After 20 years as a dramatist Ric Gibbs made a startling discovery: the ancient tales beneath his fictional characters were showing up in the lives of his friends as well. Learn how myths and superheroes became the unseen drivers of our lives; and how we can activate them - to draw sword from stone - and live the lives we were meant to achieve.
After 20 years as a dramatist Ric Gibbs made a startling discovery: the myths and legends beneath his fictional characters were showing up in the lives of his friends as well. Right down to their plot points and key reversals, their hero’s journey and moments of life-changing recognition! QUICK, WHERE’S MY CAPE? is a riveting work of applied psychology. An exploration not just of superheroes, but of the powerful stories we all carry in our unconscious mind and the steps we can take to activate them - to draw sword from stone - and live the lives we were meant to achieve.
Now in Paperback! Early in 1971, Five Fingers of Death premiered in a New York movie theater. This was America's first look at a Chinese martial arts movie. In Chicago that same year, Duel of the Iron Fist debuted. With the release of Bruce Lee's films, the market exploded. And thus began America's love affair with what is one of the most misunderstood and maligned film genres. The Encyclopedia covers the genre from 1920 to 1994. The genre, however, can be very confusing: films often have several titles, and many of the stars have more than one pseudonym. In an effort to clarify some of the confusion, the authors have included all the information available to them on almost 3,300 films. Each entry includes a listing of the production company, the cast and crew, distributors, running times, reviews with star ratings whenever possible, and alternate film titles. A list of film series and one of the stars' pseudonyms, in addition to a 7,900 name index, are also included. Illustrated.
I Dismember Mama ... Snuff ... Night of a Thousand Cats ... these and many more like-titled examples of cinematic dementia delighted dozens in the grindhouse movie theaters of the sixties, seventies, and eighties. Now, for the second time ever, For One Week Only reveals the incredible truth behind the most manic movies ever made. Filled with interviews and rare illustrations, it captures the joys of a genre that has to be seen not to be believed. To avoid fainting, keep repeating: it's only a book ...!
In 1971, Canada became the first country to adopt an official policy of multiculturalism. Performing the Intercultural City explores how Toronto—a representative global city in this multicultural country—stages diversity through its many intercultural theater companies and troupes. The book begins with a theoretical introduction to theatrical interculturalism. Subsequent chapters outline the historical and political context within which intercultural performance takes place; examine the ways in which Indigenous, Filipino, and Afro-Caribbean Canadian theater has developed play structures based on culturally specific forms of expression; and explore the ways that intercultural companies have used intermediality, modernist form, and intercultural discourse to mediate across cultures. Performing the Intercultural City will appeal to scholars, artists, and the theater-going public, including those in theater and performance studies, urban studies, critical multiculturalism studies, diaspora studies, critical cosmopolitanism studies, critical race theory, and cultural studies.
Following the appointment of its first aristocratic Grand Masters in the 1720s and in the wake of its connections to the scientific Enlightenment, 'Free and Accepted' Masonry became part of Britain's national profile and the largest and most influential of Britain's extensive clubs and societies. The organisation did not evolve naturally from the mediaeval guilds and religious orders that pre-dated it but was reconfigured radically by a largely self-appointed inner core at London's most influential lodge, the Horn Tavern. Freemasonry became a vehicle for the expression of their philosophical and political views, and the 'Craft' attracted an aspirational membership across the upper middling and gentry. Through an examination of previously unexplored primary documentation, Foundations contributes to an understanding of contemporary English political and social culture and explores how Freemasonry became a mechanism that promoted the interests of the Hanoverian establishment and connected the metropolitan and provincial elites. The book explores social networks centred on the aristocracy, parliament, the learned and professional societies, and the magistracy, and provides pen portraits of the key individuals who spread the Masonic message. Foundations and Schism (Sussex Academic, 2013), have been described as 'the most important books on English Freemasonry published in recent times', providing 'a precise, social context for the invention of English Freemasonry'. Berman's analysis throws a new and original light on the formation and development of what rapidly became a national and international phenomenon.
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