In 1960, Dr. Jonathan Leakey discovered a fossilized jaw fragment in the Olduvai Gorge of the East African Riftthe first specimen of what is now known as Homo habilis, an anthropoid (human-like) creature that some think may have been a human ancestora debatable point at best. H. habilis is thought to have lived around two million years ago. In 1999, a team of paleoanthropologists went to an area near the Olduvai Gorge, to a site known today as Lake Eyasi, to do some routine research relating to the supposed connection between H. habilis and H. sapiens (modern man), with a plan to study a creature that had been extinct for 1.4 million years. Or so it was thought. What they found was nothing short of a nightmare in which they found themselves examining their faith and its interaction with science that they thought they knew.
It was a low-pitched growl, without tone and sounding almost like a rapid series of clicks, as if saying, "I belong here and you don't." They turned and looked but couldn't see anything-no creature, no shape or form. Just an unfocused image of space. Unseen things, like the things that go bump in the night, can run away with our perceptions and nurture imaginations and feed fears. The situation in which he now found himself was unnerving, to say the least. Wil realized they had come up against the very thing he'd been looking for while fearing he'd find it. The African Rift wasn't just the site of a horrifying discovery; it's the gulf between belief and unbelief, the division between accepted "fact" and fundamental truth and a challenge to understand who we are. In this second installment in the Rift hominid series, the action moves from the African Rift to northern California. And we are brought to new discoveries-discoveries that lead our team into tragedy and a deeper understanding of where they fit into God's creation, of learning that unbelief doesn't change what is. And that Truth, indeed, trumps popular "facts.
A team of scientists had a plan to study a creature that had been extinct for well over a million years. Or so it was thought. What they found was a nightmare—one in which they found themselves facing a mysterious and dangerous being, an ancient creature existing in a modern world to which it did not belong. They were left examining their faith and its interaction with what science thought it knew. In Cold Trail, our team of anthropologists continue their research into the mysterious beings and find themselves thrust into a much more recent mystery—a modern murder. They also uncover much evidence of the presence of the mysterious hominids, but no proof. They were first confronted by these creatures in the African Rift Valley, found the connection to the cryptohominids around Willow Creek, and are tracking them now in Alaska, where they also have to sort out the creatures’ behaviors from those of a modern-day killer. Now it’s twice the mystery, with even more questions lurking in the shadows. The old man thought for a moment. “I don’t believe or not believe. I have never seen him. But if someone has seen something that I have not, how can I say it wasn’t there? If I don’t see something, that is not proof that it does not exist.” He studied Wil for a few moments, almost as if looking into his soul. Wil felt the old man’s mind reaching in, strangling the turmoil with which he’d wrestled these past four years. It felt like the old man was speaking directly to him, and he wondered just what he himself really believed. Sam paused again, looked at Officer Sterns, and asked, “But you’re a policeman. Why is a policeman seeking a legend?”
A team of scientists had a plan to study a creature that had been extinct for well over a million years. Or so it was thought. What they found was a nightmare—one in which they found themselves facing a mysterious and dangerous being, an ancient creature existing in a modern world to which it did not belong. They were left examining their faith and its interaction with what science thought it knew. In Cold Trail, our team of anthropologists continue their research into the mysterious beings and find themselves thrust into a much more recent mystery—a modern murder. They also uncover much evidence of the presence of the mysterious hominids, but no proof. They were first confronted by these creatures in the African Rift Valley, found the connection to the cryptohominids around Willow Creek, and are tracking them now in Alaska, where they also have to sort out the creatures’ behaviors from those of a modern-day killer. Now it’s twice the mystery, with even more questions lurking in the shadows. The old man thought for a moment. “I don’t believe or not believe. I have never seen him. But if someone has seen something that I have not, how can I say it wasn’t there? If I don’t see something, that is not proof that it does not exist.” He studied Wil for a few moments, almost as if looking into his soul. Wil felt the old man’s mind reaching in, strangling the turmoil with which he’d wrestled these past four years. It felt like the old man was speaking directly to him, and he wondered just what he himself really believed. Sam paused again, looked at Officer Sterns, and asked, “But you’re a policeman. Why is a policeman seeking a legend?”
