her rebellious goddaughter blossom through her association with Harmony Hall. Faith's gal-about-town best friend, also influenced by Mimi's new living situation, undergoes her own emotional rehabilitation. The retirement home's employees, determined to keep their residents happy, face challenges both humorous and heartbreaking during Mimi's first year. An eye opener for children of aging parents and seniors reluctant to leave their homes, Harmony Hall reveals both the positive and poignant aspects of retirement living through the interconnected and unexpected experiences of its residents, staff and family members.
I Dismember Mama ... Snuff ... Night of a Thousand Cats ... these and many more like-titled examples of cinematic dementia delighted dozens in the grindhouse movie theaters of the sixties, seventies, and eighties. Now, for the second time ever, For One Week Only reveals the incredible truth behind the most manic movies ever made. Filled with interviews and rare illustrations, it captures the joys of a genre that has to be seen not to be believed. To avoid fainting, keep repeating: it's only a book ...!
Faith Green's comfortable existence as owner of Boutique Magnifique begins unraveling when her beloved mother is seriously injured and confined to a nursing home for rehabilitation. When well enough to leave, but still unfit to live alone, Mimi is moved to Harmony Hall, a home for elderly ladies of limited means. During her first year there, Mimi learns that a congregate environment can be much more interesting than living alone. Over the same period, Faith watches her rebellious goddaughter blossom through her association with Harmony Hall. Faith's gal-about-town best friend, also influenced by Mimi's new living situation, undergoes her own emotional rehabilitation. The retirement home's employees, determined to keep their residents happy, face challenges both humorous and heartbreaking during Mimi's first year. An eye opener for children of aging parents and seniors reluctant to leave their homes, Harmony Hall reveals both the positive and poignant aspects of retirement living through the interconnected and unexpected experiences of its residents, staff and family members.
A down to earth, insightful and often humorous look beyond the simple black and white of High School grades, GPA's and standardized tests. This journey could be one of the greatest in life . that's if you knew "5 things." It is a funny, down to earth and real approach to making High School more than it is made out to be. You will discover how to: Spot and Get Rid of the "Hatah's" Use the YBY (You Be You) Steps Know Whose Got Your Back! Stare Fear in the Face and Laugh! Identify Your Dreams and Turn Them Into Reality
In this wide-ranging study, Ric Knowles demonstrates how the examination and practice of theatre is enhanced by an expanded semiotic approach. Moving from the history and theory of performance analysis to its practical application and paying particular attention to cross-cultural applications, he examines not what a particular piece of theatre means, but how meaning is produced in the process of creating, viewing and analysing theatre. How Theatre Means presents contemporary case studies and explores intersections between a wide range of theories and methods. Clear and accessible, this book brings a key analytical methodology to life for students, practitioners and scholars.
Throughout the years, there may have been equally charismatic performers, comparable athletes, and even better interviews, but none were blessed with the same combination of talents to manage to stay on top for over three decades. To wrestling fans, the Nature Boy is a platinum-blond deity, a sixteen-time world champion who accurately boasted that he could have a five-star match with a broom. No matter how limited the opponent, Flair had the skill and determination to bounce all over the mat, transforming his rival into a star. When the camera light went on, "Slick Ric" could convince viewers that, if they missed an upcoming match, a momentous life experience would pass them by. Flair's opponents were challenged with this simple taunt: "To be the man, you have to beat the man." Away from the arena, Richard Morgan Fliehr spent years struggling with his own concept of what it meant to be a man. He suffered periods of crushing self-doubt, marital strife and—in a profession where there was room for only one Ric Flair—broken friendships. Ric Flair: To Be the Man, cowritten with Keith Elliot Greenberg, chronicles the anguish and exhilaration of Flair's life and career—in painfully honest detail. In addition to his own words, Flair's story is enriched by anecdotes from ring greats like Superstar Billy Graham, Ricky "The Dragon" Steamboat, Harley Race, Sgt. Slaughter, David Crockett, Arn Anderson, Bobby "The Brain" Heenan, "Mean" Gene Okerlund, Shawn Michaels, Triple H, Undertaker and Brock Lesnar. To Be the Man traces the rise of one of wrestling's most enduring superstars to the pinnacle of the sports entertainment universe, and is a must-read for every wrestling fan.
Now in Paperback! Early in 1971, Five Fingers of Death premiered in a New York movie theater. This was America's first look at a Chinese martial arts movie. In Chicago that same year, Duel of the Iron Fist debuted. With the release of Bruce Lee's films, the market exploded. And thus began America's love affair with what is one of the most misunderstood and maligned film genres. The Encyclopedia covers the genre from 1920 to 1994. The genre, however, can be very confusing: films often have several titles, and many of the stars have more than one pseudonym. In an effort to clarify some of the confusion, the authors have included all the information available to them on almost 3,300 films. Each entry includes a listing of the production company, the cast and crew, distributors, running times, reviews with star ratings whenever possible, and alternate film titles. A list of film series and one of the stars' pseudonyms, in addition to a 7,900 name index, are also included. Illustrated.
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