In 1960, Dr. Jonathan Leakey discovered a fossilized jaw fragment in the Olduvai Gorge of the East African Riftthe first specimen of what is now known as Homo habilis, an anthropoid (human-like) creature that some think may have been a human ancestora debatable point at best. H. habilis is thought to have lived around two million years ago. In 1999, a team of paleoanthropologists went to an area near the Olduvai Gorge, to a site known today as Lake Eyasi, to do some routine research relating to the supposed connection between H. habilis and H. sapiens (modern man), with a plan to study a creature that had been extinct for 1.4 million years. Or so it was thought. What they found was nothing short of a nightmare in which they found themselves examining their faith and its interaction with science that they thought they knew.
It was a low-pitched growl, without tone and sounding almost like a rapid series of clicks, as if saying, "I belong here and you don't." They turned and looked but couldn't see anything-no creature, no shape or form. Just an unfocused image of space. Unseen things, like the things that go bump in the night, can run away with our perceptions and nurture imaginations and feed fears. The situation in which he now found himself was unnerving, to say the least. Wil realized they had come up against the very thing he'd been looking for while fearing he'd find it. The African Rift wasn't just the site of a horrifying discovery; it's the gulf between belief and unbelief, the division between accepted "fact" and fundamental truth and a challenge to understand who we are. In this second installment in the Rift hominid series, the action moves from the African Rift to northern California. And we are brought to new discoveries-discoveries that lead our team into tragedy and a deeper understanding of where they fit into God's creation, of learning that unbelief doesn't change what is. And that Truth, indeed, trumps popular "facts.
This textbook is designed for upper-level courses on affective science. The lively, integrative chapters review empirical research on emotion at every level of analysis, including the neural bases of emotions, complex emotions, emotion and cognitive processes, emotion regulation, and an examination of social levels of analysis including emotions in groups, gender, and cultural differences. This 2nd edition has greater inclusion of research findings from neuroscience and includes highly effective learning devices, such as ‘Development Detail’ boxes; bolded key terms; ‘Learning Links’ to online supplemental materials; and many tables, figures and illustrations that make topics come alive.
I Dismember Mama ... Snuff ... Night of a Thousand Cats ... these and many more like-titled examples of cinematic dementia delighted dozens in the grindhouse movie theaters of the sixties, seventies, and eighties. Now, for the second time ever, For One Week Only reveals the incredible truth behind the most manic movies ever made. Filled with interviews and rare illustrations, it captures the joys of a genre that has to be seen not to be believed. To avoid fainting, keep repeating: it's only a book ...!
In all my years as a scientist, I never believed the experiments I was involved in would lead to so many people dying. I've even put my only son at risk. Our lives are inexorably changed, coursing down a path that may see the very destruction of us all, should this virogene escape the confines of its sealed environment. All my background, both moral and academic, tell me what I am doing is wrong, but how am I possibly going to stop it now? Can it be stopped? Will all this end in the loss of more lives? Cody Jenkins' father, Ben, is a prominent biophysicist working under a government contract for a private foundation. His realm of expertise lies in the development of biological compounds that will lead to the creation of a genetically engineered super virus. Once created, however, the virus proves so deadly that it defies all biological and chemical means of slowing its devastating effects on its host subjects. Because the research project that results in the discovery of the virus is government funded, the military believe they have the right to it, regardless of what the virus would mean for humanity; the Corsican Brotherhood wants to steal it for profit-thus begins a battle of wit, intrigue, and violence in which Cody becomes an innocent pawn.
Outlines forward-thinking recommendations on how to tap rapidly evolving technological and scientific innovations to make powerful new choices about saving, investing, and planning for the future.
In 1971, Canada became the first country to adopt an official policy of multiculturalism. Performing the Intercultural City explores how Toronto—a representative global city in this multicultural country—stages diversity through its many intercultural theater companies and troupes. The book begins with a theoretical introduction to theatrical interculturalism. Subsequent chapters outline the historical and political context within which intercultural performance takes place; examine the ways in which Indigenous, Filipino, and Afro-Caribbean Canadian theater has developed play structures based on culturally specific forms of expression; and explore the ways that intercultural companies have used intermediality, modernist form, and intercultural discourse to mediate across cultures. Performing the Intercultural City will appeal to scholars, artists, and the theater-going public, including those in theater and performance studies, urban studies, critical multiculturalism studies, diaspora studies, critical cosmopolitanism studies, critical race theory, and cultural studies.
God’s Church in the World: The Gift of Catholic Mission presents a confident and joyful assertion of the Catholic character of Christian mission and its sacramental nature, exploring the transforming role the Catholic tradition can play in the evangelism. A range of outstanding contributors explore the gifts that the Catholic tradition - formed by a conviction that the presence of Christ in the Eucharist intensifies and motivates an awareness of the sacramental presence of Christ in the world – can bring to the church’s engagement with the world. Chapters include: • Mission and the Life of Prayer • Mission and the Sacraments • Catholic Mission in Practice • The Virgin Mary and Mission • Vocation and Mission • The Sacraments as Converting Ordinances • Social Justice and Growth in Anglo-Catholic Churches • Reflections on Scripture and Catholic Mission • Catholic Mission: Historical Perspectives The contributors represent the breadth of Catholic traditions and identities in the Church of England today.
With a snap of the shutter and a couple clicks of the mouse, you can take stunning photos and share them with the world. Digital photography is one of the easiest art forms to master-if you only know how. The Everything Digital Photography Book, 2nd Edition, has everything you need to take full advantage of this evolving art form. Learn how to: Choose the perfect camera Use light and flashes for optimum effect Download and transfer images Compress images and post photos online Create personalized gifts like calendars Whether you're a novice photographer or a budding professional, this indispensable guide shows you how to capture the perfect shot-every time! Rick deGaris Doble is an award-winning photographer with nearly 40 years of photography experience. His site, www.RickDoble.net, receives 150,000 unique hits per year and his popular 600-photo "painting with light" section was ranked #2 in Google searches. Doble has been working with computer-related digital imagery for the past 22 years and, for the past 14, he has taught photography courses at institutions like Duke University. He lives in Smyrna, North Carolina.
An expanded edition of the only comprehensive illustrated history of New York—with more than 600 ravishing photographs and illustrations—that tells the remarkable 400-year-long story of the city from its beginning in 1624 up to the current moment. The companion volume to the acclaimed PBS series. This landmark book traces the spectacular growth of New York from its initial settlement on the tip of Manhattan through the destruction wrought by the Revolutionary War to its rise as the nation’s premier commercial capital and industrial center and as a magnet for immigrant hopes and dreams in the 19th century to its standing as a beacon of modern culture in the 20th century and as a worldwide symbol of resilience in the 21st century. The story continues here with new chapters delivering a sweeping portrait of New York at the dawn of the 21st century, when it emerged after decades of decline to assert its place at the very center of a new globalized culture. Here is a city challenged—indeed, sometimes shaken to its core—by a series of profound crises: the aftermath of 9/11, the continual struggle with racial injustice, the financial crisis of 2008, the devastation of Superstorm Sandy, the still unfolding cataclysm of the COVID-19 pandemic—whose earliest and deadliest urban epicenter was New York itself. Here too is a lively portrait of the city’s vibrant street life and culture: the birth of hip-hop in the South Bronx, Christo and Jeanne-Claude’s Gates in Central Park, the musicals of Broadway, the explosion in location filmmaking in every borough, the pivotal rise of the tech industry, and so much more. The history of this city—especially in the tumultuous and transformative two decades detailed in the new chapters—is an epic story of rebirth and growth, an astonishing transfiguration, still in progress, of the world’s first modern city into a model and prototype for the global city of the future.
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